Anything that uses LEDs to light up the tubes is ridiculous in my book.
Ugliest Component of the Year 2024!
I realize beauty is in the eye of the beholder but this one should ranks in top 10.
https://www.mcintoshlabs.com/products/cd-players/MCD85
I always loved the MC275 and its predecessors but this new trend which has extended to MC830 is a bit of head scratcher.
Feel free to add your pick…no judgements!
I'll throw klipschorn and other giant boxes by them in the mix. Don't like how they sound either which makes it worse for me. And yea the rant on ASR was not a good moment for Tekton. To be fair I didn't think their base model Lore was that bad measurement wise. Go check the stereophile article on the impact monitors if you want to see the response of the seven tweeter array. I have a +/-3 DB response from 20 hz to 20 khz with minimal room EQ from the listening position. I also have a fully treated space and two rhythmik F12s working sub 80 hz. Speaker designers are human too and he clearly takes pride in his products to light Amir up like that lol |
When I read the copy on these speakers I double checked to see that I was not on The Onion. https://www.yankodesign.com/2009/10/26/sounds-from-behind/
DeKay |
Let's not forget this weird banana thing from Vivid: https://vividaudio.com/giya/giya-g1-spirit/ |
Plus 1000 @otherworld74 Until you see the back panel!!! |
I have another anatomically suggestive speaker system for you to consider. It is the Western Electric 16A horn from the 1920's. I know someone who owns two of these beasts. Although it has two drivers, it is a single midrange horn. I've heard them run full range with Western Electric 555 fieldcoil drivers and also YL compression drivers. The setups I heard did not employ any woofers. Being a midrange horn, and given that the drivers were also meant to only operate in the midrange, it was shocking how much bass this horn delivers (goes down to somewhere around 70 hz). A bullet tweeter crossed in at around 15 khz. Whether it is ugly or beautiful is really hard to say. It is like what someone said about Nat King Cole--I don't know if he is the handsomest or ugliest man. |
Those are some horns…Personally, I wouldn’t care to own them but I believe some people pride themselves in owning something rare as this regardless of its appearance. They may sound phenomenal but for me, striking a balance between form, function, and how a piece integrates into its surroundings is an important aspect of ownership. It’s about creating harmony in the space as well as in the sound, which makes the experience even more enjoyable. |
Really anything from these folks: https://www.metaxas.com/product-page/product-page-audio-2/product-page-audio.html The headphone amp is particularly fetching. |
The person who owns these horns cares ONLY about the sound. He puts together custom systems that are much more practical than ones with that giant horn. That horn was meant to be used in theaters where it was hidden behind screens or curtains so looks were totally irrelevant. The sound is a great example of how one can engineer something that works despite what would otherwise be considered a major flaw. If you suddenly stop the music, you will hear a very long echoing decay of the music, which means that the horn is ringing like crazy. But, it rings over a broad range of frequencies so that the decay sounds utterly natural and there is no sense of the music being muddled or tonally altered by this ringing. Once I heard that ringing, I found it hard to accept, in my mind, that this was not a BIG problem. But, the more I listened, the more I came to realize that it was not a problem and that this horn is fantastic. It is very impractical, requires at least four, and up to eight very expensive midrange compression drivers for a stereo pair, but it IS something one should hear if one has the chance. It is on display and plays in the museum dedicated to vintage gear in Seoul, South Korea. |
Manley’s headphone amp is at the top of my list for least attractive aesthetic. It gives off expensive casket vibes: https://www.hifinews.com/content/manley-absolute-headphone-amp |
I’d say its a toss up between that laughable Tekton speaker pictured above and the supreme joke of Tralfamador...actually I think the real prize should go to complete system composed of Mac separates with Tektons as the main left and right with Tralfamadors as the surrounds with a phantom center. Anyone support that notion? And now for the real question: Who among you could walk into a room filled with a system like I just described without laughing out loud? |
It is amazing to me that people got paid real money to come up with these designs. On top of that, the designs most likely had to be approved by multiple people at these organizations. The wadax is the least offensive to me. Tectonic and McIntosh are close but Tekton gets the edge because I could put the Mc in a cabinet to hide. |
