I thought it was time we had a pro- Class D thread. There's plenty of threads about comparisons, or detractors of Class D.
That's fine, you don't have to like Class D amps, and if you don't please go participate on one of those threads.
For those of us who are very happy and excited about having musical, capable amps that we can afford to keep on 24/7 and don't require large spaces to put them in, this thread is for you.
Thanks @phusis I wonder what the model is. I am always interested in under the radar products.
I am guessing the HSE line and they are SUPER expensive. WOW!
I am referring to the T-series, that share the Class A/B topology and specific design with the S-series, and that sound virtually identical - also compared to HSE-series with regular speaker terminals and a polished front plate that is aimed at the hifi-market.
I've heard the T-2000 directly against the S-1400, and any very slight differences there were likely had to do with the S-1400 not being fully run-in yet. Two of us, when pressed for a favorit, preferred the T-2000 for a more well-rounded presentation, and one found the low end on the S-1400 a wee bit more firm and thus more to his liking, but it was splitting hairs.
So, no need to go super expensive here - certainly not if one's ears are the final judges.
@jaymark nice post on the M1200. Did you not own the CODA #16 at one time? If so, how do they compare to the M1200. I have owned the modded Voyager and some other GAN amps, so I have a similar frame of reference.
@phusisYou make a good argument not to judge amps by their class alone and to be honest to yourself about what you personally like to listen to. It’s your money, not mine, so you should be happy with your spend.
I can explain my likes/dislikes without needing others to feel the same way.
Some 30 years ago bought my first Class A power amp (42W pure Class A). 7-8 years later, out of sheer curiosity, I initiated a period of using Class D-based amps, from ICEpower, NuForce and others. I liked the NuForce variants the best. Then about 15 years ago I returned to Class A with a Belles amp (SA-30), and preferred it over the more popular Pass amp variants (Pass amps in general are too polite/polished or even boring sounding to my ears - I just don’t find them to sound natural but too "hifi" somehow).
The Belles Class A amp is the amp I’ve owned for the longest time - within any reasonable amount of money (easily up to $20k) I haven’t heard anything better. That is, until just a few years ago when I replaced the Belles amp with Class A/B amps from a british manufacturer of pro use studio amps, as to my surprise I actually preferred the latter. I’ve never heard amps less "intrusive" and more balanced sounding, with an equally and naturally analogue, tonally accurate and resolved sound than these. To boot: they’re very powerful.
What’s to make of all this from an amp topology perspective, I can’t say. I’d love to try out Class D again at some point and see where it’s gotten so far, but having now found the Class A/B amps referred to earlier I’m not in any hurry nor the least inclined as is to seek out something new here. When/if I do get to that point however, Class D will get its chance - yet again.
@smargo - I hate to make broad judgements of amp classes, but you bring up an interesting point.
There are mega buck class A amps I simply do not like the sound of. I have often wondered if they are an acquired taste, like beer with a strong hops flavoring, while to me most Class D and even A/B amps sounding better than some Class A for my money. Also wonder now if Class D will be an acquired taste for the new generation of audiophiles, who will reject A and even A/B as not sounding as good as D. Kind of how we might prefer mom/dad's cooking to a fancy restaurant.
Jaymark - thanks for keeping the class d subject alive - albeit with a faint pulse - not sure why people arent bowing down to class d - they did for a while - but now you barely hear anything
My arcam power amplifier sounds wonderful - its suppose to be class a up to 50 watts. But as with these types of amps there is always a syrupy nature as well to sound. Class D doesnt have that
Class d to my ears is very clear and precise and correct - it still could use a touch of something - instead of being so damn neutral.
Im currently listening to a class d amp (peachtree gan) and it sounds very impeccable with good rhythm and timing - Thanks for keeping the flame lit -
Love my PSAudio M1200 class D hybrid monoblocks. I have and have previously owned PassLabs. Canary Tube monoblocks, PSAudio BHK 300 monoblocks, Parasound JC1 monoblacks Audio Van Alstine FetValve hybrids and LSA Voyager GAN classD amps. I have listened to a wide pallet of exceptional amps. The PSAudio M1200s are at the top of the heap.
