I prefer quality cable with jumpers of same cable, I try to avoid internal bi-wire...there is certainly no agreement on this...I believe Nordost now only sells cables with jumper, no internal bi-wire, and Vandersteen recommends dual runs, which I agree with...
Single vs Bi-wire Speaker Cable
I'm going to purchase some AQ speaker cables, and am considering bi-wired AQ Robin Hood Zero vs full range William Tell Zero (with quality jumpers). The bi-wired RH is about $500 more expensive than the full range WT, but on a comparable basis, WT is the more expensive cable. Any thoughts on sound quality between the options I described above would be greatly appreciated.
Re-post from last month in another prior single vs bi-wire thread last month
Without prejudice to the effects that the absolute benefits are always system dependent, the high-end quality build OEM’s are moving away from bi-wiring in favour of shotgunned single runs and jumpers. (Bi-amping ... Different story.) There is also an issue with single and bi-wire speaker cables. In all the research we have carried out, a single wire speaker cable out-performs a bi-wire cable of equivalent cost. This makes a lot of sense; the single wire speaker cable has two high quality conductors and the bi-wire cable requires four. So for a given budget, we believe that a single wire cable will always out-perform the equivalent bi-wire cable, so much so that we no longer produce dedicated bi-wire cables..."
Q what are the potential benefits if you go from a 4x4 configuration to a doubled-up 2x2 configuration? ( intuitively, a thicker single cable configuration benefits need not be expanded here ) A From Alan Shaw ( owner and designer of HARBETH) ” … So, the moral of the story is this: the most important factor of the loudspeaker cable that you should select is the amount of metal in the cable core. More metal means lower resistance. If the core is round (as most are) then the correlation is simple: the fatter the diameter of the metal core the better because the electrical resistance between amp and speaker will be lower. Thin and really thin cores should be avoided regardless of how exotic the metal material is claimed as the lack of metal in the core conductor will increase resistance. That will reduce amplifier damping, effect the frequency response of the speaker and give unpredictable results that will vary from amp/speaker combination. |
I started with a good pair of speaker cables and matching jumpers. (K-S Elation). Then I swapped out the jumpers for another pair of Elation cables. |
In fifty years of trying tweeks, many have worked, but Bi-Wiring has not! All the best.
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A couple of years ago simply out of curiosity I made a set of jumpers from the AQ wire I was using...Silverline Preludes (GREAT speakers)...an utter waste of time as the stock gold plated copper jumpers were obviously far superior. I say don't bother worrying about jumpers or bi-wiring as neither does much of anything...bi-amping is another story but generally another waste of time and money. |
I opted for as true bi-wire. Van den Hul Revelation - four individual runs per channel. Martin Colloms used this wire when reviewing the speakers that I currently own and these do the trick for me. If single wire is so superior why do speaker manufacturers fit four terminals ??. I have bi-amped in the past and if I could afford another power amp, I would probably do so again. |
I was drawn to Bi-wire; looked it up in Get Better Sound and went with it on my former Marantz / B&W (IA/Speaker) 2 channel speaker combo. I was never able to "measure" an improvement, but it gave me peace of mind. I've since upgraded to a McIntosh IA with Dynaudio speakers; neither of these offer the option to connect by Bi-wire. So I guess if the better components don't see an advantage, then its probably just fine to do without. But I'd probably still do it if the option existed 😉 |
I use William Tell Zero and it is fabulous. That said, if you choose the single wire and jumper path, using William Tell Zero, Audioquest also sells high-quality jumpers that you can buy either as silver or copper wire. The terminations are your choice of either spade or banana. They are 8" in length. Both of these jumpers use the 500 series of terminations. The Audioquest website will show you all of these products. Best to you. |
Hello, Typically you want to use the full cable going to the bottom binding posts because those are the drivers that need the most current to move them properly. If you split the cable in half you are halving that gauge. Sonically it does matter. A Nordost Heimdall and a Nordost Frey are really about gauge difference which costs almost 2 times as much. On most speakers you don’t need a lot of gauge to go to the top binding posts. Most people who have Nordost just buy the standard Norse jumpers which are not very thick. Once you get to Tyr 2 cables you can think about the reference jumpers which cost 3x as much. I say for that reason, for resale or you decide to get a second cable, which might be different than the other one you own you are better to buy a single and have jumpers made by AQ. Also, Just for fun try some different jumpers, even the $180 Nordost Norse jumpers. I have used them with several non- Nordost speaker cables because they are so good. My friend is using the Nordost Jumpers with the Kirmuss speaker cables. Also, you could use the cables you have right now on the bottom posts and the AQ on the top or vise- versa. I am using Straightwire Vurtuoso single with Virtuoso jumpers custom made. I also have the Crescendo jumpers but the Virtuoso sounded better in my setup. I hope this helps. |
