Listening to music a "hobby"? Not for me; it’s at least as important as breathing, eating, or any other activity necessary to sustain life.
The invention of measurements and perception
This is going to be pretty airy-fairy. Sorry.
Let’s talk about how measurements get invented, and how this limits us.
One of the great works of engineering, science, and data is finding signals in the noise. What matters? Why? How much?
My background is in computer science, and a little in electrical engineering. So the question of what to measure to make systems (audio and computer) "better" is always on my mind.
What’s often missing in measurements is "pleasure" or "satisfaction."
I believe in math. I believe in statistics, but I also understand the limitations. That is, we can measure an attribute, like "interrupts per second" or "inflamatory markers" or Total Harmonic Distortion plus noise (THD+N)
However, measuring them, and understanding outcome and desirability are VERY different. Those companies who can do this excel at creating business value. For instance, like it or not, Bose and Harman excel (in their own ways) at finding this out. What some one will pay for, vs. how low a distortion figure is measured is VERY different.
What is my point?
Specs are good, I like specs, I like measurements, and they keep makers from cheating (more or less) but there must be a link between measurements and listener preferences before we can attribute desirability, listener preference, or economic viability.
What is that link? That link is you. That link is you listening in a chair, free of ideas like price, reviews or buzz. That link is you listening for no one but yourself and buying what you want to listen to the most.
E
Let’s talk about how measurements get invented, and how this limits us.
One of the great works of engineering, science, and data is finding signals in the noise. What matters? Why? How much?
My background is in computer science, and a little in electrical engineering. So the question of what to measure to make systems (audio and computer) "better" is always on my mind.
What’s often missing in measurements is "pleasure" or "satisfaction."
I believe in math. I believe in statistics, but I also understand the limitations. That is, we can measure an attribute, like "interrupts per second" or "inflamatory markers" or Total Harmonic Distortion plus noise (THD+N)
However, measuring them, and understanding outcome and desirability are VERY different. Those companies who can do this excel at creating business value. For instance, like it or not, Bose and Harman excel (in their own ways) at finding this out. What some one will pay for, vs. how low a distortion figure is measured is VERY different.
What is my point?
Specs are good, I like specs, I like measurements, and they keep makers from cheating (more or less) but there must be a link between measurements and listener preferences before we can attribute desirability, listener preference, or economic viability.
What is that link? That link is you. That link is you listening in a chair, free of ideas like price, reviews or buzz. That link is you listening for no one but yourself and buying what you want to listen to the most.
E
175 responses Add your response
Post removed |
kosst_amojan @geoffkait You’re the guy who’s always trying to inject quantum mechanics into everything. And then you pin it all on me or other people to make ridiculous strawmen to crucify. Are you the guy for whom your last quote was written? I honestly can’t figure out what side of things you’re on. >>>>>Huh? What are you ranting about? I bring up quantum mechanics when it’s appropriate, like in this discussion. Consciousness and quantum mechanics and perception all go hand in hand in hand 🤝, as I’ve described. It has nothing to do with you. Don’t be such a drama queen. 💃 There is no definite line separating quantum mechanics and classical physics any more. “The fault is not in the stars but in ourselves.” |
kosst_amojan"
You’re the guy who’s always trying to inject quantum mechanics into everything. And then you pin it all on me or other people to make ridiculous strawmen to crucify" This contributor to our forum is misinformed, confused, or disoriented, and deliberately interrupting, disrupting, or derailing the discussion through the use of personal attacks, ad hominem argumentation, or outright vituperative personal insult. Hear is an example of kosst's essential, fundamental, religious belief, that establishes him as a Great Visionary and the sole, single, solitary expert here who shall not be questioned, challenged or doubted in even the smallest, slightest, tiny way: "In the strictest scientific sense, there is no such thing as music, or sound, or color, or hot or cold".utter nonsense! |
