I like the Wilson Alexandria. Nice dynamics. Natural balance. Good soundstage, decent imaging for a mid-size speaker.
Recommendation on speakers for listening to live music
Hello, I was wondering if anyone had a recommendation on speakers for listening to live music. I have a big collection of live Grateful Dead, phish, jazz, etc.. This is music on cd or vinyl that was recorded live. Are there quality speakers that cater to both live and studio recordings. Would be using McIntosh power amps mc252, mc275 etc.. Thank you very much for any advice.
I am a grateful dead fan and I agree that you want the system to have a very clean tight base to reproduce Phil‘s baselines. I just recently replaced my JL audio subs with a swarm sub system. I really like it. Very clean and tight and integrates well with my speakers if you have the room for it, I would consider that. You can Google it. |
A big grateful thanks to all that replied! An apology for not listing my budget (which is around 6-8k) I had a feeling JBL would be a recommendation as Jerry Garcia used jbl speakers in his cabinet, and the infamous ‘wall of sound’ was filled with jbl speakers. Not sure what speakers Phish plays through or the many other jambands I listen to use. The subs sound very important as both Phil Lesh (the dead) and Mike Gordon (phish) really capture the very low end frequencies. Feel free to keep chiming in, and a happy day to all you audio heads! |
Magnepan Speakers are unreal for live music. Live music is what I primarily listen to on my 1.7i’s because the soundstage is so vivid and all the nuances of the vocal inflections and crowd interaction are really brought out and bring to make it an immersive experience. 3.7i's are in your price range and are phenomenal. |
wordsmithing aside, i think we know what the op is asking for leaving aside those designed to produce the sound of a live classical performance, the speakers out there that have that 'live performance' type of feel, sound, with attack and dynamics (if not as much a sense of control and refinement) are upper jbl klipsch tekton better zu's atc's (properly driven - no mean feat) tannoy/fyne fleetwood/oma as others have mentioned, subs may well be needed to complete the package for that kind of sound
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https://insheepsclothinghifi.com/grateful-dead-hi-fi-auction/ Klipsch, McIntosh, Altec from the Grateful Dead’s deep Sotheby’s auction
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As non-acoustic music is usually heard though the sound system the live music venue uses---which rarely doesn’t employ horns as it’s midrange and tweeter drivers, the advice to listen through horns at home is not without merit. But be for-warned: if you haven’t heard horns in a home setting, you may be in for a shock. They can be very "forward" sounding, and sometimes "brash". I tried listened through my band’s Altec Voice-Of-The-Theater PA loudspeakers, and found them way too colored for my taste. But then lifelike vocal and instrumental timbre is exceedingly important to me. Art Dudley didn’t seem to mind a little editorializing in his loudspeakers, and loved his Altec’s. To each his own! |
If you want to recreate live music, you will need low end. There's nothing like a great live recording with full range speakers. Think larger, floor standing speakers. The MC275's should do well with reasonably easy to drive speakers. Joseph Audio Pearl, DeVore GibbonX (or 0/96's), etc. just to name a few
Wilson Watt Puppy 8 with Gryphon Diablo300 definitely takes me right to the venue. |