After years of separates, I'm going integrated. Anyone else do the same?


I'm rethinking my listening room. I want my audio rack to be more minimalist vs lots of boxes, wires, and clutter. I know separates, in general, will sound better. However, at the level of my system, I'm not certain the difference would be as apparent. In the grand scheme of things of Audiophilia, my level of components are mid-fi at best (BHK Pre, First Watt J2, Elac PPA-2 phono, Pro-ject s2 Dac, ZU Omen Defs)

I'm favoring one of the Luxman Class A's (I know Luxman is getting out of the Class A business. The only way I would favor a built-in Dac is if it were upgradable like McIntosh or Accuphase. I'm guessing a Luxman or Mac built-in phono would sound just as good as to what I have now (Elac PPA-2).

So the question is, who else has gone to integrated? Do you regret the move or are you glad you did?

 

aberyclark

Anyone compared D’Agostino Progression Integrated or Gryphon Diablo 300 to Pass Labs separates (XP22/X260.8)?

For the past week I have been using a Jeff Rowland Continuum S2 in my system. It's still breaking in but so far I am very pleased with it. My tube separates are an Emotive Audio Epifania preamp and Vita mono blocks. I love them but the amps are just way too heavy for me. I'm looking to downsize in the near future.

I’m a minimalist at heart so integrateds have always appealed to me.  Right now I’m down to just two boxes.  Matrix element M is my roon streamer and DAC.  This runs into an integrated.  Love the simplicity.  

Yes, went integrated years ago. I’ve never looked back. Integrated tube amps now rule my world. I’m very happy!

@runwell 

Yes it is a class D amp. I’m very impressed so far. I was never fond of class D in the past.

 

Jeff Rowland has very soft sound, I love it. but I don't have the chance to listen his class D.

Sorry for the late arrival 

I also am thinking Integrated for my 2 channel listening.

am considering Hegel M120 & Rogue Audio Pharaoh

on the preowned market

not very much exposure to Integrated other than a Luxman integrated, back in the early 90's.

 

I just moved from Parasound JC 1 monos and JC 2 BP preamp to a Rotel Michi X5 integrated. It's only been a few days but I am happy. I listen to mostly rock music. It sounds the same to me. More time will tell. I think if you get high quality gear it will sound great.

I explored moving from my Pass XP-22 and XA-60.5s to the INT 60. (I also have the XP-17 phono stage.)

So, I reached out to Kent @Pass for his thoughts. (I've know him for a quite while.) He basically said it could be viable but in terms of sonic bliss, body and weight the integrated wouldn't match those separates. So, I decided to keep 'em separated.

I think, like most of this stuff, it really depends on the room, your speakers and the rest of your gear.

However if I were just starting out, I would go the integrated route and build around it. We can debate whether they equal separates in terms of sonics, but they can certainly be more economical.

So, I reached out to Kent @Pass for his thoughts. (I’ve know him for a quite while.) He basically said it could be viable but in terms of sonic bliss, body and weight the integrated wouldn’t match those separates. So, I decided to keep ’em separated.

 

Did he recommend or say anything about the INT 250? If out of Pass Labs, there are many other high quality integrateds that may provide the body and weight while retaining the refinement and detail. Vitus RI-101mk2 or one of the Class A options may be a contender. Costly though. One would never know until he listens to the gear in the system.

I started with an integrated years ago then decided to try separates to make a change and experiment a little. Well, that lasted about 2 years then back to an integrated (Luxman). I think that's going to be it for me. My set up is very simple---not a lot of cables to mess with either. Spend the extra money and get a good, high quality integrated and you'll have it for many, many years.Enjoy and good luck!

"Did he recommend or say anything about the INT 250?"

No, he did not. He only ended by saying, You know John Atkinson said the XA-60.5 is the best-sounding amp he's ever used...

"One would never know until he listens to the gear in the system."

True, absolutely. 

 

Whatever suits you.  Whatever makes you happy.  Whatever makes you feel you are improving your system.  Whatever you do we all cheer for you.  

If you wish to retire your Pass power amp (if you had it) at 1/3 price, I will take it.  Let me know please.

The Pass Labs XA-60.5 monoblocks look like some serious amps, beautiful too. Perhaps keep them since John Atkinson thought that way.