Oops!"In the strictest scientific sense, there is no such thing as music, or sound, or color, or hot or cold".utter nonsense! Just the opposite. I'll explain by giving the one correct answer to a well-known riddle: when a tree falls in a forest, if there is no one there to hear it then does it make a sound? The answer is no. The tree falling vibrates the air. It does not make a sound. For there to be sound requires an organism with hearing. No organism, no sound. Nor heat, nor cold. Nor hardness nor softness. Its not nonsense. Its the truest most sensible thing in this whole thread. |
Lot of nice posts here. Measurements are needed for development, quality control etc. It would be impossible to design and produce equipment based only on auditory results. Math is philosophy which is applied in measurements. Measurements quantify a set of known errors. Noise is assumed to be random. Depth of human perception have not as far as know been quantified. Thus measurements will tell what is wrong with equipment, not what is right, but is a good starting point. Digital music formats introduced a new set of errors old systems were not adapted to. Test signals are usually simple to make the math easy. That obviously does not paint a complete picture. How do you extract deviations in stochastic signals where complex intermods will happen? Pseudo random noise with a swept -130dB notch source signal measured with a corresponding analyzer rejecting everything but the swept notch? (I thought about that back in the early 70's but had no way to design and build it.) How much, or more importantly exactly what, is tolerable to a critical ear? Why not introduce quantifiable errors abd and guage their perceptability? |
@millercarbon: no? A forest is typically filled with life forms both large and small. Even bacteria respond to vibrations. Just because a human isn’t around doesn’t mean it’s not heard. I’d place my money on sound. This anthropocentric view of what consitutes and supposedly defines reality is the crux of the problem. Do you also believe that H. sapiens has a monopoly on music making and listening too? |
kosst I *think* I generally understand the point you are trying to make, but I think you are rightly being taken to task because you are making a bit of a mess of it, but making mostly assertions, not arguments, and with some sloppiness involved in the assertions. So....
This is off on the wrong foot, or at least it’s unclear. It could mean "according to our strictest science, these things don’t exist." That would be wrong for the reasons people have pointed out. Science is about the quantifiable and testable, and things like color, sound, music, human perception, human reactions to those etc, can be and have been quantified. Comprehensively? Not at this point. But if we are talking about the strictest science we would by definition be pointing to the quantifiable/quantified aspects. OR...you could have meant: "these things don’t exist in a way that can be quantified, scientifically." Which I think seems to be what you wanted to say? In which case it might have been more accurate to state "philosophically, there is no such thing as music...." But in either case, the claim is dubious, as science does study these things.
Really? How do you know that? Can you provide scientific evidence for the claim? If so, it seems we ARE in the realm of that which can be vetted with science. If it’s instead a philosophical claim, I’m say we are still waiting for the argument to support it.
What’s your actual argument for this claim? Because it doesn’t seem acceptable prima facie. Why not? Because it at least suggests you are helping yourself to special pleading in how, just in the case of consciousness, you are demanding more than correlation. There is an important lesson about drawing inferences in the old phrase "correlation does not imply causation," but it’s not the whole story. After all, what are our inferences of causation drawn from, if not from reliable instances of correlation? (And prediction). We didn’t even need a chemical theory of combustion to have drawn the reasonable conclusion that fire causes our skin to burn if we hold our finger in the fire. When something is reliably correlated we infer cause. And in science, one seeks to control variables in an attempt to discern which "A" is RELIABLY correlated with phenomenon "B." So, applied to human perception: we can find through testing for an individual, or group of subjects, that "light frequency spectrum or wavelengths spanning X" is reliably correlated with their perception of "Yellow." Hence we can posit it as a *cause* in the chain of causation resulting in the subjective perception of "yellow." And it’s a direct cause insofar as you can turn on and off the perception of "yellow" by presenting and removing that wavelength to the eyes of the subjects.This is evidence for a "causal" phenomenon in the same way we have evidence for any other causal phenomenon. So I think you need more justification for your claim that causation can not be inferred. Likewise, the quantifiable conscious experience doesn’t directly correlate with the quantified physical