The new Synergistic Research BLUE fuses ....


New SR BLUE fuse thread ...

I’ve replaced all 5 of the SR BLACK fuses in my system with the new SR BLUE fuses. Cold, out of the box, the BLUE fuses stomped the fully broken-in SR BLACKS in a big way. As good as the SR BLACK fuses were/are, especially in comparison with the SR RED fuses, SR has found another break-through in fuses.

1. Musicality ... The system is totally seamless at this point. Its as if there is no system in the room, only a wall to wall, front to back and floor to ceiling music presentation with true to life tonality from the various instruments.

2. Extension ... I’ve seemed to gain about an octave in low bass response. This has the effect of putting more meat on the bones of the instruments. Highs are very extended, breathing new life into my magic percussion recordings. Vibes, chimes, bells, and triangles positioned in the rear of the orchestra all have improved. I’ve experienced no roll-off of the highs what so ever with the new BLUE fuses. Just a more relaxed natural presentation.

3. Dynamics ... This is a huge improvement over the BLACK fuses. Piano and vibes fans ... this is fantastic.

I have a Japanese audiophile CD of Flamenco music ... the foot stomps on the stage, the hand clapping and the castanets are present like never before. Want to hear natural sounding castanets? Get the BLUE fuses.

4. Mid range ... Ha! Put on your favorite Ben Webster album ... and a pair of adult diapers. Play Chris Connor singing "All About Ronnie," its to die for.

Quick .... someone here HAS to buy this double album. Its a bargain at this price. Audiophile sound, excellent performance by the one and only Chris Connor. Yes, its mono ... but so what? Its so good you won’t miss the stereo effects. If you’re the lucky person who scores this album, please post your results here.

http://www.ebay.com/itm/ULTRASONIC-CLEAN-The-Finest-Of-CHRIS-CONNOR-Bethlehem-Jazz-1975-NM-UNPLAYED-...

Overall impressions:

Where the RED fuses took about 20 hours to sound their best, and the BLACK fuses took upwards of 200 hours of total break-in, the BLUE fuses sounded really good right out of the box ... and that’s without doing anything about proper directional positioning. Not that the BLUE fuses don’t need breaking in, they do. The improvement continues through week three. Its a gradual break-in thing where each listening session is better than the last.

Everything I described above continues to break new ground in my system as the fuses continue breaking in. Quite honestly, I find it difficult to tear myself away from the system in order to get things done. Its truly been transformed into a magical music machine. With the expenditure of $150.00 and a 30 day return policy there’s really nothing to lose. In my system, its like upgrading to a better pre amp, amp, CD player or phono stage. Highly recommended.

Kudos to Ted Denney and the entire staff at SR. Amazing stuff, guys. :-)

Frank

PS: If you try the SR BLUE fuses, please post your results here. Seems the naysayers, the Debbie Downers and Negative Nellie’s have hijacked the original RED fuse thread. A pox on their houses and their Pioneer receivers.

Frank



128x128oregonpapa
teo_audio
Circuit breakers are preferred due to their ’least’ level of sonic interference.

I think also breakers would not deteriorate as much over time with switch-on surges like fuses do.

A slow-blo fuse "ageing" right to left
https://peakpinball.com/wp-content/uploads/2013/01/fuse-8312-640x426.jpg

A fast-blo fuse "ageing" left to right
https://i.stack.imgur.com/0uqWX.jpg%20 

Cheers George   
 
Gosh, one can’t help wondering what kind of reception fuse directionality gets over on the illustrious Blowtorch thread. Assuming it even comes up. 🤡 Uh, what’s it up to, 3 Million posts?
The ’blowtorch’ thread over at DIY audio was and is full of audio designers. Fuses and circuit breakers were and are topics of discussion.

Circuit breakers are preferred due to their ’least’ level of sonic interference.

Fuses end up being the item of choice due to the manufacturers, not the designers. Fuses and fuse holders are much less expensive than circuit breakers.

Since one has never heard the amplifier they own with circuit breakers instead of fuses..the question remains...but as a question that is non existent, unrealized, unasked.

