I am ready to set out on an upgrade cycle to my system, which consists of the following, over the next couple of years:
* Rogue Audio RP-7 Preamp (Upgrades: Rogue RP-9 or McIntosh C2800--C2800 includes Phono preamp and DAC)
* Odyssey Kismet Monobloc Amplifiers (Keepers!)
* Lounge Audio LCR Gold phono preamp (Keeper!)
* Fyne Audio F-702 Speakers (Keepers!)
* Definitive Tech Supercube 6000 (Vandersteen Sub Three or Paradigm XR11)
* Schiit Bifrost 2/64 DAC (Schiit Yggydraseil or ????)
* NAD C568 CD Player used as transport (Schiit Urd or ???)
* iFi Zen Stream
*iPad Pro for Apple Music
* Ice Age Audio OFC Power Cords
* Audioquest and mostly Morrow Interconnects (RCA & XLR)
* Performance Audio Speaker Cables, using Mogami W3104 Speaker Wire
I am thinking that perhaps the best place to start would be the DAC, with the idea of moving from the Bifrost 2/64, which I like, to the Yggdrasil (model TBD) DAC, which has gotten superb reviews that speak to sound quality characteristics that are of concern to me. Budget for DAC upgrade is about $2500. OR, should I go for room correction capability?
I recently replaced a highly-rated 100 wpc tube amplifier with the Odyssey mono blocs, and I was stunned by the improvement in sound quality, definition, and imaging, but I think there still is some room for improvement.
In my opinion…both the streamer and the DAC are your weak links.
You upgrade the DAC first and probably not get its full potential with iFi Zen Stream
There’s more to be squeezed out of that schiit with a good streamer. So it’s kind of a wash but…
I would try a good streamer first and use quality source like Qobuz or Tidal. Keep your iPad as controller only. Apple music does not sound as good as Qobuz or Tidal so might as well just listen to it via airplay.
Schiit makes good budget DACs a Yggdrasil would be better… but not sure up to the level of your speakers. You might look at used in the $5K to $10K new range and you will get a much more fully fleshed out natural sound.
I would look at a Aurrender Streamer… and definitely stream via Qobuz.
Viridian, Oops, left that out. My TT is a Thorens TD 126 MK—I am the original owner and recently had it refurbed—with an Audio-Technical VM540ML cartridge. Frankly, I think the output from my LPs, especially the 1980s Sheffield discs and some 45 RPM discs I have, is better than the CD quality I am getting; it seems more “organic,” more alive, more “oomph.” Sound stage is particularly good. May have to see if I can get CDs of the same LP to compare them. Thanks for noticing my omission!
I agree with the others, the ZEN streamer is a significant weak point, and move to Qobuz or Tidal. Start there, auditioning new DAC’s before that would not give you a good idea of their capabilities. I recommend Innuos, but of course there are many choices. Go used, you will save a lot.
Keep everything and get a pair of speakers with a radically different presentation that work with your electronics. Maggie 1.7 might be interesting. When you feel you need to scratch the itch swap speakers.
How important is CD listening relative to streaming? In my case I use streaming to find new music, once found then purchase the CD. In your case you play CDs and spin vinyl.
You have gotten some good advice, I’d take pieces of the different approaches. I would switch to Qobuz or Tidal, easy, inexpensive change. After that, I’d research DAC’s that fit your soundl signature along with trying some DYI, tests on treating your room, not talking about spending a lot of $$, research a bit, then experiment a bit with blankets, pillows, throw rugs based on what your research tells you. Then, once you have a new DAC, you’ve tried to room treat a bit with household items you already have and have one of the best streaming services you can evaluate how things sound. I’d then potentially look at another streamer. Room Treatment will have the biggest influence on sound, followed by your DAC and then your streamer, assuming your streamer is functioning as it should.
Thanks to all for the advice. I think will sign up for one of the streaming services, whichever is easiest to use, and then look at DACs. I guess I am talking mid-fi here, because about $1500 for a streamer with an LPS and $2500 for the DAC will leave sufficient funds for some room treatments. Our room is pretty “soft” with carpet, Window Quilts (TM), and several leather chairs.
For Mesch, CDs play a big role for, although based on my use of playlists in Apple Music I can see streaming could rival CDs.
For get2the2nd: I just upgraded my speakers two years ago, and I am VERY pleased with the Fynes, altho’ I wish I had gotten the F-704s, but they are a bit big for our room. But the SQ is, to my old ears, superb, especially since I added the Odyssey amplifiers.
For Viridian: Cable from NAD CD Player to Bifrost 2/64 is AudioQuest Carbon optical.
