Vandersteen 2ce Signature (II or III; can't remember which). I let them go in 1990 because I was going back to school and couldn't fit them in a dorm room. They were the first speakers I ever owned that hung a solid, deep, tall image in front of me and sounded good with either chamber music or The Chambers Brothers. So when I got out of school and had room once again...
Whoa. Cey, all I had to do was call the buyer, you sent that amp out into the world! Russ Alee designed some interesting gear. That 320 is similar to the little Acoustic Image Focus 2R I currently use. Mic and Instrument channels and a master out for the Upright. I had the internal amp and the Gene Czerwinski 18" driver rebuilt some time ago but it hasn't been out of the house in decades. Crazy loud. |
Audio Physic Scorpio,not the greatest speakers but they did everything well. I've had many speakers since (Acoustic Zen Adagio,Scorpio II,Audio Physic Avanti III & Canton Reference Jubilee) but they all lacked in some area compared to the Scorpios and I was only driving those with a Sunfire receiver at the time |
Well I never repurchased a set of speakers but I should have kept the Acoustat 2+2s, for my living room (secondary listening room) from 35 years ago. Sold them very cheap. @fredapplegate I get your point but my new wife hated them because they lacked bass punch/depth, extremely beamy, a bright overall balance and limited dynamics. This in a 540 sq. ft. room. This was 25 years ago. I replaced them with dynamic speakers and she was ecstatic over the choice. |
Purchased B&W (Bowers & Wilkins) 802 Nautilus in 2000. Because I was downsizing and thinking they were ill fitting the new abode, I sold in 2015. What a ludicrous mistake. Tried out 803 Nautilus and 804 Nautilus to fit the new room, and not as good sounding. So found a pair of 802 Nautilus this year and problem solved. |
Vienna acoustic Mozart grand. Bought used around 2008. Sold 2012. Really didn’t need to and regretted selling them. Found a nice pair in 2018. These speakers had the widest sound stage of any narrow baffle smaller floor standers I tried. 2-3feet out past the sides. They are magical with a great low end. |
Absence makes the heart grow fond, I should patent that. Every speaker I bought did something I liked that after time wasn't enough to keep the illusion alive, that said the speaker still excels at what I initially liked about them and each following speaker pair I buy gets me closer to all the things I liked best about each pair. so, if we're doing it right we should miss every pair we let go for whatever it was we liked about it in the first place, In my head I just keep going back to the ex girlfriend analogy.
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I sold my beloved Apogee Caliper Sigs when Apogee went out of business because I was afraid of not being able to get support. Biggest stereo mistake I ever made. Finally purchased a pair of Duetta Sigs, a few years later to replace the gone Calipers. Now have Apogee Divas that I had lusted after when I owned the Calipers. I don't think I will ever replace the Divas. |
I think some people find speakers that check more of their boxes and get them closer to what they think they are after....so they keep them for a few years and then realize they are listening to music less....maybe looking at their cell phone more while listening.
Yes, especially the unrefined trashy one that did a few things great. ;-) |
OP, only one girlfriend fits that description from the wayback, but that relationship got rudely interrupted by a rapist. He got caught and sent away, but she went away sooner, sadly. But, plus side, met sig other who's kept my company for 40 years and running. Neg side for y'all puts me here and now....sorry. *L* |
Joseph Audio Pulsars. I sold them when I convinced myself it was time to try something "different" in my system and got some Kef Reference 1's. I knew the Pulsars were great when I sold them, but after living without them in my system for about 2 years, I realized just how amazing they are and repurchased them and sold the Kefs. Won't happen again!!! |
Sold a pair of Vandersteen 2ci. Bought a pair of Vandersteen 2ce Signature. It wasn't that I'd pined for the first set, it was the march of progress across the plains of availability. On the other hand I've truly had two sets of Large Advents, and two sets of Snell EII. They make wonderful gifts for friends. And I've just restored a set of Magnepan SMGa, and now I feel like I've been missing out on Magnepan in general. If I sell them, I might have to look for something similar. If I gift them, I may be able to listen now and then at a friend's house. |
ADS L980 Found a pair this early spring for a more than fair price and went to his house at 8AM the next morning. Original owner and in near perfect shape. I will not let these go. They are at Richard So's getting a renewal. These are not the best ive ever had but man do they sound correct |
NEAR 50me. Tall slender budget (yet exotic) time aligned speaker with bespoke esoteric spiderless drivers from the mid to late 90’s. It took until 2021 for another manufacturer to succeed at this (Audio Physic). NEAR technically never quite succeeded in that you had to delicately align the woofer voice coils with your fingers.. or rotate the driver by 90deg increments to balance them so they didn’t scrape the magnet. Went to Von Schweikert, Magnapan, but then back to the NEARS. Twice. Thus I’ve owned three pairs. They did it all. The last pair I bought around 2014.. the shipping costs were more than their purchase.. which is laughable given I still go to shows now and often hear speakers for 10x the cost of the NEAR 50me’s (as new).. and yet they often don’t sound as good as these I’ve got which are now decades old. Company no longer makes these.. only outdoor speakers now. Some of them looked like rocks. Literally.. they’re rocks. I even had the original designer rebuild my midranges once to keep them alive. He is quite a creative thinker. Alas they are on their last midranges. Ocean Way Audio Eurekas waiting in the wings once the NEAR’s finally do let go.. they have a similar vibrancy, imaging, and transparency yet a bit ’thicker’ less detailed sound. We will see.. but I’ve little choice in a near full-range dynamic speaker under 10k. With the 50me’s it’s the ferrofluid in the midranges that eventually kills them (after about 25 years). Very transparent, near full range (if not slightly distant) speakers.. budget greats which few have experienced. Very smooth speaker for vocals.. very present.. realistic vocals. The latest model had a different one-piece inverted dome mid.. not the same. Forever Indebted to Marty at Hi-Q Audio in Thousand Oaks, CA for enlightening me and selling his only demo pair.. way back when.
