There us a Worldwide Panic on Availability of Vacuum Tubes


“THERE IS A WORLDWIDE PANIC ON AVAILABILITY OF VACUUM TUBES”: EHX’S MIKE MATTHEWS ON THE MURKY FUTURE OF VALVE AMPS

The EHX founder and vacuum tube producer sounds a dire warning over the “digital IC crisis” and the future of valves following a spate of plant closures.

Last week, Electro-Harmonix founder Mike Matthews surprised the world with the company’s plans to harvest energy from the Earth’s magnetosphere. But in the course of explaining his plans to Guitar.com, the pedal pioneer has also sounded an ominous warning about the present and future of amp valve production.

Speaking about what he described as the “digital IC crisis”, Matthews cited the closure of a factory in China putting huge pressure on the New Sensor facility in Russia, which was founded and is owned by Matthews, to supply the global demand for amp valves.

“Currently, there is a worldwide panic on the availability of vacuum tubes,” Matthews wrote. “The big Shuguang factory in China was forced to move… and the Jamona (JJ Electronic) factory in Slovakia that used to have lead times of one month, now has lead times of six months.

“We’re getting bombarded with orders from desperate customers from all over the world. Our tube factory is operating now at 100 percent of capacity, so we cannot produce all the quantities that are demanded. However, we are allocating quantities to many customers so that they can continue to survive.”

Since the development of semiconductor devices in the 1940s and 50s, and their evolution into the transistors and integrated circuit (IC) chips that form the bedrock of almost every electronic device we use today, valves have gradually become a specialist, niche product.

While the vacuum tube was once the beating heart of consumer electronics – from radios and TVs to computers and telephones – the technology was rendered archaic half a century ago. Transistors are more reliable, affordable, compact and energy-efficient.

As a result, the guitar amplifier industry is one of the few that still requires vacuum tubes – so it’s perhaps no wonder that the number of factories actually producing them has been reduced greatly over the last few decades.

The situation is complicated by the fact that many vacuum tube brands are not vacuum tube manufacturers. They source their tubes from a handful of factories from around the world that Matthews referenced above.

For example, Groove Tubes, which you’ll find in Fender amplifiers, sources its tubes from a number of other companies, including Matthews’ New Sensor.

But if the valve has been on the wind-down for over 60 years, why the sudden concern for the availability of tubes going forward?

As Matthews alludes, the big concern is the closure of a major valve-producing factory in Shuguang, China. Matthews claims the factory has been repurposed for more modern technologies and as such, they have had to move.

This is hard to fully verify, but it does seem to have scaled back production enough to spark online rumours about its factory being closed. It would also be no surprise if – with the Shuguang factory seemingly out of the picture – New Sensor and JJ Electronic were struggling to meet demand, especially given the boom in guitar gear sales over the pandemic.

So what does this mean for the future of valve amps? Well, supply and demand means that as long as guitar players want them, someone will keep making them. But like the vinyl revival leaving manufacturers struggling to fulfil demand with so few factories still producing records in a once-thought obsolete format, the industry’s reliance on a few makers to supply everyone with valves is fraught with this sort of danger.

Ultimately, this is likely a perfect storm of increased demand met with a sudden shortage, meaning that while current shortages are problematic for manufacturers, it’s unlikely to impact us long term.

However, it does reflect the precarious position that the guitar industry is in: relying on a few factories to prop up a multi-billion-dollar global industry is less than ideal, and a long-term shortage of tubes could cause prices to rise dramatically, maybe making some makers turn away from valves altogether.

But for the short term, there’s no need to panic. After all, Matthews might be sounding the alarm about the scarcity of valve tubes, but his company has recently brought out the revived Sovtek MIG-50 50-watt all-tube head for less than $700. Valve amps are not going anywhere just yet.

https://guitar.com/news/gear-news/panic-on-availability-of-vacuum-tubes-mike-matthews-future-valve-a... 
128x128vinyl_rules
"Those who prefer what is imo unnaturally syrupy, boomy, bloated sound (or, as they might describe as "full") will have a problem.   :("

        If the above opinion is meant to be a blanket indictment, of all that vacuum tube circuitry is capable; it reflects a total ignorance of (lack of experience with) the same.

                                                                 So sad!
rodman99999, It is not an indictment but a conclusion based on 14 years of reviewing a variety of tube amps in comparison in my room to other genres, and with a variety of speaker systems. It is a summary of their performance characteristic when it comes to tonality and precision.  It is an assessment based on building hundreds of systems and hearing the range of tonality of tube amps in comparison to SS amps. Obviously, there is a segment of the performance spectrum where they can overlap, given any particular tube vs. SS amp. 

