I agree with your thoughts @gladmo , and you express them more eloquently by far than I could.
The thing about objectivists is...
Listening is the essence and central activity of music appreciation. Listening is purely a result of the essential reality of subjectivity, and not that of any "objective reality" which is assumed to exist "out there." The human mind tends to rigidly cling to measurements, pedestrian concepts, and elaborate abstractions in attempt to simplify, subdivide, define, and categorize within the immensity of the realm of the experiential/subjective.
Over-reliance on concrete definitions and ideas serves to attach oneself to a sense of stability and security. The mind secretly hopes this will sufficiently ward off the uneasiness of feeling unsure, or off-balance, about one’s actual degree of comprehension regarding a given topic.
But what is it that is capable of registering sounds, recognition of patterns, recalling memory, and awareness? It’s pure subjectivity. It’s not the brain. That’s only an idea which is based on an entire system of definitions which define other definitions. The mind fortifies the boundaries of its interconnected structure by using circuitously self-reifying definitions.
Consider this: A description of a thing, proposed by the human mind, is only of that which a thing is not. A thing’s reality is not the same as its description.
What is it that is present in the pure silence during the instant just prior to sound waves propagating into the air space of the listening room? What is it which listens?
It’s subjective awareness, devoid of mental content. Your ideas aren’t listening, your experiential awareness is listening.
The more one thinks the same boring ideas one’s been thinking for years, the less one can listen. Subjectivity is the self-existent authority prior to the discernment of any quality, measured quantity, or the detection of that which we term "music". The deeper we can relax and sink into pure, silent subjectivity, the more deeply and purely we can listen and behold. Our subjective awareness becomes purer and less colored, our mind becomes more open and flexible, and experiential reality is seen to be the ever-present continuum which is of the greatest value of all.
I managed to distil this reasonably swiftly before deciding all by myself that there will be no ratio decidendi to follow ( and I truncate, correct me if it is wrong to do so) -
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Is that fundamental truth something you came up with subjectively? If not, then how can you check that it's true -- with a non-subjective source? Here's a nice 3 minute clip of a very talented philosopher discussing "subjectivity" and "objectivity" especially as influenced by Kant.
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Tremendous clip of a gifted teacher speaking about many nuances conveyed in just a few minutes, @hilde45 I have only comment on the minute beginning at about 1.50. In common law this has been an ongoing theme for centuries, and continues to evolve. The rules of evidence today discount eye-witness accounts as being a truth, to the point of dismissing them without being corroborated. What did you hear, what did you see, what was said, or what did you taste, are subject to some quite fastidious cross-examination to seek the truth. |
And further to the above, related to what the woman speaks of, and in the context of what the brain perceives in the frequency domain, there have been many robust studies on this matter over many decades.
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I am always amazed how many audiophiles spend so much time talking about music. There is only so much time to go around, may run out of time to actually listen to music. Which btw I have done for the last 4 hours. Got my bluesound NODE to sing with the new Teddy Pardo LPS. Highly recommended! Using Shunyata venom 14 pc. |
Great audio is the result of optimal use of objective measurements(the right ones) and subjective listening. Without the combination there is audio chaos and the inability to repeat what has been achieved. This shouldn't be a war between two sides but cooperation for a common goal. There are meaningful objective measurements that give significant clues to the final result. They just aren't only the ones that are easiest to measure and they often aren't the ones used in ads. |
@gladmo Brilliant! Wonderful writing, and salient, cogent arguments! |
I like this guy. All of the discussions that followed remind me of Haykawa's admonition that the symbol is not the thing being symbolized, the word is not the thing, and the map is not the territory. Actually, it was Korzybski who came up with the map saying but Hayakawa is the one I read all those years ago. Experience is a purely subjective thing. Reconciling after the act, can be done objectively if one wishes, but it's done afterwards. All the best, |
OP, Music satisfies a subconscious need. We invoke our analytical prefrontal cortex to pursuing a system to satisfy and optimize an audio system. This is often at odds with achieving our objective because our analytical side identifies attributes easily understand… tonal balance / slam… and satisfy our analytical side, but miss the subconscious requirements… rhythm and pace… musicality.
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Hey hey cey |
Hi @hilde45 , It’s an observation which is obvious. When observation can occur without the occlusion of rapid mental activities, some things are merely seen plainly. It can’t be explained in concepts because it is so extremely simple. As @nonoise mentioned, |
Well well well. Objectivity and subjectivity are not the same thing. Wow. I didn't know that. @gladmo , where did you read all this? I think that's enough masturbation for one discussion. Rhythm and pace is the degree to which there is a life-like portrayal of those elements of the original performance. Do you want to tap your feet or click your fingers, or bang your head? Many say that digital finds this hard to do because of dither and clock problems. |
Interesting to see folks working with these ideas. As with other terms, "subjective" and "objective" are words which do different work depending on context. If I say, "These speakers sound good to me, subjectively" that is an objective statement about my sensory experience. It's a way of saying that I don't think I'm in an illusion about my experience, but that it's really happening to me. There might be ways of proving that to others -- with a brain scan, for example (someday) -- but you could also take my testimony as evidence, too. When a patient tells a doctor, "I'm in pain" that is taken as objective evidence by the doctor of the existence of pain, right? If I say, "These speakers sound good, objectively" that is an objective statement about the kind of sensory experience others could be predicted to have. It's a hypothesis. It needs to be tested by others who are capable of having sensory experiences like mine. I could not ask my refrigerator to have this experience, because it's not capable. What's the difference, then, between saying "These speakers sound good to me, subjectively" and saying, "These speakers sound good, objectively"? The difference is merely one of confidence about my prediction. The first indicates that I am too uncertain about my experience to predict that others will have it. The second indicates a higher confidence that others will hear what I'm hearing. That's really all I see at stake in these words. |
@david_ten Interesting response. Where is this Newtonian self? The Newtonian paradigm is a system of thought which is within yourself, which is subjectivity. |
I have not read what Kant wrote, but he seems like he could have been a cool dude to spend some time with. The clock says that is is 9am. Is that the truth of what the actual time is? Or just what the clock is suggesting to be the truth, which is subjective? But a clock is quite objective and has no opinion about what time it is. Another engineered clock may register that is is fact 9.02am. We only know what the time is from what others tell us, and that borders on what in law is known as hearsay (at the limit). |
Exactly. Convention and consensus. We agree on what "bright" means in listening and we agree what a "minute" is in measurement. We stick to these norms and rules because we agree that sticking to them suits us. Rule making and following is a social practice.
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I promised to refrain myself from posting any longer on this thread. But I cannot help but laugh very hard on this extremely super stupid analogy. You “objectivists“ dudes (or is it deaf?) cannot stop cracking me up.
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@petaluman - you sound like one of those istists....😄 |
@clearthinker Thanks for the response. People toss these words out to describe the quality of a recording, and seemingly more often to describe the music-reproduction-quality of a piece of equipment. Maybe I’m just dim, but I still don’t see how these words have any meaning in this context.
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"Rhythm and Pace" is a term that's been in use for many, many decades and how you don't see it having any meaning in "this context" is baffling to me, unless you're under, say, 20 years of age, and have no appreciation for what's gone on before you. What you say could be the factors are some of the factors in determining "rhythm and pace". If it comes across more realistically, then it will have that "rhythm and pace." That, and the contradictions in what you describe in your scenario with one system versus another shows that one system is better at it than another and is, therefore, responsible for the difference. "Rhythm and pace" aren't something you can plug into a system. It's the result of the system, in toto. All the best, |
I am not sure… But objectively, one could actually measure that if one choose to do so. |