King Crimson


The only knowledge I had of King Crimson was my first LP bought self titled Bad Company, and reading the bass player Boz came from Crimson. Fast forwarded 50 years and I am now hearing for the first time "in the court of the Crimson King". I know I wouldn't have liked what I love today, when I was 13. Amazing players and composers! Court is not dismissed, please remain seated. 

voodoolounge

For some great King Crimson try Radical Action to Unseat the Hold of Monkey Mind(guaranteed it will do that) 3CDs and. Blu-ray of their 2015 tour the sound is fantastic.

@middlemass - I like most re-masters by 'famous producers' I've heard, like Giles Martin's Beatles releases, but you are right - Steven Wilson is a different thing altogether, probably because he is also so busy creating, releasing, and touring his own music in his various different projects. I've got that Roxy box set as well - great stuff!! 

Yes it does! My general rule is that the OP’s are always better than any famous producer’s remake. Wilson is different, IMO. His Crimson and Tull mixes are for the most part all outstanding as well as the Roxy Music First Album. Can’t speak about Yes because that band always bored me.

Understand that I’ve seen the YouTube videos of ELP concerts from earlier years and they were great.(Keith destroying the organ.etc.) I’m specifically talking about the later BSS Tour. That was my first live experience with them and their boredom was palpable. And it turned me off from them forever.

That's funny about ELP. They were also my favorite group until I saw them in West Palm Beach on their Brain Salad Surgery Tour. The Leaky Tepee (WPB Auditorium). No reserved seating, it was a mad dash and I was was right up front, essentially first row...no emotion, Greg and Keith just chewed gum and went through the motions. Fail...I dropped them like a rock.

Late King Crimson alboms are really well recorded you may fully enjoy them. Among their early albums ones with Greg Lake i like more. I love to hear his voice.

And Emerson, Lake & Palmer is my number one rock group - three super genius musicians together (together with Led Zeppelin in another number one branch). Even their classical early alboms are quite well recorded (except Brain Salad Surgery that, for me, sounds odd - i don't mean the music of course).

+1 on Thrak don’t overlook it and most any live KC album is worth the money.

Also listen to Thrak it has been remastered on CD and 200 gram vinyl. Excellent album with the triple double lineup. There are some great songs on it.

voodoolounge

 

the Classics never go out of vogue. Play It LOUD!

 

Happy Listening!

Just received three KC LPs in the mail this week:

Lark's Tongues in Aspic

Discipline

Court of the Crimson King

All 3 in 200g vinyl.  Goosebumps listening to them.  I love KC.  I got into them because I had discovered ProgRock through Yes and found out that Bruford played for KC.  Lately, I've been enjoying Toyah and Robert's Sunday Brunches on YouTube.

Former roommate looks a LOT like a young Fripp, LOL.

"Confusion Will Be My Epitaph As I Walk A Cracked And Broken Path". Started listening to them when I was 15

@voodoolounge - I wrote up a shoot out of three copies, an original UK pink label, a UK pink rim and the then new (50th Anniversary) Steve Wilson remixed remix on vinyl (without all the extras from the deluxe package). You should be able to find it on the web. I found the 2010 issue to be a little clinical sounding.

Bill Hart

Is there a certain vinyl copy of court that I should look for? All I have is Qobuz.

If you have a video set up you might enjoy the DVD King Crimson Deja Vrooom.

Sadly, my original King Crimson album (from '69) was stolen from my dorm room at U of MT; such a loss.  Love "Moonchild".  

I was reading Mark Kelly's (Marillion) new book in which he makes a reference to running into Fripp sitting quietly by himself in a bar. Interesting conversation.

I'm on my third or fourth vinyl of In the Court since the 70's. I guess I play it too much?

Three of a perfect pair was my first exposure to King Crimson around 1985. Love Court too.

twoleftears's avatar

twoleftears

Really liked the first four albums, before the personnel began to change.  If you like the lyrics, the main writer, Pete Sinfield, made a solo disc, which is worth seeking out.  At least one other of the original band members also made a (forgettable) solo disc.  And so it goes with groups.

