Robert Hunter has made a couple good albums with Jim Lauderdale, a real fine Bluegrass/Hard Country singer/songwriter.
I’m not a deadhead but I enjoy and admire the Band and the Dead’s Americana phase equally. Personally, I don’t perceive the Band’s tunes, overall, displaying a greater "depth" but each to his/her own. I do regard Hunter and Garcia as a significantly underrated songwriting team.
As far as the Dead being first and foremost psychedelic, here is a pertinent quote from the New Directions In Music site:
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Before giving this song a listen, think about where Rock music was in 1968, the year this song appeared on the debut album of The Band. In ’68 everyone I knew was listening to Cream, The Jimi Hendrix Experience, etc. Sure, there was also Buffalo Springfield, The Byrds, and a few other Rock Groups incorporating Country elements into their music, but nothing like the Hard Country of a Lefty Frizzell song. Hard fans of The Grateful Dead always claim that band wasn’t playing "catch-up" when they recorded and released their Workingman’s Dead and American Beauty albums in 1970, but in ’68 and ’69 they were still deep in Psychedelic territory, with their Anthem Of The Sun and Aoxomoxoa albums. After The Band’s 1969 second s/t album---routinely cited as the first "Americana" album---sent shock waves through the Rock music world, suddenly The Dead---and a lot of other bands---followed suit, but none with the depth The Band possessed and exhibited. "Long Black Veil" had been a Country & Western hit by Lefty---cited by Merle Haggard as a major influence---in 1959, but it was new to me when in 1968 I heard Music From Big Pink. What an odd choice for a cover song, ay? Brave, daring, and evidence of a deep-rooted sense of identity. The Band---then still known as The Hawks---spent all of 1967 in the basement of the Big Pink house with Bob Dylan, recording all manner of songs. I’ll bet this was one the fellas worked on. Absent was drummer/singer Levon Helm, who had quit The Hawks part way through the Dylan world tour of 1965-6 (two guys I was later in a band with saw Dylan & The Hawks in the San Jose Civic Auditorium, the rat bastards 😉), no longer wanting to be in anyone’s back-up band, nor playing for booing audiences. He went down to the Gulf Of Mexico and worked on an oil rig, that job ending when bassist Rick Danko called Levon to tell him Capitol Records had offered them a million bucks to record an album. Levon was on the next plane to Upstate New York. 😊
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Covers are sometimes superior. Sinatra could frequently improve upon originals Jimi Hendrix playing “All Along the Watchtower (so good Dylan changed the rhythm it to be more like Jimii) and both JH and Whitney Houston’s covers of the Star Spangled Banner - more creative, expressive and emotional than any version before. |
@ezwind , that made me think of Bob Dylan covering I Can't Get You Off Of My Mind on the Hank Williams Tribute CD. I actually bought that CD for the Lucinda Williams cover of Cold Cold Heart. Not related to either cover: but back in the early/mid '90s when I first started buying "better quality/better sounding" CDs, I bought The Raven by Rebecca Pidgeon with a delightful cover of Spanish Harlem. |
@immatthewj "I am like you in the respect that I like good covers...." There was a poster on the dimeadozen torrent site several years ago who was a huge Dylan fan and he put together a compilation series of various artists performing live versions of Dylan covers. There were usually 15 to 20 different covers in each volume and as I recall he torrented somwhere around 40+ volumes! I think I still have at least a dozen of them on thumb drives lying around somewhere. I can't remember where I got them but I also downloaded a 9 volume set of songs that Dylan covered in live shows during the course of his career.
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. . . @bgross
I found where you listed that one on 2/4 . . . as I typed: I either missed it the first time or forgot about days later. I am like you in the respect that I like good covers and I have many CDs I bought simply for a cover that was on them. Not to mention the CDs I own that are complilations of covers. Not to mention the CDs (fewer) that are by artists that pretty much only do covers. Rock on! |
@bgross , my eyesight is bad and getting worse every day, and I do not see it on 2/8. But no matter, if it is, it is, and a beautiful haunting rendition, such as that one, deserves being mentioned at least twice. How about Joan Osborne's live cover of Son Of A Preacher Man?
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@immatthewj - Sundays covering "Wild Horses" was also mentioned on 2/8. Excellent 90's vibe - good call |
@capojacko that reminds me that “The Ghost of Tom Joad” by RATM is outstanding as well. I also really like “Night and Day” by U2 |