What exactly is PRaT???


Ok, it’s like this thing and is associated with “toe tapping” and such.  I confess, I don’t get it.  Apparently companies like Linn and Naim get it, and I don’t and find it a bit frustrating.  What am I missing?  I’m a drummer and am as sensitive as anyone to timing and beats, so why don’t I perceive this PRaT thing that many of you obviously do and prize as it occurs in stereo systems?  When I read many Brit reviews a lot of attention goes to “rhythm” and “timing” and it’s useless to me and I just don’t get it.  If someone can give me a concrete example of what the hell I’m not getting I’d sincerely be most appreciative.  To be clear, enough people I greatly respect consider it a thing so objectively speaking it’s either something I can’t hear or maybe just don’t care about — or both.  Can someone finally define this “thing” for me cause I seriously wanna learn something I clearly don’t know or understand.  

soix

Showing 14 responses by bolong

I have always fancied, however erroneously, that PRAT was often due to very slightly erratic timing which is why tube amps sometimes can be masters of PRAT perhaps because something in some tubes is faintly "off" timing wise. This in turn might create a sense of naturalness or "live" performance even if the tunes have been very precisely guided in the studio.

Sometimes PRAT can be that ineffable thing called "swing."  SRV nearly always had it in his playing.

The Stones often made Pratty records perhaps because of their catch-as-catch-can recording practices.

The Stones Recording At Muscle Shoals Part1

The Stones Recording At Muscle Shoal Part2

What would a discussion of PRAT be without bringing in marijuana?

Why Weed and Music Go So Well Together

"Dr. Jörg Fachner: [Marijuana] works like a psycho-acoustic enhancer. That means you are more able to absorb, to focus on something, and to have a bit of a broader spectrum. It doesn’t change the music; it doesn’t change the ear functioning. Obviously it changes the way we perceive ear space in music.

 

It also changes time perception, and if you listen to music, it is a time process, so if you have a different time perception of course you will listen differently to music.

Perhaps it should be "Pulse, Rhythm and Timing." I have often wondered whether musical timing is governed however subtly by the heart rate of the musician which must vary according to the demands the music is making on the performer and the demands the performer is making on the music. The heart can be likened to a metronome residing in the chest, and its interaction with music making could be creating a very subtle poly-rhythm in the musical performance that sometimes urges the musician into altered and sublime states that are both familiar and novel at the same time and which strike the listeners the same way.

Effect of Music On the Cardiovacular System

@dogearedaudio 

Did you bring up Klemperer because of the phenomenal PRAT he brought to the Beethoven symphonies? My mother introduced me to the vinyl boxed set of Klemperer's Beethoven symphonies. That absolutely mind blowing explosion in the Ode To Joy 4th movement where all the instruments fly into the vortex simultaneously is the most PRAT-ey thing I have ever heard. Pretty sure that moment when first heard ushered me into puberty all those years ago.

@dogearedaudio 

Did you bring up Klemperer because of the phenomenal PRAT he brought to the Beethoven symphonies? My mother introduced me to the vinyl boxed set of Klemperer's Beethoven symphonies. That absolutely mind blowing explosion in the Ode To Joy 4th movement where all the instruments fly into the vortex simultaneously is the most PRAT-ey thing I have ever heard. Pretty sure that moment when first heard ushered me into puberty all those years ago.

The tube amps that sit next to the Audion based system always sound most Prat-ey after a few hours of warm-up in the early evening before a midnightish listening session. Time of day is a factor or rather the state of the "grid" which tends to be more Prat sounding after midnight. Also, the tube amps (pre and power) transformers have warmed up enough to be "saturated." State of the grid and transformer saturation have a big bearing on PRAT in this household and moreso with the tube amps than the GanFet amps.

PRaT, in my book, also has clean delineated ’plosives. part of the package.

It requires a clean start and stop of a transient, with no out of phase smear or lag in the signal additions that are unwanted, which would cover up the fine aspects of the plosive or transient. the requirement is one of a clean wideband low distortion and high signal to noise ratio signal reproduction. That’s what it takes to get a plosive right. Live amplified vs reproduced. the trick is, of course, to get the reproduction to sound like the live and amplified.

When all that is working, we can naturally and natively extract or witness ’PRaT’ in the amplified and reproduced signal..

Tony Rice, one of the legendary flatpickers, explains how his bands let the music breathe by mixing beats or a he rightfully calls it "pulse.

"Tony Rice On Time In Music

PRAT was what happened when the Grateful Dead were "on." They sure as heck were not "on" all the time, but when they were the joint was hoppin'.

We could make this even uglier.
 
pratfall /prăt′fôl″/
 

noun

  1. A fall on the buttocks.
  2. A humiliating error, failure, or defeat.
  3. A fall onto the buttocks.