My first amp was a Marantz 1060 that I bought in 1972. After that I had separates from HK, McIntosh, Apt, Luxman, Adcom and several more until last year. Moving into a new house the clutter of separates had a SAF of 0.00. And while the audiophile in me really wanted a Luxman or Mark Levinson 5805, cost overruns on the house meant compromising my turntable budget or my amp. After much research, hand wringing, and reality checking, I pulled the trigger on a Marantz PM7000N. I have no regrets. What I saved easily covered my VPI Prime Scout and Hana SH. There's very little the PM7000 cannot do, and for my listening a solid 60-80 eatts is adequate. Do I still dream about that Mark Levinson?  Sure. But the bottom line is the simplicity and value of integrated amps across the board is unbeatable.

"If you wish to retire your Pass power amp (if you had it) at 1/3 price, I will take it.  Let me know please."

I've been down this road. I had an Aleph 5 that I still kick myself for selling.

I doubt I'll ever part with the XA-60.5s. I'm not one to keep gear when I've made a decision to move on, but those mono blocks will be an exception.

"Whatever you do we all cheer for you."

I appreciate this sentiment and share it. There a many paths to striving for audio nirvana.

Yes,years ago,,,Ive been running both SS and tube integrated for some time and never felt a need to go back .

All New Riviera Audio Labs Levante Hybrid Integrated amp 

Great reviews on this amp from Twittering Machines and Stereophile !

This is more complicated than it appears for me. I got a nice integrated with a 12AX7 in the phono stage. I have had fun playing with different tubes to tailor the sound. I also still have my tube preamp and amp. The Pre and amp also allow me to tube roll and try different amps with the preamp and then there is the question of what cable to use and how it will affect the sound.  These are quite close in tonality and inner detail, spaciousness etc but the slight nod goes to the separates. If Only had the integrated I'd not miss anything but knowing the other set is slightly better is an annoyance. heh. Audiophile neurosis. Guess I'll keep both depending on my mood and the speakers. 

With the new Schiit Tyr monoblocks now out, kinda tempted to go the opposite direction.

Receivers, for so long. 
monoblocks, and never looked back.

separation, is great. Plus a great mono button when needed.
 

 No more receivers for me.
 

maybe someday I will revert back. . 

I used to think "super" integrateds were the best value, but now believe a TVC + stereo amp are much better and cost the same. TVC doesn't use a power cord of course, so its just a set of interconnects. 

There is nothing wrong with integrateds, it takes the guess work out of matching a preamp to power amp and eliminates some cabling. The only thing is you need to buy one that don't share the same power supply unless that power supply is way over-built. As such I couldn't find one that could deliver the goods like my separates but as far as sound quality they are there,

OP:   I want my audio rack to be more minimalist vs lots of boxes, wires, and clutter.

In that direction, I've a music server and a DAC/preamp box on one stand, 2 active floor-stander speakers....done.  Digital cable from server to DAC, XLR from DAC to speakers.....done.  I cannot simply any further and still be in the game.

I barely have 3K in everything I ever bought. Sure made more though.

Guess I'll keep rolling with my $20 Denon PMA 980R, and $30 Totem Mani 2's.

(Sansui AU 919 needs a refresh, Yamaha CR 2040 just needs light)

Just breaking in a CODA CSiB.  24 hrs on it and sounds pretty good.  Really wanted a Diablo 300 but hard to find for10k in good shape. Pass Int 250 are not available till next year. Luxman not enough power.  Looks like there maybe one more upgrade in me at 64😀

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I listened to the Krell 300i integrated amplifier at AXPONA this weekend. At $9500 (including the optional DAC module).  It is truly an outstanding product and a real value fo a high end component. 

I am sure that I'll be going for integrated in about 10 years when I think I would lose much of my hearing capability. Also, for convenience and space. No vinyls, no CDs, strictly digital streaming. I don't think I can handle adjusting VTF, ... on my turntables any more by then. I might go for all in one system (except for speakers). 

I’m now thinking of ordering or waiting on the new McIntosh 8950. The mark up on Accuphase is thru the roof. Luxman is right behind. At least with the McIntosh, I’m in the same country dealer mark ups are all similar), resale is decent AND I can purchase within driving distance. 