That's where I would start, many people ignore the room when that's the biggest upgrade you can do bar none. like may will say the source first but if the room is not great sounding no source will sound good regardless. I'm past wasting big money on upgrades in a room that's not optimized first. Obviously there is considerations here for multi use rooms, but I would never again spend big money on gear before I sort the room out first. learned this the hard way......
Then others have made good suggestions on upgrades after you do the room.
I’m the least qualified person here to be providing advice but I wanted to recommend you consider a R2R Ladder DAC over a chip based DAC.
I’m going to order a Denafrips Dac. They have 5 or 6 at various price points. I’m buying one of the least expensive ones, it’s going to be my first stand alone DAC.
IMHO, you will not hear a difference in sound from a $1500 streamer vs. what you already have (or even vs. a $6500 streamer). Think about what a streamer is: a relatively low-powered computer that moves data packets from a source to a DAC, performing no conversions or changes to the data stream. Differences among streamers are limited to jitter and other types of noise, which can be measured relatively easily. Streamers are a mature product now, having been around for over 25 years. So well-engineered streamers that cost less than $1000 have jitter and other noise measurements that are virtually identical to products that cost over $30k!
But there are some here that, contrary to science, measurements, and the listening experience of others like me, believe spending $5k, $10k, or even more(!) can be justified. Now to be clear, they cite their own listening experiences which they believe perhap even more than I believe in my own. So good luck as you figure this out. My advice is to with your instinct and focus on your DAC.
I haven't heard the Denefrips, but I know they get good reviews. You might also research the Gustard R26 r2r dac. It's what I have and I'm very happy with it. It's one of the least expensive pieces in my system, but I don't feel the need to upgrade.
Upgrade your speakers ,having owned a audio store and the art of modding electronics myself Upgrading Loudspeakers weak link ,the Xover is over 80% of
loudspeakers including many expensive Loudspeakers , why for most companies
put in average at best capacitors, and resistors , it’s all about $$ .
they get something that does a decent job not what’s best Ever .
man6 use either Solen, or the mid grade white Mundorf capacitors , and $4 resistors sad but true . I upgrade Every Loudspeaker I own ,ad well as many Audiophile friends. Which is a Substantial audio upgrade.
I’d look at a LAiV Harmony DAC that offers a trial and an Innuos Pulse Mini with something like a Teddy Pardo LPS. A little over your budget but well worth the stretch I’d think. Best of luck.
As others have said, you have 3 glaring weak spots: Streaming service (move to Qobuz or Tidal), streamer, and DAC
If I were in your shoes, I would upgrade the DAC first. I'd look at: Denafrips Pontus II R2R ladder DAC (I own this DAC - $1,500 used), Schitt Yggy LIM DAC ($1,750 used), Laiv Harmony DAC ($2,700 new), or the recently released LTA Aero DAC ($3,950 new). I've not heard the LTA, but it's getting great reviews already.
Whatever is left (or when you can save more), then upgrade the streamer once you've got a nice DAC
Then consider your use of streaming. Would it serve as a replacement for playing CDs? If so invest in Streamer and DAC. If not consider the purchase of a quality transport to replace your NAD player.
@mike4597- I feel you are getting a lot of bad advice. Replacing your speakers? Your speakers are amazing. I have the Fyne Audio 502SPs and love them. I am using a sub which I think adds a lot of extension. I think your weakest link is your streamer. I would start with the streamer and then the dac. If you go used and increase your budget a little you could get a streamer and dac for under $5k. I know that’s easy for me to say, but I think you will hear an audible difference with a new steamer.
??? You have essentially the same streamer as the OP - it’s just yours, the IFi Neo, combines a DAC with the streamer, while his, the iFi Zen, does not. Apparently, in your system, you bypass the internal dac in your streamer, which makes sense, but then why not just go with the Zen? So on what basis are you concluding that the OP needs a “better” streamer?
Very nice to meet you sir. I greatly appreciate your response and your opinion. I never said the ifi Zen was a bad product, but looking at Mike’s setup the weakest link is the ifi Zen. I also had a Zen before upgrading to the Neo. Using the same external ddc and dac I used with the Zen, Neo’s sound quality is much more open, detailed, and balanced than the Zen. To say the only difference between the two is that the Neo comes with a dac, I believe is misleading. The streamer components within the Neo are much more advanced than those in the Zen. First, the capacitors in the Neo are way more superior than those in the Zen. The Neo also uses a more advanced processor than the Zen. The Zen uses an ARM Cortex and the Neo uses the XMOS 16x. Additional improvements that might not be directly associated with the streamer but has a very big impact on sound quality (that is not come with the Zen) is ifi’s Optibox. The LAN signal from the router is regenerated, reclocked and rebalanced by the OptiBox; true galvanic isolation is applied, with zero parasitic capacitance and inductance (ifi website). Finally, the Neo comes with four digital filters that allows me to adjust the sound of my external dac depending on if I’m using OS or NOS. These filters make a pretty big difference in sound quality.
