What exactly is PRaT???
Ok, it’s like this thing and is associated with “toe tapping” and such. I confess, I don’t get it. Apparently companies like Linn and Naim get it, and I don’t and find it a bit frustrating. What am I missing? I’m a drummer and am as sensitive as anyone to timing and beats, so why don’t I perceive this PRaT thing that many of you obviously do and prize as it occurs in stereo systems? When I read many Brit reviews a lot of attention goes to “rhythm” and “timing” and it’s useless to me and I just don’t get it. If someone can give me a concrete example of what the hell I’m not getting I’d sincerely be most appreciative. To be clear, enough people I greatly respect consider it a thing so objectively speaking it’s either something I can’t hear or maybe just don’t care about — or both. Can someone finally define this “thing” for me cause I seriously wanna learn something I clearly don’t know or understand.
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@ghdprentice You're welcome! Yes, 40 years of being a drummer certainly doesnt hurt. Knowledge of 'good' sound quality? The only parameter with good SQ, is realistic or accurate. A cymbal (keeping it simple) that sounds compressed (ie squished dynamics), is not natural or accurate. No such thing as PRaT in a live concert. The band either has it, or they dont. If they do, people get into it. If they dont, they get booed off the stage in extreme situations. |
@audiom3 Understand the term 'sarcasm' much? Yes, there is no such thing as PRaT in a live concert because you are listening to live instruments. PRaT refers only to the reproduction of music with a focus on how accurately the leading and trailing edges of notes or sound waves are reproduced, which may not match the original live performance. |
Hmm, it is indeed a very simple track. But, the PR&Tty kid is able to cry his way into the souls of analytical old men.
Mk.Gee - Are you looking up https://youtu.be/DxdKr5PmlPw?si=SRj4flzUpOR4WXPZ
PR&T ...whatever....
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OP Perhaps it comes down to the ability of the amplifier to respond rapidly and fully to the current demands of the signal. This is most prominent when dealing with transients. Indeed, for so called PRaT speakers must be essential to bring out the pace rhythm and timing… the electronics certainly can’t do it on its own… there needs to be a synergy. N
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You say when you "first heard... [you] assumed..." Does this mean you have subsequently clarified it for yourself through direct experience or. . . ?
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I haven’t been into audio long enough to associate this term with any brand. When I researched my Hegel H390, I encountered mentions of its tendency to "move the music along" and once in my system, this was indeed apparent. It was not only noticeably different from other integrateds I’d owned but also from the much-more-costly systems owned by two friends -- both long-time audiophiles. Perhaps PRaT is just a marketing term but so far I haven’t encountered another that appears to be a more appropriate description of this particular phenomenon. OK -- "Boogie Factor" -- maybe. But that’s not very specific, Because I’ve discovered rhythmic engagement is crucial to my listening enjoyment, the fact that this "propulsive" capacity was repeatedly mentioned in connection with the Hegel definitely piqued my curiosity. However, I recognize that each of us has different priorities when it comes to sonic attributes so it's understandable that this capacity might not matter so much to you or others, here. |