Thus the manufacturer saves the money or costs of 4/5/etc circuit breakers of optimum quality, per standard amplifier, as they only have to buy and install fuses and fuse holders. Fuses...which don’t have failure modes like circuit breakers might....and any circuit breaker problems (ie, unknowns, and we don't want unknowns) stay off the manufacturer's plate of after sale issues.
Most "experts" in audio engineering I know don't give a hoot about silly magical tweaks with no basis in reality, and if you can find one who does, well, so what. All are welcome in Wonderland…I remain a believer in Littelfuse stuff because since I'm a wealthy man (!), I can afford the 2 bucks. I can say there's a lot of evidence that breakers "sound" better than fuses, but there isn't, so I won't.
I’ve heard of people like that before. 😛

A definition of an expert. Someone who who used to be a squirt under pressure. Another definition of expert. Someone fifty mikes from home in a cheap suit and carrying a suitcase. 😃
Again, I will post that the most conservative, non-tweaking audio engineer/equipment manufacturer who heard the difference between "new" Littlefuses and my SR Blue fuses, immediately went home and installed circuit breakers where his fuses were located at (we have the same amps).  He has no tweaks in his audio system which sounds superb.  He hates any liquid treatment on contacts including TC although he will never try it.  I thought the circuit breakers made a tremendous difference from the Littlefuses he previously had installed.

So, if the difference between fuse quality and circuit breakers were not so obvious, an expert in audio engineering would not have changed his equipment.  But he heard it and he did it.  
George, please just TRY a Blue fuse for once instead of just decrying them all the time.

All you guys have heard is this, nothing more nothing less.


A fuse is like a light globe too many switch-on’s and it will bend, harden, and carbon up the filament, and then one day it will blow, always on turn on.
Ever noticed how much brighter the new light globe is compared to the same old one before it blew even though they were the same wattage?? That should tell you fusers something!!


A slow-blo fuse "ageing" right to left
https://peakpinball.com/wp-content/uploads/2013/01/fuse-8312-640x426.jpg

A fast-blo fuse "ageing" left to right
https://i.stack.imgur.com/0uqWX.jpg%20 

Cheers George



tel55511 posts03-14-2018 11:08amGeorge, you'll hate this, but I'm going to say it anyway. If you don't know the difference between your and you're, then in my book your opinion doesn't count at this level of debate.


Really!!, just for interest you got just 11 posts and nearly all are on fuses, your opinion and motive is in question not mine sunshine .

Cheers George
I have been very happy with the black fuses, with a new amp it is going to be high time to try out a blue fuse in it.
expecting good things only from prior black fuse experience.

George, please just TRY a Blue fuse for once instead of just decrying them all the time. By your own admittance many posts ago you have never actually tried one, unless this has now changed and you are basing your arguements of actual listening experience?

I have found in my audio journey throughout the years that there are PLENTY of things that defy any scientific explanation!
George, you'll hate this, but I'm going to say it anyway. If you don't know the difference between your and you're, then in my book your opinion doesn't count at this level of debate. That's an opinion based on years' worth of online observation. Yeah that's harsh, I'm sure there will be the professionally offended along soon enough to shoot me down this way, that way or another way, but in that succinct misspelling, you told me everything I ever needed to know. You'll never get this stuff, mark my words. Genuinely no offense intended.

I love my blue fuses. In the UK, they've temporarily sold out. We're all wrong, George. You're (sp) correct. :)
Post removed 

So your saying it was an accidental that the two channels weren’t recorded at the same levels, and nothing else was different? fair enough.

As you said " I do not go here often " as your minimal amount of postings show.
Can I suggest then if your going to go to this sort of trouble of changing fuses, then recording, and making video’s to do an A/B to get the "gullible" to be swayed one way or another that you do so using proper test equipment to get things spot on. So then there’s no suggestion that the video is a fraudulent A/B and that then be only misconstrued as maybe shilling for SR.

Cheers George
@georgehifi 

I do not go here often, so I did not know there were other posts. I also do not have measuring equipment. I just turn the volume knob to the level I usually listen. Beside changing fuses, no other difference in my system. Both fuses are relatively new and have the same value. One is Bussmann, and the other Blue. 

Thanks
“They just don’t.” Well, you’ve certainly convinced me. 🙄

@jafreeman 

Thanks for the comments. Even through youtube, your comments are correct. I'd also like to add that there is more air around the instruments and voice.

roberjerman
"
To paraphrase the estimable Gertrude Stein: A fuse is a fuse is a fuse ..."

It is clear from the assertion presented here in the absence of any facts or supporting material that you are what some have called here in this forum a "measurementalist" so please provide information about the double blinded testing that you have undertaken to arrive at this steadfast conclusion. Do not forget to include all the details on the test so that it can be independently verified by your fellow "measurementalists."
Fuses, as long as they are working, don't have an influence of the items upstream…they just don't…they're part of a protection circuit, and that's it. I'm sorry if this fact ends this discussion , but hey…we'll all be fine.

A fuse is like a light globe too many switch-on’s and it will bend, harden, and carbon up the filament, and then one day it will blow, always on turn on.
Ever noticed how much brighter the new light globe is compared to the same old one before it blew even though they were the same wattage?? That should tell you fusers something!!

