What is your speaker ownership history since 1995?


Used audio market is not the same again since on-line marketplace was born in 1995 (Fleabay).   What is your speaker *ownership* history since then?   

(showroom / friend's house / loaner don't count .. must be owner of them)

Let me start with mine's, from 1998 to current (*):

(oldest to current)
Misc Wharfedale (thanks to uBid hype!!!)
Newform Research R645
Magneplan MMG
Magneplan 3.3R
NHT ???
SOTA Panorama with Time Domain bass module
Rogers LS3/5A
Infinity ??? (first time I realize 'reference' in the model name means absolutely nothing)
Klipsch Klipschorn
Tyler Acoustics Taylo Reference Monitors
Tyler Acoustics Reference 1
Wilson Watt Puppy 5.0
JMLab Chorus 7??
B&W Matrix 805
B&W Matrix 801 Series II
Revel M20
Revel F30
Alon I
Alon V
Tangent R4
Loth X BS1
Odeon Double Six
Silverline Sonata I
Meridian DSP5000
Paragon Acoustics Regent
??? Some Audio Physics DIY clone
Legacy Audio Classic
Duntech Princess
Sansui SP5000
Altec 604E w/ mastering lab (The Big Red)
Tube ? Lab ??? (it is the sorry B&W Nautilus 805 clone)
Epicure ??? (its the one with an eyeball kinda tweeter)
Celestion SL600si
Avalon Symbol
Vienna Acoustics Mahler 
Quest for Sound SQ10
??? White van speakers, can't remember the name, $80 a pair
Talon Audio Peregrine X
Fostex backloaded horns (DIY)
Counterpoint Clearfield
KR Audio (limited production specials, no model name)
Avalon Eclipse Classic
Apogee Centaur Major
Ohm Model I
Dynaco A25
Oris Horn 250
Egglestonworks Rosa
Legend Audio Reference Monitors (now known as Von Gaylord ROTL Mk II)
*Nearfield Acoustics Pipedreams 930
*Wilson Watt Puppy 3/2
*Kharma CRM 3.2 FE


Pretty purpose-less, focus-less timeline, I must confess.




bsimpson
I will start with 1990ish time frame as that is when I was in college and first dug into hifi:

- some kind of 3 way plus passive radiator tower, maybe made by Eclipse?
- KEF Uni-Q 102 2
- Acoustic Research AR9
- Linn Tukan w/ sound organisation stands (still have)
- Tekton 6.5t also on sound organisation stands (still have)

Currently, ProAc Studio 148s - favorite so far!
Just 3 speakers- 

1991-2000 Magnepan MG2.6R
2000-2015 Revel F30
2015- present Revel Studio 2
Main system

Klipsch CF4

Paradigm Studio 100

KEF RDM2                 Velodyne HGS 10 sub

KEF Reference 2                        "

B&W CDM 1NT                           "

PSB Platinum M2      w/  REL R305

Revel M106                                 "



Garage system

KLH Model 2 " Computer Controlled Loudspeakers "

Boston CR9

Klipsch KG1                    





Low budget stuff here (except for the Linns)

1994 - Wharfedale CRS 3
1998 - ADC 303AX
2013 - EPI M180
2014 - Linn Sara 9
2016 - EPI M70
         - NHT Super Zero
2017 - Tannoy 609
         - Audio Pro A2.14 Live
Trying to remember...

early-1980's AR5?
mid-1980's-early 1990's something I can't remember
mid-1990-2011 Von Schweikert VR-4 (very original ones low serial number)
2011-present Revel Ultima Salon 2

Still own the VR-4, but had them upgraded thru Von Schweikert for a really modest $ to very nice sounding VR-4SEMKiii equivalent...

