Atma-Sphere Class D… Amazing


Today I picked up my Atma-Sphere Class D Amps. These aren’t broken in yet. And they are simply amazing. I’ve listen to a lot of High End Class D. Some that cost many times what Atma-Sphere Class D costs. I wasn’t a fan of any of them. But these amps are amazing. I really expected to hate them. So my expectations were low. The Details are of what I’ve never heard from any other amps. They are extremely neutral. To say the realism is is extremely good is a gross understatement. They are so transparent it’s scary. These amps just grab you and suck you into the music. After I live with them some and get them broken in. And do some comparisons to some other high end Amps Solid State, Tubes and Class D’s, also in other systems I’ll do a more comprehensive review. But for now, these are simply amazing amps.. Congrats to Ralph and his team. You guys nailed on these.

 

 

128x128pstores

@audioquest4life Into 16 Ohms they will make half of their 8 Ohm rated power. As you already know though, that's plenty for the T1s. You might have to adjust the rear panel controls slightly since the class D has a lower output impedance compared to a tube amp. I've been driving my T3s (also 16 Ohms) for the last 2 years and they work great together!

@atmasphere ,

Thank you for the response. That is great to hear that your new amps adequately power the T3s and the T1s. I think these amps would be a good alternative to the either the Novacrons or MA60s I was looking at. The thought of a compact killer amp sounds good to me, no pun intended. I will definitely try to see if I can find somewhere to demo these and see about a home audition. 

Is there an official answer whether or not it’s ok to leave the atma-sphere class d amps on 24/7?

Is there an official answer whether or not it’s ok to leave the atma-sphere class d amps on 24/7?

Its fine. The only concern is when turning a preamp on or off you might get a substantial thump so I would shut the amps off during those times.

I just got my atma-sphere monoblocks yesterday. took a few weeks upon ordering. they're bigger than I expected; can't fit them side by side on my rack. guess I will have to place them on the floor.

No instruction manual but I guess probably not needed. they came with a set of u-shaped pins to insert into the xlr ports; I've not used this before. do they have to be inserted when using RCA into the blocks? 

@docroasty 

I think I have a manual and can copy and send to you. I am pretty sure you only need the pin if you are connecting to a preamp (other source) that has only RCA outputs.

I honestly staggered the amps about the width of the overhang of the front plate and was able to put on my rack. If you are able to put them on the floor, though, you can get very short speaker cables for better sound.

I suspect Ralph may chime in and correct any mistakes I stated lol.

@docroasty Use the shorting plug if you are using the RCA inputs on the amp. You insert the plug into pins 1 and 3 of the XLR input.

@dseltz about the only thing that jumps out is there is no manual for the A-S Class D amps :-)

I do have a question that, hopefully, @atmasphere Ralph might be able to answer:

I was watching a YouTube video from REL about connecting their subs to class D monoblocks. They recommend connecting their red wire to the amp’s positive speaker post and the black wire to chassis...not the negative speaker post. I’d prefer to hear from you if this is how it should be connected or if you recommend something different?

@docroasty In case you’re looking for ideas- here’s a pic of the setup I made for mine (that are on the ground) The braces are 3D printed and the wood it’s stained solid 1 1/2" thick walnut (to match my Tannoy’s). The aluminum feet have rubber rings in the bottoms. I’m happy with the way it all came out. Here’s a link with a pic. You can zoom in with your mouse wheel.

https://drive.google.com/file/d/1jESO2l6Tp43OVJFafkoTTUAr-GJQsbvQ/view?usp=sharing

@clio09 thanks for that info! i left the shorting plugs in the box and stored it away, as i dont use RCA often. looks like i'll have to get them out and keep them in the drawer just in case.

@veerossi dude, to say that rack is amazing would be an understatement. that looks fantastic!! by any chance, do you make those to sell? lol

it has been only two days since i've had the monoblocks. this is my first time using monoblocks. my other amps are Apollon Audio stereo 1et7040sa and NAD M23, both Purifi. i've had Kinki M7, another Apollon purifi (1et400sa) and Benchmark AHB2 previously. these monoblocks are extremely impressive..

there is a whole lot of detail in the music, but somehow there is also zero sibilance/edginess/etchiness. felt like there wasnt enough bass initially but seemingly on only day 2, the low end has filled in substantially. these monoblocks definitely sound different from my Purifi gear; a bit warmer, slightly fuller on the midbass region, slightly rounded up top. it is a very pleasant sound.

since i couldnt place them nicely on the rack, i have them stacked on a butcher block next to it. hooked up some simple xlr cables directly to the Meitner MA3 dac and using the dac for volume control. sounds fab and seems like such a simple setup especially for running in the amps during the day (dont want to use up tube life when not listening). I will try hook up the monoblocks to my Cary SLP-05 preamp this weekend and report back.

 

 

 

@docroasty Thanks. I'm glad you like it. I can make another one to sell to you, but we will need to discuss the details. Please DM me if you are interested.