Cheers George
Here we go again with the aging fuse routine, and with an added photo!
If what you say is true, there'd be fuses blowing all the time with enough anecdotal accounts here to back it up, but, of course, there isn't, is there?

All the best,
Nonoise

Accident or not, it’s taken even more credibility away from the notion that >$100 boutique fuses have a major impact on sound, unless it was a crusty old $2 fuse that was taken out that had seen "too many switch-on surges" and was due for replacement with the same "new" anyway.

A slow-blo fuse "ageing" right to left
https://peakpinball.com/wp-content/uploads/2013/01/fuse-8312-640x426.jpg

A fast-blo fuse "ageing" left to right
https://i.stack.imgur.com/0uqWX.jpg%20

Cheers George
The normalization process is done by YouTube, not the user. YouTube reveals EXACT volume normalization values - find out how to see them - Production Advice
It can take quite awhile for it to correctly set itself. It's not on the guy who went to the trouble to download it and to assume he tweaked it or is not to be trusted is pretty lame.

Even with that astounding .2 db difference, it's pretty easy to "hear" the differences if you know what to listen for.

All the best,
Nonoise
And---did YOU hear the difference?
Couldn't tell as the recorded levels are different, and who knows what else.

Cheers George 
George---the guy was impressed with the SR Blue fuse, and he went to the trouble of posting an A/B, which is more than anyone else has ever done that I can recall.  And---did YOU hear the difference?  That should be your first comment, but you decided to discredit the poster by casting doubt.  

Yeah, I'm sure there was no "accidental" misrepresentation--any reasonably forgiving person could see this, but not you--no.  
do not attempt to discredit the poster with accusations of fraud

No one attempted to discredit him, but the question was asked "why the differences in playback level" favouring the SR Blue fuse setup? and was anything else "accidentally" done?

as this was not his intent.
And you know this for a fact?


Cheers George
George and Wolf,  you just have to listen carefully to both for the differences.  If you do hear them, then admit this and do not attempt to discredit the poster with accusations of fraud, as this was not his intent.  If you cannot hear a difference, then both of you may just be hearing impaired.  
Come on now George…magic is magic…for 150 bucks you can make everything better….you just have to believe.

chumsusi

Here is my system with and without Blue fuse.

With:
https://www.youtube.com/watch?v=TcPQOz0_xZY

Without:
https://www.youtube.com/watch?v=i0LtGGgHvMo

The Blue had had less than 20 hours

Look at both the video stats, first I’d like to know why there was a difference in playback volume 63% v 64% (3.8db v 4db)???? And what other difference are there??? before someone records both and analysing them with the right equipment.

Cheers George
Chumsusi, I can easily hear the differences though the small speakers in my MacBook Pro. I can hear the light cymbal strikes in one and not the other post.  More clarity, smoother, richer, altogether much better!  Thanks for posting your results.  
I want to chime in that SR HFTs and Atmospheres require fine tuning to work in some rooms. My room thoroughly dislikes the Atmosphere anywhere between my speakers/in front of the listening area. It congeals the center stage into a slim line, removes the air and depth of a recording. I moved it to the back of the room and it works fine there while restoring the great sound I had previously but a little closed in still..

Next, I then wanted more height/openess in the sound so I experimented placing the HFT on the central front wall up higher, an inch at a time. I ended up 8 inches higher, at the top of my speaker basically. That also thinned out the bass/lower mids. I then lowered the four speaker side panel HFTs exactly one ince which is recommended to increase warmth and bass. Voila! That was one I was looking for, a perfect balance. I tested out everything from electronic rock (Yello) to classical chamber music, solo instruments, mono recordings, to 50’s jazz to opera to bid band with vocalists. Everything sounded tonally rich, open, widespread as the recording would permit. I like to just set things up and not futz with them (most of my equipment is 12 years old or older). In this case, SR requires you to adjust room treatments.

Total Contact together with SR Black Box is a great match. My wife heard the combo and said it brings the music to life, similar to the $1.5 million Von Schweikert/VAC/Kronos system featured at every show that she would like to have (I can’t afford it and it’s too big even for my garage size room).

