Is there a Solid State amp that can satisfy a SET guy?


Have been a SET guy for so long I have forgotten what a good SS amp even sounds like.
Just bought a pair of $33k speakers that will replace my current $16k speakers. Both are from the same designer and both are 92db and a flat 8 ohms. The new ones arrive in 4 days!
My 300B based amps well drive my current speakers even though I do use the system nightly as a 2 channel home theater. Especially considering the HT usage, I think I may enjoy a SS amp with many times the horsepower. The speaker designer suggests using a Leema Hydra II. I have written to Leema telling them of my 300B preference and they assure me that their amp does not have the destructive harmonics that make a SS amp bright. There must be other SS amps that can satisfy?
mglik
David_ ten a 211 tube can be a SET  845 is more a power triode
any higher power tube is usually a class A triode 
S.ET my nature are under 10 wpc per pair 
this is not set in stone ,but more the norm.
@audioman58   Thanks. I think I'm clearer now on your 'definition' based on circuit purity / simplicity. In other words, you would not consider, say a 211 or 845 a "pure SET," correct?
Sugden A21SE signature single ended class A integrated. Sounds similar to a tube amp. Gets hot, 30 watts/8 ohms, 40 watts/4 ohms. It’s a beautiful amp. Oh wait, just noticed that you spent 33k on speakers, I guess a 3.5k amp may not be your cup....I like it though...sounds nice with Tannoy....
A true SET is A single ended Circuit within. That  one Tube per channel capabilities,when you use say 2 -300b tubes Around 20 wpc or any set type tube 
your circuit starts getting more complex and start going into class A mode which takes away from the absolute purity of the SET design Still very good , That is why you will never see 
a pure SET amp with more then around 8wpc . In design it goes deeper then that just look up a true SET Vacuum tube circuit .In its simplicity
a 300 b excels in the midrange thst is why many use these with 
104 db klipsch a Khorns or Voxativ drivers for example .
or even a external powered sub .below 100 hz.
If it more then 8 wpc it is not a true SET

@audioman58 Can you expand on your use of "TRUE SET" from the post above? Thanks.
Is there a Solid State amp that can satisfy a SET guy?
Into speakers that are totally SET friendly that don’t tax them at all. Pass Labs XS and XA amps, and even more so the old Mark Levinson ML2 monoblocks.

Cheers George

Krell References KRS200.  Vintage 1984.

Look forward to hearing some bass for the first time!

What tube amps are SET amps ? If it more then 8 wpc it is not a true SET 300 b have great mids but are for sure rolled off on top and cannot compete in the bottom octaves with SS amps 
there are trade off on SS vs valve thst is why personally myself and many use a very good SS amp and a vacuum tube preamp.
i use newer  Krell And they are high bias in pure class A which gives a lot f tube characteristics to the sound  a good hybrid like Esthetics ,it not spelled correct but  close.make a very nice hybrid amp.
The Spec Audio class D amp was designed by a 300b tube amp designer and sounds great. 
Bakoon, FirstWatt, and Valvet are the traditional SS alternatives but will come up short on 92db speakers.

Luxman SS doesn’t sound SET from my experience. 
Oh yeah you will find all kinds of opinions such as , *SS brand X sounds really close toa  tube amp,,** and such ideas,. There has never been, nor ever will be a  a ss amp having tube qualities, 
That goes for hybrids as well, a  hybrid is a ss amp, trying to mimic a  tube sound. 
These new speakers, Tetra 606, are my third pair of Tetras. I am convinced IME and by the comments of some of the world's greatest musicians saying slam dunk things. WWW.TetraSpeakers.com
It is very convincing. I do listen to the Tetra designer, Adria Butts, and Tetra owner, Ron Carter (the world's most recorded bass player), who loves his Leema Hydra II with his 606s.
One of the great things about our wonderful hobby (other than constantly upgrading) is constantly learning.

CD318,
I do have new insight from your appropriately poetic comment:

It does seems logical that the added distortion of tubes could be likened to the mildly loosening effect of a sonic screwdriver, giving the soundstage the gentlest lack of focus that many find delightful but which will inevitably also lead to a lessening of impact.

