Interconnects and non-believers


For anyone who denies there are differences in cables, I have news for you.
There are vast differences.  I just switched interconnects between my CD transport (Cyrus) and DAC (Schiit Gumby), and the result was transformational.  Every possible parameter was improved: better definition, better soundstaging,  better bass, better depth etc.
I can’t understand how any audiophile with ears can deny the differences.  Is it delusion or dogma?
128x128rvpiano

teo_audio
Frankly, it doesn’t matter if it’s $2,000 or $200. I was just using a number to make a point.
According to Nelson Pass, when the given wire piece is less than approx 6", it tends to have little to no noticeable effect.

In this, he was talking about internal wiring of gear.

>>>>Interesting. Can one assume he was also talking about the wire in a fuse or was that exempt? 😀


Yes geoffkait, silly me for suggesting common sense.

For over 20 years I’ve been buying and selling equipment. Building Systems over, and over, and over. The lunacy of the high-end supported by the claims on forums like this, is what finally made me get out. I have the main system for background music and I’m totally fine with that. In the last year I’ve switched to headphones (Focal Clear), and I could not be happier. Yes, the headphone forums spit out the same rhetoric but I pay them no mind. I’ve stopped critiquing and started enjoying and I wish I did it 20 years ago. It would’ve saved me a s***ton of time, money and headache.

>>>>You’ll pardon me for saying so but that reminds me of the expression that defines insanity, doing something over and over again and getting the same results. Perhaps if you’d paid attention to the “lunatic fringe” you might have had better luck and not have been quite so frustrated. 😀 I’m a big headphone fan, myself. Naked Grados.
Frankly, it doesn't matter if it's $2,000 or $200. I was just using a number to make a point.
According to Nelson Pass, when the given wire piece is less than approx 6", it tends to have little to no noticeable effect.
In this, he was talking about internal wiring of gear.
Yes geoffkait, silly me for suggesting common sense.

For over 20 years I've been buying and selling equipment. Building Systems over, and over, and over. The lunacy of the high-end supported by the claims on forums like this, is what finally made me get out. I have the main system for background music and I'm totally fine with that. In the last year I've switched to headphones (Focal Clear), and I could not be happier.  Yes, the headphone forums spit out the same rhetoric but I pay them no mind. I've stopped critiquing and started enjoying and I wish I did it 20 years ago. It would've saved me a s***ton of time, money and headache.
The more difficult a question is to answer, the longer the question exists... the more likely there are fundamental issues in the formulation of the question.
To everyone who claims that a cable is just a cable, then tell us which one, exactly, is the perfect, low cost, supremely performing cable that needn’t be improved.

Also, since all amp outputs are different and all speaker inputs are different, then how can that one perfect, low cost cable perform the same with all the infinite combinations of amps and speakers? Or between preamps, amps and sources?

Do you also believe in unicorns?

All the best,
Nonoise


I believe the Transparent MusicLink interconnect cables incorporate a "network" of some sort, for which no technical definition has ever been made available, as far as I am aware.  But I would certainly not find it surprising that changing a networked cable to a non-networked cable (or vice versa) would have dramatic consequences in many systems, for many listeners.

Best regards,
-- Al 
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For the record, I spent under $300 for the interconnects (Morrow MA4, on sale.)
I replaced old  Musiclink Transparent cables which cost about the same at the time of purchase.
kzh, Your degree is not a complete waste. You can probably make an ok living with it. In fact you may be able to afford a pair of silver wire interconnects to compare to copper ones, then come back here & let us know if you hear any difference. Or you can just tell us lowly non EE's how mistaken we are. 
elizibeth, As far as audio goes, human males mostly. 
roberjerman
Belief in imaginary things is a symptom of an immature mind - Freud

>>>>>>People would generally be much better off if they believed in too much rather than too little - Barnum
devilboy
Components do not have $2,000 cabling inside. Adding a $2,000 piece of wire between components is obviously altering the signal in a way which gives the perception of more air, wider soundstage, etc. Some cables do so in different ways from other cables.

We have to use some common sense here.

