Brian is a very cool nice guy, when I bought my TT no one wants to help in the store where I bought it. Brian step up and help.Brian I will never forget that. Since then I bought 2 more TT ? SME 10 at acoustic sound with Hana ML , and VPI prime scout from upscale audio.when I change my cart Brian will do tt for me. We live 40 min from each other.
Seeking Legit Cartridge Expert?
Anyone out there have a reputable guy who knows the nuances of carts in the $2000+ range? So many opinions.....
current set up
VPI Super Prime Scot / 10.5 arm
Hana ML
Harbeth 40.3XD
What's going to drastically improve my sound / detail....mostly listen to Hard Rock, Zeppelin etc....
Thanks!
61 responses Add your response
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A unipivot bearing is physically quite different from a gimbal bearing. That’s plain to see. Whether one can hear a difference between two otherwise identical tonearms that is purely due to the type of bearing is up to the listener. I’m surprised if HW really can’t hear the difference. I think he has to say that to keep the peace. |
@theflattire Having a used Cart' overhauled can prove to be a very cost effective method into getting a Cart' in use that is beyond ones usual budget allowance. I myself have quite a few hours under my belt discussing this method with Third Party Services that do this work. It is worth noting that many Cart's deteriorate fast in a typical environment to a condition that will be very detrimental to how the Cart's was designed to perform. This can mean a retip, is only one of the tasks needing to be undertaken by a Third Party Rebuild Service. As a suggestion, I would take on a similar preparation as to the one I last used for a rebuild. I selected a rebuild service that was very familiar with the Brand and Models from the Brand of the Cart' I was showing an interest in. Using this method of approach, I was informed of rebuild options on a extended range of Cart's that could be worked on to offer a very similar voicing to the Cart' I was interested in. In my case I was assured by the Rebuild Service that a method they use for a particular Cart' has proven to be even more impressive than that of the manufacturers version. I selected replacement Damping very closely comparative to the material used on the Brands TOTR Cart's from the time of the rebuild. I also chose a Styli>Cantilever assembly not used by the Brand but the rebuild technicians recommendation. This Cart's has been in comparisons to Cart's from the Brand up to $5K retail on the same TT > TA and system, as well as much more expensive Cart's at another venue where comparisons are allowed on the same TT>TA and System, if Cart's are brought along pre-mounted on an SME Detachable Headshell. The Cart' in total cost less than a £1000 inclusive of Donor purchase, the Cart' is hard to criticise if a leaner presentation is ones flavour, even when in use along side Cart's being demo'd that are much much more expensive as a retail purchase. I today have two more donor models with designs for them already discussed and agreed to be carried out. One such design is to bypass the Cart's Tag Wire Pins, using a connection using much more attractive wire to my preferences, being PC Triple C/EX. Acoustic Revive are charging a $1000 for Tag Wires produced from the same material. SAEC and are the only Commercial Company I known offerr offering PC Triple C/EX Interconnects @ $1500 for 0.5mtr and are also using TA Wand Wire that is PC Triple C, which is the Wand Wire to be used on my own TA. Being brave with the designs for a Cart' can become infectious, where there is little resistance showed to the idea of design changes spreading through to the designs to be put in place for the Cart's signal path 😉 . |
I have a Prime/Modwright PH9.0XT and been also thinking of my next upgrade. Looking at: Sumiko Starling Used Benz Micro Van den Hul MC1 Dynavector Karat/XX Ortofon Cadenza blue ART 9 or VPI Shyla VPI also has some carts on special right now like a refurbished Shyla and some VAS stuff. Currently using a retipped Transfiguration Spirit III, a Dynavector Karat 23, Sumiko Talisman A and an Ortofon MC30 Super. I’d like to narrow my playing down to one cart! Also not opposed to finding a used cart and retipping. Good luck! |
The Hana’s are a little fickle setup wise. Once dialed they are excellent carts. I have a Red. Great cart. Try the Umami Blue if you like the general vibe of the ML. Not sure a 3k cart on a 3/4k TT is going to get you your value for the money. Your Allnic is an excellent stage, have you played with the loading and gain settings much? They make a pretty significant difference with the Allnic. |
"contemplating replacing my tonearm, here we go , Hifi rabbit hole approaching again.." Are you thinking of the drop in VPI gimbal or a REAL nice arm? You can at least transfer a pricey arm to the future REAL nice $ table. You'll probably have to make your own arm board(shouldn't be difficult)? I'm actually contemplating the same thing. I like my Classic because it looks like an old traditional table. Whatever ART9 you decide on, good chance your ears will agree with the many fans it has. |
"I keep hearing mixed opinions about the ART9XA vs the ART9XI ." No real "bad choice." If you listen carefully, you might hear the differences. Audio-Technica AT-ART9 vs AT-ART9XA vs AT-ART9XI Moving Coil Cartridge (youtube.com) Too bad this wasn't done with a nice setup.
