I had a McIntosh system back in the 80's and then got divorced and drifted away from audio. Now retired I got back into audio about 5 years ago and invested in all McIntosh C2700, MC611's, MP1100, MCD600, XR100, MPC1500. My turntable is VPI. I couldn't be happier with the sound. I cannot quantify the sound with other systems as I did not have the opportunity to listen to others. I do not live near any hifi store. As far as service, I have never had any issue with a McIntosh unit except for my initial turntable that needed new belts. FWIW.
Seeking Honest Opinions: Your Experience with McIntosh Audio Gear
I'm reaching out to this knowledgeable community to gather some honest feedback and personal experiences regarding McIntosh audio equipment. As many of you know, McIntosh has a storied reputation in the high-end audio world, known for their distinctive blue meters, impeccable build quality, and, of course, their sonic performance.
Whether you've had McIntosh gear in your setup for years or had the chance to experience it in some capacity, I'm curious to hear about your encounters. Specifically, I'm interested in:
- Sound Quality: How would you describe the sound signature of McIntosh gear? Do you find it warm, neutral, or something else entirely?
- Build Quality and Design: McIntosh is renowned for its craftsmanship. Has their build quality lived up to your expectations?
- Value for Money: Considering the premium investment McIntosh demands, do you believe the performance and satisfaction derived justify the price?
- Customer Service and Support: Have you had any experiences dealing with McIntosh's customer service? If so, how would you rate their support?
- Overall Experience: Would you recommend McIntosh to fellow audio enthusiasts? Why or why not?
Your candid opinions and personal stories will be invaluable, especially for those considering making a significant investment in their audio setup. McIntosh has a dedicated following, but every listener's ears and preferences are unique. Let's shed some light on the real-world experiences behind the brand's prestige.
Looking forward to your insights and honest opinions!
Sound is individual perception and McIntosh has many fans as well as detractors. I will say that my combination of 3.6 Maggies paired with MC501 mono blocs and a C220 tube preamp has served me very well in 5 different locations in 3 homes over the past 17 years. While I love very old blues, 60s / early 79s rock, it is Eva Cassidy that blows everyone away. As my wife likes to say, it is as if she is in the room singing for us. Synergy is everything IMHO, YMMV, but my gear quest ended when I found this combination. I have had zero issues and having bought my McIntosh gear used, it could be sold for at least what I paid, not that I would ever sell. All these are the reasons McIntosh has a large group of supportive fans. Not all share this view, but there are differing views on sound. Reliability, support and value are rock solid. |
I comes down to what you pair them to. Preamps, source and speakers. That can change the sound of any component so you will receive general opinions but unless you take the time, as with any system, you don't actually understand the true potential. Other that that, they are beautiful, engaging sounding, built well, and for value, well price is up to you to determine the overall value, but they hold their own. Contact SkyFi audio in Ridgewood New Jersey for more info. Happy Listening |
Sound quality is warm and not neutral their autoformer is a not a good transformer and a design that colors things too much. Pass slabs is better if you want that warm sound but better build and even Pass is entry level hifi. McIntosh is midfi sound at hifi price. Build quality is kind of junky and their Autoformers have issues. Parasound has better value for money and doesn’t break ever! Customer service is a joke it takes forever to order an amp now after Covid. One dealer I know dropped them they would send 1 mono block instead of 2 and wait 3 months before the other monoblock came.
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I'm new to McIntosh but have been very impressed across the board. My setup is mostly vintage gear, Altec Lansing Model 19 speakers with Quad Jubilee Tube amps. I have two pieces of Mac gear, the M1100 phono preamp and their new MQ112.
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I am a McIntosh owner of many years.
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Other members have already provided details on each bullet point, and there is nothing that I can really add that hasn’t already been said. I will add to the discussion, however, that I would not trade, sell, or give up my MC-225 built in 1963 for anything (unless someone offered me $1,000,000 -- then I could buy a couple more 😂).
I believe your question really needs to be divided into two sections: Thoughts on McIntosh tube gear vs McIntosh Solid State gear. And even with that division, you could further break it down into VINTAGE tube gear vs RECENT tube gear. At least to my ears, McIntosh tube gear from the 1960 -- 1990 sounds better than their newer gear. Maybe it is confirmation bias. Me wanting the gear of my youth to sound better. I don’t know. But it just does to me.
I would absolutely recommend McIntosh gear. In the history of Hi Fi equipment, you would be hard pressed to find a brand that has held its resale value like McIntosh. For pete's sake, vintage amps are now selling for thousands of dollars more than they sold for new decades ago. |
I own the MA8900 integrated amp which I love. As far as directly answering your questions:
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@glennewdick , I know this is the amp/preamp forum, and I also know there is a digital forum, but I have been really curious about the Mac SACD player for a while now. What did you think of it? (I opted on the Maranzt SA10 instead, although I idn't want or need streaming capability.)