Gosh, I feel like a slacker! Since I started reading the rags in 1990:

-CJ Synthesis two-way monitors w/ Velodyne 12" sub
-D’Appolito Towers commissioned from Van L. Speakerworks, Chicago The crossovers used M.I.T. caps as big as your fist!
-Hales Transcendence 2 w/concrete bafflels (I miss ’em)
-Audio Artistry Dvorak towers w/two sub cabinets (awesome!)
-KEF Reference 3 w/blonde curly maple finish (gorgeous!)
-KEF Ref 201 (currently using in an all KEF HT system)
-Proac 3.8 (Killer but couldn’t crank ’em in my apartment)
-Thiel 1.6 (excellent in the nearfield) w/B&W ASW650 sub
-Thiel 2.4SE (to hear is to love) w/sub
-Klipsch La Scalla II (current -Great but forget noisy tube amps)

Bucket list? -The Magico M6!
KEF 104aB
PSB Stratus Golds
Klipschorns (including extensive mods)
Magnepan 1.6 QR (2 pair at different times)
Altec Model 19 (2 pair at different times)
Thiel Cs 3.6
B&W Matrix 801 Series II with Sound Anchors and North Creek Crossovers
Quad ESL-63 (2 pair at different times, once with Gradient SW-63 subs)
PSB Stratus Minis (second system)
The last three pair currently in use.
In the past, also owned B&O S-60
Bose 901
Klipsch Cornwalls

In my main system only...
DIY two-ways
Magneplanar MMGs
Magneplanar 1.7s
Quad ESLs (57)

For my tastes, I know that I will never do any better, so the Quads will stay until I cannot fix them.
Just these three:

Kef C75 (1984-2001)
PSB Imagine T (2007-2016)
Dynaudio Confidence C1 MkII (2016- )
Since 1996

Von Schweikert VR-4
Von Schweikert VR-4 (above) upgraded to VR-7

I’ve listened to dozens of speakers along the way, some over $20,000/pr. While I really liked many of them,I still have not heard one for which I would trade my modified VR-7s. I think they may be my speakers for life.
1977 to 1990 JBL 4343 Studio Monitors
1990 to 1996 Acoustat 2+2's Phil Keck mods.
1996 to 2002 Martin Logan CLS Speakers
2002 to 2006 Martin Logan Request Speakers
2006 to 2014 nothing out of audio.!!
2014 to present Magnaplanar 1.7 Speakers
1989-2014 Thiel CS2
2014-present Thiel CS2.4SE 
2014-present 4 PSB Imagine Mini surrounds
2014-present 2 SVS SB12-NSD subwoofers
2015-present Thiel MCS1 centre

Cheers,
Warren

I am comforted to realise that I'm not as crazy as I (or more accurately, my wife) thought:

Martin Logan CLS I (beautiful to look at and fantastic with valves but temperamental film)
Apogee Duetta Signature (excellent all round involving sound but needed more amplification than I could provide at the time)
Sonus Faber Extremas (attempt to bring sanity to home space but disappointing sound after panels)
Zingali horn floor-standers (trying to get a fuller sound from a more acceptable box)
Quad ESL63 (following réalisation that panels offered much more than even beautiful boxes)
Apogee Divas (rebuilt as active tri-amped system - stunning sound, far more involving than the Quads but complicated for all female household)
Apogee Grands (Going for broke - completely rebuilt - absolutely fantastic, all enveloping, articulate sound - however, too physically dominant and too complicated for some)
Back to sanity: 
An ATC active system for home theatre includes:
ATC SMA150 (front); ATC SMA 50 (rears); ATC SMA?? (centre); ATC Sub
Apogee Caliper Signature (rebuilt - for serious reflective stereo listening and realisation that after all my nonsense, I'm a panel man)

Still crazy really!
I started buying speakers in 2009 .
My first were a pair Polk audio LS15
Polk Audio LSI 9
Dali 800 MKII
AZ crescendos 
Harbeth C7es3
System audio Sa2K
Nola Boxer
Harbeth P3es3
Harbeth M30.1
KEF reference 1
Diapason Micras III--current
KEF LS50 Wireless ----current
Gamut M7---Current
KEF ref 3.-----current
Triangle deltas signature ----current.
Speakers are the soul of every single system.
Happy listening 
I'm one of the more sane amongst you !