phenomenon, only indirectly. The indirect nature of correlation leaves two questions to be asked. What is the nature of the correlation? And, what is the quantifiable value of the conscious experience. Those two questions need some sort of answer before the question of quantifiable measurement can take on any sort of meaning. Again, this seems to contain some self contradiction. You seem to be saying on one hand "we don’t have scientific reasons to believe in the said causation," and yet you keep asserting claims about the nature of the physical world and our perception. Where are you getting this knowledge, if not from quantified science? And even in your last sentences you start saying the nature of the interaction of the quantifiable and the perception is unknown...and yet you started off confidently making claims about this: that we know that the things as we perceive them don’t really exist, and that we make abstractions. So I do find that, at least as you’ve stated them, your claims seem to need better arguments. Cheers. |
Post removed |
Humans have known about the octave at least since Sumerian times, i.e., that its sound is pleasing and harmonious. Chimps and some other animals enjoy it, as well. Perception first discovered the octave - perhaps even before there were homo sapiens - and Sumerians were sufficiently captivated to write about it beginning around 3,000 BCE. Starting around 4,700 years later, the calculus was invented, the existence of sound waves was discovered, and devices to measure frequency were invented. Science was astonished to discover that the octave is a doubling of the frequency of a sound wave, and that the octave is the first harmonic in a series of overtones. The octave has been called "the basic miracle of music." So, that is the short history of the octave, which was perceived to be harmonious, and has been used to tune instruments in most musical systems, long before it was measured. See this for more: http://proaudioencyclopedia.com/the-history-of-audio-and-sound-measurement/ |
@erik_squires After reading through this thread, my experience is that for measurements and math to fully and completely able to describe and define something in a predictable and repeatable way requires that the "problem" be properly understood and specified up front. As an example...and acoustic guitar played in your back yard and a well made recording of that acoustic guitar as pointed out by geoffkait, with a mathematically perfect reproduction should be able to be played back through a perfect reproduction system in your living room and have the sound be indistinguishable from the original. Obviously, at least so far, we have not been able to identify all of the parameters that define and contribute to sound as we hear it in a way that we know everything to measure and then devise a way to measure it. If we assume that in the future, such measurements and reproduction capability exists...it will have to take into account many things such as individual hearing differences, different rooms, different perceptions of what things sound like....and it will somehow have to account for the fact that we usually see what is producing the sound...as well as feel it...and both of these senses will influence what we think we are hearing. Measurements may be the ultimate objective...but for now, no substitute for hearing in your room through your system with your music. |
Erik, when I was in "mid-fi" Harmon and Bose were my favorites, but after I got into "hi-end", everything changed; meaning more objective than subjective, and I don't regret it. I know you remember "graphic equalizers"; they were the thing in my Harmon, Bose days, but I discovered I was rearranging the music; did I want to hear the band, or be a part of the band? Now I'm 180 degrees from what I was; I only want neutral components that will faithfully reproduce the music. What's most important is the truth of the equipment that reproduces the music; my pleasure must be derived from the music as it is, not as I want it to be. |
They didn't just have themes, they had opening songs which described the plot to the newly watching. Just sit right back and you'll hear a tale, A tale of a fateful trip That started from this tropic port Aboard this tiny ship ... source: http://www.lyricsondemand.com/tvthemes/gilligansislandlyrics.html A horse is a horse, of course, of course, And no one can talk to a horse of course That is, of course, unless the horse is the famous Mr. Ed. source: http://www.lyricsondemand.com/tvthemes/mredlyrics.html |
Post removed |
If you only follow measurements, like the folks at ASR, then this is where it will lead you: Apple usb DAC dongle($9) rates better than ... emotiva xmc1 $2,500 Anthem mrx 1120 $3,500 Monoprice monolith htp1 $4,000 Nad m17 $6,600 Lyngdorf tda1 3400 $6,500 Marantz av805 $4,500 Totaldac d1 six $14,000 Ps audio perfectwave dac $ 6,000 Obviously what they are measuring does not measure up ;-). |