My pair of ESS AMT tweeters. Haven't heard anything with my tin ears that I've liked as much to bother keeping. I enjoy my DIY Walsh's, but they're not heavy enough to weigh my ashes down when I get tossed into the French Broad River (last chance I'll have to get into a 'French broad'...actually the first to my knowledge, but that's another story...). ;)
As the odds, carefully calculated, of somebody walking in my condo with a suitcase with a million bucks to buy my Sony PS-X7 are greater than me living to 135 yrs old, that's never IMO .
No such thing as never. if someone came with a suitcase full of cash, say one million dollars, or if you want to be really ridiculous, twenty million dollars, every piece of equipment I own would be gone immediately.
I restored a 1970 Plymouth Barracuda. Ground up restoration, every bolt, nut, screw, etc. was either restored or new. Beautiful restoration. Took five years to complete. In-violet purple. At large car shows, people would ask me if I would sell the car. My answer was always no. However, if someone walked up with a million dollars in cash, that car was gone.
So, I can appreciate equipment that has sentimental value or really makes you smile and appreciate music all over again. But, since with enough cash I know I can replace every piece I own with something better. There is no never.
enjoy the equipment enjoy the music and the experience
I have no plans to ever sell my Selah Tempesta Tower speakers, as far as I know, it's the only pair that exists in this form. And I still get great enjoyment from them, and that is probably the real reason.
I bought my Michell GyroDec in September of 1983 while on my honeymoon in London. The Linn Itock LVII tonearm was purchased one week after returning from London. That wife is gone, girlfriends have come and gone. A lot of equipment has gone threw the revolving door including several different cartridges but the GyroDec & Linn are still here 33 years later. I've done some of the factory upgrades and still have 2 to go but I think I can say with certainty that it isn't going anywhere! I also have a pair of Magnepan MG1.0 imp speakers now serving as my rear speakers in the living room system that I bought in 1982. They are also here to stay.
My Audio Research Corporation Ref. 10 preamp, because it is a once a lifetime piece. Given the new direction of ARC and limited parts availablity for the Ref 10, I fear the magic of this component will not be reproduced once the mold is broken. Everyone, as noted in the testimonials above, has a keeper. This one is mine.
Just to mention---the good deals on the transports being that it happens sometimes with the advent of music servers and the like. I scored my Lambda and Museatex for 400 and 300 respectively. And I did have the PSA perfect wave which I did not like the noisy mechanism---although a good sounding transport no doubt.
I , in all likelyhood will hold onto my very good deals --- A gone through (by S.Sank) Museatex CD-D & my PS Audio Lambda --both transports only and use the last of the quality Philips mechanisms... CDM 1 mkii and CDM 9 pro respectively. I also will unlikely let go of my tuners--- Kenwood 600t and 2 Sony's. ST-A6b and a ST-J75- The Kenwood and ST-A6b were both gone through by B. Ammons. The ST-J75 completely gone through including a re-pot of the tranny by ASL.. That was $500 restoration that was done for free ( its a story) I gave 100 toward parts. I cant see parting with that because I would never get good money out of it---even though the 75 is a bit of a sleeper.. It sells for only 100 give or take on the used market. The ST-A6B is really a sleeper. It is right up there with the best I have ever heard --some of which are: Accuphase T-100, MR74, Hitachi and others. Its a 6 gang tuner which usually was offered in much pricier tuners back in the day. That being said and not to hijack the thread ---Zavato--- Does that Zerostat really work for you? I bought a brand new one and it doesnt seem to do a thing. Im having an issue with my vintage Technics DD 1600mkii with static .. And it has never had this problem before and I keep testing to see if the issue in question is coming from the table itself or discs. Some of my discs seem to have a lot of static. I guess I will have to use the spin easy or whatever it is called. Never used it yet, lol. just doesnt seem like my vinyl is dirty to warrant it although I will say some records seem to have an inordinate amount of static.
Hi, I would say my very high maintenance pair of Graaf GM200's and the Graaf Modena. I would add my AMR PH77 and Reimyo PAT-777 :) I own a lot more gear but these are the pieces that I really don't see letting go.