Are you discounting Greg Lake? Or is he only for right ears?

       What a band and what an album. Thanks for sharing voodoo and norm. What I would give to be able to go back in time and see Crimson during the ITCOTCK, Lizard or Red period tours. They are one of my favorite live bands. There’s a four cd box set called The Great Deciever. Its from the Starless and Bible Black/Red period 73/74 tours.
       One of my 5 first record purchases in 1978 was ITCOTCK. Lizard was my second Crimson purchase very soon after. I remember I had to return the vinyl for another because of an imperfection on the printing and it was warped. The gatefold of both releases especially Lizard fascinated me.
       I still listen to KC regularly. I have all of the releases and like the first 7 the best. The last one was good too, The Power to Believe. It’s hard to believe this came out in 2003. I was reading they recently are putting the live show to an end and are releasing a movie. I hope Mr. Fripp decides to keep touring. I know he is in his 70’s. I never saw them live unfortunately. They are a huge influence on other bands. No one truly sounds like them though. A very original and timeless music.

I agree with @simonmoon - 

 

I am a long time fan of all their incarnations.

Their best are: Larks' Tongue in Aspic, Starless and Bible Black, and Red. These 3 are their most progressive and musically adventurous.

But all of their releases have something of interest.

I’ve been a fan since, I think, the first time I heard KC’s “Lizard.”  I was 14, and man, was I hooked. All my allowances went to buying their stuff the next ten years.

I saw them in concert in St. Pete, Florida at the Bayfront center shortly after (IIRC, they were the HEADLINE act, but Peter Frampton and Bob Seeger played before them), then a few years later for Larks Tongues in Aspic - same venue - friend of mine took some interesting B&W photos we later developed in his darkroom and mailed off to David Cross.

We had Cross’ mailng address because after the show, he was in the lobby trying to figure out how to get the right change into a cigarette machine - so we ponied up the right coinage for him - and told him about the pictures.

A year or two later, same friend and I saw them for RED at the Lakeland civic center where, after a sound check, me with my head leaning hard upon a backstage door to listen, Bill Bruford comes out the door and knocks me on my butt. Chip and I thought it was the funniest thing in the world, Bill was all kinds of apologetic, went off with his crew.  During the show, front row, I climbed up to the stage and tossed a freaking coconut to John Wetton.

”JOHN!”  He turned, looked down at me, I tossed the coconut, he backed away as if I’d tossed a bomb.

Written on the sanded surface were the words “To the #1 band in the world,” with our names.

Between sets, he picked it up and tossed it off to a roadie and they played on.

Next time I say them was in San Diego, SDSU right after Midnight Oil. Three of a Perfect Pair.

I’ve played some of KC’s lighter stuff - I talk to the wind - for my wife, whose tastes run from Paul Simon, S&G, to Renaissance, Joni Mitchell, folk, little else, and she was impressed, but not a fan.

‘bout ten years ago, I tortured my son - then 15 and a drummer - with several hours of KC’s best on a 12 hour road trip, interspersed with YES, RUSH, several others, but he knows KC’s stuff, Bruford’s playing still stumps him at times but he can do everything Travis Barker ever did by rote and then some.

I recently bought the entire set of Steven Wilson’s Robert Fripp-approved 180gm remixes and transferred them onto SM900 tape on a refurbed Revox B77 2-track deck for future play and look forward to more.

Somewhere, somewhere in my “stuff” I have four negatives from that photo shoot in  St. Pete in - 1972? - I’ll turn ‘em up someday and digitize them for future reminiscences.

If I had to recommend ONE album to start with?  I couldn’t.

Giles, Giles and Fripp if you can find it, McDonald and Giles (again, if you can find a copy somewhere), then the first album. Take it slowly, roll it around in your mind like a finely aged wine, appreciate the legs, the colour, the scents of rare herbs, spices - some common, some only found in master chef’s kitchens - then taste it with your ears, your heart, let it seep into your soul, appreciate the master blending of efforts of the vintner, the rich soil’s contributions to the full-bodied vintage, and don’t miss the fine, refined, finish that has yet to end, and pour yourself another track, sit back and relax.