>>>>>>Why?
@roberjerman

Where ignorance is bliss, 'tis folly to be wise - Thomas Gray


Frankly, it doesn't matter if it's $2,000 or $200.  I was just using a number to make a point.
Components do not have $2,000 cabling inside. Adding a $2,000 piece of wire between components is obviously altering the signal in a way which gives the perception of more air, wider soundstage, etc. Some cables do so in different ways  from other cables.
We have to use some common sense here.
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sisyphus51
geoffkait,

"Zombie Cows" attracted to accordian music: Too funny! :-)

>>>Many thanks for almost responding on the right thread. 
I can't be sure if half of those responding are being sarcastic, but I can tell you this: If what you're saying is true, then my EE degree was a waste!!!! But hey, if you believe it, that's all that matters, after all every thing around us is nothing but electromagnetic waves that our perception turns into matter- including the pressurized air particles that you perceive as sound.
Now that RVPiano has spoken, non-believers should be converted.

oh wait, what did you change from?  String to copper?  Of course there would be a difference.  Did you change from a $50 set to a $500 set?  Difference might not be worth the coin 
Personally, it doesn't matter to me why interconnects (all included) sound different, I just know that I can hear a difference and I like to select the ones that sound the best to me, in my system, in my room.
Interesting debate as to whether the best cables are those that don’t stand in the way of the signal, or those which have their own inherent characteristics.
 I tend to agree with the latter argument.
Interconnects and speaker cables make a difference. The latter less so, but still, could make the difference in system building. Power cables can make a difference, but this depends on the gear (power supply design of said gear).
One would do very well to pony up a bit and try ANY of the Zenwave Audio line of cables. They are absolutely incredible and the D4 might just be the best interconnect on this planet. What Dave is offering for the money, is understated and goes against the norm for cable cost/performance.

Audioholics, now that is funny. They make a difference. Not that I care, but IMO those that can't hear a difference have never tried.  
I have superb interconnects: 3 separate runs of plutonium tubes filled with cryogenically treated snake oil unshielded of course so I can see the radioactive glow in the dark. They sound out of this world.
https://www.audioholics.com/audio-video-cables/the-truth-about-interconnects-and-cables
Are audioquest cables considered high end? If they are- consider me a cable junkie. They make my old equipment really sing. 

@ron1319

No, what @devilboy is saying is that a *cable* (not a signal modification device) transmits the signal from point A to point B without any modification or attenuation.  Cables that *sound* a particular way - irrespective of what the particular sound is - are doing more than conducting an unaltered signal from Point A to Point B.  This is a simple truism since Cable A cannot, based on physics, sound different (much less "vastly" different) than Cable B unless one, or both, are significantly altering the signal.  Altering the signal is a **fault**, not a feature, in a cable.  Now if you want to use cabling to alter the presentation, have at it, but realize that they are, intentionally, designed to be tone controls.  Nothing wrong with that (well, except for marketing hype) if that's what floats your boat. 
IMO it comers down to a few things. I have not had a cable "transform" the sound in my system.  I do hear differences and have preferences though.  But in my reality, the equipment I use typically has a dedicated overbuilt power supply so I think that is a factor in what I hear.  My equipment is where I get my sound from and the cables just add a slight flavor to the system.  I also can change the sound of my system through my preamp that has 5 difference sets of output resistors so I can change the sound if the recordings are that different so cables make a little less of a difference and by using the resistors I also am able to customize the sound so I don't need different cables for different recordings.  That being said, the only cable I use of any value is a digital cable and although it makes my system sound better, I have also used a cheap interconnect for a digital cable that also sounds really good and if it wasn't for a friend lending me the cable. I would not feel that the sound of my system is missing anything.  All my power cords are heavy gauge molded ended power cords and I use any interconnects that I have laying around.

Happy Listening. 
A different way of saying the same thing, Devilboy, is that some cables alter the sound in such a way as to make the bass less clear, the timing less precise so that the soundstage isn't as wide, and affect the sound in other ways.  Using words such as "BS," "illusion" and putting "sound" in quotes makes your statement rather confrontational and perhaps makes it seem like you're trying to make a point you may not be trying to make.  

What you actually said was that cables affect the sound of the system in different ways, and a change in interconnects can have a profound impact on the whole system.  The three pairs of interconnects I'm experimenting with on my system do, in fact, sound radically different.  I haven't really found a combination that I prefer, yet.  I believe I need to put another test cable into the mix before I determine what I like the most.  And maybe another amplifier before I'm done.
When cables "sound" different it's because they are doing something to the signal. They are altering the signal to give you the perceived illusion of a wider soundstage. They don't "get out of the way of the music" as so many audiophiles claim. This is BS.