Hi. I am typically running a set of Paradigm studios v3s - but my main system is down and being sold - The Marshall is a completely self contained bluetooth speaker- And certainly not "audiophile" but for the $700 I spent on it years ago- it always seems to make me happy . I love the NAD sound and looking at upgrading my home system shortly to some of the masters components.
My favourite amps have always been Class D. They can get loud, have solid punchy bass and also have the snap in the highs. One of my favourite 'dead as a doornail' amps is the Marshall Woburn in my shop. You can put your ear right next to it on standby and hear absolutely nothing at all. And when it's turned up you can hear it all the way down the street.
Were can a mate get a bi-aural Exostosis operation? Can it be accomplished in the states or would I have to go down under.
Kenny.
Sorry Kenny missed your post question, a while back. In Australia I had both done in one hit the first time when I was young and very fit. Mine took 6hrs the first time for both and 3.5hrs for the right again the second time many years later, should have kept that car window shut, dam it. But it also depends on the doctor, how bad it is and how much stamina the doctors/ anaesthetist/ nursing team have, as one ear can take up to 3-4hrs if really bad. But it’s worth it, you hear like a bat after it, because the doc said the ear drum and it’s bits are being protected while you have the exostosis, in other words not aging as fast.
BTW of all the surfers I knew throughout my competition days, I was the only who was ever able to get both done in one go.
The Molas go back to 2016 and it should be clear from the many who reviewed them that they live in the warm sound camp: ditto their speaker choices. Not me.
After spending a good bit of time with my Ric Schultz EVS 1200 with dual IceEdge 1200AS modules with LOTS OF TWEAKS, one of which is I had to pay an extra $200 for 2 Kubes, that needed to installed by me, to be butted up against each module upon receipt, presumably to deal with any osculation/vibration. I did as the designer wished/mandated, and though it outperformed every other class D amps in my experience (much older W4S amps, Emerald Physics 100.2SEs with upgraded fuses, Audio Alchemy DPA-1, and PS Audio M700s (best of this bunch), I felt there was more to be had.
Finally, I removed the top cover in preparation to remove the Kubes, and noticed a huge improvement. The overall sound opened up in all 3 dimensions, including gaining speed on the initial attack and a much lowered noise floor; similar experience when I removed the Kubes. I now hear micro-detail that was obscured.
I feel I am hearing it at its best (most revealing) and can finally compare it to my Voyager GaN amp when it comes
My last 'high end' experience was to save power used by my PaasLabs X350.5 and so I had a test in my system with Mola Mola monos (jolly expensive!). Double the price (then) of my Pass and sounding, 🤔 weird, flat, punchy with funny enough, NO real authority.
Money saved, back with the Pass, now paying power bill with a little less pain. Eish! Should I repeat this exercise? 🤔
Answer: Not for some time to come, maybe not till Kingdom come...? I'm pushing 74... never mind Chorona and all. 😎 M.
I heartily recommend the NuForce STA 200 to anyone looking for bargain solid state audiophile amplification, but it does not do well when pushed to 4ohms and below.
Nuforce went back to linear amps, but this is STA200 is just a reincarnation of the budget Job225 from Goldmund. Good little amp but built to a performance level that really doesn't suit down to 2ohms or even below 4ohms, just like Class-D. But probably sounds better to where it can be loaded down to within it's comfort zone.
A class D a o into 2 Ohms or less is just ear bleeding, cynical, no depth, headroom is nonexistent, devialet, and all this super high dollar stuff is just bad!
Well that’s interesting since so many of us routinely listen to 1 or 2 Ohm speakers, I’d like to know what amps and speakers he reviewed to come to this broad opinion. Hahahaha.
@guidocorona I neglected to "follow" this thread, until now, so I’m just getting around to your question... In terms of power, the Moabs are rated to handle up to 900wpc. I’ve run 80wpc and now I’m running 300wpc with an XTZ A2-300. The 80wpc would have been fine, sounded wonderful, but the amp could not handle the 4ohm load. I heartily recommend the NuForce STA 200 to anyone looking for bargain solid state audiophile amplification, but it does not do well when pushed to 4ohms and below. To be more exact, the amp performed just fine, even very very fine, so long as I didn’t ask it to produce much more than 80db on a continuous basis.