2000 - 2004             Sonus Faber Guarneri Homages / Rel Stadium lll sub

2004 - present         Decware HDT

Cheers,                  Crazy Bill
2013-2015        Polk RM7 Sat
2015-2016        Polk TSx 330T
2016                 ELAC Debut B5
2016-2017        Qacoustics 3050
2017-present    Spendor 5se
2017-present    KEF LS50

Zero regrets.
Advent Utility
Snell Type C (1st generation)
Cambridge Sound Works (outside)

Both have been re-foamed.
Here is mine:
Wharfdale Linton 3
Bowers & Wilkins DM 4  (in combination with Marantz 2218)
Bowers & Wilkins DM 2a (in combination with Marantz 2270)

The last combination is realy made for life, still sounds incredible good.
regards
Ton
Main system.. Acoustat 1100’s w/modified base modules. .. since roughly 1993 As far as this system is concerned I’ve had stuff in house to demo against existing components quite a few times. Pre, amps, tuner and speakers remain the same. CD player (and or transport and d/a) has changed a few times.

Home theater system ..... NHT full video theater surround set with towers, subs, etc. ...... guessing since 1994

2nd home theater ... bose with NHT sub + Infinity sub. since (about) 2002.
I had to show this thread to my wife so she could see that there are audiophiles who are switching out their systems MUCH more than I have.  
I have only owned three different speakers since 1979:
Dahlquist DQ10
Dynaudio Confidence 5
Wilson Sasha 1 (now)
I would love to bring home the new Wilson Alexia's!

Cerwin Vega "vs" or something like that
polk bookshelves
 B&w 683
paradigm Studio 100 V2
Klipsch RF7
Paradigm S4 V1
Swan floorstanders 
Dynaudio Focus 160
Usher BE 718
Kef 201/2
Paradigm S2 V.3
Paradigm S4 V2
Guru QM 10 2
Merlin TSM MMm
Golden Ear Triton 1 
Revel F30
Klipsch Chorus 2 with some upgrades
Tekton Double Impact





1970s - Radio Shack - first system
1980 - Pioneer HPM-40, Yamaha NS590 
1986 - Magnepan MGIII main system
            Bedroom Paradigm Monitor 3
2010 - Magnepan 3.7 main system
            Bedroom Paradigm In walls
2015 - Magnepan 20.7s main system
            Bedroom Dynaudio Focus 160
2017 - Magnepan 20.7s main system
            Bedroom Dynaudio Contour 20
I go back further
Bose 501
Bose 901
Polk SDA 2.3
Von Schweikert VR4 Sr
Von Schweikert VR5 Anniversary
Von Schweikert VR 55 Aktive
Doubt from now on that I will leave the Von Schweikert family - most wonderful!
Post removed 
Some of you guys seem indecisive as heck - changing speakers every year or so......

I've used (in my systems with asterisks on speakers I still own and use) :

Spica Angelus
Energy Reference Connoisseurs
Vandersteen 4A*
Martin Logan CLS*
Wilson Maxx 2*

I've listened to  a ton of speakers but those are the only ones that had the imaging qualities and clarity I was after.  I would change speakers only when I heard some that not just equalled but surpassed what I had, without losing anything in the process (e.g. having better imaging but tossing out a bass octave or two didn't qualify them  for inclusion in my systems).
I've owned very few pairs, thoroughly enjoying what I have been privileged to own:

Magnepan MG-1 78-84
Apogee Scintillas 84-90
Apogee Divas with active Dax 90-present, refurbished with Graz ribbons, etc in 2015.
A Velodyne 15 in subwoofer is rarely used for organ music.

