@foggyus91....Simple pleasures for complicated minds....thanks for the kick-start.👍
Darko does Puff-piece and spoils his tutu
A briefing at the entrance to AudioHell....
"Resistance is a cruel fate....a circuit stalemate is one's best option..."
I can ignore it enough...a 'one-read', toss on recycle pile.
Too far gone on my winding road to care much except for what I step into...*L*
I am totally not on board with 2, 5, 7, and 8. Some of the others are questionable.
He sounds like a blow-hard, if you ask me. Anyone who comes up with an agenda like that and then says "take it or leave it", is a bit of a contemptuous person, imho but maybe that's me.
having perfect pitch made it hell on me during the analog years, so many turntables and tape decks that were off-pitch. and many audio repairmen would resist fixing ’em unless the speed deviation was over 5%.
I’m certain that anyone who minimizes the differences in how gear sounds, refuses to get their hearing checked. Because, if they did, the results would dictate the need for them to sit down and shut up. Their egos won’t allow that.
What adds the most value to your HiFi experience is how much you enjoy yourself.
If the end goal is great sound, that can be found on a small radio if one is listening intently. The brain can fill in so much.
I get it... we want to be bathed in sound. I feel the same way. But if one cannot allow oneself to let go and enjoy the music in however it presents itself, then no matter the system it will always ring hollow.
"This more affordable product competes with other products selling for 2x or 3x the price"
I'm not talking about comparing some speaker you bought at Walmart, but most $2000 speakers will normally sound just as good as $20,000 speakers in terms of sound quality. Exceptions are the exception, not the norm.
Hey freediver... I'm in my eighties with tinnitus for 60 years and will take that listening challenge.
It's not that you can't hear the difference, it's that you've already decided and so the difference to you is too small to care about. To me the differences are typically here and there in the music and absolutely thrilling. It's what I love about this hobby.
What John Darko is doing is to get a conversation going. I also watch/read other reviewers.
#13 - I have been to 1 audio show, SWAF in 2024, small show, easy to view ever room. I also take trips to visit physical stores to listen. Better synergy, room treatments.
#14 - Listen to new, buy used/trade-in. Some people can buy new, I buy their used. Mola Mola Tambaqui, Grimm MU1
@nonoise Funny! He’d probably think that. One of his trademarks is to the the "outsider with insider knowledge." This is like the Mikey guy. (Actually, he’s the "rebel-who-tells-it-like-it-is-but-also-wants-to-sell-you-stuff-but-hey-its-not-about-the-money.) Then, there are others like Hans Beekhuyzen or Steve Guttenberg who don’t really bother with playing at being outsiders. They know their stuff, they like it, and they don’t feel a need to constantly tell people that they "Don’t listen to that tired old audiophile music" or some other story to prove that they are outsiders – "Hey, I’m just like you." I find Darko to be about 40% "Too cool for school" and while he’s done some great episodes, his overall persona is – to me – tiresome.
@freediver
Rap is crap & NOT real music..
Electronic is NOT real music,it is sound.
Rap is crap & NOT real music..
Electronic is NOT real music,it is sound.
#9 is so far removed from fact it lives on Mars..
#5 is true but will NEVER be accepted or acknowledged because of the subconscious justification of those who can simply afford more & the manipulation of those who have set themselves up as golden ear influencers..
#1,I challenge ANY golden ear to prove this in blind listening tests..
DRBOOP.......I will say it again that it was '' useless '' . I am blessed with many long time friends and a very strange and very odd comment that you would equate me liking a '' useless ' video to having friends. Very odd .....
"T.H.E. SHOW in Costa Mesa. I was very excited as this was my first audio show. What a disappointment!"
thriftyaudio-
I was hoping someone would mention T.H.E. Show last weekend.
Other than the fact turnout was very low attendee(good for maneuvering in between rooms/elevator)it was a waste of my $25 day pass! The 2 friends I went with felt the same.
None of the "BIG Guns" had representation and you could tell some exhibitors didn't want to be there.
The speakers mentioned - budget/value Chesk and ESL were among the few that caught my attention.
Otherwise, a sad audio show.😪
Entering the lobby of the hotel, one couldn't tell an event was even happening!
Go to Axpona or plan a vacation around one of the European /Asian shows.
while this is one of the cringiest one, it’s worth discussing and a separate post
8. Being an audiophile is “all about the music”
First, audiophiles are KNOWN to be about the gear. How much - it all varies. Second, they are not about the music, but about the sound. Do they like music, sure. But unlike 97% of the population that cares about the music, audiophiles care about how the music sounds.
A. What's wrong with liking sound as much if not more than music, anyway?
Comment: No one ever makes an argument when they say this – they just imply it's self evident. But Steve Gutenberg – a huge music fan – talks about being fascinated as a kid by the static between stations on the radio. That's pretty cool. And I bet Brian Eno and a thousand other artists are also fascinated by sound as much as music. The presumption that music>sound is a dogmatic one and anyone who asserts it also believes a host of other self-indulgent opinions.
B. What's wrong with liking gear?
Comment: Shall we go after car nuts, next? Foodies? Trainspotters? People like things for random and personal reasons and that's kind of cool. If someone is caught in an OCD loop, well, that's too bad – but don't blame "gear." That's their hangup, man.
@mapman Michael Fremer made a video about how amazing MoFi’s expensive Original Master Recording vinyl sounded, how digital can never sound like this, how he can tell the difference. Turns out that record among many other MoFi Original Master Recordings was cut from DSD lol.