I get it...

If I am not satisfied with the sound of my 300Bs and my Tetra 606s, I may contact the Valvet distributor and see if I can get a demo of the E2 SE.
As wisely mentioned, I will have to be patient and not jump to conclusions but try to appreciate what that SS can do.
I am inspired to circumvent other tube designs and go right for SS!
Thank you all for your all your deeply felt feelings--another great thing about our hobby!




@mglik 

So, you are going to try Valvet because the Third Reich had a little momentum before they didn't? Do you know someone running that amplification with your speakers? Its your money but I still wonder what you heard these speakers driven by that made you want to shell out $33k? That's the amp you want! Right, the one that impressed you?
I have owned and enjoyed Luxman and Accuphase products.  Those two brands were cited earlier in this thread.  Both of those brands are wonderful sounding, very well built, and both have excellent driving capabilities.  I currently own Balanced Audio Technology (BAT) and use one of their tube preamps and one of their SS power amps.  Their design has zero global feedback and it does make a difference.  The ever so important power supplies are phenomenal.  The sound quality is excellent in both staging and imaging, providing a wonderful 3-D experience, and the driving capability is stupendous.  Especially in the bass region, it is very impactful.  Yet, I still find the upper mid-range and high frequencies to be very pleasant and smooth.  My speakers are 88 db efficient.  Everyone has their preference, of course.  I'm just offering my experience with these products and my opinion.  If you can audition BAT products I think you will be very pleased.  The VK 255SE power amp retails for $9K so it is right in your budget range.  And I may add, it is exceptionally well built.  Their website is full of information and very good graphics.  All US engineering and manufacturing.
Hope this helps.  Do enjoy your new gear, whatever you land on with your final decision. 
The closest, it seems, to the truth is that there are two different paradigms. Jin and Jang??
The Valvet E2 SE seems to be the best option yet.
I have long admired many German Audio companies. Surely, German engineering has been on the cutting edge technology forever. They did almost take over the world! But in the Audio world, most great German products are way expensive.
The Valvet is only $4k. Maybe because of its simplicity. Only one transistor a channel, short signal path and only 12 wpc.
I am very taken by what one reviewer said: “Vacuum tubes are no longer necessary for warmth, texture, purity and correctness”.
And I have always been attracted by low power SS amps.
My SET amp designer says, “The more power the less magic”.
I am pretty convinced that I will never get a sound that is as magic as a great 300B SET (mine are 4 chassis 3 Dimension Audio mono blocks with Takayuki 300Bs-custom made for the prototype Magico Ultimates which used 16 chassis for 4 channels). Not the actual “magic” but maybe a compromise?
My new speakers arrive in 4 days. If I feel my current amp does not take hold of the big 3 way speakers with a 12” woofer, I may ask the Valvet distributor for a demo of the 2E SE.

cd318
It does seems logical that the added distortion of tubes could be likened to the mildly loosening effect of a sonic screwdriver, giving the soundstage the gentlest lack of focus that many find delightful but which will inevitably also lead to a lessening of impact.

>>>>Do you write this stuff yourself? 😬
I have not observed that zero feedback necessarily sounds like SET in my limited experience with those technologies.

austinstereo,

"As a result of being in sales and service of audio gear for a very long time, we have yet to encounter a solid state amp that can match a tube amp in terms of warmth and space. Just as true, we have yet to encounter a tube amp that has the tautness and attack of a solid state amp. A push pull tube unit is a bit more of a happy medium between the two extremes."


...we have yet to encounter a solid state amp that can match a tube amp in terms of warmth and space. Just as true, we have yet to encounter a tube amp that has the tautness and attack of a solid state amp.


Thanks. 

It does seems logical that the added distortion of tubes could be likened to the mildly loosening effect of a sonic screwdriver, giving the soundstage the gentlest lack of focus that many find delightful but which will inevitably also lead to a lessening of impact.
 
Particularly obvious with those loudspeakers presenting more of a challenge in regards to efficiency and impedance.

SET and high efficiency or high efficiency and SET, is where many decide to finally disembark off the upgrade train journey.

