I don't think that any specific recording could tell you what you want to know because drums are recorded and processed very differently on every recording, and even if that wasn't the case, different brands of drums sound very different depending on the material they're made of and the heads, tuning etc.
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As a drummer I agree with @roxy54 that the sound of tom toms can vary widely depending on many things. Hell, using the right heads I can make my maple kit sound like it has birch shells, so who the hell knows what’s “right?” That said, one song off the top of my head that captures a good balance of tone, resonance/ringing, sustain, dynamics, and the sound of the stick hitting the drumhead is the beginning of “Miss Thing” from Cyrus Chestnut’s self-titled CD. I also find the tom tom as recorded in SRV’s “Tin Pan Alley” to sound pretty realistic. If I think of some others I’ll report back.
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Yep, Marcin is a tremendous player. I have CD’s/hard drives of his work. He also plays with Manu Katche band. Both artists are on ECM which are always great recordings. Soix, if you’re a drummer you may know of Katche who is an unbelievable drummer. You should find some of his work and have a listen, if you haven’t already.
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Agree with @roxy54
I listen to a ton of jazz both live and recorded. One could argue that of all jazz instruments the drums seem to vary the most from one recording to another.
A good example of good tom drumming is "Monks Dream" Theloneous Monk Columbia records with drummer Frankie Dunlap.
Charles
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we are truly flawed and screwed as species. 0.01% of us the ones with the talent and the eventual instinct to save humanity.
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Drums tend to be close miked in modern recordings, so they often have less air than you'll hear when you hear a kit played live. The Sheffield Drum Record still stands up pretty well in realistically reproducing drum sound. While not overloaded with fills, Bob James'es Feels Like Making Live has superbly recorded drum sound. But as other posts have said, heads, tuning, shell depth and diameter and mic'ing, compression all influence how drums sound when recorded.
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Micing a drum kit is very tedious. Each head should have it's own mic. High-end studios used to do that (some still do) but with the digital mixing board assist all that tedious micing is not considered "necessary" any longer.
Given your system's detail I'd guess the toms weren't mic'd.
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Gavin Harrison's drum is probably better mic'd than anyone. Plus he is one of the greatest drummer around.
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Thanks all, this is just what I was looking for.
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@grislybutter
"0.01% of us the ones with the talent and the eventual instinct to save humanity."
As a "YOUniter" I’m with you. Sometimes it seems a bit like attempting to clean up your neighborhood with a battery-powered leaf blower -- during an F5 tornado.
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@tomaswv
I am so jealous. We have very few jazz venues around here.
I’m listening to The Marcin Wasilewski Trio, January and I can only imagine hearing it live.
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The Great Jazz Trio’s Direct from LA is not just the best sounding album I own, it’s the best sounding album I’ve ever heard. All three instruments are in the room on a good system. I saw Tony Williams several times in clubs in the years shortly before to shortly after it was recorded, and this captures his sound. It’s also a terrific piano recording, and there playing is first rate.
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The live version of Lingus by the band Snarky Puppy has one of the best sounding drum performances I have heard. Larnell Lewis learned the song on the flight to the gig as a fill in, and shines like the true star he is. It is one of the coolest stories in recent music lore. What class and talent that man is.
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I hadn’t heard of them. Thx! So, my first impression was they reminded me of the Keith Jarrett Trio on a live recording. It’s also interesting that their Music representative is ECM records. Which is very uncanny since Keith Jarret recorded for ECM his entire career!
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Using multiple microphones to capture drum sound is not necessary. Spot miking of individual drums is rarely used in recording jazz. An a lot of great rock recordings have been made using the Glynn Johns three mike method.
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A thing of beauty is a joy forever. More audiophiles need to attend live concerts, it will give you a sense as to where you need to be with your system.
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Grisleybutter, humanity is not screwed yet. The good guys are winning and in time you'll see this is true. I'll say no more than that.
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Lee Ritenour Stolen Moments CD GPR Label.
Dave Brubeck Time Out Analogue Productions 45Rpm Vinyl.
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