Psvane is marketing to audiophiles and musicians.
https://www.tubedepot.com/products/psvane-ecc83-12ax7-preamp-vacuum-tube
Western Electric 12AX7 coming this summer.
Psvane is marketing to audiophiles and musicians. https://www.tubedepot.com/products/psvane-ecc83-12ax7-preamp-vacuum-tube |
As of now only my headphone amp uses 12ax7. I would buy a pair I they were reasonably priced. If they really want to sell volume to the guitar community they have to be $80 -$100 …. Or less. I have a few friends that play and I have retubed their amps and they thought $30 each was pushing it. JJ tubes at $20 - $ 35 depending on type are reasonable in my opinion and some sound great, like the gold pin 12ax7 and the ecc803s . Great sounding tubes. That’s what came stock in my Zesto Leto pre and that thing sounded amazing
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Well, if WE ever manufactured a 12AX7, or variant, then I must have missed it. Blackburn refers to Mullard, not WE, so not sure what Charles W. is talking about here, apart from marketing. I run a red-tip Mullard 12AX7 f91 .c 1958 in my pre, and an original matched pair of Genalex B749s (12AU7 drop ins) as inputs in my SET amp. |
12AX7 is a good choice for WE to introduce. It's widely used and the remaining NOS selection are priced way too high. I do find it curious that WE was Beta-testing a 6SN7 to a select few audiophiles and the reviews were so positive. Very surprising this tube was not included in their list of tubes to be released. |
Didn’t the Wired piece say "Blackburn"? That’s Mullard territory. Somewhere on the web is a very long set of pieces about Mullard back in the day. It is fascinating and almost steampunk like the movie "Brazil." Rube Goldberg stuff that was mechanized but not computerized. Well worth watching for the fun of it. If they took Mullard tube making equipment, and plan on making that tube with more modern techniques and materials, my bet is that it is still warm. That isn’t to say it isn’t worth buying. I only use one pair of 12AX7 ( the old ARC SP 3 was filled with them) and prefer a ribbed plate Tele, old, it gives a degree of "roughness" to what would otherwise be too sweet. Have I rolled every tube? Nope. And I have a particular application of specific gear that is voiced as a system. Results may vary. But the 12aX7 (WE never used to make one, right?) is a ubiquitous tube, common in great older audio circuits and finding true NiB/NoS is a luxe good now. The 6h30 is a maddening tube. I’m running a late 70s quad matched set that was never used until installed a couple years ago. Replacements of the DR Refl. tube from early production range from counterfeit to impossibly expensive. Very frustrating tube to own. (Some people claim that listening to modern reproductions out of Russia make no difference- maybe it is the circuit. It’s pretty obvious- dead v. air, dynamics and punch. I wish them the best- Tubes are just another layer of PITA that makes this sick hobby fun. I’ve been doing tubes for almost 50 years and consider myself a babe in the woods. It’s deep, dark and dangerous. |
Love to hear what these tubes sound like. @shawn3997 wow, you bought at the height end of the market on those! |