Ironically enough, close to the point where many others started, decades ago.
Depends on the Pass amps. Their amps cover a wide range of musical likes.
Those rolled off highs and bloated bass would be speaker dependent as well.


techno__dude247 posts06-15-2020 12:01pmYou can try Pass Labs. Some rolled off highs and bloated bass, just like a SET amp...

Listen to a zero-feedback design. Close, if not quite matching, SET sound but also with advantages in bass control. Ayre and Aesthetix are in this category (altho the Aesthetix is a hybrid).
austinstereo
As a result of being in sales and service of audio gear for a very long time, we have yet to encounter a solid state amp that can match a tube amp in terms of warmth and space. Just as true, we have yet to encounter a tube amp that has the tautness and attack of a solid state amp. A push pull tube unit is a bit more of a happy medium between the two extremes.

>>>>>You might consider widening your search as a good tube amp will meet your requirements for tautness and attack, obviously the usual audiophile protocols must be followed, you know, room treatments, EMI/RFI treatments, vibration isolation, etc. as a large part of the sound ultimately is a function of “system engineering.” “Plug and play” only gets you so far. 
You can try Pass Labs. Some rolled off highs and bloated bass, just like a SET amp...
I would like to draw your attention to the german AVM Audio brand.
I run an Ovation A6.2 into Dynaudio Sapphires. The craftsmanship of these amps is outstanding. Their class A/AB is amps are very revealing yet very musical. The top of the range amps, AVM Ovation line, combine SState and Tube ouput. These are state of the art/benchmark products that last a lifetime. Very special.

Hope you have the opportunity to auditio.
How much power do you want?  A parallel 300B will get you a bit more power...20w.  A parrallel 520B using EMLs will get you to 28w but these are not cheap.  New, mine are $23K in Stereo but we usually have a used Argento or two floating around that can be had in low teens.  Just a little above your budget.  I would just need to have the power supply swapped for US.  

Right now I have this listed for a customer which is an interesting amp:

https://www.audiogon.com/listings/lis9j5a1-art-audio-adagio-stereo-set-amp-27w-tube

There were only a couple made and it probably the most power you are going to get from a 300B family tube. In the end, I get that you want to get to about 50w of power which I can't do in anything other than a Push Pull design.  

BTW...I understand what you mean about 845 monos.  I run 45w 845s that are push pull and it is definitely more linear than a 300B.  The 845s are going to be about where your warmest SS amps are going to fall.  If you don't like 845 monos I am not sure you will ever be satisfied with a SS amp.  

Suggest you audition Pass Labs Monoblocks.  I have older Class A monoblocks even though I have been a tube guy since the mid 1970's.
I thought the LSA statement, a tube-pre/SS output was the best amp you have ever heard and it fits your budget? Bit strange to spend $33K on speakers, but place a fairly hard and low limit on the matching amp.

mglik78 posts11-06-2008 9:33pmBest amp I have heard is the LSA Statement. The tube preamp section can be bypassed. If you are familiar with Winston Ma at FIM, he uses two in mono with his Avalons Sentinels. I am a dealer-we offer full money back and will pay the return shipping. Before Winston used the LSAs he had the Rowland 301s then the Krell Evolutions. Send him an email...

Michael
www.luckymanmediagroup.com
831-423-5523

As a result of being in sales and service of audio gear for a very long time, we have yet to encounter a solid state amp that can match a tube amp in terms of warmth and space.  Just as true, we have yet to encounter a tube amp that has the tautness and attack of a solid state amp.  A push pull tube unit is a bit more of a happy medium between the two extremes.  
I’ve been in shows with the Parasound amps and they’re very very good in terms of neutrality and channel separation and overall sound.
You should try what the Tetra designer told you, the Leema. I’ve never seen nor heard one but obviously you bought the $33k speakers for a reason. No offense intended but why are you listening to all of us when you evidently trust the designer’s ear enough to spend your cash on his speakers but not enough to take the rest of his advice for the amp he recommends? Why did you upgrade speakers? What amp was being utilized when you demoed the speakers and made the decision?

