My gear is Blue,White,Silver,and Black. I also have no aversion to silver speakers. I don’t own any,yet.
No,really,you’re welcome.
No,really,you’re welcome.
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Black faces make components look like toys. No serious piece of electronics should obscure the surface markings with a black face. Think of all the lab equipment you've ever seen...consider the components in this MIT electrical engineering lab workspace: https://www.google.com/url?sa=i&url=https%3A%2F%2Fedgerton.mit.edu%2Fclubs-teams%2Fmit-electroni... Silver is functional, timeless, professional, serious. |
I believe it was Henry Ford, who said you can have any color you want as long as it is black. Black lacquer dried the fastest. He did make Model T's in other colors. Digital Amplifier Company gives you a choice on some models, a red or black faceplate. My Maraschinos only come with a red faceplate, the power supply is red also. I really don't care what the faceplate color is, it is under the hood that counts. I have several Meridian pre/pros they have a glass like top, actually it is persplex a type of acrylic. |
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i know silver is a classic 80’s color, but I much prefer black. Black is elegant and timeless...unless it’s piano black, in which case it can look cheap if it’s not done well. Add a bit of chrome if tubes are involved....maybe a champagne gold if you want to do the retro thing, but silver is all kinds of meh. |
I'm an Industrial Designer and I do appreciate a thoughtfully designed piece of audio gear. I generally prefer silver especially when there are polished edge chamfers and other fine details. I have often envisioned other materials and finishes that I think would be fantastic for audio designs. One that comes to mind is glass. There are challenges but, I think glass is underutilized. I can visualize a soft matte texture on the backside of a 1/4" thick glass panel that is back or edge lit with a tasteful glow across the surface. The lettering could be cut into the backside and when lit from below these details could stand out like a piece of Steuben glass. Glass can be shaped and formed. My Abel fly reels also have some fantastic anodized finishes that I think would apply to audio gear. I have seen some clear finishes over aluminum, with a slight hint of color, that would give a beautiful tinted look to the silver- like silver teal or smoked aluminum.... Not much risk-taking going on in audio gear design. |
I don’t know where it came from. Maybe back in the 70’s? But somewhere in my brain silver means "cheap" and black means "pricy" . I think the hi dollar audio shops that carried big names had black units, and all your Webcors, and Philco etc units sold at Buckeye Marts and Woolworths were silver. Kind of ruined it for me . Then in the 80’s all the rage was silver Marantz’s, Sony’s etc . We had to accept them as that’s the only way you could get them and then BAM, you had a choice. I’ll stick with black |
Anodization in color never works as the control of temp, voltage, stirring, mixture ratio, quality of surface, grounding, etc...all of that is never exactly repeatable. thus, two functional anodization colors, silver and black. for black, it's easy. Check it and let it sit longer if it is not black enough. Silver, much the same. Painted colors, susceptible to the materials underneath not being clean enough, chipping, scratching, cracking, mismatch of colors, and so on. OK for speakers which sit alone, but the anodization can be a pain due to lets say three pieces, bought and made at different times, each having three different anodization batchings, and thus, all different looking. Importantly, ...Dye. Black is a opaque pigment when anodizing..for the most part... colors are transparent dyes, for the most part. Thus susceptible to light based fading. Sometimes they fade all on their own. Most chassis makers for audio companies will only reasonably try to talk their customers away from messing with the mess of the idea of anodized colors. They will do it, but they will not guarantee anything for you. Period. You are on your own, if as a manufacturer, you decide to try a batch of anodized colors. As anodized colors are just.....crap. So, basic black, just leave it in the bath long enough and it comes out black. Tough to screw up, easy to match up with another face-plate done at another time by another company. Silver, just clean anodization, perfect match. Thus the existence of the nearly ubiquitous two: Black and Silver. |
Yeah, it seems the vast majority of today's audio clientele won't take anything but black in a component. It's something that enabled me to save a nice handful of cash when I pulled the trigger on a silver Mytek BB instead of a black one. It didn't hurt that, as for me personally, if there's an alternative to black in a component, I'll take it every time. |
I've always hated silver faceplates (I ordered my ARC SP-3/D-75/D-51 in gold & black). I made an exception for the First Watt B4, which was not offered in black. More recently, I made an exception for the EAR-Yoshino 868 pre-amp, available only with a chrome-plated faceplate (which is acceptable). BIB, baby. |