The planar maggies lead my away from dynamic drivers. The Scintillas were an absolute revelation (at 1 ohm, not 4 ohm!) for timber, speed, musicality, air and soundstaging. In choose the Divas to push more volume into a much large space (about 20x27ft, vaulted ceiling). The Divas finally excelled after using the Graz ribbons with new capacitors, wiring and binding posts. Have not heard anything more pleasing under $100k. Great classical, solo, jazz, folk speaker! Owning and playing a Bosendorfer 275 concert grand, and attending first rate orchestral performances (Cleveland, Chicago, NY...) keeps it real for me! What a blessing!

WOW! Interesting lineup . . . some very impressive lists. I was trying to see if there were any patterns for consistency . . . a few, but for the most part -- not really. To be honest, if I had had the resources to do so, my list would have been much larger.

Dahlquist DQ10’s with double subwoofers (still have and tweak) Bought second hand back in the mid-80’s.

Paradigm (for surround sound) mid-90’s .. . . also still have.

With a little help and determination . . . the DQ10’s can still do marvelous things -- even impress those whose systems change quite often and are much more costly. And although there are ALWAYS some great technological advancements out there (or myths perpetuated by advertising) and a price to be paid for the competing and the insatiable conquest for THE BEST . .. there is still the reality, and consequently, the necessity for some of us, who just have to work within our limited resources and be CONTENT with what we can afford -- that, and not overtaxing one’s credit. To those whose resources are much less confined (obviously) -- sincerely, more power to you.

It is a fun, encompassing hobby and at times a very enjoyable one -- IF, one can keep the music, at least theoretically, as the priority . . . and not the overwhelming pride of ownership, keeping up with the Jones (becoming KING of the Hill . . . being dethroned and gaining it back again) , and sometimes falling into the trap of advertising hype and often times -- just plain baloney; however, that constant urge to IMPROVE is also part of the CHARM and enjoyment of the always (seemingly) being on an unreachable quest for perfection and wanting to share every little nuance with like enthusiasts, as there will always seem to be that one step never quite achieved in the greed and necessity for profit by the designers and manufacturers, who do seem at times to milk it for all they can. I still have to believe that behind that shallow exterior of the love of money, the obsession of ownership, etc. there are those whose heart still has the purest intent of possessing, if just for a moment, the joy of sharing with pride an experience of OWNING the closest to real music experience that one’s limitation (or not) of money can buy . . . and IF the illusion of live music ever did totally come about, not only would the industry be devastated . . . but most likely the heart of the hobby and love of this never-ending quest for musical as well as technological tinkering would also be gone along with the enthusiasm and fun towards that “just out of reach” unachievable perfection.

I started out about 25 years ago with  Boston Acoustics speakers when I only had a Yamaha receiver and CD player. When I started with high-end equipment about 16 years ago I first went with Paradigm towers. Then I purchased  Martin-Logan Aeon which I had for close to 10 years. Next was Magnepan 1.7, followed by Thiel 2.7.  I kept the Maggies in storage and put the Thiels in a secondary system when I purchased Quad ESLs (2805). I loved the Quads but they did not appeal to my wife because of the space they took in the family room. Then I discovered YG Acoustics Carmel. I was smitten.  I sold the Thiels and the Quads.  I put the Carmels in my secondary system.  My primary system now has a pair of YG Kipod 2 speakers. I picked up the YG speakers on the used market for about 25% of the cost of a new pair.  I do not know where I will go from here and I do not think I will ever part with the Maggies. 
Simple for me...