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I've never sold then repurchased a pair of speakers but do wish I still had the Silverline SR11s that I sold. At the time, I didn't have a sub and moved to a pair (Revel M20) that had more bass on their own. I'd really like to hear how the SR11s sound in my current setup with a sub and better amplification. |
@oblgny: If you have room for them (51" wide each), keep your eyes peeled for a pair of the Magneplanar Tympani T-IVa, or it’s predecessor T-IV (48" wide). It is the first Magnepan offered in the style of the current MG30.7---three individual panels, two for bass, one for mids and hi’s. Only a few hundred pair (fewer than 500) were made, and show up for sale every few years. Fantastic sound from the legendary Magnepan ribbon tweeter, with two large magnetic-planar drivers that produce clean, lean, taut bass. You’ve never heard an upright bass (and kick drum, etc.) sound as real as it does from a Tympani! |
@bdp24… After I had my first pair of MMG’s I moved up the line, the .7, followed by the 1.7i model. To my humble ears the .7 presented better than the 1.7i - although either model possessed the Maggie magic. One of the issues I have with Maggies is their size - when I had the 1.7i’s I got a weird fright one morning as I was coming downstairs. In the shadowy, fuzzy morning light it appeared that two people were standing near my stereo. It was only for a coupla’ seconds but… I have seen the Tympanis up for sale once in a while, and at what appear to be bargain prices. Alas, I don’t have the room for anything that size in my space. (14 ft wide, 24 ft long with a ceiling that goes from 9ft to a 17 ft apex.) I just connected my just received Schiit Modius DAC to my Aurender N100H server. I actually purchased a Mytek Liberty Dac off of USaudiomart after researching a few, but I could not load the required drivers onto my iPad so that, unfortunately, didn’t work out. I over-spent my budget with the purchase (used) of the Aurender, so the budget for my Dac shrank accordingly. I narrowed down my search to Mytek, Benchmark, and Schiit. I decided upon the Schiit Modius for a number of reasons, first and foremost being that it was brand new direct from the manufacturer. It is also “plug n’ play” like the Jolida was. I operate the Aurender and Qobuz through my 9th generation iPad, the Mytek, and from what I got from research the Benchmark, would have had me use a laptop. For all intents and purposes I will be using the Aurender server way more often than I’ll be streaming Qobuz from it. Anyway…with all fairness accorded the old and still 100% functioning Jolida, my immediate impression is that this is probably the best $229 I ever invested in my stereo. It is a remarkable improvement. I don’t want to imply that the Schiit is “warmer” than the Jolida, but the tracks - by different artists - that I use to judge stuff by displayed better separation, better depth, and perhaps a buffing of the treble in tunes that had previously sounded a little “etchy” to me. (“Crocus” by Ani DiFranco for one, “Cyril Davis” by Ginger Baker for another) I never minded the “etchy” treble I sometimes caught on those tracks and others before, but I noticed a definite difference playing through the Schiit. The sonics are SO improved with the addition of the Schiit that I haven’t even bothered to employ the subwoofer. (The MMG’s go down to 50hz, which some people may feel ain’t too deep) This is real good. I know all too well myself’s past pattern of starting out with an “economical” piece, then moving up the product line. Right now I’m really happy. The next model up the Schiit Dac line is the Bifrost, roughly six hundred dollars more than this. That’s gonna be awhile… |
I have to apologize to the op for going off in a different direction on my previous post. For the record, I’ve had three pairs of the CS 3.5 Thiels; my nephew has my first pair, the other pairs I sold off here and elsewhere for a number of misguided reasons. I had Thiel CS 2.2 and CS 2.3 prior to the CS 3.5 - and up until the 3.5 each was a step in the right direction. The 2.3 improved upon the 2.2, the 3.5 vastly improved upon them both. I sold my last pair of the 3.5 to fund the purchase of the CS 3.6, assuming that the difference between them and the 3.5 would be equally significant to my previous experiences moving up the Thiel food chain. The thing that the 3.5 does so well is present everything at low volume, while the 3.6 managed to achieve that only at volume levels that I just don’t listen at. Anymore, anyways. I think that I sold off my pairs of MMG to fund a Thiel purchase. Now that I’m back with them I know I’ll be holding onto them. I’m awaiting a pair of Magna-Riser aborne stands for them as I write this At the moment I have them raised up three inches on a pair of maple amp stands that I never really need because the 6+ foot wide Salamander cabinet where my stuff sits is pretty dense enough. I know I’ve said this before, but I’m hanging onto my MMG.
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Reference 3A de Capo-I's. Had a beautiful cherry set that I sold when I moved to Acoustic Zen Adagios. Seven years and six sets of speakers later, I saw a pair in maple show up and I couldn't resist. They're now ensconced in my new, smaller listening room and I'm so happy with the sound that is as good as I remember. |