@fuzztone - Thanks - new names for me to listen for !
Disappearing Jazz?
After years of collecting all types of music except jazz and big band I'm now playing catchup. Looking at the recordings of Ruby Braff (trumpet), Dick Hyman (piano) Roland Hanna (piano). Art Tatum (piano), Claude Bolling even the great vocalist Sarah Vaughan I find the majority of their catalog is only available used on vinyl. There are many other names I could have included in this list - I'm gradually getting to them (Thelonious Sphere Monk, etc ).
Beyond the lack of availability what alarms me as a new collector of this genre is that there doesn't appear to be musicians to take the place of these giants. Not to say there are no more Big Bands or jazz pianists BUT how many new artists have the hundreds of recordings these musicians created?
Is jazz disappearing? Will streaming services eventually include recordings only available on LP?
Feel free to offer any suggestions for other artists to collect in the traditional jazz / big band category. I also have collected Miles, Coltrane and Bill Evans though just starting to dive into Ellington.
Hoping to find this music soon.
Thanks for your thoughts.
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Do you stream Qobuz or Tidal? The problem with recommending jazz is the variety, even if we’re talking about a single musician’s work. I use roon with Qobuz to explore music. It provides a lot of recommendations based on what I’ve listened to. If that’s not for you, just search the forums for Jazz and you’ll find plenty of threads with recommendations.Here's a good long one: |
I suggest you start with two books: "Original Jazz Classics Collector’s guide" (1995) "All Music Guide to Jazz" 3rd and 4th Editions. (1998 & 2002) Both paperbacks and only available used. You will know just about everything recorded by the most important artists, and a very good review of each album. Don’t be put off by the dates of the books. Remember, a lot of people think that the best year for Jazz was 1959. Between Amazon, Discogs, Presto and ebay, you should find most of it. +1 JAZZ FOR AFICIONADOS thread. Cheers BTW, If they could be easily replaced, they would not have been considered giants. |
Rock and Roll disappeared. Country morphed to something else. Young musiciand think something called "hip hop" is musical. The change has been exacerbated by the demise of AM/FM radio along with records. I think a lot of the people that would have been buying records casually in the past and supporting good music (you have to like something to pay for it) are now "settling" for what they can find on Pandora and they aren't really listening to what they want as much as what is provided on the station. Somehow I think the ability for a listener to "vote" has escaped most of the over 30 listeners. So I think this results in more of the popular singers towing the line of what the marketing moguls think is popular and less "wow that's a surprisingly engaging song". Could Kenny G or Herb Alpert become stars today? (I pick those 2 as examples of instrumentalists who became popular on AM). Jerry |
Rock and Roll disappeared? News to me - I keep seeing new bands and hearing new music. I do like some rap and hip-hop too, and I'm 71 years old. I suppose a lot of country artists don't realize they morphed into something else, 'cause they still play country, which I've never liked. But old folks think it's musical. 🤣 But I agree that popular music has changed considerably since the days of Herb Alpert and Kenny G (isn't he still popular among a certain demographic?), thank goodness. |
Thanks for the recent adds to this discussion. I've taken away something from each comment. Even with these useful insights there is still the matter of the majority of these recordings are still in vinyl. One can say, "Well, the same problem occurred with 78s - lots of music just drifted off into history." Here's the difference - recording had advanced in the 50s, 60s and 70s leaving us with very good sound. SO ... my question remains - is this very good sounding jazz disappearing? Will streaming services pick up the vinyl and include it in their offering? Or, using the resources suggested by @rok2id will I also be chasing down vinyl (I've got a basement filled with it already!!!). Great conversation. |
There's tons of jazz new and recent. Qobuz and Qobuz with Roon even more so are fantastic ways to find it. WRTI Jazz out of Temple University is another. Be sure to explore the ECM label. Over the last few decades they're put out uncompromsing music with great sonics...Keith Jarrett on ECM is a natural place to start. It's a shame if you're not into vinyl. Most of the masterpieces in jazz were recorded in the all analog era, and the recent introductions of the Blue Note Tone Poet and Classic reissue series are putting numerous high quality releases out with superb sound quality at affordable prices. The best value out there! Cheers, Spencer |
