It's very hard to deny Bruce's passion on this lp!!!
Chicago’s Transit Authority just happens to be one of my ALL TIME favorite lps!!!
Slaw
Whats playing on your system today?
Agreed that Satchs latest offering is quite a bit different from some previous releases. Read an interview with him in guitar player about it, he had to do a few solos twice as he "over shredded" and that was not what they were looking for on this album. Yes Glenn's bass work is killer, in fact an all round awesome rhythm section with Chad nailing it on the skins. Highly recommended. |
uberwaltz, I love the T-Birds Tuff Enuff album. It was produced by the great Welshman Dave Edmunds, who is my all-time favorite producer. By the way, their previous album, T-Bird Rhythm, was produced by Dave’s partner in Rockpile, Nick Lowe, and it too is a great album. Dave’s current doppelganger (production-wise) is Buddy Miller, whose production work is absolutely fantastic. |
We're working on a new info video for 1X Technologies Cable Company so have that on repeat working on getting it right! Just like the sound quality has to be perfect, so does every other detail. :-) |
Aw yeah slaw, Pontiac---great album. But no, Robyn Ludwick is a name new to me, so I’ll add her to my "check out" list. Speaking of Lucinda, yesterday on the TAS site I read a review of her newish release of This Sweet Old World, her re-recording of the Sweet Old World album, which was released between her s/t Rough Trade album (her first with a band, her first two on Folkways being true solo albums) and her breakthrough Car Wheels On A Gravel Road album. Apparently, Lucinda was never happy with the recordings, and went in to get it right this time. The review inspired me last night listen to every album of hers I possess (I cooled off on her in the mid-2000’s, a couple of albums---World Without Tears and West---having waaay too many slow songs) in order of release. My appreciation of her singing has been deepened, and my interest in her renewed! How we perceive music---vocals especially---is greatly influenced by our own state of mind, and right now I seem to be in a receptive mood for Lucinda. She’s a "Fall" kind of artist ;-). There are three of her albums I now have to get asap---This Sweet Old World, Down Where The Spirit Meets The Bone, and The Ghosts Of Highway 20. As is evident, I haven’t kept up with her new releases after losing interest back in them in the mid-2000’s. I saw Lucinda live quite a few times in L.A. (from a pizza parlor to The Troubadour), from the time of the Rough Trade album (1988) through the Car Wheels tour (late 90’s). Most of those times she had her original L.A. band, with David Lindley on drums and her then-producer Gurf Morlix on guitar. The recording of the Rough Trade album, Sweet Old World, and Car Wheels were painful affairs, Lucinda having a very hard time getting on tape the sound she was after. Sweet Old World was recorded three times, over four years! The Car Wheels album also took a few years, it’s release date pushed back time after time. Producer Morlix grew weary of the whole thing during the recording of the Car Wheels album, quit her band, and moved to Austin, where he remains. Drummer Lindley died, and Lucinda has been through many drummers and guitarists since. On the Car Wheels tour she had Kenny Vaughan, now in The Fabulous Superlatives, Marty Stuart’s band, playing guitar. Listening last night to the later Essence and Little Honey albums, and having heard snippets of The Ghosts Of Highway 20 albums, I believe she has been able to get what she was after in the early days (hence the new recording of the Sweet Old World album)---a more rural, "roadhouse" band sound, less pop. The snare drum on her albums is now lower in the mix, and tuned lower. Gurf’s Telecaster twang has been replaced by the snarl of what sounds like a Les Paul Jr., and it suits her music and voice better. I’m diggin’ Lucindy again! |
@bdp24 - Thanks for the post about Lucinda Williams. I did not know she had re-recorded "Sweet Old World". I always liked that album and "Pineola" in definitely in my top 5 favorite Lucinda Tunes. I'll get the new "This Sweet Old World" next time I'm at my LRS or order it if my peeps don't carry it. Can't wait to hear it. I really like her current backing band - Buick 6. I've seen Lucinda with the current band a few times now and they are very good. |
reubent, I like when an artist has his or her backing band be the show opener, as is I believe the situation with Lucinda and Buick 6. I haven’t seen them yet, but she has always had a great band. I saw her at The Wiltern Theater (a great room) on the Car Wheels tour, and she had Jim Lauderdale open for her. He then remained on stage for her set, playing acoustic rhythm guitar and singing harmony. She had Jim Christie on drums, who quit Dwight Yoakam (no one likes working for him) when she offered him a job. On guitar were Kenny Vaughan and Doug Pettibone. What a band! I just realized why the drumming is so good on the Essence album---it’s Jim Keltner! I just read that Bill Frisell plays guitar on the Spirit and Ghosts albums, and am looking forward to hearing how that worked out. I saw Lucinda on TV a few weeks back (she looked like h*ll !), singing with Steve Earle. Steve’s road band was backing and they were fantastic, especially the drummer. Steve is a harsh critic, but he, like I, is a huge fan of Buddy Miller, whom I mentioned above. Steve proclaimed Buddy’s 1995 Your Love And Other Lies the Country album of the decade! I sure wish Lucinda would have Buddy produce her---right now he’s the best. |
@bdp24 - Yep, Buick 6 is Lucinda's opening act on her tours for the last few years. They open with a cool instrumental set that really sets the mood for the show. They are a great sounding band IMHO. After reading your post yesterday, I listened to "Sweet Old World" and "World Without Tears" last night. "Sweet Old World" was on an original CD. I think it sounded fine, and I've always been a big fan. I can say that it is slightly thin sounding, but I wouldn't have complained. If "This Sweet Old World" is better, I'm in for a treat. I do worry that Lucinda's voice may not be what it once was. But I'll wait to hear it before passing judgement. I took a listen to "World Without Tears" too, also on CD. It is a much better sounding CD. Very full bodied sound. And Doug Pettibone is AWESOME on guitar. Really good stuff. Yes, there are a couple of throw-aways, but the top 5 tracks on the album are very good. I love "Righteously", "Real Live Bleeding Fingers and Broken Guitar Strings", "Those Three Days", "Sweet Side" and "World Without Tears". Fine song writing and playing IMHO. |
Damn reubent, I missed the World Without Tears album too! I’ve never heard it, and I see Jim Christie plays on it. Looks like there’s five Lucinda albums I gotta get. Thanks for mentioning WWT. Your adjective of thin regarding the sound of the SOW album is spot on; I wonder if it’s available on LP? That doesn’t necessarily guarantee better sound, but it couldn’t be worse than the CD. Essence and Little Honey are much better sounding albums than SOW, even on CD. |
@bdp24 - My LRS - Local Record Store (In this case - Plaid Room Records, Loveland, Ohio) I bought the vinyl LP. It is a double record on pink vinyl. The first 3 sides are the re-recording of "Sweet Old World" and side 4 is bonus tracks. The record sounds good. I just don't like the new versions of the songs compared to the originals. I especially don't like what she did to "He Never Got Enough Love" for which the lyrics are changed and it is now called "Drivin' Down a Dead End Street". So, the record is not thin sounding, like my original CD. But I don't like what they did to it. Nope, not one bit........ I wish they would have just re-mastered it (if possible) to make the original sound a bit fuller. |