My first little stereo out of high school was a Scott 299-B that I now have another one of and hope never to part with. I have owned so much vintage gear it made my head spin, and I am sad to see it now worth so much that the hobby is no fun anymore for me. After so many other Scotts etc etc, the 299-B has such a sweet, nice sound with the right speakers and is the only way to listen to old Beach Boys LPs
Without a doubt my Sansui AU-111! I have owned and collected audio gear for years now and have owned Scott, marantz, other sansui amplifiers, conrad johnson, rogue audio, and many other audio gear, which I admired each in their own way, but if I had to narrow my collection to only one amplifier, it would be the Sansui AU-111. Nothing I have ever owned ever bested this amplifer, vintage or new. And for this reason, I will never part with it!
I dream of one day having THE system where nothing needs replacing, but I suspect that really IS a dream. That said, I own a SMcAudio VRE-1 preamp that I consider the finest piece of equipment in my rig, and certainly the preamp I will likely keep for the rest of my days. I've some gear that I have owned longer (a Naim Nait II still sees some use but I am neither wed to it or motivated to sell it, which is not the same as wanting to keep it forever). The VRE-1 though, is just special and I long to feel the same way about other components in my rig.
I'll go with my amp, Deja Vu Audio amp, a push-pull EL34 amp putting out 17 watts per side. I love this amp especially since the Aerovox cap upgrade I did last year. It's reliable, sounds fantastic, and is cheap to retube just 4 EL34's 3 6sn7's and a rectifier tube. The same 3 6sn7's have been in there for about 5 years. Power tubes right now are Psvane but I also use Gold Lion KT-77's. A classic and a keeper.
For me the one piece of gear that I will never sell is my restored Accuphase E202 integrated. The reason being is that to me it has it all should I ever be forced to sell my other gear. Enough power to make lots of speakers sing. It has a good phono stage and headphone output to.
It's not that it's great, but I've got a 40-year-old Stanton gyropoise turntable in my studio system. I seldom use it and it has a fairly fresh stylus (you cannot replace the cartridge in it!) so it's probably going to remain here as long as I do. FWIW I have another, better TT in my main system.
Thinking my Simaudio W5 power amp will be with me for many years to come. It really doesn't add any flavour, just lets whatever's behind it come through in a large way.
One should never get hung up on any one piece of gear, IMO. Having said that I could never sell my amplifier, no wait my turntable, stop! Its my speakers, or my phono stage...aaahhhh. Terrible question!
While there are other speakers I would like to own (raidho, soundlab, and Magico) I don't think I could ever sell my TAD CR1's. They are small enough that perhaps taken off stands could end up as a bedroom system or near field monitor for a rather large computer system. Even before I augmented them with a 'stat tweeter on top and subs,. I've heard them turn standard tracks that sounded poor on a system that was stellar with audiophile cuts - into audiophile sounding tracks with great inner detail and musical realism. As the ancillary gear gets better so do the TAd's. I've has musicians over to hear their own music and were amazed at the realism and agreed they could mix their music on them, even at low volumes.
They are not the last word on imaging or depth, perhaps not the best choice for large orchestral works, but as someone who hears live acoustic music from up close often, they seem to come closest to the live experience for me and present music as a hologram, often even with poor recordings, and even recently with some tracks recorded on an iPad!
I will NEVER sell my 40yr old Sony PS-X7 TT with carbonfiber arm, Orosonic headshell and Denon 103r cartridge -tremendous drive and good as new ! Thinking of asking my Rev. if I can have it buried with me.
There is not a single piece of commercially available gear I have that I could say that I would never sell. I do have a pair of custom built pair of Fried C3L with D2 woofer modules that my dad and I built from solid black walnut a couple of years ago. Although they are not cosmetically perfect, they sound pretty damn good and are never, ever going anywhere other than with me for as long as I am alive. Nothing will displace spending that time with him and creating them together.
I will probably never get rid of the Nakamichi 682ZX cassette deck, even though I plan to get into open reel deck adventure project. I also really like the Nottingham Spacedeck but still might upgrade in a distant future, don't know.
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