Balanced always sound better.
SQ difference XLR vs RCA ?
I’ve read lots of the discussions on this forum about balanced vs single ended connections. My understanding so far is that balanced connection has better signal to noise than single ended, which helps if you have hum or noise problems or if you have long runs.
My question is this: if I have a quiet system with short runs, do balanced connections sound better?
@coralkong , All my analog equipment runs balanced including the tonearm and phono stage. Digital runs are AES/EBU, Optic , Thunderbolt and USB. With the volume all the way up you can only hear noise on Phono with your head in the speaker. |
Thank you for your comments. Let me respectfully ask one question… is there a chance that you were reacting to the increase in volume and not the quality of the sound? It is really easy to react to the increase in volume… which does not in any way enable your system an advantage. I am fortunate enough to have a preamp that allows me to easily equalize volumes and then make comparisons. |
Well put @ghdprentice - especially the “improving components” part. If the context of the thread; we were smart we would make a list of the source and receiving component and whether it makes a difference.
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All my equipment is balanced (Audio Research Reference) and Audio Research recommends using balanced. I have tried both. I was unable to hear a substantial difference. Since, more and more manufacturers are headed that way (I think), I went ahead and switched over all my interconnects. More as a just in case thing. If my system was not in what I consider it’s apex state, I would not have changed over. I would have applied the money to improving components. There may be other components more sensitive to the interconnect used. I am sure Audio Research put a lot of effort into converting the signal from balanced to unbalanced… this is audiophile stuff. They want every input and output to sound good, but extra conversion is never a good thing and tiny differences add up to making an impact. So, it depends on where you are in system building if you should worry too much about this. |
I have gone from using RCA to XLR and back over the 40+ years of equipment/listening. I've stayed with RCA for the last 15 of those years even with 5-meter runs of interconnects from my preamps to the amps. While I definitely agree about CMMR with XLR, I believe if your system is clean and relatively noise-free, my experience is that RCA is a touch better. If you have really good RCA or single-ended vs. balanced (XLR) equipment, the mfg has put all the money into single path amplification of the signal. Even with extremely well spec'd balanced circuits, there are two active components each touching the + and - signals and in some cases even high precision component differences can result in slight sonic differences. In my experience, the least number of active components "touching" the signal will yield the cleanest signal. Now if you do choose balanced and XLR equipment, make sure your equipment is balanced through the unit input to output. If it's a single-ended device with XLR inputs or outputs, you're only going to get a single-ended input signal and output signal. No CMMR benefit ! |
I can only speak for my experience. I have a Denafrips stack DAC, Pre-Amp, and amplifier that are all true balanced designs throughout.....I have Morrow Audio MA4 RCA and XLR cables.....same cables, different connections. My Denafrips Thallo amplifier only accepts XLR inputs, so have only used XLR connections. I did compare the RCA and XLR cables from the Pontus II DAC to the Hades Pre-Amp, and the XLR connections were clearly superior from the very beginning, so much so that I didn't need more than half an hour or so before reverting back to the XLRs. My assertion is that balanced designs should not be degraded by using an unbalanced RCA connection |
Usually the XLR side, on amplifiers, has a gain around 20 and the RCA side around 26dB. And the on the preamp side the XLRs are 6dB hotter coming out.
Which makes this an outlier.
Did it hiss even with the XPRs unplugged or the preamp turned off? |
Well, on my big Mac amp the extra gain of the XLR circuit raised my idle hiss to an audible level. I had to pad that down to remove the hiss. So in my experience XLRs can work in some installations and not work so well in others. |
Balanced analog cabling and equipment tends to reject noise better, especially when you have cable lengths longer than 3 feet. All wiring (AC and audio) can act as an antenna, picking up RFI and EMI noise along the way. You should never utilize an unbalanced single ended cable longer than 3 feet. To prevent noise pickup, RCA cables should be kept as short as possible. I also think that when it comes to the quality of the cable itself, I don't hear as much of an audio performance difference using different balanced XLR type cables, as I do when using various unbalanced single ended cables. To me, the most dramatic difference I've ever heard in my sound system(s) is when I've auditioned and used different RCA cables. The "wow" factor really came in to play then! My systems using a combination of both balanced XLR and RCA type cabling and connections. |
Wow. So much crap on here. Yes, if the equipment is designed to run (preferably) with XLR connections, you should use them. Wonder how many of the responders on this thread actually HAVE equipment with balanced/XLR connections and have tried them. There’s a reason manufacturers use them. I won’t buy a piece of equipment if it doesn’t have balanced connectors.
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@jjss49 Yes🤪 |
hey russ -- you don’t know what you have been missing all this time... 🤣🤣
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so when an xlr interconnect gets unplugged in a deserted forest, does the sound degradation truly exist? 😂😅
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I am sure we could find some other piece of gear that would not sound better.
What does Conrad Johnson have to do with anything? The use of XLR for pro audio brought better CMRR and lower noise. |
Balance components are basically designed to have one side mirror the other side with respect to the electronics inside the chassis. When manufactures do this they tend a cheap out because they have to do two systems. So if you get a RCA only device there's no mirroring of the internals so the belief is that more money spent on the electronics you're buying. Conrad Johnson is a perfect example, they only do RCA connections.
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I use a short .5m XLR connection from a Macintosh SACD (MCD85) to a Macintosh MA352 IA. I was originally using the RCA outputs and inputs for SACD/CD. It was a noticeable improvement in sound quality on many SACD & CDs (not all). My conclusion is that the XLRs brought out the most in the medium and equipment depending on the quality of medium. |
RCA and XLR connections can and do sound differently. I have a Gustard X26 Pro DAC that supports simultaneous RCA and XLR outputs. I connect them using Harmonic Tech Pro Silway RCA and XLR cables to a PS Audio BHK Preamp which drives a 2A3 tube amp and Tekton Moab speakers. It is easy to switch inputs to compare the sound of XLR and RCA. There is a 6 dB difference but that is easy to correct using the volume control of the BHK. The XLR is brighter and more detailed sounding which is fabulous on classical and many sorts of music but can be a tad fatiguing compared to RCA on tracks that might sound brittle or shrill with that brighter more detailed presentation. Now I haven't figured out if the difference between XLR and RCA is due to the DAC, the Preamp, or the cables but the fact that it exists is indisputable and would be easily heard by anyone that knows how to listen. Frankly, I like the fact that I can alter the sonic character so easily by changing the input. |
They should not sound worse. As the noise increases, and the runs get longer, the balanced stays better for longer.
Basically:
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RCA and XLR can be implemented differently. I think your question assumes that they are the same signal sent through RCA wires or XLR wires. But XLR can be implemented different ways. Often a small transformer is used in the XLR input. This will change SQ, maybe better, maybe worse. It may pair well with your preamp, it may not. So implementation methods of XLR may make your question more complicated than you meant and answerers may not realize how their xlr is implemented. In my amp, Decware, it is hard to compare. The XLR amps have a transformer that adds about 8dB of gain. so you have to adjust volume to try to do an A/B. Right now Im using XLR. However, I've upgraded my RCA connectors coming out of the amp and may go back and forth. I don't have a strong opinion. |