You won't regret it, though many of us use a vacuum machine of some sort before the U/S. But anything is better than nothing when it comes to cleaning records.
@willyht Thanks! |
@signaforce Sure. Here are a few of my favorites: Curtis Amy and Dupree Bolton/Katanga Andrew Hill/Black Fire Andrew Hill/Dance with Death Carmell Jones/The Remarkable Carmell Jones Dexter Gordon/One Flight Up Donald Byrd/Chant Andrew Hill Passing Ships
Btw, I have many more than these, and they all have redeeming qualities. They are beautifully packaged, and fun to own. Andrew Hill was a pleasant discovery for me---- I also recommend Smokestack and Point of Departure which are part of the Blue Note Classic series.
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If paper, change out the liner to a MoFi sleeve, clean it with ultrasonic, then play. @willyht and others. Question, I am a fledgling jazz listener, so know & have Miles, Herbie, Cannonball, etc, most from the standard Blue Note. I don’t recognize most of the Tone Poets artists, but would like to begin to enjoy their fidelity. Any top albums you would recommend to start? Thanks |
@richardbrand ....yes, I recall something to that effect....Parastat may be a name similar to a solution that I spray applied to a couple of Mobil Fidelity LP’s back when.....It sounded as if the content of the cuts became ’silken’ and damped out some hf detail....mho, of course..... |
I carefully cut plastic wrap at the access side and tape plastic wrap over the edges to inner side of the album jacket, so album will stay in its original wrapping but the disc is actually reachable. It’s actually helps to preserve album jacket for long time and keep nice fresh look of the album over the years. |
I have moved several times over the past couple decades and am now able to sit back and unbox the vast LP collection I have amassed. When I was just starting out (in the 60's, no less) I had a GE fold-out stereo for a number of years that then morphed into a used Thorens TT with, no kidding, idler drive. By the late 70's I had a nicer Thorens, then a SOTA, then an Immedia, and now a Technics SL-1200G. Why am I going down this list? Because I am opening up LP's I haven't played in 50 years, which were played on those old units and well before anyone had a RCM or a Degritter like I do now. I started using a Dishwasher brush maybe around 1980 or so, and somewhere back then, before that actually, I buffed on some sort of groove-glide stuff, but I didn't have my VPI 16.5 until the mid-80's. Those records from back then, now seeing the light of day (I would scribble the month/year I cleaned them on the inner sleeve) now sound like new LP's. That's before cleaning them again! If I do clean them they sound like CD's, insofar as surface noise goes. I can't tell you how shocked I am at this. My early record care manly involved in careful handling of them and making sure the inner sleeves were oriented. Nothing special. Now I can get something from Discogs that sounds like it should be thrown away. A run through my new Record Doctor X (why didn't anyone make something like this years ago???) can do remarkable things (my VPI's vacuum motor died after 40 years) and then a distilled--water journey through the Degritter makes the former throw-out into something to treasure. I do this with all my new stuff now. Why not? My digital setup is great (usually) but the vinyl is pure magic for reasons I can't really fathom. The main thing is that I have always treated those items carefully, but, honestly, not really obsessively until now. You don't have to be crazy about it. One more vote here for that Record Doctor X...... |
@noromance On 1st play, I look for those tiny hairs being curled up from the stylus. Passing that, I consider the age of the LP in my hands, a few of which are 50+ and deserve to have their foibles... I did consider posting a sign next to the TT: "If you're F'd up already, don't make me negatively add to the condition." It was the rare soul who'd consider attempting to deal with a tangential arm anyway...too alien, too weird....*L* |
I just hit it with the AQ dust and static (using myself as the static ground) brush and listen to it. I recently bought the re-mixed Band Stage Fright album (just the vinyl, not the box set pile) and it sounds amazingly clean and excellent...my original version has been played a zillion times so there's that but the new one is some amazing vinyl. |
@richardbrand I used to have sky-high blood pressure, now it can't power an airtag... |
@grislybutter Ha, so how do you power the chip on your shoulder? Blood-static pressure? |
@richardbrand that's the problem, it's run on vampire dreams! I can't get rid of them |
I zap it with my Zerostat then clean it on my Nitty Gritty RCM--first using the MoFi Super Deep Cleaner and then their regular record wash. I apply the cleaners by placing the LP on a rubber record mat in its shipping box, so there is a solid surface against which I can apply the pressure of the record-cleaning brushes. Then I place the LP back on the rubber mat and apply LAST preservative. It is often necessary to clean the LP again (with a dry carbon-fiber brush) after placing it on the turntable, as dust will have landed on it. After listening to the record I add it to my collection on Discogs if I'm going to keep it. I usually place the LP in a new inner sleeve, especially if it came in a paper or cheap poly sleeve. This procedure, along with using the Zerostat and the dry brush before each play, has worked to keep my LPs in near-mint condition over decades of play. |
@asvjerry brand new records can have a significant amount of mold release agent on them that can cause surface noise. Always better to clean them before playing. YMMV. |
First I inspect it to make sure it isn't dished, warped or defective in any way. Next, I zap it with my Zerostat and clean it on my Diskwasher (manually). Finally, I play it and listen for any faults. I've learned to perform this ritual within a week or two after purchase and return it if warranted. |