I’m confused as to whether you only listen to vinyl. If so, I can’t help. If you listen on CD as well, read on. During the 80s and 90s there was quite a renaissance of Jazz reissues on CD but that has subsequently fallen off. One need only look at the current Blue Note catalogue to recognize this. There are still small specialist labels that continue to seek out and release previously unknown/unreleased recordings by major players. If you don’t mind buying used as well as new, there is plenty of excellent Jazz available on CD. Are you familiar with discogs? However, if you are seeking to collect the complete catalogues of particular artists, then you are bound to be disappointed. I don’t see why this should bar you from exploring the riches that are still to be enjoyed but this is of course for you to decide. As far as Jazz CD guides, none are perfect. The All Music Guide offers the valuable feature of listing both in print and out of print releases. I found this extremely useful as were the stylistic overviews that helped me put artists and recordings into a more organized context. At the same time, it has many reviewers, which means you must learn which reviewers’ tastes are consistent with your own. There is an online version with sound samples that I still utilize. The Penguin Guide has been very popular. Although they can be rather idiosyncratic in terms of what they include and leave out, they review many Jazz classics that most will want in their collections. For this reason, I found the Penguin very useful when starting out. Unfortunately, they only list titles that are available in the UK at the time each edition is printed. RE: whether there is anyone to take the place of past "giants", musical development is cyclical as is the case in all the arts. There are periods of exceptional creativity crowded with particularly gifted talents and periods that are less dramatically so. But there are plenty of excellent players still walking the earth. Unfortunately, the number of venues where one can hear live Jazz has become very small, indeed. I hope this helps. |
@fuzztone Why collect? At this point it is a matter of equipment - my best reproduction is on Vinyl or CD. Streaming is still in my future budget. Very possible but I am reluctant to introduce another variable which doesn't have the same level of investment as I have made otherwise. @stuartk - At the moment I'm busy collecting horn (Ruby Braff) and piano (Roland Hanna, Art Tatum and Dick Hyman) as well as some big band - Billy Strayhorn (love the Dutch Jazz Orchestra recordings). I'm not opposed to collecting more vinyl (just picked up Dick Hyman playing variations of Thad Jones - A Child Is Born which is only available on vinyl) - however I already have a basement full of vinyl which I am trying to clean so I'm not trying to make that mountain any higher. I do love the sound quality of vinyl. Again - what is troubling for me is that so many of the recordings I find interesting for the artists I've mentioned are only on vinyl. I am encouraged to read of the recent reissues but still wonder if these are available via streaming. Anyone have an answer on that? Here's another artist I collect - Marian McPartland. I was a big fan for her radio shows right up until it stopped due to her passing. Fortunately Concord reissued some of the early albums - but what of the others? Will this music just fade into history unless it is found in a collector's basement like mine?
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I prefer CD and LP too...but i do have a couple of nice streamers, and they do save you money , as you can know better what you want to buy...also great now for you with all the Best of Year lists and new releases coming out for holidays...you can simply explore on phone, computer or...I just picked up a Sonos Connect for $50 and it sounds ok for exploring (though running through an external DAC)...not getting into which is best argument, just that streaming doesn’t work for all of us as main listening format... |
In addition to the reissues @Sbank mentioned on vinyl-- high quality at a reasonable price, there are current bands- Snarky Puppy out of Northern Texas is a jazz collective that ought to scratch your big band itch. There are similar collectives in the UK too, Maisha, for example, which channels spiritual jazz. They did a direct to disc record a few years ago with Gary Bartz, who was one of the original players from the era. I don't know what format you are collecting --CD? but that may be part of the problem since for now, it is considered a dying medium. (They said that about vinyl too, remember?) I'm all about discovery, research, "surfing" music-- lots of it is older stuff. I found a groove in the post-bop era from the early '70s-- spiritual and soul jazz--may not be your thing, but the point is, there's a ton of music I haven't explored that is out there. And given the relatively low price demanded for most CDs these days (if that's your thing), you can take some risks. There's also this thing called "Bandcamp" which is a site where bands/labels