I happen to have a set amp and a solid state amp and two other tube amps in other systems. None of which feature your speakers so why on earth would you listen to me?
Not 300b, but check out Audio Mirror (Vlad B.) 45w SET monoblocks, based on 6C33C tube. I have a pair mated with a deHavilland Mercury III pre-amp  and the sound is wonderful. Clean, clear, not edgy at all, and very addictive. The amps drive 88dba EgglestonWorks speakers with no problem. 

grey9hound
geoffkait
Decouple the amps mechanically from the floor.
I HIGHLY recommend Sistrum Apprentice platforms.
I have them under my Tekton Double Impact speakers.
IMO they are Excellent
http://www.starsoundtechnologies.com/SistrumApprentice.php

>>>>Actually, the guys at Starsound don’t believe in isolation/decoupling, their stands work on a different principle, for better or worse. The Sistrum is what I call a “shedder.”
shkong78... Are Line Magnetic products made from or the same company as Cayin?   I am curious b/c there amps both looks exactly the same.   
My observation is that any of the Pass XA.8 series amps hits the sweet spot between tubes and solid state ... particularly if paired with the right tube amp. I use them with an OTL tube preamp (Joule Electra) to drive my Avantgarde Duo horns (107 dB sensitivity).  Thought I might miss my tube amp so I did not sell it.  Figured I might use it instead of the Pass from time to time ... has not happened in two years.
@hedwigstheme Everyone sees the settings icon on their posts, it's used for editing or deleting.
@mglik You might take a look at my system page (here on agon)... I went through this exact same journey when transitioning from Coincident Super eclipse III's to Coincident pure reference extremes. Had the 8w Coincident Frankenstein 300b set monos and adored them, but they just couldn't power the PREs. I tried a Lyngdorf tdai-3400, pass labs xa-25, and atmasphere m60s, but couldn't give up the Franks. Then I got a pair of first watt f4s and finally found my replacement.

The f4s are unique in that they are a very simple circuit that has no gain stage and only add current to the signal. They are very transparent and just sound like whatever you use to drive them. That can be a traditional preamp (i use a 6sn7 based pre), or even the output of a low wattage set amp. I find the f4 mono blocks to be very clear and quiet, with an amazing holographic soundstage, and a touch of beautiful sweetness. I had planned on using the f4s as booster amplifiers being driven by the Franks, but loved them by themselves and ended up selling the SETs.

As a slight aside, over the course of my amplifier journey I have become convinced that I prefer amplifiers that have a distortion characteristic that is dominated by the 2nd harmonic. That is true of SETs and the f4, but not of the xa-25 or m60s, both of which are 3rd order dominated.
Does anybody know why the settings symbol shows in my posts? Sorry for being off-topic.
I use the Pass XA25 with my 94 sensitivity Tannoy FSMs.
Sold my Cary to move this direction after an audition.
It is better than any of the First Watt products. Not sure
why but the doubling down from 8-4-2ohms may be it.
Tried Sudgen Masterclass- not engaging, Leben 600-
good but not better, Lejonklou- now here is an interesting
line I would like to own as a change of pace item. 
In the end Pass adds his "House Sound" to this amp
and I find it to be very addictive with the Tannoys.
Sugden a21se signature integrated
Single ended class A

not sure if it is transparent enough for your speakers, but it is very fine, fast, immediate and has some body too. 
As others have pointed out: no 3D, no air with SS Amps.
geoffkait
Decouple the amps mechanically from the floor.
I HIGHLY recommend Sistrum Apprentice platforms.
I have them under my Tekton Double Impact speakers.
IMO they are Excellent
http://www.starsoundtechnologies.com/SistrumApprentice.php

I have two custom SET amps and have had solid state by pass, McIntosh,etc. I’ve never been a fan of class d and tried ps audio, and a few other brands. I recently heard dSonic’s new class d amps based upon pascal chips and they were fantastic. I’ve heard them with a variety of speakers including ATC, Revel, Focal and the dSonic was phenomenal with each. I’ll be buying one 
Pass labs xa25 is what I found to be the new tube amp pushing my 100db Altec A7 unbelievable. After 35 min of warm up it just opens up an amazing soundstage very warm