@kennyc I have an M Scaler. T Pardo on order.
How would you spend my next $5K?
How would you spend my next $5K?
Here is my current wishlist and system. Where would you put you/my next $5K? I find nothing deficient in my system. However, in my experience the right upgrade or tweak can bring surprising.
What would you do?
1. Amp - Upgrade current Transparent Reference PC
2. Upgrade legacy Syn Res Element Copper RCA
3. Upgrade Wireworld Gold and Platinum BNCs to WAVE BNCs (or just one pair?)
4. Tannoy Super tweeters
5. External LPS for M Scaler (DAVE SJ LPSU rocks!)
6. Second sub
7. Decent starter analog rig.
This is my current setup-
Tannoy Kensingtons
Single REL S/812
Pathos InPol Heritage MK2 integrated
Innuos Zenith MK3 - PhNET - PhUSB
CHORD DAVE/HMS
San Jacobs DC4ARC LPSU
Transparent PowerIsolator
OPTO Galvanic isolation
Mostly Transparent cables
@kennyc Great idea. Have a Teddy Pardo coming. Ideal would be Farad or Sean Jacobs. |
Thanks for the thoughtful input. Here are the responses to how you would spend my next $5K. Seems a clear consensus between room acoustics and second sub. Special kudos to those who said they would spend my $5K on their system. lol Second sub - 11 Room acoustics- 14 Super tweeter- 2 Cables/power - 3
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Extra S/812 sub and some bass traps. After that, change out all your Transparent cables. They all add to muddiness of the bass. No bass detail albeit they add some airiness to the upper registers since they pressurize the room with their boominess. I’ve been extremely disappointed with Transparents. Most cables at 1/4-1/6 the price are much better. |
Room is the issue for me to add components, but for the money, eh, maybe a bit more, a Naim Uniti with a 20 terabyte drive. A local dealer that sells it would include his entire library, 16 terabytes of hi def music. Music of every kind mostly ripped from the thousands of LPs they have and a host of other things that would take too long to describe. |
@helomech +1 The issue with room acoustic treatment is the difficulty/expense and aesthetics that can prove overwhelming to many Audiophiles. Look how many "Agon systems" have that dreaded large flat screen TV prominently showcased. Since the OP never mentioned room treatments or dedicated power lines that would IMO make the most improvement. |
@hysteve Thanks. I got a both USB and NET used, elsewise would not likely have sprung. NET seemed to make a bigger difference although that may be because I got it first. Deeper blacks. A more “settled/relaxed sound” and somehow a better grip on bass though I don’t know why that happened. Innuos says NET+USB get Zenith MK3 to 90% of previous pre Next Gen Stmt. |
Looks like you have a very nice setup, I’m a little behind you but, have similar equipment and just popped for a good DAC that’s on the way. I don’t know how you can best spend the next 5k but, I have a question if you don’t mind. I have same front end Innuos but missing the PHNET. Does yours drastically improve the SQ in your system or is it negligible? In other words, would you do it all over again knowing how much better it is? |
Well, I have Tannoy Churchill’s and when I added the ST-200 SuperTweeters it took them to another level not only in definition and soundstage but surprisingly in bass. So I’d recommend putting that on your $5k list. I think they make a model that match your Kensingtons. They are just under $2k so you’ll have the balance for something else. Good luck! |
@tomic601 or espresso :) |
@grislybutter lives in my hood, i’ll get him that beer… Your Atom has prat…… I would spend $20 on a copy of Jim Smith book - Get better sound = move gear to side asap….. THEN revaluation of weak link….. Have fun….. |
Second sub was the first thing that popped into my head. Then I read the responses and saw that I was not the only one. I added two subs to my setup and it added something really special to the soundstage and imaging. I don’t know if you can pull your speakers out into the room more but that might bring some improvements as well and won’t cost you anything. If you’re interested in room treatments it’s worth it to buy a mic and use something like REW to see what’s going on in your listening space and what you need to address. |