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If an individual has a taste for a particular type of sound the integration of critical parts in the Upstream end will be critical for maintaining the pleasure side to the sound already attained. The Cart' is as Upstream as one can, with Audio Equipment used to replay Vinyl LP's. A I'll thought out selection will undoubtedly get you listening to music. A careful selection made from assessing listening will be a much more sure footed approach, but this take footwork. I bought into the Hana SL and it was not in anyway attractive to my preferences for a produced sound and influence on a production. The Cart' is stored with very short usage and kept as a loaner Cart'. I still have a interest in Hana and will get some time in front of the 'Blue'. I suggest to commence hearing Cart's a headphones are used to hear VAS NY Inc needle drops of his work and repairs. The needle drops will enable you to assess the Cart's Tonal Range, I. E, whether is is Bloomy, Rich or Lean. Brands have similar traits in a Cart's voicing, learning about these can be quite valuable. I can't recommend buying on hear say. |
@tommypenngotti So glad to hear that! There's a million ways to skin the cat in this hobby and you figured out your own unique way to get the sound you want. Kudos! In the end, your happiness is all that matters anyways. |
"Harbeths are fantastic speakers but if someone who was listening to a lot of hard rock asked for a speaker recommendation I would not suggest Harbeth. " I get this all the time , I have an unusual set up . I also have (2) Emminence tour grade dual 18's w BSS crossover in the chain, it rocks , trust me ...and the clarity is unreal with he 40.3's ...🥳 |
As others have mentioned, the Soundsmith Paua Mk II is an excellent cart. It’s detailed and neutral but not boring or bright at all. I’ve had mine for about a year and it’s a keeper. New models are quite expensive but used one can be had for under $2k. Harbeths are fantastic speakers but if someone who was listening to a lot of hard rock asked for a speaker recommendation I would not suggest Harbeth. They seem to thrive more in the vocals, jazz, folk realm and can sound a little muddy when too much Whole Lotta Love is thrown at them. Just my experience for whatever that’s worth. |
AT ART9 has fans nearly 10 years https://forum.audiogon.com/discussions/audio-technica-at-art9-phono-cartridge?highlight=Art9 IMO a cart that will give you a taste of what the super carts do for "cheap" limited to whatever the setup is. By most accounts, your Hana is competent, and the ears simply don't agree. I'd go XA, get it dialed in and ROCK OUT!
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Thanks for the recommendation, hsounds. In addition to Analog Magik I use Feickert Adjust+ Pro which was discontinued a while ago. And yes, I travel to do setups. Went to Capital Audio Fest in November, driving to the show in Tampa next month, and got back from Atlanta recently. Probably flying to southern California for setup work very soon. It's all good. Brian |
And here I thought the OP wanted to contact a person with expertise on phono cartridges, specifically in the $2K price range. I’d advise reviewing the dozens of threads that speak to the question, and then take the leap based on what opinions seem most cogent. In the end, there is no other expert on your ears and your system but you. |
And this, my friends, is exactly why I recommend getting an arm with a removable headshell, or changable arm wands, OR, even better a TT with two tonearms. easily listen to friend’s cartridges, buy/keep alternates; sapphire cantilever ... new, vintage, rebuilds by VAS/others, true mono cartridge ... One of mine is Shure’s last V15Vxmr body with new Jico SAS stylus on Boron. Not as great as the original beryllium cantilever, but darn close. One, I bought a AT33ptg/II MONO Body with broken cantilever ($33). and had VAS put an advanced stylus shape on boron. It’s terrific, that combo doesn’t exist unless you build it. Mono Cartridge all setup on the second arm, I play i.e. Oscan Peterson, Stereo/Mono back to Stereo in seconds. Arm with easy arm height adjustment makes playing a variety of cartridges much easier/quicker. I have personally installed/used Acos Lustre 801; Micro Seiki 505’s; Technics ...500 base Steve at VAS prefers his VPI with easily changed Uni-Pivot Arms, not his but arm like this
the Luxman with Acos Lustre is a terrific TT, advanced features concealed in it's simplicity. I helped my friend buy/setup the Two Arm Version PD444, with a long and short Micro-seiki 505's. Just to show it
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I’m not claiming to be an expert, but I went from a Hana ML to a Umami Red and holy cow! I also bought a Soundsmith Paua at the same time and it’s equally impressive. I thought the ML as fantastic until I listened to the Umami, now I’d hate to go back. I paired them with a Parasound JC3+ phonostage. I’m in vinyl heaven. :) BTW, I am also using Harbeths, though SHL5plus XD. |
Several things you can do to make a significant improvement in your turntables performance. In order foe a great cartridge like the Ortofon Windfeld Ti to sound it's best you have to change that arm. VPI has it's newer Gimbal arm that is a direct replacement and arms like the Kuzma 4 Point 9 and Schroder CB will fit. Then I would add an isolation platform and finally a cartridge. The best cartridge I have ever heard in the $3000 is the Soundsmith Voice which also is high output which has many advantages and it is handily superior to any moving coil cartridge below its price. Nest up would be the Soundsmith Sussurro and Ortofon Windfeld Ti. Above that would be the Soundsmith Hyperion and the Ortofon Verismo. If you insist on keeping the arm you want to go for the highest compliance you can find like any of the Van den Huls or an old Shure V15. Unipivot arms do not hold the cartridge securely. Makers of high end unipivots go to great lengths to stabilize the arm. Basis added a 2nd bearing and Graham uses an opposing magnet system. Tonearms can only have two degrees of freedom, vertical and horizontal. Unipivots as you are aware every time you pick up your arm add a third degree, axial or torsional. They do not hold the cartridge body securely. |
Your Harbeth's make everything sound good, so I'd look for a cartridge that was more dynamic with excellent detail. The Miyajima Shilabe would be a hopping dynamic cartridge that should be great with rock and jazz albums. It also has a potent bass sound. Lists about $2750 or so. Could get it for well under $2000 if you go used or they have a good sale on. It's the kind of cartridge that keeps your feet moving. It tracks about 3.2 but supposedly doesn't add more wear to records than ones that track at much less than that. Bob
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