All- many excellent suggestions.
Happy Listening!
What SS preamp compares to a tube preamp
Well here is one for you. Jack Roberts reviews it on dagogo.com What if I told you the best linestage I have ever heard in my system wasn’t the $28,000 tube preamp I loved for so long or the incredible $38,000 transistor unit that I recently had in the house” If you have to have an active linestage, these two units are the best I have heard. If you can get by with a passive unit that is so plain looking that it’s almost invisible, then I can tell you the best linestage I have ever had in the house is the silver version of Emia Remote Autoformer. Truth is it’s not even close in my system. Jeffrey Jackson and Dave Slagle created EMIA to fulfill the need for affordable high-end audio components using clever design and quality parts. |
I use the Townsend Alegri passive,It the best pre that I have heard and beats both Tubes and SS on purity of sound and lack of color. I use it with my Conrad Johnson 350 or Gamut 200 snd works well with plenty of gain on either. Was rated as one of the best components of all types in Audio Critic. Look it up in the Colloms rating. And no tube rolling or any problems. |
Take a listen to the deHavilland UltraVerve. Here is a quote from Jack Roberts review in Dagogo. " In conclusion, there is a reason there are so many glowing reviews of this preamp. It is a preamp that is priced like an entry-level preamp and sounds like a true high-end preamp. This is truly a product that offers value in the high-end market. It holds its own with the very best, it’s fun to listen to and has a big robust sound but not at the cost of tonality or detail..... |
over the budget but I've owned a lot(too much) high end gear over many years and can't fathom a smoother more detailed preamp than the Krell Phantom, a two box unit. I think the 222 is the single box version. Truly musical. Actually got tipped off by a top Agostino guy when I asked him if you wanted a truly special Krell pre to match w Agostino amp what would you choose. See above. |
If you don't want the tube hassle, but still want full bodied accurate lifelike sound, then I bet you'll like a McIntosh SS preamp. The control it can give you over the listening space and inferior recordings is a nice bonus, and has certainly added to my musical enjoyment. I have used several highly reviewed modern preamps in your price range, tube and SS. I have a good bit of experience with the preamp you are using now. As always, YMMV and good luck. |
" Tubes have varying degrees of coloration as do transistor components. It just depends on what type of sound you are seeking. " Not only that, but you can make the case that SS has a much wider range in "type" or "coloration" of sound than tubes. Consider SS power amps or preamps from these companies: Pass, Ayre, Levinson, Spectral, BAT, Rowland, ARC. SS products from any of these companies sound completely different from each other. I can't think of any brands of tube products that have as much diversity as the companies I listed. And that was just off the top my head. I'm sure we can come up with a lot more examples to add to the list. The point is, with such a diverse selection of sound, I see no reason why SS should be considered "better", or more "accurate" than tubes. If that was true, they woudldn't sound so different. |
Have you considered a Hybrid? Tube drivers with Mosfet output stage. You could get the benefits of both Tube and Solid State technologies. Rogue Audio makes a very good one within your budget. Ypsilon Electronics makes one of the best ones on the planet which is way outside your budget. I only mention it so you can get a sense of the range of products being produced with this type of technology. I have heard both, and Rouge makes an excellent representation of the technology. I have heard many credible reviews for the Ayre gear, however getting to actually hear one has eluded me. Getting to audition one has proven to be quite a challenge. I also believe they are above your budget, but if given the opportunity I would highly recommend checking it out. This said, I am curious about companies that claim that their frequency responses are DC to 150KHZ ++, or as I like to say - DC to Infinity and Beyond. The few that I have heard making these claims have fallen way short of anything musical. Good Luck |
