https://www.musiciansfriend.com/accessories/canare-xlr-lo-z-cable/h79854000006000?cntry=us&sourc...
Is there an affordable long run XLR preamp to amp cable out there?
You betcha , Mogami Gold . Don't look for it to bandaid flaws elsewhere in your system though . Like your speakers , amp , source already ? Then this cable does the job . https://www.sweetwater.com/store/detail/GoldStu25--mogami-gold-studio-microphone-cable-25-foot-xlr-x... |
I’m very happy with 25-foot cables made with Mogami W2549 and Neutrik XLRs, put together to order by Pro Audio LA. (I think the pair ran $105, including freight.) I recently auditioned some "audiophile" $2200 cables and they were not nearly as good sounding as the Mogami cable. These run between preamp and amp in my system. Tip: Most pro audio shops (including the one listed) can put red rings onto the XLRs of one cable for only a couple of bucks more. |
Van den Hull. That's what Pink Floyd used when they finally figured out that cables mattered. Don't know what model. Atma-Sphere and BAT opinions are of little value unless you use their equipment. But if you decide to try a pro cable also give DiMarzio a try. Yngwie Malmsteen uses it with his guitars. I tried RCAs only not XLR - OK but nothing special, ridiculously inadequate compared to some Purist and Tchernov that I have. |
Atma-Sphere and BAT opinions are of little value unless you use their equipment.That is not entirely true. Some high end cable manufacturers obtain Mogami wire and re-brand it. The wire is oxygen free and the dielectrics are polyethylene; pretty nice stuff. Overall its pretty inexpensive and thus totally worth a try. FWIW, Neutrik connectors are excellent; some of the best made. Now the whole point of balanced operation is that the cable shouldn't be a big deal in the overall sound- its a system meant to eliminate interconnect cable artifact (in addition to ground loops). You'd think an audiophile would like that sort of thing- after all, it worked pretty well for all those recordings that people play on audio equipment :) And some of those microphone signals had to go a long way! So it is advantageous if the equipment supports the balanced standard. To my knowledge, this is a rare thing in high end audio so we have all these exotic balanced cables as a result. As far as I can tell the BAT stuff doesn't support the standard. |
If my recollection is correct, Chesky Audio used to use Nirvana top model cables. And those few Chesky cds that I have do sound quite good. Those primitive pro cables, among other things, do not deal with the matter of vibration caused by the propagating signal. Poor cabling is one reason for poor recordings, balanced or not. But if your active components are not good enough, yeah, get that Mogami or Canare for $50/1000 feet and be happy that you saved a lot. |
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@Celander, re the "balanced standard," aka AES File 48, the following is from a post dated 3-22-2013 that Ralph provided in this thread. Also see my follow-up question later in that thread, and Ralph's response. A good reason to go balanced is the advantage of being able to run really long interconnects, so you can place the amps close to the speakers and avoid sonic degradation on account of the speaker cables. Regards, -- Al |
I don't understand the concern about pin 2 or pin 3 hot when it comes to cables. In either case, pin 1 is signal ground, and if a cable is wired straight-through (pin 2 to 2 and 3 to 3), it will work fine with either system.Pin 1 is not supposed to be signal ground!! In a balanced system ground is ignored. The reason for this is to prevent ground loops. Pin 2 should be seen with respect to pin 3 and vice versa. Many 'high end audio' products do use pin 1 as signal ground (which is a 'no-no')- this makes the cable more susceptible to producing audible artifacts. This means that you have to find the right cable to make the system sound right, and the balanced line system had that problem eliminated 60 years ago... |
To add to Ralph's (Atmasphere's) comment, although the following paper is oriented toward pro audio equipment, I've quoted an excerpt that seems relevant: https://www.rane.com/note110.html
Regards, -- Al |
OK guys, I understand that I misspoke about pin 1. It is chassis ground, not signal ground. I am glad to have my error corrected for the record, even though it was not critical to the point I attempted to make. My point was that the talk about pin 2 vs pin 3 in terms of signal polarity is irrelevant when it comes to balanced cables. Since they are wired 2 to 2 and 3 to 3, they will work with either pin 2 "hot" or pin 3 "hot", and there are no special cables needed for one convention vs. the other. Have I missed something there? |
My point was that the talk about pin 2 vs pin 3 in terms of signal polarity is irrelevant when it comes to balanced cables. Since they are wired 2 to 2 and 3 to 3, they will work with either pin 2 "hot" or pin 3 "hot", and there are no special cables needed for one convention vs. the other.Yes, that's correct, Mike. Best regards, -- Al |
@aberyclark https://www.dagogo.com/benchmark-audio-dac3-dx-ahb2-amplifiers-review/ The purpose of this comparison was not to render a final verdict of the Benchmark and SpeakON technology. That would take far more cable adjustments and listening sessions than I conducted. I suspect that a group of listeners who heard the comparison between the Benchmark and Clarity cables may have been split in terms of appreciation of the cabling sets. However, clearly the Benchmark cables did not sweep the results. It is not necessary to use the SpeakOn connectors or Canaire-based wiring for superb results. In fact, I believe one reason the Clarity Cables loom was more appealing overall was because elimination of the prohibited SpeakON connector under the power cord, allowing use of the Clarity Vortex Power Cords versus the stock power cord. It’s not so hard to get an excellent performance from a component, amp or otherwise, when good aftermarket power cords are employed. This is so, even though I didn’t season the sound to preference with mixing in, say, an alternate brand’s power cord, XLR interconnect, or speaker cables. Slight derivations from entire looms of one make can provide even more appealing sound. |
My point was that the talk about pin 2 vs pin 3 in terms of signal polarity is irrelevant when it comes to balanced cables. Since they are wired 2 to 2 and 3 to 3, they will work with either pin 2 "hot" or pin 3 "hot", and there are no special cables needed for one convention vs. the other. Have I missed something there? This is correct. But some balanced gear inverts polarity, and some pro gear I’ve seen has a polarity switch at the XLR input. Point is, occasionally a custom XLR is needed. |