P.S. I don’t take sides in the which is better, CDs or LPs debate. They both can sound great or mediocre, depending on the recording and mastering. I do have audiophile quality equipment for both, but it is certainly easier to listen to and store a CD, with boxed sets selling dirt cheap on Amazon. I have 78s and LPs which have zero chance of ever being reissued in any format so I’m not giving up those ever.
Just changed from SR Blacks to Blues at the AC inputs in my ARC 210 (250) mono blocks, and the improvements in inner detail, transparency/decay, overall clarity and presence are profoundly better than the very good Blacks.  This is on first listen---the same as I have heard with the other Blue additions in speakers and CDP, and I must compare these to a component upgrade.  I can only suspect that components are woefully underserved regarding quiet current through stock fuses and that noisy current is an artifact of those fuses that degrades the modulated signal.  I am, again, very happy with the SR Blues, even right away.  
david_ten ...

Your best bet would be to order the Blue fuses and take advantage of SR's 30 day return policy. If you don't like the results you'd only be out the return postage. BUT ...  I'll bet you won't be returning them. :-)

https://highend-electronics.com/products/synergistic-research-blue-quantum-fuses

Frank
simguy ...

Thank you for the kind words. Glad you're enjoying the Blue fuses. Who knew!  Anytime I can get a major upgrade in SQ without upgrading the electronics, I'm in for it. 

Also, the TC is a wise move. Even better than the Blue fuses IMO. I still cannot believe the improvements afforded by these two items. Oh, and Herbie's tube dampeners shouldn't be overlooked either.

There seems to be no limit to what the good tweaks can do for a highly resolving system. SR's HFT's are no slouches either. Man, that was a major improvement in terms of a room treatment. Still don't know how they work, only that they do. :-)

Frank
New to the Blue Fuse and this thread. Other than reading through the previous 888 posts (thankfully less due to many redacted ones), is there another way to get a summarized overview of highlights and pertinent information? Thank you.
I'm still waiting for the Blue fuse in my DAC to burn in. It's taking longer than I had expected.
simguy, I was happy with full loom of Black fuses until trying 2 Blues.  Now have a full loom of Blues.   Keeping Blacks for backup.
simguy:
I am glad you are enjoying the Synergistic Research Blue fuse. My horn system normally is powered by the  Art Audio PX-25 amp that puts out 6 watts a channel.

I  decided to try a solid state amp and picked a Pass Labs INT 60 from Mark at Reno Hi Fi.  Putting a Blue fuse in this Pass Lab amp is a major upgrade . The amp is now much more musical sounding. Pass Lab amps and SR Blue fuses are a wonderful combination.

David Pritchard
Hi Frank,

I rejoined audiogon to thank you for posting on the blue fuses. My former account I closed a couple of years ago.

I had a black fuse in my amp for about a year and a half and just bought blacks for the rest of my system about 3 and a 1/2 months before the blues came out.

After reading your positive comments and others on the blue fuses I decided to try one in my amp to see for myself. From the get go it smoked the burnt in black fuse.

I didn’t have any intentions of replacing the recently purchased black fuses but once I heard the one blue fuse I decided to replace everything including the ones in my Foundation research power cord conditioners going to my Martin logans that just had Isoclean fuses I bought years ago. I laughed at your comment ( once heard the checkbooks will open ) You were right.

I had an audio friend come over to hear the difference adding blue fuses one at a time adding fuses into the system besides the one already in my amp. We did the pre amp first and re listened, then the phono stage and then both power cord condiioners going to the logans.
The change was in sound was astounding and money well spent. Thanks again for starting this thread.

Unlike a lot of nay sayers around here, I actually try a product first hand before forming an opinion. I will try the tc also once I get a couple more final cords I want .






@tsushima1 

The AG500 uses a 10A(T) fuse 
and looking at the pic of the back panel of the AG1500 it seems to also use a 10A.
tsushima 1 I had similiar experience in compressed dynamic. The Blue probably didn't break-in completely. It takes at least 200 hours to get its best sound.
No, the SR Blue only got better but remained superior to the Black after 3 days as well.  Could be something else in your room.  I'll tell you that I often had bad sound days (not nights) for no reason.  I recently purchased the SR Atmosphere XL4 which negates all types of negative electrical waves in the room and stimulates the SR HFTs I also recently installed.  During the last week of use at all times of the day, no more bad sounding days.  I'll see if that holds true when the A/C is running in the summer but I suspect I've found a cure for inconsistent sound days.
As many are aware of an break in period required of equipmentand cables and most recently on my part SR fuses which up until the Blue's have exhibited a steady upwards progressive improvment esp the Black's.

Three days of audio bliss into a new Black and after my usual system warm up time I experienced a session of notably decreased dynamics and soundstage over my previous three sessions with the new fuse, most curious as nothing had been altered in my system , all biases checked as normal, connections etc.etc.

I am wondering whether any other adopter of the new Blue's has experienced anything similar ?
@mattspl...Could you advise me as to the value of said fuse as I have an AG1500 unit.