I find a lot of hi-fi component design to be lacking in design. I think some of that is driven by the fact that most manufacturers are aiming for somewhat "standard" component dimensions for given typologies but there is a lack of creativity in even the front panel of most components. There is something to be said about the timeless beauty of some of Dieter Rams' audio designs for Braun or B&O's early Beo turntables and speakers. I have yet to see a tub pre/integrated/amp that tries to step out of the proverbial box that when I look at it, I get a little design lust. The same can be said for many of the solid-state stuff out there. Speakers are another thing altogether. Few manufacturers make anything other than boxes with some grille tweaks and veneer choices. I'm not asking that every speaker be a one-off thing, but I also think some thought about aesthetics should trickle down from flagship models into lower models. I think that's why I like PS Audio's current speaker line up. There is a consistency of aesthetic follow through all the way down the line. Sonus Faber is another that make beautiful speakers. But...I also don't want components trending in the opposite direction where every design is aping Apple bevels and rose gold tone choices either. I think aesthetics is important as much as sound quality. Especially if you have the Wife-Acceptance-Factor to consider. |
I suppose it's a blessing in our industry that those component designers with a bad eye for aesthetics may be brilliant in their ability to make sonically amazing gear. On the flip side I've experienced components that look amazing but sound like crap. At the end of the day, I'll take the former condition. Now if you can get both aesthetics and performance that's a bonus! |
OOF. Even a dog would leave the room. https://goldmund.com/goldmund-apologue-loudspeaker-pinel-cyril-kongo/ |
Honestly, they look a lot more fun than Wilson's lugubrious upright coffins.
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@zerofox +++++100000000 |
Even if I could afford them because they sounded incredible, I could not look at any of the Wadax components and realized they look like a large GMC front grill. We really need more females to enter the design side of the house. See what I mean regarding GMC grill https://st.automobilemag.com/uploads/sites/11/2019/01/2020-GMC-Sierra-2500HD-Denali-005.jpg |
Can't find a picture that fully shows how ugly this krell design is. Obnoxious blue light that you cannot turn off and giant block letters that make it look like it should cost $2000 at most. Just horrible. |
@thecarpathian In spirit with the topic at hand, last I checked Krell was trending in the wrong direction in regards to aesthetics. Last Krell products I have considered owning are from over 10 years ago. Aesthetics are a factor for me personally. I’ve always liked Krell when I hear it. Clean and detailed and not fatiguing . Hope they can hang in there. I do think they need to get with the times both in form and function.
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There is a lot of needlessly expensive and certainly needlessly tinsel looking equipment out there. Guaranteed the majority of it is made cheaper with the price way up, they have to do something hoping to bells and whistles into peoples Wallets. Not picking on Mc alone but that’s a classic example of stuff that’s starting to look like junk. Bose will make it better…fat chance. If I had to own Mc as with others new or used, I’d put it in a fan cooled cupboard I designed and close the door !! Goes hand in hand with the Gimmicky looking cords. Then there’s the Tekton look… designed to give you that divorce. |
This is an ugly version of Mac gear. I agree with you. A Kalista CD Player and Shanling CD Player are the opposite as classy modern. Jadis, Goldmund, older Woo Audio, etc. are all examples of attractive CD Players. For another less attractive but better than the Mac is Wadax Studio CD Player and their Reference DAC is more like a science fiction monster than a audiophile jewelry above as stated previously, giant boombox. I agree that the Yanko Design is in both poor taste and ridiculous just to be a media sales choice. I disagree concerning the Vivid speakers as my wife and I feel they are attractive but not up to Von Schweikert sound quality. @kbmr Goldmund Apologue speakers are UGLY, worse than unattractive Mac. @tunehead My friend has a Von Langa Berlin but this model is ruined by the white horns on a black monolith tower. Just plain black would at least be unobtrusive. @tony1954 Well, this Tekton 1812 isn't pretty/obnoxious actually. Reminds me of some similar Mac speakers of old. |
Ugly or beautiful, I don't care. I just checked the price of the Mc CD player, $5,000. I am using Musical Fidelity CD player ($750 used, 21 yr old). Sounds still wonderful. Maybe with help of nice speakers, Vienna Mahler. Below are my opinion, just my opinion. Performance: Mc $5,000 99/100 Musical F. $750 95/100 3% difference is barely dicernable in terms of real listening environment. However, in terms of visuality or possession satisfaction: Mc $5,000 99.9/100 Musical F. $750 20-30/100
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