Budgetwise, I'm hoping to stay at $2000 or below. I'm presently on a 30day trail with the XTZ, so I'm interested to hear if anyone can boast a superior experience with a different module than what I'm finding in the IcePower.
@arctikdeth I want to invite you to take a particular (Class D) amp you have auditioned and give us a clear evaluation of your experience. I've had my first class D amp for about ten days and I have a very hard time equating your summary point or points with my experience. I tend to be interested in different points of view, but more detailed evidence is needed, if you really want to make a solid case... otherwise, I'm just hearing a very strong opinion; we could all benefit from a carefully constructed and amply (NPI) supported viewpoint...
Class “D”ull while pushed through major companies, is still sub par to my ears!
A class D a o into 2 Ohms or less is just ear bleeding, cynical, no depth, headroom is nonexistent, devialet, and all this super high dollar stuff is just bad!
ive heard, seriously listened, and given numerous chances.
There’s always something missing! if you’ve spent 10K or more on a devialet, or another class D amp, and you love it, kudos, enjoy it.
ill stick with my class A - A/AB/H amps. !
the emotion is just not there. My McCormack / Odyssey / Sunfire amps I’ll put up against any class D stuff. Hell, even my aging onkyo tx-890 receiver at 125WPC receiver I’ll put up against the class D amps.
There are certainly several excellent class D amp bargains currently available for attaining very good performance at very reasonable prices. It sounds like you just purchased a prime example. I’ve owned and have heard a wide variety of class D amps in the past 10 years and I’ve noticed some come common qualities shared by the entire group regardless of price. These general qualities are very solid and taut bass, very low distortion, an extremely low noise floor, very good detail and a very neutral overall sonic presentation, with seemingly nothing added or subtracted from the inputted signals. I’ve found the most obvious benefit of the better, and more expensive, class D amps is the quality of their mid-range, treble and holographic imaging abilities. Currently, some class D amps rival the performance of the best amps available, regardless of amp type. Unfortunately however, the prices of the best class D amps also rival the prices of the best traditional amps. Because of this, when I felt the urge to upgrade, I decided to restrict my budget to an amount I could afford but also decided not to restrict my search options to a particular amp type. I still thought a mid priced class D amp, a pair of D-Sonic M3-600-M mono-blocks with Scandinavian Abletec power modules for about $2,100/pr, performed best driving my speakers. I also knew for certain through in-home auditions, that this was thousands less than comparably performing traditional amps.
Just got my PS AUDIO M1200 monos this week probably will be trading my Nord One Up monos with Rev D input boards in on them unless someone makes me a good offer on them
Thanks for the reflections that might help me dial in my speakers/system from an amplification angle.
So, this is where I am (1): just bought and have been using the XTZ A2-300, which runs off IcePower. Amazingly, the sound signature is NOT much different from my NuForce STA200. It may be, in the Nuforce, that the midband is slightly more rich, more lustrous, but in normal listening, where I’m more into enjoying than critiquing, the differences quickly fall away.
The new XTZ runs cool, supplies more than adequate juice (up to 470@2.7ohms), seems to provide a little more shape to instruments within the soundstage than the Nuforce. For instance, the dimensions of the drum set in my favorite ’instrument’ reference CD, Harry Connick Jr’s "Lofty’s Roach Soufflé" is more realistic.
I’ve also noticed micro-dynamics from the XTZ that seem a little more glossed over in the Nuforce. Unfortunately, I think there are huge psychological impacts that arrive with a new piece of gear, and the mind/ears are more vigilant and likely make a bigger deal over presumed new discoveries that might have been equally attractive if someone had fooled me and placed my previous amp in the chain before playing a song I have been cycling for the past several months.
I'm all too familiar with my enthusiasm for the new sexy thing that arrives in the post and how that enthusiasm carries me through the opening phase or two with that sexy new thing.
So, here is where I am (2) ... I’ve paid $500 for the XTZ. It’s great, no problem. However, I know it’s definitely a bargain audiophile product and while it is amazing for the money, I’m wondering if anyone can speak to how IcePower compares to the Purifi module, or the Hypex modules, or Pascal.... I mean, if I can pay an extra $1000 or $1500, would I hear substantive improvement in soundstage, tonal accuracy, vocal purity, etc., or am I just about ’there.’