Yes cables sound different because they are manipulating the signal and providing their own sonic signature. 
Clear - 

that your comment is amusing, entertaining or light hearted in some way when it really just doesn't make any sense at all


Those who use punctuation are taken more seriously by me. Especially if you are discounting my argument. 

 you can not decide for another individual person whether some upgrade is or is not worth the expense
 
I think it's clear from the context I'm speaking for myself and that I am not speaking in absolutes. The way my sentence is structured leaves plenty of room for personal values and my post was mostly about answering the OP's point: 

I can’t understand how any audiophile with ears can deny the differences.

And my point is, there's a difference between whether cables sound different and whether that sound difference is worth the money being asked. So to rephrase it, even if I hear a difference it may not be worth the asking price. 

I think this is an important thing for audiophiles to consider, no? 

Best,

Erik 

erik_squires
"
I don’t always deny there’s a difference, but I often deny the difference is worth the cost. :)"

The use of a smiley here is apparently intended to suggest that your comment is amusing, entertaining or light hearted in some way when it really just doesn't make any sense at all you can not decide for another individual person whether some upgrade is or is not worth the expense that is a subjective opinion and you can only reliably and meaningfully make that determination for yourself and even under that circumstance the opinion is only relevant at the time that you make it and may change as your Music Reproduction System and even circumstances change. 

My interconnects, of which I have a few, have always been dependable in my expectation of their sound from system to system. So when I want to alter things this way or that way, I have been able to do it and meet my expectations of the sound I thought I would get, when I swap my cables around.
The interconnects were certainly worth the cost to me.
Tone controls would most certainly NOT have made a radical difference in the sound.  The parameters were well beyond the capabilities of tone controls.
The wonderful improvement in sound achieved was obtained at a fraction of the cost of new speakers, whether self-made or bought.
I don’t always deny there’s a difference, but I often deny the difference is worth the cost. :)

Instead of swapping out tens of thousands of dollars in gear, room acoustics and tone controls are much more cost effective options. :)

Also, maybe make your own loudspeakers once in your hobby life. You'll learn a great deal and it will probably transform your ideas about where to spend your time and money. 

Best,

E
Sorry to contradict anyone but electrons are not (rpt not) flowing. No way, Jose. Carry on. 🕺
almarg,

I have already switched the orientation of the two pronged preamp power plug to noticeable improvement.


Now take all that, and imagine what happens when you change the fundamental ’in situ’ physics of electron transfer and flow, with the introduction of a new carrier, like liquid metal alloy.

Where the changes are enormous and in the exact level and way that ’electrons’ in flow...function. At the atomic bonding level of the molecules and atoms, where the electrons are being dealt with in the model and in the reality.

Solids have a lattice structure and a pattern of electron interaction due to such. Electron interaction is entirely different -- in the fluid. energetically it is entirely different. Every parameter you can imagine goes dynamic, even kinetic is added in, all kinds of non repeating directions..all so different and complex, that the experimental model does not yet function in any easily calculable way.

When you add in that the current model of transmission lines and solid lattice of metals... is known to seemingly not correlate very well with what we hear, well...

I said it was the biggest change in transmission lines in 100 years. The patent attorney corrected me. He said 150 years.
Not necessarily. The original ICs might have been in the wrong direction and the new ICs are in the right direction.
Hi RV,

DAC sonics can sometimes be particularly susceptible to ground loop effects, which in turn can be dependent on both the designs of the components that are being connected and the characteristics of the interconnecting cables.

An interesting experiment, should you be so inclined, might be to put the power cord of the preamp on a cheater plug (a 3-prong to 2-prong adapter), with the safety ground left unconnected. That would eliminate any possible ground loop effects between the DAC and the preamp (and also between the preamp and the power amp). Then see if the change in interconnect cables still makes a difference, or as much of a difference.

I’m assuming, of course, that the preamp has a 3-prong power plug; if not then never mind. Although if it has a 2-prong plug, and the plug is non-polarized (i.e., if the two prongs have identical width), reversing the orientation with which it is plugged into the outlet may also be a worthwhile experiment.

Best regards,
-- Al
Nothing like a fresh can-o-worms. 😄
Aside from that bit of snark, I heartily agree. 👍

All the best,
Nonoise

I made a mistake in my description. The interconnect was between the DAC and the preamp (Conrad-Johnson PV 11.)
Sorry!