You can whip the horse's eyes, and make them sleep...and cry
Having a Flashback Friday - Airplane Induced
I was 15 when the Jefferson Airplane released the Crown of Creation at the pinnacle of the psychedelic rock era, and it became a go to album of mine throughout high school and college. We will not go further into the particulars of the situations regarding the playing of this album during that time. On this cold and wet Friday I am sitting in my home listening and enjoying un-induced flashbacks of that era but also reveling in the composition, musicality, musicianship and expression of the dark emotions of this statement of society at that time. While I do not consider it well engineered from an audiophile perspective, it has a wonderful warmth, good clarity despite the warmth, good dynamics, and above average staging/imaging for rock albums of that era. Slick and Balin’s voices are mesmerizing. Kaukonen’s finger picking stylings are soaring and heady. My favorite bassist, Cassidy’s runs maintaining rhythm while often carrying melody, so intricate, warm, and woolly. The messages are dark (There will be no survivors my friend') but I find it transfixing.
For those of the psychedelic rock era, or those who appreciate the music, what are your flashback favs.
@jsalerno277 all good! There is (was) nothing in the world like a Grateful Dead concert and I don't think there ever will be. I feel, well, grateful that I was able to experience some of that magic. And you are spot on with Phil - guy was a genius. |
@jimijam - "Successful hills are here to stay...." |
@hifiguy42 It’s not that I do not like the studio albums, I love them. Great tunes on all. But you only get a tease of the counter rhythm/melody play between Garcia, Lesh, and the keyboard group progression over the years (McKernan, Godchaux, Constantine, Hornsby, and Saunders). I much appreciate the studio albums for their musical composition. However, I get to go on an emotional journey in the improvisational complexity and musicianship of the live albums. To me, the latter is what the Dead is about. |
@hifiguy42 It’s not that I do not like the studio albums, I love them. Great tunes on all. But you only get a tease of the counter rhythm/melody play between Garcia, Lesh, and the keyboard group progression over the years (McKernan, Godchaux, Constantine, Hornsby, and Saunders). I much appreciate the studio albums for their musical composition. However, I get to go on an emotional journey in the improvisational complexity and musicianship of the live albums. To me, the latter is what the Dead is about. |
@cooper52 What’s Love(pun intended)? The Collectors are. Now there’s an obscure reference on point to the discussion. They did not get air-time in New York or probably all areas outside of Canada and the US SF Bay AreaVery melodic and heady. Very off the beaten path. Excellent reference, well done. And the able bearing the groups name is well engineered for the time. For those using Cobuz you can stream a try and bring yourself back to the 60s. |
I had the good fortune to have spent my high school years in the late 60s in the San Francisco area, and got to experience psychedelia in all its glory. And yes, I misbehaved in all the typical ways for the era. I have two go-to flashback albums: Quicksilver Messenger Service (their 1st album) And this largely forgotten corner of the genre: The Collectors (admittedly, this one's what I'd describe as a guilty pleasure) They were a Canadian band who only recorded 2 albums, but they were immensely talented and had a terrific lead singer.