Phase technology
NHT SB2 with nht sub
NHT classic 4's
Totem forest
Martin Logan Ethos

Favorite out of all....hands down the ethos
From beginning to present:

78-81 Sound Research
81-84 Smaller Advent Loudspeaker
85-86 Jamo Compact 50's & 70's & Triad Subwoofer
86-88 Mirage 660's.....(excellent)
88-93 ProAc Studio 1.....(top 5 I've owned)
1993 Celestion C7.....(excellent - gave to brother for stealing his Advents & taking them to college)
1993 Chateau Research 1.5.....(top 5 I've owned)
1993 ADS CM6.....(horrible)
1993 Celestion C3
1993 Infinity Qb
1996 Vandersteen 1B
1997 Klipsch KG3.5 (black).....(worked great w/SE amp)
2002 Tannoy D90.....(top 5 I've owned)
2004 Omega Grande 8.....(top 5 I've owned)
2009 Celestion DL-8 II's (very nice)
2009 Mission 70 mkII (underrated)
2009 RogerSoundLab CG-6 (looked much better than sounded)
2009 Boston Acoustics A-200
2010 Wharfedale CRS-5 (nice)
2010 Mission 700 LE
2010 Wharfedale Delta 70
2010 Klipsch KG 3.5 (oiled oak)
2010 Pinnacle AC800 (very underrated speaker)
2010 Linn Helix LS250.....(top 5 I've owned)
2011 Celestion C100s
2013 Omega Grande 8 (re-acquired)
2014-2017 Canton Plus S
2014-2017 Paisley Reseach AE-500 (top 5 owned)
2015 Mordaunt Short MS-20
2017  Fostex P1000-BH 4" Full Range Back-loaded Horn

To the best of my recollection give or take a few months/yrs
Thanks for starting this thread. Nice to reflect on the over three decades of wonderful audio memories.

Vandersteen 1B
Magnepan 1.6
Wilson Audio Sophia
Tidal Audio Piano Diacera
Tidal Audio Contriva G2

I wish I was one of those guys with 5 speakers in 30 years, I'm more like 31 flavors........but if your looking at turntables, it's been 5 or 6 in 30 years.

Old to New:

Klipsch Heresy (these got me started.. found in nice shape at a rural landfill!)
Mission 737
PSB 600
Celestion 3 (bedroom)
NEAR 10m (bedroom)
NEAR 50me mk I
Von Schweikert VR4 gen 1
NEAR 50me mk II
Magnepan MC-1 (w/ B&W PV-1)
Audiosmile LBM's (office)
NEAR 50me mk I (Current mains, found again as nearly NOS in 2014.. fav all-rounders)

I don't spend a lot. To my ears, after attending LAAS this year (aside from maybe the new ELAC Adante), there are few great sounding new full-range-ish speakers which are actually priced less than a new car. The MBL's were amazing but so is being able to buy a house;)
I graduated high school in '95 so this is pretty much everything I've ever had. I still have a lot of these.  I'd like to have the Infinity 2.6's back.  I can live without the rest of what I got rid of.  I've had the Thiel 3.7's for 5 years now and I still have no desire to upgrade.  I've had the ATC's for about 3 years.  I got them because I have small kids and I wanted something good that they wouldn't damage and these really fit that description. 

The standouts on the list are the Acoustic Research 338 because Accessories4less.com blew them out for $100/pair back around 2000.  They sound pretty nice and are phenomenal for that price.  I gave them to my sister I think.  I thought the Infinity Intermezzo 2.6's were really nice too, although not exceptional at the original price they made a lot of them so you could get them new for $999 from Audio Advisor for a while.  The Thiel 2 2's are fantastic for the money.  Don't do anything wrong and are a real joy to listen to. 

I don't have a great frame of reference for the Thiel 3.7's or ATC 110a's.  They're in a price range where I haven't heard a ton of the competition.  They're both fantastic in my opinion and I got both used and for a very reduced price.  The ATC's especially were in bargain of the century range.