I know it’s only I that can say for sure, but have any of you studied the differences between these amps and found significant distinctions from one modern class D amp to the next?
Listening99 the criticisms I saw of the vtv amp were just nitpicking. Their prices are the best, they use nice thick cases sourced from Ghent and it’s in the USA so no customs worries. It’s a good deal. If you’re worried about pcb and wiring layout, apollon in Italy is known to be good with that. But they use cases sourced from hifi2000/modushop which are kind of thin. I came super close to getting a purifi amp from vtv but I realized I have way too many unused amps in my collection as it is
I’m not quite sure who you’re directing your question to. If it’s me, I don’t think I’m the best individual to answer your question. My experience with class D amps has mainly been searching for ones that best drive my former Magnepan 2,7QR and current Magnepan 3.7i main speakers, which are both only about 86db@ 1 watt and much less efficient than your 98db@ 1 watt Tekton Moabs. The best amp I’ve ever used on my speakers are a pair of D-Sonic M3-600-M class D mono-block amps. But these amps output 1,200 watts into my 4 ohm speakers, which seems excessive to me for your 4 ohm speakers. Unfortunately, I have no experience utilizing high efficiency speakers since I was 18, 44 years ago. Therefore, I have very little useful knowledge to share with you except I believe you don’t need to exclude any amps or amp types from your search. Hopefully, you’ll receive some other lower power suggestions from other readers of this thread, Tim
I heard the PS Audio Stellar S300 amplifier driving some Harbeth 30.1 speakers and was very pleasantly surprised! I see PS Audio is now introducing their M1200 class D monoblocks, with tube inputs. I suspect they'll sound awesome!
So, I’ve been pondering and studying class D, from the layman’s perspective (I’m no electrical engineer, can’t solder, can barely find the transformer), for several weeks. I’ve particularly reviewed Wyred4Sound, D-Sonic, Class D Audio, Apollon, Nord, VTV, Emerald Physics and others. I was excited about purifi and discovered a very good deal on the VTV website, but then when I called out for reports on VTV, as little can be found online, I was immediately met with a critical review, claiming that VTV did sloppy work on the purifi amp this person ordered. I came away concerned that I might have to ready myself for repairs, on a new amp, which this other gon’ers amp required.
So, here’s the deal... I have a new pair of Tekton Moabs, which at 98db are efficient. I’m using a Schiit Saga (tube+passive), as well as a Modi 3. I also run a Nuforce STA200, which is delightful for most listening. Unfortunately, it does not pound out the lowest notes when needed, and when I push it into 90db and up, it quickly heats up to a point where it’s obvious the amp is struggling. I want a cool running, efficient amp. I’m sure tubes would sound great on the Moabs, but we hit 93 today, and 105 (and higher) is just around the corner.
...and so, to conclude: Do you have a recommendation for a class D amp that would match well with the Moabs?
I've had a pair of PS Audio M700s for a couple of weeks now; I understand them to be "Class D." They're very good. I think I prefer the Belles 350A Reference (at least in my room, system, etc.), but I could never say the M700s aren't terrific sounding.
You are kind of hitting on a topic I’ve written about here for a bit, which is habit, taste and training our brains to appreciate different things.
For whatever reasons, my brain is wired quite the opposite. I don’t like the sound Pass amps make and often prefer other brands, and many Class D amps.
There’s no right or wrong, you can’t convince me to like a Belgian White ale either. :)
This is a fascinating discussion. I love tube amps like made by Canary, I have their 160 wpc monoblocks and I am thrilled with my Pass Labs x250.5 amp paired with Don Sach's preamp.
My brain does not appear to be wired in a way that class D amps sound good to me. Hopefully the technology will advance and I will have another amplifier type to lust after, collect and rotate thru my systems.
Just got my first class D amp, based on the Purfi 1ET400A. I have to admit I am pleasantly surprised with the detail and just boogey factor this little amp does.
Every time I see a thread like this I remember a scene from the movie Gettysburg - "I take men one at a time. Anyone who judges by the race [group] is a peawit."
So it is, I think, with Class D, or A, or B, or any other variant.
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