If there are not general differences in performance, including the preferred tonality of tube pre/amp products sonically as a category of component, then there is no point in owning them, given their worse specs. There, that is as dandy a blanket statement as yours.  :) 

There is, actually, a very big spectrum of sound with tube pre/amps tonally. However, I will correct you in this; it is not typical to achieve as much of the characteristics I mentioned with solid state products. That is why typically hobbyists turn to tubes. It is a matter of how far along the spectrum toward the warm/syrupy end one wishes to go, and if you do not think tube amps linger in that part of the spectrum more so than SS, then - shall I use your put-down - it reflects a total ignorance of, and lack of familiarity with, the same.  :) 


Does this mean Audio Research, Primaluna, Cary etc are going to go Class D? 0.0
people who live their lives in north america or europe see one ’hifi world’... there is whole other world in asia... very dedicated knowledgeable discriminating consumer base in japan korea china, throughout south east asia... tube amplification is revered there, and spending power is STRONG... high quality tube gear ain’t goin’ nowhere boys n girls... you think audio research, conrad johnson, vaic, vac (not to mention accuphase, audio note, shindo, air tight et al) are living off of american and euro buyers? think again...

separate point, the shuguang factory in changsha (hunan province) had a fire, the tooling is being repaired and moved, it will produce again...
When I changed tubes in my Custom Mono-Block RM-9 Mk. II’’s that Roger built for me from his "matched" tubes to Svetlana " Winged C " EL-34’s made at the St. Petersburg plant, the transformation was astonishing. Then I dropped 4 Amperex 1957 Pinched-waist 6922’s in my AA pre-amp, Amperex gold-pin D-Getters in the driver stages of the RM-9’s and it blew my mind. Luckily that was about 7 years ago, I stocked up, but prices have never gone down and are about double what they were just a short time ago.
Tubes are EVERYTHING to the sound of your component, and system. !!
@tomcy6 Fair point. I've deleted my response to keep the politics out. I suppose I'm unnerved about politics again due to the variety of things happening in the world, but audio should be our haven. I will let the slight go. Thanks for your cooler head!
It may turn out to be true both that more and more move to Class D *and* that tube demand creates new supplies for demands from Asia and from others (e.g. guitar amp makers). But there's bound to be some novelty to the new situation -- perhaps tubes are more of a niche market but a well-supplied one. I never thought that vinyl would come back, that people would be creating new and better materials and technologies to create media older than most of the others. Not saying tubes will get that big, but, who knows what will happen?
....I'm vaguely surprised that some 'driven sort' hasn't devolved a plug-in SS variant or three that duplicates and replaces tubes....
....software (Bluetoothed?) to replicate the needed tubetype...

I know.....Tremendous Heresy to state here, but.....*shrug*

(If heresy becomes Reality....I only want 1% on the development & launch on Kickstarter or the like...;)   One shouldn't be greedy, and the mkt. is small.....😏...)
*LOL*  @twoleft... I guess I'm just behind the curve....and so much for the 1%...*snaps fingers* ;)  But thanks for the link....guess I'll have to find another means of easy $....*L*

It does portend an interesting path for the existing gear to 'meld' into.  As a quick scan only mentions 12AX7s', the 'variable option' still exists perhaps, along with the potential for 'bending' the response of the NuTube (NT for short?) via some digital means could open up a whole new avenue for the determined but 'flexible' VT fans....

Since the 'tube sound' has been available for pro performance and studio gear for awhile, it seemed inevitable that 'synth tubes' would appear.
Now, it's up to the fans to 👍 or down on whether or not the gadget(s) 'fly'....or flop...

Nothing to lose but heat and green vs. orange 'mood lighting'. ;)

"Forward!....Into the Past."  Tally Ho!....


...as for making them 'appear' as a 'plug 'n play' option.....

That's just hardware.....*S*

@ douglas_schroeder

14 years!!! Wow! That's a medium-long time!

Maybe you need another 14 years! Just in case you missed something.

So, please, report back in another 14 years! And take your time this go around. Don't want to rush anything. I'm just saying...

Sure glad I have both, Class D and Class a tubes and a good supply of tubes.

Sorry Doug,  while I do agree with many of your posts, and have enjoyed your reviews,   I have to disagree with your opinion here....

I just bought a Zesto Leto preamp....  it is neither syrupy or bloated , in fact I'm sure anyone who listened to it would be hard pressed to say what technology drives it...

Its sounds neither tube nor solid state, it just sounds like music.   Best component I've ever owned,  its awesome .  

It uses 12ax7 and 12au7,  so tubes are plentiful.....   

The reason I have to disagree is that when posting my thoughts on the Zesto I had numerous emails asking to sell my CJ it replaced.     Same thing happened regarding my SFL-1,  a bunch of enthusiasts wanting to buy it also.    Several of these guys were younger ,   so maybe there's hope for this hobby

The diversity of reviewer opinions is up there with wine connoisseurs. They have some valuable advice but the real person spends the time and energy to determine what is best for themselves.

There are certainly some tubes that have become very rare. For example, a Mullard 12AT7. I feel fortunate to have scored a dozen from a hoarder. No normal tine sellers have these. Their performance blew me away in my preamp that takes 8.