I am still kicking myself for selling a Rogue Rp7 pre w/ top of the line NOS tubes.
I have a well regarded SS integrated now but definetly lost a little magic.
This year my answers have changed to this question. Previously I would have said the amplifier, but that was because I did not own a high end preamp. Amplifiers matter up to a point that you need to drive speakers efficiently without straining the amp; not pushing it into distortion. To my mind, that is an amplifier that can deliver high current; not just watts per channel. This year I added a CODA S5.5 solid state amp, and an Aric Audio Transcend "Push Pull" EL34 amp.....both capable of high current. They truly transformed my system, even with a "mid-fi" preamp. Then a couple of months later, I added an Aric Audio Motherlode XL balanced preamp.....and I learned what all of the fuss was about with a high end preamp. It took all of the magic of the amps, and improved on most everything in every way. I also believe that the room conditioning is of equal importance, so much that I'm building a dedicated listening room, with proper diffusion and absorption, dedicated power with high end receptacles. Once that is complete, then I'll review what needs to be changed.
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The answer is "yes." How active is the preamp? How passive is the preamp? If there is gain, how is it done? What is the power supply, if there is one? Is there a DAC? Is there a phono preamp with gain? Is there a headphone amp? Are there filters? Is there a tube gain stage? How many dB? Selectable or not? Is there a balanced XLR input or output? On one extreme, you have the minimalist NVA preamp with no gain, all single-end input and output, no power supply. High-quality pot and source selector, a cabinet and that’s all. OTOH, you have a Pro-Ject Pre-Box RS2 with headphone amp, XLR in and out, dual DAC, I2S, USB, multiple filters, selectable tube stage with gain, remote, and a display and all in a cabinet less than half rack width. |
I’ve owned many different mid-fi and high-fi preamps and amps, both SS and tube. All the components, and the mixture of components, can make a marked difference in sound. I personally like to keep the amp and preamp made by the same manufacturer and, of course, both being tubes. Also, you must have quality loudspeakers to critically evaluate any changes in your system. |
I've gotten the most noticable differences in system sound based on (descending order of magnitude) Speakers/Headphones Room (for stereo listening) DAC/Cartridge Subwoofer placement/integration Phono stage Amplifier (tube types) Preamplifier (with/without tube type) Streamer I haven't done DSP but do have a DIRAC unit collecting dust and based on what others say it could fall somewhere between subwoofer integration and amplifier. |
@willyht what has your experience been? Since I started upgrading my system from mid-fi to hi-fi 6 years ago it has been 100% Audio Research. I have been through 9 different preamps and 4 different amps. I always saw the biggest impact from amps with the preamps offering more subtle differences. The majority of these upgrades were with the same speakers. I tried a few different speakers along the journey but always sold the contender and stuck with the original. |
I try not to use a component that’s obviously colored ahead of the power amps. Get a good transparent source and a good transparent preamp, then you can indulge yourself and shape the presentation a little with your choice of power amp, knowing that everything upstream is as true to the source as your budget constraints allow.
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@atmasphere wrote "you hear distortion as tonality" Could you explain? Thanks! @o_holter Our ears use harmonics to tell the difference between a clarinet and a trumpet. When harmonics are added to a signal (such as when that signal passes through a preamp or amplifier), they change the tonality of that signal by adding harmonics in much the same way that different clarinets sound different because their harmonic structure is different. IOW distortion is interpreted by the ear as tonality. The brightness of traditional solid state is caused by low level higher ordered harmonic distortion; the 'warmth' of tube equipment is caused by the 2nd and 3rd harmonics. So you can see that its important for the distortion signature of any amp or preamp to be benign, and also that the 'sonic signature' of an amp or preamp is actually its distortion. |
And someone above alluded to garbage in, garbage out when impressing on the importance of the pre-amp. True. And the most we can control if our source is streaming or CD. But, that applies to the earliest point in the system we can control, and we still see a lot of people not paying attention to their cartridge and stylus on their turntable - the ultimate GIGO. (We are hoping the producers of any records-CDs are recording to highest standards and pressing the vinyl right, etc.) Just sayin. |
Someone noted above that the efficiency of the speakers makes a major difference. It seems to me that, mathematically, if the speakers are very efficient, then the output is more a function of the preamp, let’s say 70/30 for the preamp, and if they are quite inefficient, then the output is more dependent on the power amp, say 30/70 for the main amp. Also, whichever amp is being driven higher/harder will, especially if it breaks into some mild distortion of even harmonics, will color the sound more, either warming it with richness or detailing it with presence, depending on the tubes in each amp, whether they are complementary or contradictory, and which amps are having the greatest influence. And this same influence may have an effect on SS amps as well, depending especially on the output chips selected vs. the power chips.
