Hello hilde45, True, it's not always easy finding good recordings on the music one likes. I've become a big fan of direct to hi-res digital recordings due to their very detailed and natural sounding recordings with uncompressed dynamics. I wish all the major artists recorded using this method. When you buy a hi-res digital download, you're literally getting an exact copy of the original master recording. Later, Tim |
@noble100 I hear you! The first time I listened to "Looking for a Home" my mouth just dropped open. I had never heard anything so present and real in my room before. Unbelievable. https://dsd-guide.com/fdn/keith-greeninger-dayan-kai-0 This was interesting, too: https://www.youtube.com/watch?v=ttMNfFFi_Js |
Hello hilde45, I have that Keith Greeninger track as a 24 bit/96KHz FLAC file download on my hard drive, excellent direct to hi-res digital recording with very realistic dynamics as heard and felt when listening to acoustic music played live. Carmen Gomes is also very good if you like intimate jazz recordings. Blue Coast is a good source of these high quality direct to hi-res digital recordings as is Sound Liaison in Europe which has a lot of Carmen Gomes downloads available at very reasonable prices. www.soundliaison.com I think downloads are a good method for both consumers, receiving very high quality recordings at a fair price, and the music artists, receiving royalties for each download. Later, Tim |
Many McIntosh amplifiers get you pretty close, I have had a few including MC7270, MC7300 and currently an MC352. Matching it a good McIntosh preamplifier is best. I have had a lot of the other brands mentioned in this thread but only quit switching gear with McIntosh, and they will outlast and retain better value than most. |
D'Agostino Momentum HD. I replaced all my Pass gear (XP-27, XP-30, X260.8 monoblocks) with D'Agostino Momentum electronics and love the sound. I have the greatest respect for Nelson Pass and his products, but the D'Agostinos made my Pass stuff sound flat and greyish in comparison. Lots of dynamics and clarity, but wonderful weight and fullness as well. |
The only solid state preamp I've owned that gave most of what tube preamps offer was a Classe DR-7, but they were rare (100 and something made) and would be hard to find. One was for sale a couple of years ago and I include the URL as the description may be of interest. It had a separate power supply the size and weight of a power amp, and two phono stages. https://www.canuckaudiomart.com/details/649493868-classe-dr7-preamplifier/ |
Museatex AVC1, beautiful spatial quality to it. I’ve had many different tube & SS combinations over nearly 40 years in this hobby, and if you don’t want a tube preamp, then try to find one of these. I’m sure there are many other SS preamps that are nice sounding as well, but if I were you and I wanted the sound of a tube preamp, I’d buy a tube preamp. |
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audioguy85, I agree Sudgen is great, have owned and own several pieces. Actually still have an A21SE among others. However, the OP queried about preamps, so that suggestion might be redirected to the Sugden Masterclass LA-4 which I’m sure is terrific. Another ridiculously cheap and frighteningly good SS preamp is the ATC newer version. I own that too. It is quite good without being clinical. Doubtful anything SS will quite pull off the warmth and acoustical properties of well designed AND executed tube gear. |
Don't go around i circles with the same old brands, Europeans have been working hard and not just on their Cars Do yourself a favour and listen to AVM from Germany, they have both Solid state and Hybrid. I have the Ovation PA8.2 with Tube output and I've never heard anything so musically satisfying anywhere else. I also sell SPL (also German made / coincidence...) Solid State that has amazing harmonic richness and the best 3D imaging I have heard. It's crystal clear, not to be mistaken for lean, it has great controlled tuneful bottom end as well. All SPL gear work on 120VOLTs circuits ! Unique to them. Going back to AVM and their Proprietary Tube (T803) output. I have not been a tube guy ever before, too many shortcomings for me, but when I heard these from AVM I was blown away. The best of both worlds!!! They only use tubes on their low level outputs or inputs on some of their amplifiers. They designed their own Tubes because they didn't like the issues that I don't like with tubes. Yes I'm a dealer but I'm very hard to please, ask the women in my life - LOL |
I the highend segment ii went from AR: 40 th Anniversary to Ref 10 with DR tubes to Dan D Agustino Momentum and updated to the HD version. i my ears it was one step up the lader every time. the 40 th is quite romantic but takes many houers to warm up and get somehow transparent. Got rid of it a year after which is about the time i need for having tried all my tweaks on a item. the Ref 10 is very good but compared to Momentum not quiete enough as well as more technical playing. I ended up with a very good preformance and had it for 3-4 years. The Momentums are more organic, a little warmer and much more holografic , the HD version expands the soundstage to infinity. I expirience the Momentuns as more tube like compared to the Ref 10 which only worked well with DR tubes. The powercord is however Extreme importaint on the Momentums as well as the fuse but i guess it common in this highend level. i am using my system all i can ( No TV in the house and dedicated lisining room) so tubes like the DR’s actually are rare to find and now i dont think on the running tubemeter. happy lisining |
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Yes I own one of the FM155 copies.It is much better than say A Mystere CA21 tube preamp I have on loan and a class or two up on a Musical Fidelity A3 Cr I owned [which is a pretty good SS preamp].Not quite in the Supratek league but nothing I have used is.It does not sound SS-it just sounds really good. |
I am still using it presently! I bought it on the strength of reviews that I read. I ordered one new from Mr. Morrison for $700.00. I was coming from a passive with a stepped attenuator, and it was a revelation to me. Of course. like any audiophile, I had to try other things. First it was Joule Electra. All fixed up with new tubes (by me from Vintage Tube Services). It had weak dynamics compared to the ELAD, and was bland overall. Next came the Lamm Deluxe. I bought it, and had it sent directly to Vladimir in Brooklyn for a checkup. The sound was a huge disappointment. It sounded grayish, and more solid state than tube. Sold it and went back to the ELAD. It sounded great as always. Had a few extra dollars, and decided to try a Canary Audio pre, based on affordability, build quality and reviews. It was the best of the tube ones I had tried, and had a more "filigreed " treble presentation than the ELAD, but still lagged behind on silence and dynamics. If I had to describe the sound, I would say very natural and non-electronic, big stage and wonderful instrument separation. Good depth and wonderful color and reproduction of instrumental timbre. It's just a great pre. I am certain that it can be bettered, and I would never try to say otherwise, but it is just one of those pieces that is a real find for someone like me who isn't wealthy. If you can find one, I strongly recommend that you buy it. I am very glad that I didn't sell mine. Oh, and with the money that I got from selling the Canary, I bought a carbon fiber bike. That was a good move too. |
I’ve found the Luxman 590axii class an amp delivers a warm sound when paired with the proper speaker and Dac.
I also own a high quality all tube system - tube preamp and tube power amp - and the Luxman 590axii delivers a soothing and warm sound signature. Nothing is etched or mechanical sounding.
Speaker pairing, of course, is crucial.
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@bluethinker What tube pre and power did you have? Did you find you lost anything going from that chain to 590ax2 ? |
Thank you so much for the very detailed response. I think it’s a super cool looking preamp, wish I only needed 2 inputs though. I still do vinyl, cassettes, and CDs in addition to streaming. I usually have a tuner too but got rid of it last year.
While it’s always system and room synergy that counts, how well your systems components get along with each other, in your set up and room environment, I’m sure I could be happy with any of these SS preamps, even though I’ve never actually heard any of them (except for the Museatex):
Motif MC7/8, Klyne, Dolan PM1, Nova CPA-100, Threshold FET 2, Spectral DMC10, Krell PAM 7, Museatex AVC-1
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