" Yeah, go ahead and do as they say, just don't blame me for waisted $3k." That makes absolutely no sense. Your advice is to not buy a preamp. If the OP goes out and buys a new preamp and isn't happy with it, why would you be blamed for the mistake? Had you not said anything, I'm sure your post would have been completely forgotten, or at the very least, overlooked. |
I recommend the Ayre K-1XE solid state preamp. I used one for 9 years after having used tube preamps (ARC LS-2 and Counterpoint SA-3.1) for many years, and never regretted it a bit. It was an incredibly quiet preamp with a very neutral sound, and it had very good imaging and soundstaging. The used price should be in your ball park. I have since moved on to the hybrid VTL TL-6.5 Signature, series 1, line stage preamp. (It only has 2 12AU7 tubes, so tube rolling is easy and relatively cheap.) The sound is similar to the Ayre, (i.e. very neutral), but the soundstaging and imaging is even better, and it is every bit as quiet as the Ayre. (I think the VTL has slightly better extension in both the treble and bass regions too, but only slightly, and that might be due to comparing a nearly new preamp to a preamp that was over a decade old.). It is a bit better than the Ayre sonically IMHO, (although my Ayre had the near reference phono boards, so it was probably a better value). The cost is a bit out of your price range, (I paid about $4,200 for mine), but if you can afford it, it will probably keep you happy for a very long time. My two cents worth. Good luck in your search! |
" I enjoy the liquidity and richness of the tubes, I do like the detail of the SS preamps also....tough call." After reading that, I thought I'd comment on the Ayre K-5 a bit more. Liquidity in an audio component is difficult to define. But the first thing that comes to mind, at least for me, when listening to Ayre in general, is liquidity. Its the cleanest, purest, most liquid SS gear I've ever heard. There's a complete lack of anything that sounds mechanical or electrical. But you still need to listen to it first. While it does have some traits that tubes are known for, you wouldn't mistake it for a tube preamp. You wouldn't mistake it for a typical SS preamp either. I have yet to hear any other brand, tube or SS, that sounds like Ayre. Because of its unique sound, I would say the Ayre is a must audition before you make a decision. |
Vintage Sansui CA 2000 Three way tone controls bass mid treble with turnovers for bass and treble high low filters dual phono inputs for turntable flutter and siblance. Two amplifier outputs with a selector amp 1 or 2 or both for bi amp. Its a nice vintage piece easily obtained for $500 to $700 in mint . Its a nice looking piece as well. Listening now. Jazz 88.3. NYC. |
Linear tube Audio's Micro ZOTL2 MZ2-S, using David Berning designs. This preamp might be the biggest bang for the buck and best kept secret in audio. Definitely the best preamp I've ever owned. http://www.lineartubeaudio.com/products/mz2-s |
I fooled myself on two occasions believing that I could go back from tube to solid state,only to be disappointed with what I was not hearing.You have a nice array of tubes,the problem in my opinion is your 2.5,you may want to consider a more evolved design.Modwright,Cay and Audio Horizons are several considerations. |
I am a tube devotee. The only SS preamp that I have heard that even comes close to the "fuzz on the peach" resolution of tubes offer come from Klyne Audio Arts. You can find one for under $3K on the used market, if you are patient. BTW, your VTL 2.5 has 20 dB of gain, there are many tube preamps on the market with less gain, including the new VTL 2.5i, which has user selectable 8/14 dB gain. |
Forgot to mention I'm using a B&K 200.2 amp which is on the warm side. I've been thinking about the Parasound A21 and perhaps that would clean up the highs a little when using the Mullards. I will look into what's been recommended, I appreciate that. I enjoy the liquidity and richness of the tubes, I do like the detail of the SS preamps also....tough call. |
Listen to an Aesthetix Calypso for a tube preamp that moves in the direction you're looking to go, and an Ayre K5 for the same thing in SS. Your current preamp is better than most, so I wouldn't sell it until you find something you know you'll like better. If you can find an old copy of The Audio Perfectionist Journal, SB from TAS compared those 3 preamps, along with a few others. I almost never recommend reviews, but after listening to all 3 preamps, I think he got it right. Also, keep in mind that we pretty much have the same exact taste in equipment, so I'm sure that was a factor. |