that don't necessarily have major distribution sell directly- you can sample the music and buy in a few different formats. Every once in a while I'll fire up a more well known performer, like Art Pepper, but an awful lot of what I've bought in the last ten years is small/private label stuff. Some of it is more avant garde than the acts you mention, but I've gradually developed a taste for less predictable stuff-- As I mentioned elsewhere, Alice Coltrane's Ptah the El Daoud has been out of print on vinyl since 1974. It is finally being reissued on LP though has been available on CD. There are plenty of resources, from threads here and groups on Facebook to blogs. Once you get started, it becomes an adventure- you hear an album you like and really appreciate one or another of the supporting players- you look that person up and find a wealth of other albums on which they are featured or appeared as sidemen. Good hunting! |
Another good jazz radio station, with programs that include a lot of classic jazz artists pre-1960 is WBGO from Newark, NJ. They also play music by contemporary artists.There are two separate streams and it’s a great place to listen to artists to decide who else you might like to collect. I would recommend adding Ahmad Jamal to your list of pianists as well as the Modern Jazz Quartet, which included John Lewis on piano, Milt Jackson vibes, perhaps the best to ever play that instrument, Percy Heath on bass and Connie Kay on drums. The MJQ was one of the tightest groups in jazz, with players who did a phenomenal job of supporting each other and who traveled the world to sold out performances and much acclaim. i too suggest a service like Qobuz and using Roon, which with its radio function adds tracks to your queue based on your past tracks and allows you to vote up or down on tracks you like. Happy listening. |
As has been stated, Jazz is alive and well. Curious, I just posted a record (Larry Young “Unity”). Fantastic record. Curious what you think of it and whether you think it’s “traditional” Jazz. No judgment intended, but a way to better understand. Someone who loves Stephen Sondheim (as do I) might find a lot to like in a lot of the post-“traditional” stuff. |
There is tons of jazz out there on CD and streaming services. Some (but not all) of it requires stretching one’s tastes. That’s not easy to do in middle age and beyond -- but it can bring a lot of musical pleasure, and I think it’s got to help the brain stay younger. But even without too much stretching, consider Ron Carter, the most recorded jazz bassist ever -- about 2300 recordings (including some with Miles) and still going strong at 85. A fabulous bassist, with a solid, beautiful tone and who plays just the notes that sound great and interesting, and nothing more. There is a PBS American Masters show about him, well worth watching. And if you want to hear his music, just look on any streaming service or YouTube or probably even Wikipedia to find albums to try. Among other things, I like his Chesky album with Rosa Passos. For older (mostly dead) singers, consider adding Betty Carter, Carmen McRae, Abbey Lincoln, and Shirley Horn to your list. For newer (mostly living) singers, try Dave Tull, Champian Fulton, Cecile McLorin Salvant, Tierney Sutton. If you really want to get adventurous and you have an uninterrupted hour to spend, listen to The Adornment of Time by Tyshawn Sorey and Marilyn Crispell, both incredible artists. I found the time and effort amply rewarded. Jazz is not disappearing. It is progressing. |
**** Jazz is not disappearing. It is progressing. **** Exactly! Although, I might change “progressing” to “evolving”. Whether it is progress or not can be very subjective. Jazz WILL evolve as this is the nature of the “beast”. It always builds on what came before stylistically; hence my question to the OP as to what he considers “traditional” Jazz. Searching for examples of traditional Jazz performed (recorded) in the present will surely disappoint, as the best examples of traditional Jazz are almost always from the past. The best Jazz from the present will be different stylistically; an evolution of the traditional. **** Like many, for me most jazz is noodling (thank you FZ). **** Noodling?! Good Jazz (obviously, like any genre, not all is good) is an incredible musical feat. Spontaneous composition (improvisation) of the highest order.
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One more time!! Know Blues, Know Jazz No Blues, No Jazz
All improvised music is not Jazz. Some examples of Jazz: https://www.youtube.com/watch?v=KLrS9LDdHxY https://www.youtube.com/watch?v=gfNIVdnz1FQ
Cheers |
If you want a more live experience with current jazz artists: A digital membership at SFJazz costs $50/year and you get a livestream concert every Friday at 7 or 7:30pm PT (repeated on Saturday at 11am). Expect a fascinating range of artists. Jazz at Lincoln Center is starting a similar program for $100/year, with more friendly times for Easterners, and likely more traditional jazz fare. |