It’s taken 55+ years to get this far, it’ll last far into this century if not the next.

 

NB 

 

 

 

Like Doc I was at the Beacon in NYC. First time I ever saw a band fronted by three drum kits. Fripp has always been the driving force and a tremendous talent. If you wish to explore further in the catalogue I would recommend Larks' Tongues In Aspic, Red, Starless And Bible Black, and Discipline. Enjoy, Scott

I am a long time fan of all their incarnations.

Their best are: Larks' Tongue in Aspic, Starless and Bible Black, and Red. These 3 are their most progressive and musically adventurous.

But all of their releases have something of interest.

Heavens. All these years with thinking the band got wiped out in a plane crash.

I still have "Court of Crimson" album and remembering to be so sad when i heard that news years ago. Dirty, rotten rumor?

I loved KC from the first album through all of the ones with John Wetton and Bill Bruford, and fell by the wayside after that. 

When I was in college in 1969, some art students painted the inside elevator doors in our dorm building, with half of the cover of 'Court of the Crimson King' on each elevator door, so that once you were in the elevator and the doors shut, you were presented with a wonderfully painted cover of that album! Alarmed a few students under the influence of various psychedelics who saw it for the first time, but there ya go.

Steven Wilson remixes are excellent. 

 Back when Greg Lake was in the band before Emerson Lake and Palmer, I missed King Crimson as well but I don’t miss ELP!

I was fortunate enough to be in the audience at the West Palm Beach Motor Speedway in Oct. 1969, where the original KC performed a set each of the 3 nights.  Fripp, Lake, MacDonald and I think Giles on drums.  They were brilliant and delivered a live sound very close to what you hear on "CotCK", with the mellotron amped through Leslie speakers.  Other acts that impressed were many...Spirit did most of "Sardonicus", Rotary Connection with Minnie Ripperton, Pacific Gas & Electric was tremendous, Johnnie Winter jamming with Janis Joplin backed up by Vanilla Fudge, swilling Southern Comfort all the while.  The last performer...the Stones during the "YaYas tour.  Almost anti-climactic in the near freezing wee hours of Monday AM.

@twoleftears Ditto on the Thanks!

@has2be Wow! I wasn't aware of this. Amazing how the vocal stands on it's own. Bravo!

I have several copies of Court of the Crimson King on LP, CD and remastered versions. Amazing sound especially considering the era and the technology available to them. My favourite era of CK is with Adrian Belew. Very different and very good. 

I have the original 1969 pressing in my collection along with about 12 other King Crimson albums.

The founding member of this band passed a week or so ago Ian McDonald that was also a founding member of Bad Company.

 

April Wine? I’ll check it out. All I know about April Wine is, they were to appear in Toronto at a small club, couple hundred people but instead of April Wine, The Rolling Stones rehearsed for their upcoming tour. I would have loved to be at the bar that night!

Greg Lake was also an original member who's no longer with us. IMO, his vocals on "Epitaph" were outstanding.

Also, April Wine did a cover of "21st Century Schizoid Man" that I thought was a little more raw and edgy.

If you like King Crimson, listen to McDonald and Giles only album, a masterpiece! They are two of the original members of King Crimson. Fripp was very distraught when Ian McDonald left the band. Listen to the album and you'll see why. Ian passed away last week. RIP.

 

 

 

I remember Beaker Street! Many late night listening sessions. I believe I had some NAD stuff and a pair of Heresey's. 

Court of the Crimson King was the 1st psychedelic rock album I ever bought.. still have and play the mint LP that I bought in 69.

I bought it after hearing "21st Century Schizoid Man" and "Epitaph" on an underground radio station, 300 miles away, that broadcasted after midnight.

The dj went by the name Clyde Clifford and the name of his program was Beaker Street. Those were the days!

https://en.wikipedia.org/wiki/Clyde_Clifford