I was watching a YouTube video from REL about connecting their subs to class D monoblocks. They recommend connecting their red wire to the amp’s positive speaker post and the black wire to chassis...not the negative speaker post. I’d prefer to hear from you if this is how it should be connected or if you recommend something different?

@veerossi I would hook it up to the red and black. If you run into trouble with buzz or hum, you can try tying to chassis, but I don't think its necessary.

Also in the hum and buzz department: some preamps and sources are not grounded. If using one of them and also the single-ended input of the amp and you have a buzz or hum, place a jumper between pins 1 and 3 of the XLR. You will only need this if the preamp or source is not Grounded.

@pstores i just unboxed and hooked up my Atma-Sphere monoblocks this morning.  Cold and straight out of the box i was very impressed.  They sound very clean, pristine, neutral and very natural sounding.  I am letting the play all day streaming Qobuz.  Cant wait to hear them 10 hours later.

I heard them at a show with the Big Classic Audio speakers that Atmasphere typically partners with at shows. I couldn’t find a fault. Then they switched to the Atmas tube amp and frankly I struggled to hear a difference. So there you go FWIW. Overall teh Atmasphere/Classic Audio room sound was teh best I had heard to-date compared to prior years where it was tube amps only. For a year or two prior, the sound came off too me as a little bright and somewhat fatiguing for whatever reason.  THis was with tube amps only.  Probably they adjusted better to acoustics the big conference room they were in each time.  The room is usually manned by folks from Classic Audio, I believe.

Glad to hear you went for them @jaymark. It’s been just over 8 months since I’ve had mine and still loving them. Not missing my old tube integrated at all. I’d highly recommend the Atma-Sphere MP3.3 preamp as well.

I listened to a Part-Time Audiophile podcast this morning featuring the brains behind MYTEK, discussing digital amps, specifically GaN tech and that they have introduced their own monoblocks.  I think you'll all enjoy it

@tweak1  After seeing the ASR results of the Mytek Brooklyn Bridge II, I wouldn't have much hope that Mytek can produce a good GaN amp. Heck, they failed at their main product - a DAC!

MYTEK is an awful company and their customer service is horrid. I learned this first hand years ago, purchased a Brooklyn Bridge, service issue after service issue. Finally just binned it and took the loss,  no way I could sell it in good conscious. Some my love their products and company bit I would steer clear. 

@kykat I am using a top end Aric Audio Motherlode preamp and Aerial Acoustic 7T speakers that were essentially gutted and rebuilt  by Doug Jesse at ASi Teknology.  I also use a Space _Tech Super Rectifier via an umbilical cord to my preamp.

Hey there Jaymark.  as suggested earlier you have a lot of experience with ganfet class d's. (and other great amps)  I think many here on the gon would love to hear your comparison of the atmasphere class D amps that you already like to the AGD Audion mkiii's that are a lil pricier than the atmaspheres.   Or, perhaps you already have made the comparison and I missed it.   I read on some opinion site somewhere that the Audions out performed the Atmaspheres, but that was the only comparison I've come across, so far.    I find detailed amp comparisons in general very interesting.  Hope you keepem coming.

Thanks.

Michael.  

IME, the Atma Ds are far superior to the AGD Audions (MK II).

And a bargain. What is also super impressive and one of a kind is that Ralph actually recommends his Ds over his much more expensive and highly thought of tube amps. And tubes are a hassle and a problem in the Summer. His Ds have much better bass, sound at least as good as his big tube amps and are bullet proof.

 

LOL, Superior ?... Its not true in my opinion. Ive now had 3 seperate customers compare them and all of them liked AGD better. 

If a "bargain" is what you are after, then maybe Ralphs are better for your pocketbook. The fact still remains that Albertos amps use a switching device nobody else can source. Again, one that was designed for Audio, not for a battery charger or DC power supply. 

Then we've got the aesthetic, which of course, is a work of art in my opinion, and after spending thousands, I'd like something that looks like it.

Finally nearly ANY solid state amp is going to have tighter bass than a tube. so either of these solutions will control your woofer better. The beauty of the AGD for me, at least was its speed and lack of grain. Extremely articulate without being harsh. 

just my .02c

 

  

@cymivka I debated between Atma- Sphere and AGD monoblocks for my second amp purchase.  Talked to both designers.  I settled on the Atma-Sphere so I have never heard the AGDs.  I do have a LSA Voyager Gan modded amp that sounds really nice.  The Atma-Sphere bests it in soundstage, low end and pristine clarity.  Nevertheless, the LSA remains a damn fine amp and, for the money, hard to beat.

@mikepowellaudio, are you not an AGD dealer?   Assuming so, maybe you should at least drop that disclaimer in your post before you enter a competitor's thread and dump on the product. 

I'm also not getting the point of your not so subtle jab 'If a "bargain" is what you are after, then maybe Ralphs are better for your pocketbook.' when his Monos sell for approx the same as the AGD Tempo STEREO Power Amp.

I do agree with your ".02c" part though :)