One other integrated to consider is the Aesthetix Mimas integrated. You can add a phono card and a DAC card but they are both optional. When I bought mine I compared, in my system, Hegel 360, Luxman 590, Ayre AX-5/20, Ayre EX-8. I almost bought the EX-8 as I liked that one the best until I heard the Mimas. It’s extremely musical with great dynamics and a very detailed midrange. I have the DAC  card in mine and will be adding the phono card next. Overall  the best integrated I’ve heard. I had Aesthetix separates for many years as well as a balanced pair of Quicksilver V4's with a Calypso preamp before going with an integrated amp. First the Ayre AX-7e and then the Mimas. All great sounding products but I find the Mimas a great fit in my current system. Also, unlike some the products suggested, Aesthetix gear is easily serviced in the US should any issues arise. I would not go back to separates for any reason now.

If you have a dealer who will let you try it in your system I would recommend it. Good Luck!

I am about go with the Rogue Audio Pharaoh II integrated to replace my Rogue RP-1 preamp and McIntosh MC2120–I am the Mc’s original owner since 1980 and had it refurbed about ten years ago.  I’m driving Fyne Audio F702s from Apple Lossless and a NAD C568, via a Schiit Bifrost 2 DAC.  The speakers sound great but not quite as good as at the dealer’s, where it they were driven by a 250+ watt amp.  They really “open up” at moderately high volume, so I think a bit more power would be helpful.   The soundstage is wonderful in terms of depth and lateral dispersion, and I am actually hearing things in well- known pieces that I did. It hear in my earlier system—NAD C356BEE driving Infinity Modulus satellites (with EMIT tweeter) with a sub. Also, one less piece of equipment, and a bit less expensive, with the Pharaoh II at 250 wpc vs their DragoN at 300 wpc. Once I make the move, I’ll give a report.

I have a Line Magnetic 518 set integrated. My best , and last integrated high quality

amplifier connected to old Sony 333 esd , tube output modified cd player.

There are integrated amps that can very much hold their own against separates in their price segment, Audionet Humboldt, Pilium Leonidas, Vitus SIA-30, on the lower end Boulder 866 and Diablo 300, even lower end still Line Magnetic, Leben

High on my list would be the Technics SU-R1000. There are several reviews worth looking up

Add me to the list. I switched to a Symphonic Line La Musica integrated with mm/mc phono. I also own a KT88 tube integrated but the SL is special. 

My Sansui AU 7700 is integrated if the switch is "on" and separated if the switch is "off"...

my repairman and all reviews said that the pre-amp section is very good, but anyway i am curious to try it one day with a tube pre-amp Berning Zotl.....

😁😊

Pure curiosity!

I dont need to upgrade but reading all about the Berining ZOTL many years ago made me curious....

 

I sure did.  I went from a Spectron amp and Zesto preamp for my Martin Logan Summit X electrostatics to the Simaudio Moon 700i integrated.  The Simaudio unit is a match made in heaven for the quirky Summits.  I'll never look back,  . . . maybe.

 

I got so sick of the merry-go-round that I bought a Accuphase E600 years ago. It's pleasant to listen to and I don't crank tunes loud any longer. My dog is old, my wife and I are in our mid 50's. I lost the ambition to chase the perfect sound, I like my Accuphase integrated, CDP and tuner and I'm just rolling with it. When I got into the hobby at the age of 14, I never imagined I'd have what I have now. That said, I'm surprised at how good some of the gear I had sounded early on. Most notably, NAD. There was also a time when I had to recover from Rotel separates with a Rogue Cronus Magnum that was like being cured from a disease. If I could cure the audio world of a disease, it would be Rotel.

I gave up on separates. You must have the correct cables, you must have the correct tubes and to get synergy with all the components was so much fun. (Sarcasm). Then, the system must be running for a half an hour before it sounded it’s best. Plus for me using all Schiit gear, You have to reach the back of each unit to find the power switch, and they have so few features.

So I went with an integrated from a brand I used to know, Parasound. The Hint 6.  160 wpc.  Built in dac, phono, headphone amp and analog bass management for a sub.  Plus a lot of other features, but the sonics are quite good.  Recently I found out it made Stereophile’s recommended list for 2020.  

After almost 40 years switching components came to conclusion that pro preamp + active speakers is the right combination.

Anything else is just stupid hifi - music should sound like studio engineer hears it.