JBL HLS610 / HLS810
Acoustic Research 338
Acoustic Research 303
Vienna Acoustics Haydn
Infinity Intermezzo 2.6
B&W N804
B&W N802
Magnepan 1.4
Infinity Beta 50
JBL 6208
M-Audio BX8a
Vienna Acoustics Bach Grand
Vienna Acoustics Mozart Grand
Vienna Acoustics Waltz Grand
Thiel 2 2
Thiel 3.7
Thiel MCS1
ATC 110a
ESL
KEF 101 clone
DCM Timeframes ( they were free )
Vandersteen 3a-Sig
Vandersteen 5a
Vandersteen 7 mk2

no itch to leave the fold

in my " vintage system"

Sonus Faber Concertino
Linn Sarah ( wow do they rock for a small box)
Apogee Stage up in the air on custom sound anchors

garage

ADS L730
Cornwalls circa 1974..... they are just loud ( sorry )

Linn Tukan

Diapason Adamantes II

NHT Super Zero

Energy Reference 22

Realistic Minimus 7

B&W Nautilus 805

Energy Veritas V2.2

Focal Micro Utopia Be

Snell Type E/III

TAG McLaren Calliope (still have ’em)

Totem Dreamcatcher

Snell Type K (still have ’em)

Yamaha NS-10M

Linn Tukan (redux...still have ’em)

And last but certainly not least:

JM Reynaud Bliss Silver....breaking-in very nicely thankyouverymuch...


ESS  WITH heil air motion transformer
ALTEC Lansing model 19
Acoustat 11
Vandersteen 2ci
Vandersteen 1c
Vandersteen vcc-1
Vandersteen vsm-1
Vandersteen 2ce sig ii
Saving up for Focal Sopra 1 and 2
Vandersteen 2C
Vandersteen 3
Vandersteen 3A  added two Vandy 2wq subwoofers
Vandersteen 3A Signature
Vandersteen Treo CT
Hmmm.  Mine seems pretty dull.  I've had Aletc 873A Barcelona for the past thirty+ years.

Although for those with diverse selections I must add a comment made by a friend from long ago, a sportsman drag racer.  I ask how much he had in his car (a 60's Chevy).  He said $1500 but it took $4500 to figure out which $1500 he should have spent in the first place.
For the past 20 years plus I've had only one speaker pair:
Dalquist DQ 20.  I had it modified by Regnar so that there is much improved bass from the original.  Been very happy with it.
No Lansche, Classic Audio, big Kharma, big MBL, big bloody horns, Gryphon, Focal Grand Utopia, Venture etc. anyone?
Most true audiophiles are relatively poor, I know.
I stay behind when counting the number of different brands/models, still people consider me a bit crazy I guess.... 

1977-1985 B&W DM6 (The kangaroo model)
1985-1989 Acoustat (the 3 panel model)
1990-1992 Moved from The Netherlands to Indonesia, no audio bought.
1993-1997 Apogee full range
1997-1999 Apogee Grand
1999-2006 Moved to a different place in Indonesia, had to store the complete system, the electricity available was not enough to feed the 4 Krell power amps involved to power up the Apogee Grands. (Apogee Grands stored for 7-8 years, what a shame indeed, sold them later to Europe after it became clear that extensive maintenance was required, one of the panels had been damaged during moving around)
2008-2017 Moved back to a bigger city, and started listening music again, returning to B&W, where it all started in 1977, this time using the 802D.
2017 - up : Gryphon Pendragons on order. 
As somebody mentioned before, once you love panels, you will always have that urge to go back to panels.

All in all, only 5 different speakers over a time span of 40 years. Most likely the Pendragons will be the last speaker system I invest in, the circle is round.

Happy listening,
Han




its really  interesting as I moved my speakers changed to fit the room I was in so they very from tinny to mid sized. I've never really had large full range speakers.

Proac Table 50's the original ones

Celestion SL-600

Proac Response 2.5's, Oh how I miss these, in the back of my mind anyway.

Sonus Faber Conertino Domus

Sonus Faber Grand Piano Home

Audio Note An E Lexus Silver Wire upgrade.

Living Voice Avatar 2, Current speaker


I tend to keep my speakers for a long time so not too many only really changed when I moved.  the last 4 were in the last 7 year the earlier ones I had for many years I think I had the Proac 2.5's for like 8 years or so.