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@atmasphere wrote "you hear distortion as tonality" Could you explain? Thanks! |
I agree with @soix . It largely depends on your speakers. If your speakers have low sensitivity along with a difficult impedance curve the amp will make a huge difference. If your speakers go down to 2 ohms or lower with a punishing phase angle then they need an amp that will double its power with each halving of the impedance. If you run these speakers with a tube amp or light duty SS amp you will get a highly distorted frequency response. Your speakers will sound weak in the frequency areas of low impedance. I'm running a pair of Thiel CS6 speakers with a Krell KSA 300S that produced 300 watts at 8 ohms and 2400 watts at 1 ohm. My speakers present one of the most difficult amplifier loads of any speaker you can find. Certain Wilson speakers are another example of this. I've read forum comments from audiophiles who have felt that the CS6's have a lower midrange "suckout." Well, they were absolutely right! They were using a tube amplifier to drive their Thiels and that is exactly what you would expect to hear. IMO, speaker/amplifier matching is one of the most important and most neglected areas of audio. My Krell would be completely inappropriate to drive a pair of 105 dB sensitivity horn speakers. But it is one of the few amplifiers that can achieve a flat frequency response with my Thiels. |
If your preamp or source is lacking, it will not matter how good your amps and speakers are- they cannot make up for signal loss or coloration! The preamp has to be right! Amplifiers tend to have the most distortion of any of the links in the electronics chain (loudspeakers tend to have even more). Because of this its important than the distortion of the amplifier be benign (lower ordered harmonics) since the "sonic signature" of any amplifier is the distortion it makes (IOW you hear distortion as tonality). |
@mbmi I get all of that using my passive (battery powered for pitch black backgrounds) with a tube phono stage and SS amps. |
When I added the PassLabs XA25 to my system many years ago now, it made the single biggest impact because it took over from an average AV pre/pro combo. It took control in a good way of the speakers I had at the time, PMC Twenty26's. They really shined in full bass to great mids, and highs where ample decay prevailed. Later on, adding the XP20 did not make as much difference at all, and I looked to sell it. There are obviously a number of dimensions involved: power and control versus tonality and timbre, and many more, Each component impacts these more or less. Generalisations are nearly impossible in this domain. That's why trying and listening for synergy are the most helpful pathway-makers.
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Through the Sixties through the two thousands, I had. separates ( with one exception). Everything I changed, changed the sound. I bought a Hegel integrated a couple of years ago and it’s great, but early this year, I went back to separates and I’ve been having a blast rolling tubes again. And yes, tubes make a difference as well. |
@inna Yes, I agree most do, but that doesn`t mean much really. Can you explain the "less refined presentation" part ? |
I’m with you. I’ve had preamps from Pass and Herron. Very good stuff. But, I’ll stick with my EM/IA Remote Autoformer (pure silver) all day, every day. When I put that sucker in my system it was one of those glorious audiophile days. In the year or two since, I have not thought about wanting/needing anything else. Though I’ve been told I may not know it 😆 |
@inna Not me, I'm very happy with my Tortuga Audio LDR Passive Preamp. It lets me hear what`s in the recording without adding any unneeded flavoring. Crystal clear sounding, never needs warming up either. Very easy to hear changes like rolling tubes or cables etc etc. Also, with the numeric volume display showing 40 ( it goes up to 70), my system is playing about 85 db (too loud imo) More people should try one and see for themselves 👍 |
I have been pondering this for a while but don’t have a succinct answer yet.. but what I have goes like this. Yes, both are important but the preamp is the heart of the system and as such is more important. However, I always remember the huge effects on bass presentation and gross change in the rest of the frequencies given by the amp. I think it is that the preamp sets all the nuances across the spectrum… it affects much of the personality. Then the amp makes big accentuations and attenuations on top of that. While the amp makes a few big changes the preamp makes more nuanced changes across the board which add up to being more important. When you are talking similar quality. I tend to error in spending more on a preamp than amp.
Or maybe this, if you don’t get the preamp right then the amp can’t get it right. |