I hadn’t looked at the photo, so credit to the ever lovely @tablejockey. First impressions on that score- get the rack on a side wall and at a minimum cover the TV- I like dead space in between the speakers and nothing reflective. People can argue about diffusion or absorption between the speakers but I think it depends on the room and needs. Having the gear between the speakers and the TV screen there is definitely an issue in my book. Others may disagree. I never owned Tannoys but I get my speakers out from the front wall and aim ’em. Granted, different speakers fire differently- I know people tend to want a big soundstage and also to have more than a single spot for ideal listening, so a lot has to do with positioning. There’s a ton of articles about good guidelines, but somebody who knows Tannoy may be better able to help than general guidelines. Jim Smith (who was ailing last I heard) was the Avantgarde distributor back in the day and had some good ideas on room set up (that was his business, as a service), but went with Tannoys after that. These days I know zero about what he is running. He might be receptive to a paid for call to consult. He used to go to people’s houses to do set up. My set up may be unique to my system and room, so I’m not saying "my way" is best for you but I’ll tell you what I did: My subs are actually centered between the speakers but away from the walls as well. I DSP’d them and then roll them off steeply 24 db/octave at 55 hz- my mains--Avantgarde Duos-- are unaffected and run full range directly from my tube amps with no DSP in between. I also adjusted phase and gain of the subs sitting in the listening chair and having help handle the controls. Although I’ve owned the core of this system since around 2006-7, changing a few things made a big difference: 1. room- I moved. This is a bigger, longer room that is narrow at the speaker end (front wall) and widens. That alone makes a difference. I don’t use a lot of treatment: bass traps, and window treatment in addition to some nice rugs. 2. I worked on the power feeding the system-- checked the meter (with the power company guy’s help), main service panel and feeders were run to a subpanel that connects to big iso transformer (10kVa). I’m not suggesting you get spendy, but just an audit of the power coming in (you have control after the meter, and if you saw the Fremer video, his meter contacts were corroded). I prefer commercial electricians-- they are usually experienced and can deal with the demands of audiophiles, though you may have to educate them. 3. Set up in the room- I was able to set up the system after I moved pretty quickly with some help-- college football players from UT who moved the heavy stuff, I had rough positioning with little effort. My wife helped me dial it in. An inch or a small increment in angle of the main drivers made a difference. And I have a pretty large sweet spot with a back "row." She also helped me with adjusting the subs, and with VTA (something you need not worry about). 4. I changed cartridges, in addition to adding subwoofers and improved turntable isolation. All of it made a difference, particularly in the articulation and "filled in" quality of the bass. Since I'm not urging you to go in records (LPs), such changes as may be made to your digital playback will probably improve your results, but I can't recommend anything. (I do have the facilities to play digital sources on the two systems set up here, but I am primary a vinyl LP guy). 5. Are there reflective surfaces- like windows- in your room? Those need to be dealt with and you don’t have to go all "audiophile" spendy to treat them. ****** I guess there are paid gurus to help. I do have a hard time evaluating systems without being in the room, and make no pretensions about expertise. I do know when it sounds better or worse. But, I’d also start a thread on Tannoy speaker positioning because I think that may be where you aren’t getting all out of your system that you could. The rest can be done to the degree of your ease. Have fun, good luck! Bill |
@elliottbnewcombjr correct via toslink to m scaler |
@grislybutter lol |
Helpful comments, thanks. I could say that the Kensingtons and S/812 don’t fully pressurize my 15’x21’ space, though I’ve made some recent improvement in dialing in the sub. Interestingly, my small bedroom (10’x12’) NAIM UNITI ATOM/Tannnoy MINI AUTOGRAPH/REL T5X fills the room very nicely with a good visceral feel. Perhaps small room size and near-field listening helps this. |
As a long time LP guy, this is not a good time to start going deep into vinyl record playback. Records, even the crap I considered standard "used bin" that was 4-8 US dollars, is now 30 dollars plus online and optimistically graded. I buy mostly old records, and mostly obscure stuff. The new "audiophile" stuff is also pricey for what it is and there is a lot of bad vinyl out there. I agree that adding a second sub might improve your overall presentation. It is very hard for me to make recommendations without hearing the system in situ, how it is set up in the room and what is "missing." I would assume that your system does not commit errors of commission but omission. That's an assumption, though. I guess the real question is-- where are you dissatisfied? I find audio reproduction systems require gradual improvements over time-- once you finesse the set up and know how the system interacts with the room, you can concentrate on improvements. I also don't buy into "miracle tweaks." I think you build upon the strengths of the system by looking to improve the weakest link. What is that, in your estimation, OP? |