Darko is an important voice in the hobby. You don't have to agree with his subjective takes on everything, but if you say he's useless with everything then you need to understand why you don't have friends.
He’s incorrect. You do NOT need room treatments if you set your system properly. And no. Hes wrong on giant killers. There are MANY out there. Lets start with the Audiopax Model 88 which when released was priced at under 10k. Yes you read that right. Under 10k!!!.
........I personally found it useless and can't get that time back I wasted. The guy is trolling and nothing new that hasn't already been discussed a million times ....did it, done it and moved on.
"The problem with Darko is the lack of substance. He is an entertainer and he is content by scratching the surface, barely. Some of these are recycled points and some of them are so contrived "nobody said ever" it's painful to read. From his mouth it will reach a larger audience."
It might appear a bit simplistic to us audiophiles, but that's what Darko has to do to appeal to a wide audience.
Hifi is all about preferences and opinions and all analogue is a perfectly legitimate tried and tested way of going about things.
However, Darko is absolutely spot with point no. 7 - digitisation is very far from a sonic disaster for analogue sources.
Linn’s Urika II digital phono stage is a big upgrade on the all analogue equivalent. Plus, digitisation offers the prospect of further reducing noise, distortion and interference in the preamp and crossovers.
I just attended T.H.E. SHOW in Costa Mesa. I was very excited as this was my first audio show. What a disappointment! I was hoping to compare various versions of items from manufacturers. Not possible. Innuos had no representative, and the room that had the equipment chose not to use it at all during my time in the room as they were focusing on speakers and power amps. I asked questions about the various models from Stream 3 to Zen NG. They recommended something else from another brand that I was not interested in and would not use the Zen NG in the room.
Aurender was a bit better, but I was not able to compare various models. I did buy a used N20 from a dealer, I was hoping to compare it to other Aurender options, but there was not chance. Most local dealers have a very limited supply of items from various manufacturers. THE Show did not help.
The room set ups were terrible. Some of them were so out of whack I could not stay more than a minute or two.
I was impressed with the Chesky speaker room. They had a great pair of speakers for under a $1000. Considering getting pair for my son.
A couple of the electrostatic speaker rooms were interesting, but one would only focus on a surround system. I cannot imaging a room with nice electrostats plus two subs. Rediculous.
The cable rooms were next to impossible to get any relevant information about the different models.
Some brands were listed on rooms (Pass Labs), but none of the equipment was represented? Weird.
I wasn't expecting the seminars to be much, but they were actually the highlight of the show.
I won't be back next year. Three days and a bunch of general frustration. I learn more reading the biased Audiogon posts. Thanks for a taste of sanity.
While Darko mentions that trying to demo a component at an audio show one is actually hearing the entire chain, it’s seems that often audio shows and audio stores are the only places to demo. While trying out component in one’s own audio chain is ideal, it’s often impossible/impractical.
I rarely find Darko interesting, but the points he makes are valid, at least most of them. But they are also obvious. Yes, these internet places get pretty nasty and of course its oxymoronic to spend tens of thousands of dollars on gear, and claim its only about music. And the sad reality is that you generally get what you pay for.
We knew that. Still, useful to organize these points in one article.
@invalidOf course could be confirmation bias listening but not so much in this case I would say based on extensive sample size listening randomly over time to different releases of same album, some vinyl source, some various digital remasters, I can usually tell which source is playing when it comes up randomly in my playlists.
I can tell the vinyl sources even in cases where there is no surface noise clearly audible. THe unique properties of a specific record come through loud and clear, whether good bad or neutral.
I always use ultrasonic vinyl cleaning machine on a record prior to digitizing for best results. I am also often able to tell which specific digital mastering of album I am hearing.
For records in less than perfect condition, where I cannot filter out all teh noise during digitizing process in Audacity, its a piece of cake to tell a vinyl sourced digital version. Surface noise present in the source comes through loud and clear along with all the rest. Have never heard vinyl surface noise otherwise.
As a result I play a record once in order to convert to digital in my library, then I stream via Roon from there. I do keep the records afterwards however because 1) I still like having records and 2) in case anything were to hapen and teh digital files lost. I do backups of my library regularly though so not likely.
Perhaps as I downsize further over time, some records may go just so my kids no longer have to deal with them when I am gone.
while this is one of the cringiest one, it’s worth discussing and a separate post
8. Being an audiophile is “all about the music”
First, audiophiles are KNOWN to be about the gear. How much - it all varies. Second, they are not about the music, but about the sound. Do they like music, sure. But unlike 97% of the population that cares about the music, audiophiles care about how the music sounds. Compared to xyz variations in the room, source, cable, etc. They are looking for the magic sound.
Third, they care about a zillion things regarding the gear. Where it was made, what the person’s philosophy about crossover and flaws are who designed it, how it looks (why??? - this is a strange one, I care too much about looks, does it affect the sound?), how it triggers more tweaking, soundstage width and depth, the tv between, stuff that would make most normal people to say "you need help, I am not kidding".
Audiophiles care about the gear, music lovers care about the music. Are there people who are both? Sure.
You can’t take the audiophile out of the hifishop but you will never take the itch out of the audiophile to surround themselves with gear. It’s like gambling.
The problem with Darko is the lack of substance. He is an entertainer and he is content by scratching the surface, barely. Some of these are recycled points and some of them are so contrived "nobody said ever" it's painful to read. From his mouth it will reach a larger audience.
@rpeluso Thanks for letting everyone know. We were all going to spend the day wondering, "I wonder if @rpeluso cares about this." Phew. Load off my mind.
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