I greatly respect your opinion but to say the only difference between the Zen and the Neo is that the Neo has a dac with the exact same streamer, is misleading. The difference in sound quality between the two components is due to differences in technology.
oh man that’s alot of ad copy! Look, don’t get me wrong, I’m a big fan of iFi, their price-to-performance is top notch. But they too are guilty of hyperbole. Regarding some of your points:
- the XMOS 16x in the Neo is not for the streamer, it’s for DAC functionality (e.g., MQA processing)
- similarly, the 4 filters you’re talking about are typical of a modern DAC; my Okto and Topping DACs have a choice of 7 filters, and my Gold Note has 192! options, but those filters have nothing to do with the Neo’s streaming finction
- do you really want to talk about those “tantalum capacitors”; are you sure they’re not in the DAC section?
- maybe I have to give you the “Optibox” technology, but do you really think whatever the heck it does, that it’s worth a $900 difference in price?
So look, when you enter a conversation by telling an OP that everyone else is giving bad advice, all I’m saying is you shoul try not to then talk gibberish.
@mdaltonIt’s clear that @stevebohniiactually heard significant improvements in going to the Neo from the Zen, so you arguing some individual parts here are there is really pointless gibberish because in the end it’s about the sound and clearly found the added expense was worth it to him. He expressed his opinion based on his actual experience with the product in question here, which is perfectly valid, while you continually come in here telling people there’s no difference in sound between streamers — now that is gibberish.
Hey, I missed you too. Per Depeche Mode, just can’t get enough. But seriously, ascribing improved sound of streaming with the Neo to features that are only in the circuit if you’re using the DAC would be like me saying the Rothwell Rialto sounds better with an MM cartridge than the Rothwell Simplex due to features of the MC circuit in the Rialto. I probably didn’t hear a difference, but if I did, that is obviously not the reason why. Capeesh?
I had 3 great streamers in the house at the same time and did direct comparisons. There were big differences in sound. I would not say one was better than the other, but the differences were easily evident. I wrote many posts on this.
Lumin X1 using fibre optic streaming (ignored the DAC section)
Sonore OpticalRendu (fibre)
Playback Designs STREAM-IF (used SPDIF since I did not get a PDB DAC for PLINK testing. PLINK is fibre)
@mdaltonThere’s no “capeeshing” necessary. You very sadly can’t hear differences in streamers, which makes your opinion on the topic no more useful than a deaf person’s opinion on speakers. Capeesh?
It seems the continuation of this personal disagreement would be more appropriately held, well, personally between the interested parties in DM or what have you - unless you guys feel like steering it back to OP’s inquiry.
It’s very simple - anything in a signal path will affect sound quality. There are no exceptions to this rule. These components that are in a signal path…CD transports, Streamers, DACs., tubes, speaker cables, interconnects, digital cables .,all make a difference.
I believe we’ve established this in multiple discussions that people hear differences between streamers. There are a few who don’t believe it’s possible and they will fight tooth and nail to protect their point of view. So why bother arguing with them? Let them say their piece and move on. Just ignore. When you get into a pissing contest with someone like that you’re teaching a pig how to sing. And we all know how that ends.
-some dude comes onto thread and tells OP he’s getting bad advice from everyone else, needs to up his game to streamer this dude has
-turns out streamer this dude has had same electronics “in the signal path” as Op’s streamer has, but costs $900 more
- i point out that something is amiss with this dude’s advice
- dude responds by pointing to electronics that are not in signal path as reason for superiority of his recommended streamer
- i point out obvious problem with this logic
- some other dude - with whom i do have a history - piles on with ad hominem attacks on me, presumably for making logic-based points?
bottom line: i feel confident in my views, my logic, and my behavior. Recall, btw, that my first post on the thread was to link to a prior thread for the OP’s benefit so he could see both sides of the “streamer wars”. (btw, I believe I deserve special credit for linking to a thread where an OP, against my recommendation, spent a ton of money on a streamer, and seems very happy with his decision, which is fine by me)
- last point: i have not referred to anybody on other side of “streamer wars” as “deaf”, “useless”, “pointless”, or a “pig”.
@mdaltonI didn’t call you a pig. It’s the impossible process of trying to convince you that you’re wrong that I was referring to. You know…the saying…never try to teach a pig to sing; it will waste your time and annoy the pig…
Not the same as calling you a pig rather telling others that they’re embarking on a never ending journey.
some other dude - with whom i do have a history - piles on with ad hominem attacks on me, presumably for making logic-based points?