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@jsalerno277 - very well said! I don't have any use for GD studio albums; to me, that has always been besides the point; they were always all about live performances. But I do have every one of the big annual box sets they've released, and I've got the vinyl versions of a few of those shows, too. |
@larsman I am also a Dead fan often getting lost in their constantly changing rhythmically and melodically changing patterns all while staying within the confines of the original song structure and finishing with the original rhythm and melody. Amazing musical complexity. The improvisation pattern of change, similar to jazz but in rock structure, brings you on a journey of changing elevations. Lesh, also high on my list of favorite bassists, takes a different path from traditional bass playing like Cassidy. Lesh plays complex counter rhythms and melodies to Garcia’s lead while Cassidy plays melodically to the direct composition. Both play cords on the base to enhance melodic composition. Both will have you in awe of their technique on close listening. From an audiophile perspective I find their studio albums all generally well done. But that is not where all the beauty is. The live albums is where what I have spoke is lives and they are a mix of good to bad engineering from an audiophile perspective. I attended too many performance to list in the late 60s and 70s. |
@jsalerno277 - I'm a Deadhead! But I don't need to 'flash back' as I listen to them just as much now; that's timeless music. @jtcf - yes, I enjoyed looking through the windowpane on several occasions, too! @thecarpathian - went from being a hippie to a punk to a post-punker to an indie rocker, and on and on and on right up through today. Didn't leave any of it completely behind.... |
@arcam88 - that sounds a lot like my old buddy at college, Purple Microdot! Yes, most any music did different things under that influence. A big fave was Country Joe and the Fish's 'Electric Music for the Mind and Body'.... |
These 2 (from 1971) are still rambling around inside my head. https://www.youtube.com/watch?v=CTUsFm0BAu8 https://www.youtube.com/watch?v=FTMH9V9OLdg
DeKay |
@thecarpathian Had a high school crush on Peggy Lipton aka Julie Barns. @buellrider97 Proof of the big hair circa 1978 on the beach at Kiawah Island, SC
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What a fun thread! I was in HS in the early seventies and was already hooked on music. From bubblegum to Soul to Rock, I dug it all. From the Temptations to Rare Earth, Spirit to Iron Butterfly, from The Who to CSN & sometimes Y. But I bet I played more Jefferson Airplane than any other group back then. |
@fatdaddy2 John did not write many but Boris is a fav of mine. A great, late night, mood changer. Creepy, Crawley …. |
@61falcon Some classics listed. All available on the streaming service you prefer. Glad to see a new generation appreciating the classics. |
https://www.youtube.com/watch?v=DHAMh2-cviA Spouse found out awhile ago that this is Real..... |
4 more years ought to make psychedelics’ popular again.....helped during Nixon, why not Now.....? Another 4 of the weird and the defunct will be hard enough to tolerate and plow through... "....radio, radio, radio, radio, radio, radio, Oreo, radio, radio,...." Pardon, I've got to erect my Severe BS Shield and consider....
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@buellrider97 My musical experience was limited to playing classical bass in the middle and high school orchestra, no private lessons, and not pursued after graduation. I am blessed with near “perfect pitch”. Near meaning that if a crystal glass rings, I cannot tell what note it is but I can go to a piano keyboard and pick the note out within a half tone. I can hear a song and play the melody, then build the cords, with horrible technique since I never had lessons. A goal in retirement is to take lessons. I often go to live classical performances at the Koch Theater and Cargnie Hall. |
Circa early 70s, Golden Earring in a small club located in a castle along the shores of lake geneva, Switzerland. I'll spare you the psychedelics used that night, but I remember making an eye to eye connection with their lead guitarist for most of the concert. As if he was taking me on his trip. Unforgetable to this day. |
Thanks for sharing your moment, I understand and appreciate your share. Your description makes me wonder if you play an instrument. Yesterday I walked into Ace Hardware and “ Somebody to Love “ was playing on the store system. I just stopped in the isle and enjoyed the moment. Doing the math I’m about 3 years your junior and grew up 2 hours south of SF. My family vacationed in Santa Cruz. The psychedelic SF music is amongst my favorite followed by the British Rock like Deep Purple and Zeppelin. But the psychedelic sound took me to places drugs couldn’t, and I did my share in the 70’s. While most of the music was crude I just loved Quicksilver and Big Brother. I have original handbills framed and hanging over my stereo showing CCR and Jethro Tull at the Fillmore, CSYN with Cold Blood at the Winterland, Quicksilver and Mott the Hoople at Fillmore West. Hendrix at the Santa Clara fairgrounds and Janis Joplin at the Rainbow Ballroom in Fresno. Today I spin vinyl with a tube system and play it loud enough to irritate my wife. It was fun in the 70’s seeing Zepplin on acid, but life is considerably better for me with 3 decades clean and sober. I miss my long hair, my muscles and my Harley’s, but when I hear that music I can’t help but feel overwhelmed with gratitude for all the good times I had. Thanks for sharing your moment with a stranger in California. Blessings , Mike B. |
@welcher Excellent. Did you listen to Best of Acoustic Jethro Tull. Excellent remastered SQ of some classics. |
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