I feel very strongly that this category must be split into two categories, soundtracks of existing recordings and soundtracks composed for the movie. I think the first is relatively simple to do (see both "Dazed and Confused" and "Almost Famous"). It’s like a songwriter who samples and in my mind is cheating because they can’t come up with original melodies on their own. The second is much more difficult and must be done after the film is shot to supply the correct mood to what’s going on in the movie.
I think a movie like Being There with Also Sprach Zarathustra, Beethoven’s Symphony N°6 in F Major (opus 68), Basketball Jones Featuring Tyrone Shoelaces, Shubert’s Symphony No. 8, I’d Like To Get To Know You, and It’s a Beautiful Day in the Neighborhood is a good choice for the first type and Star Wars: Episode IV: A New Hope is a great choice for the second type.
That beard theme... For some reason, "new time" soundtracks sound best on Wilson plus T+A electronics... a very good combination for the genre... (loudness and recording quality are not important - exactly "new time" ... is a mystery) .
The 20th century is warmer - more soulful ... the most intimate listening is obtained in headphones at a comfortable volume. (Shure 1840 will help you - it's the creamiest sound) ...
I will add a couple of soundtracks that young people hardly know ...more precisely, the melodies that sound in these films - there are a lot of them ...
Thanks for reminding me to buy this incredible soundtrack. I just, recently saw the movie for the first time, and was totally taken with the new arrangements of these classic songs. The version of “Stormy Monday” is worth the price of admission all on its own.
Blade Runner by Vangelis was outstanding. [Aside: Wasn't there something about the soundtrack being "lost"? Was it found or recreated for the release of the album? Anyone know?]
2001: A Space Odyssey. The score helped make the film as much as any of the special effects and got many of us rock fans into classical forever.
Thanks @hilde45now THAT is going to be stuck in my head playing all day long....
great example of film noir ... technically speaking, also a very early example of french new wave.
It's a great film, imo, and in addition to the soundtrack by Miles Davis the film also has a really cool car chase scene with a sweet Mercedes 300 SL Gullwing, which I guess was the fastest production car at the time. It's a very cool scene.
It's been a long time since I saw the film but I recall that scene was actually more of a street race.
I bet there a few Mercedes enthusiasts in our group!
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