I would PM member ctsooner. He owns the WT Silvers and probably auditioned the Robin Hoods, too. And, much depends upon the speakers/equipment you are using. My own experience is with Vandersteen speakers. When I heard the William Tell's, I was astounded by the increase in 'clarity', as well as enhancement of the bass. FWIW, though I never considered cables to be something that would affect sound reproduction significantly, auditioning the William Tell's made a believer out of me. The stuff Garth at AQ is making is really a game changer. Bob |
Thanks to everyone who replied. The comments/suggestions were very helpful and informative. I pulled the trigger today, and purchased two full-range speaker cable pairs (1) the AQ Robin Hoods and (2) AQ Thunderbirds, a step-up from the William Tells. Will try them both, and will return one. One additional question has come up, based upon a couple responses. Several folks suggested I should connect the speaker cables to the bass speaker posts, and then jumper to the treble posts. AQ's US retail price book, on page 23, suggests the opposite, for 3 way speakers (I have B&W 802/D2's). Thoughts? |
Also have found tip top jumpers is all yah need. (All I do) I have tried connecting to treble and base and can’t tell any difference. A while back there was much to do about doubling up on speaker wires. ( double sets/runs) Not sure where that landed. Bueller? Bueller? Happy Ike Quebec’s birthday y’all. |
Contrary to most of the other opinions here, I say biwire works. It's easy to tell the difference if you biwire one speaker and don't the other. Can A/B just by walking from one to the other. Using Martin Logan Request which are highly resolving and Audioquest Type 8 splitting one cable's wires (has 8 conductors) to biwire and leaving the other cable intact, it was eminently obvious that all the components of the program on the biwire side had better separation and clarity. When high and low frequency travels on the same wire the bass energy distorts the treble energy. Biwire eliminates that problem. As usual it's a matter of everyone can say otherwise but I heard it easily for myself so I can not be convinced otherwise. It's exactly the "cables don't make a difference" argument. All you can do is feel sorry for the people who can't hear it. |
As always, there are several variables involved. Some systems simply reveal it better than others, and some people are more patient when listening...it can be subtle and hard to notice, but once you do hear it, you won’t "unhear it". It's more likely to impact sound stage than tonal balance, so it's easier to miss. Critical listening is a skill that’s separate from hearing ability, and can be honed. I say try it and see for yourself. |
I totally agree with this.
Any sources for this? I believe this to be false. Speaker cables to HF first, then jumpers to LF. I apologize if I am mistaken
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@sdw : OP, what is your amp? And your speakers? |
@thyname - You are correct good sir... They do suggest using the top posts on the 802D in the manual. My mistake 🙁. Maybe that is why I heard such an improvement when bi-wiring mine. FWIW, they do recommend bi-wiring in the manual though. |
@boxer12 : no worries whatsoever. I know this because I own B&W Diamonds 😉
And I do use two speaker runs from my amp to my speakers. My amp has dual speaker taps |
👍 @thyname |
@thyname "And I do use two speaker runs from my amp to my speakers. My amp has dual speaker taps." One question and one answer follows: 1. Do you think two speaker runs are better than bi-wiring with one cable? 2. My amps are two PS Audio M1200 mono-blocks and my speakers are B&W 802/D2. |
@sdw :
Yes I do. Based on my own experiments, various speaker cable configurations. To my ears. Having said this, I have no measurements, or double blind tests to show to back this up 😂😉🤦♂️
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What I have learned is that it is actually the midrange that deserves the main cable. Now in almost all applications this means wire to the highs first, if you consider them high and low. In a true three way speaker it is wiring to the "mid and highs' first then jumper to the lows. In my system I believe two identical wires of good quality are superior to one good cable and jumpers. |
Bass has the most energy, therefore power requirement is also highest. Terminate at the bass, then jumper to treble/mid for single cables. I found copper has a darker quality, silver plated copper sounds good to me, and it's a little cheaper than pure silver. Silver plated copper doesn't suffer contamination caused by moisture or other chemicals that leach from carpet, so the cable joint maintains for many years without attention, other than regular tightness checks. |
Every time I’ve experimented on my Tannoys, they’ve sounded better bi-wired. They’re an ideal use case for symmetric 50/50 bi-wire: a 2-way with 2nd order crossover at 1.1 kHz, which gives a much closer split of high/low energy than most speakers. My conceptions from these experiments are as follows:
I tried AQ Thunderbird Zero (100% copper), without matching biwire cable, and it didn’t work well for me, even with the premium Jupiter jumpers - I was missing too much detail versus my older silver cables. I’d like to explore the new AQ line with proper bi-wire partner cables, but quite honestly the Thunderbird Zero experience damped my enthusiasm. The hyped "Zero" tech wasn’t enough to make up for that, at least. Also they have a real problem with these new braids going hairy/fuzzy and looking like crap :( |