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what Dean_Palmer said. I bought a new BIG unit, and it needed a bias adjustment right out of the box. McIntosh folks were easy to talk with directly, embarrassed and extremely helpful, handing me off to the unit's primary designer. It shipped to their suggested repair facility 850 miles distant. Turn-around was 2 weeks. Zero cost to me, along with a loaner offer than I declined. It has worked flawlessly since and runs amazingly cool for the massive power. I have another Mac piece that has fabulous performance and flawless performance for many years. Both units work amazingly well with a wide variety of speaker designs and efficiencies. Like many, I had never owned a Mac piece but was always intrigued and drooled over them as a "yoot." Once I got my first piece, lightly used, I was hooked. The second giant piece, was a bucket list thing, and sure, for the money, I might have done better elsewhere. However, this piece will never leave my possession and will be handed down to some lucky family member. I've no doubt it will be working perfectly 30 years from now. If something should ever happen, it will be meticulously taken care of by McIntosh themselves if one desires. Even though they've changed hands, and may change hands again, what other company can fulfill on that level? |
I have Never owned a Mac piece or Moon. But I have purchased several other lower end pieces from my local dealer over the last 15 years and they deal on both Mac and Moon as well as other, But their high end rigs are based around these 2 platforms. As a customer good will I have been granted many auditions with their higher end gear. If and when I have the resources to upgrade and I choose to purchase new, it will be Moon. |
Macintosh is a well respected and loved company by many folks. Their equipment is very well made, looks cool, and retains its value well. It is not remotely neutral sounding. It is very heavy on the midrange and bass and is excellent for systems designed primarily for rock music… to thunder and hit your chest with bass. But not to come across as harsh… hence extended midrange. But it lacks detail. I consider it to be the muscle car in the audio world.
I have multiple times over the last decades decided I loved the look so much I was going to invest. I would go to the dealer and audition whatever the latest was. Each time, I would within seconds be so disappointed with the sound quality. No nuance or detail of a natural sounding soundscape. Lacks sophistication and detail. I have a dealer / friend that carries it now. I frequently it is playing. A few years ago he was excited to say that, they had really improved and have a more well balanced sound. I got very enthusiastic. It took ten seconds of listening for disappointment to overcome me. This does not mean you will have the same reaction. As I said, many people love the sound. It has unique strengths. It does what it does really well. Let me reiterate… you put this stuff with some big B&W speakers and it does rock as best as it can be done and Blues You are just engulfed. With the accentuated bass and mid-range you can turn it up loud without the treble being uncomfortable. Great sound for this music. But for jazz, classical, etc. it really lacks the finesse, nuance and balance.
Do not think I am someone that is into systems that scrape details… I am not at all. I want natural, musical sound reproduction, with details in proper proportion… and especially musicality. With over ten years of 7th row center at the symphony and another ten years finding every opportunity to train my ears to what real venues music sounds like, I really do not like “the high end sound” of overly trebly and bassy sound so that triangles and cymbals become solo instruments and the guy plying the cello that moves his foot sticks out. Hence I slowly zeroed in on the equipment I have to be faithful to natural sound and make all music sound great… yet be forgiving.
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Can't beat MAC on price/value ratio nor for resale and service. Sonics and and build quality can be bettered but only by EXPENSIVE stuff like VAC or Boulder etc. I recently heard the top of the line preamp and it is one of the best preamps I've heard including price-no-object competitors, if you were looking right now that preamp would be near the top of my recommended audition list. FYI I own Gryphon electronics. |
I have had many Mac pieces through the years integrated Separates and Tubes. have been very impressive. I would say get a preamp if you are going to use a MC cart. |
i haven't listened critically to mac gear since the 2010s, and i do recall it sounding warmish/mellow at the high end--i can't opine as to sq of their current stuff. i will say, per @glennewdick above, that its resale value is off the charts--i don't know any other brand that comes close. which on a certain level makes it a very good value, since you can always resell what you don't like, often at a premium. |
About four years ago I worked for Magnolia at Best Buy and got to hear pricey Mac electronics paired with KEF Blades in a dedicated room just for that system. I’d heard the Blades before at shows and found them to be very neutral and natural-sounding transducers, but the Mac gear made the Blades sound like mush with my audiophile demo material that I know very well. It was overly warm and the top end was veiled and rolled off and sounded nowhere near as good as what I heard at shows. Very disappointing. Maybe the Mac sound signature has changed over the past four years, but I kinda doubt it and would approach with caution. Just my experience FWIW. |
I think this will depend on which Mac gear we are talking as the Tube stuff and SS stuff are different. I can talk a bit on the tube equipment that I have, I have a C2700 preamp and MC275 power amp I had a SACD player up until a few weeks ago when I sold it.
well that's my 2 cents. I have not heard the new SS mac gear so can not comment on that.
cheers. |
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