@mdaltonTo be clear, you made a snide response to someone here who merely shared his actual listening experience with a streamer, and you took it upon yourself to try to tell him he didn’t know what he was talking about when he heard what he heard with his own ears. Incidentally, I’ve received emails from other posters here supporting my response and saying that you were off base with your unnecessary comments.
I believe I deserve special credit for linking to a thread where an OP, against my recommendation, spent a ton of money on a streamer, and seems very happy with his decision, which is fine by me
Special credit for giving bad advice that streamers don’t make a difference??? Ha! And that OP, BTW, is not just very happy but is thrilled with his new Aurender streamer to the point where his streaming setup is now on the level of his vinyl source no thanks to your “advice.” Not that you’d understand that since according to you streamers don’t make a difference. Give it a rest dude — you do more harm than good here.
so you just compared me to a pig? ok,whatever. But see, unlike you, I’m not trying “to prove that you’re wrong”. Like you (and you know who), I think I’m right, but I’m always willing to acknowledge the possibility that I’m not. So I’m ok with you (and you know who) expressing your views, but you guys have a problem letting me express mine. Look back at our history and you’ll see that virtually every time it’s simply me defending myself from gratuitous attacks from you (and you know who).
I know this is tough for you but let’s try to get back to substance. You argue that my advice, consistently supported by my own listening experience, science and data, is bad, useless and pointless. Honestly though, my views are in the mainstream. Let me give you two prominent examples:
1) Mark Craven, HiFi News (7/8/24 review of PS Audio Airlens): “Ideally a network streamer/bridge will have no ‘sound’ of its own and will simply pass the digital audio data in as clean a state as possible, letting the connected DAC get to work. Any subjective audition of the AirLens is therefore a ‘group effort’ with the partnering DAC…” This is a consistent theme of their reviews of streamers; they don’t have a sound, they simply move data. Differences are a function of noise, and noise differences for well-engineered products are de minimus. This is supported by a rigorous set of measuring criteria performed by Paul Miller over the last 20 years or more.
2) Steven Stone, The Absolute Sound (12/29/21 review of iFi Zen): “This might be the ideal time to pose the question, “Do streamers have a sound?” They are basically file movers. They move digital data, which in this case happens to be music, from point A to point B. Music files enter via Ethernet or Wi-Fi and are sent to a DAC. Ideally nothing should alter their contents or error-rate. Whether there are functions or factors within the network signal chain that can or do alter the final results appears to be a subject that inspires passionate and polarized debate. My position is pragmatic. A simple, well-designed, robust streaming-signal chain should not have an audible effect on the sound of a music file.” This guy writes for The Absolute Sound!!! They don’t do measurements, it’s all subjective, but even he sees the illogic of thinking that streamers have a sound.
So in summary, you can disagree with these guys, though they have far more experience than either of us. And you can find all sorts of other reviewers who will make a different argument. But I don’t think you can (logically) argue that this view is impossible or stupid, or that those promoting it are deaf, useless or pointless. That is all I’ve been arguing during our “streamer wars”. So could you just chill?
The reviewer rattling out such statements as you had posted above is nothing but a description of what the streamers should be like in an ideal world. It’s nothing but an opinion. Read that sentence again.
The earlier pig reference must have set the stage for this LOL…
”all animals are equal, but some animals are more equal than others”.
George Orwell, Animal Farm
@mdalton If you think that your view that all streamers sound the same is in the mainstream you are seriously delusional. The vast, vast majority of people here clearly hear differences between streamers, and those differences are significant and not at all hard to hear so your inability to hear these differences is absolutely in the minority and most certainly not in the mainstream. No serious or experienced reviewer uses a $400 streamer in their reference system, so if all streamers have no sound as you maintain then according to you they’re all wasting their money or are kidding themselves. Likewise go to any audio show and you won’t find a sub $2000 streamer in the building — why is that if they make no difference? Face it, your position is in the extreme minority, and you come here telling people they make no difference and sadly some people may buy your story and not even try a better streamer, and that’s where you potentially do true harm here. People who have ears and use them, you aside, have heard the significant difference a better streamer can make and have voted with their wallets, and though you try to hide behind some tech theory to support your inability to hear those differences it doesn’t change the fact that the vast majority absolutely hear that you’re an outlier. Thankfully most people choose to use their own ears and will find their own truth despite your continued determination to tilt at windmills.
Jesus I hate when this crap happens, let’s talk audio
@vthokie83 I agree and initially just stayed silent while he spewed his crap, but when he belittles someone here who’s sharing an honest experience of hearing an improvement with a given streamer just because he doesn’t understand why and it doesn’t fit his shallow model of how things should work according to him, then that’s just lame and deserves a response IMO.
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