I have Harbeth SHL5Plus with the VAC 160i with MM/MC (Lyra Kleos). I’m a big Luxman fan too. My speakers were the 40th Anniversary and were the exact speakers from the Florida Audio Show where it was shown with the Luxman 509XL. I have to say that the VAC/Harbeth combo is world class. The new VAC 170i brings auto bias and new transformers.
Need Integrated Amp with Moving Coil Input
I am trying to downsize and eliminate s lot of equipment. I have separate amp and preamp Primaluna) and LFD phono stage. I would like to get those three down to just one piece. I have a Harbeth 30.1s and Harbeth P3ESRs. Also Triangle Celius Esw and Dynaudio X12s and Contour 1.1s. Also a pair of AR3As. I like all of my speakers but mainly use the 30.1s. Is there s great integrated amplifier that has a moving coil cartridge input? I am having trouble finding one. A friend recommended Octave and have the MC module installed and that is my best and only recommendation. I like the idea of the Naim with the CD player built in as well and could eliminate my PS audio transport and dac also but it does not have a MC input. Any advice or direction would be great. Thanks.
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I'm thinking of doing the same thing, downsizing. My amp is an Essence Sapphire designed by Dale Pitcher, Musical Design sp1 pre amp and a Fosgate signature 2 phono stage. And the only thing I've heard that sounds pretty close to what I have is the Aesthetic IMO, but..... If I was looking to spend less the Parasound hint seems to be pretty solid. |
Dylanfan you should give us a call we have one of the largest collections of integrated amps on the East Coast. We sell Anthem, Unison Research, Naim, Krell, Micromega, Synthesis, Norma, and many others. The Synthesis A100t is a killer 100watt Kt 66 based integrated. The Norma Revo 140 is one of the best sounding solid state integrated amps under $10k The new Krell K300i is exceptional. Dave and Troy Audio Doctor NJ |
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@br3098 I use several cartridges so have more than one SUT That's why I bought the Zesto Allasso SUT. It's so flexible that I cant imagine ever having to buy another. It should be able to accomodate whatever cart I ever contemplate in the future. Flexibility should be a huge consideration in selecting a SUT IMO. |
Any SUT you would recommend?dylanfan, at risk of sounding like a cliché there are no bad SUTs. They all sound good, some more and some less according to your ears. As long as you match the loading and gain requirements for the specific MC cartridge(s) you intend to use. I use several cartridges so have more than one SUT, including Ortofon, Bob's Devices (a great all round choice) and a couple of custom and vintage units. All great, but not all great with every cartridge. |
I know nothing about Anthem. I will check it out. thanks /cbrents73 |
Anthem STR Integrated...$4499.00 MC/MM Phono Stage with:
RUMBLE FILTER Use this with a turntable to reduce or eliminate low-frequency noise below the music spectrum. Rather than rolling off all content including the music, the filter acts only on vertical stylus motions that are inherently not part of the music signal. This is especially effective with warped records that cause excessive or non-musical woofer motion. Select a frequency from 10 to 60 Hz in 1 Hz increments. To disable the filter, select Off. PHONO EQ The Phono EQ, Bass Turnover, Bass Shelf, and 10k De-Emphasis controls allow the proper equalization of records that predate the RIAA equalization standard. If no records in your collection were manufactured before the 1960s, you can skip the rest of this section. To make record grooves manageable, bass is reduced when records are manufactured, while the treble is emphasized. The main function of a phono preamp is to reverse this equalization upon playback, restoring the intended frequency response. The problem is that before the record industry settled on an equalization standard, resulting in the RIAA curve during the 1950s, the amount of reduction and emphasis varied requiring multi-curve phono preamps for proper playback. Today, such phono stages are rare. This means that if a phono stage that was designed for only one kind of record is used to play older mono records, there will be too much treble, midrange, or bass, or not enough of it. These menu settings give you the ability to play all old records with their intended frequency response: BASS TURNOVER – the frequency at which 3 dB boost occurs. In this example, it is 500 Hz: 10K DE-EMPHASIS – the attenuation at 10 kHz. In this example, it is -13.7 dB: 16 The following curve combines the two above and adds BASS SHELF or boost limit at 20 Hz, which is 20 dB in this example: The graph above represents the RIAA playback curve. Older phono curves use other amounts of bass boost, bass shelf, and treble cut, often expressed in this format: 500R-13.7 where 500 is the bass turnover in Hz, -13.7 is the 10 kHz de-emphasis in dB, and R is the bass shelf according to: N (None), R (20dB), B (18dB), A (16dB), C (14dB), X (12dB). When Convert Analog is set to 32/192, the following Phono EQ options become available: 500R-13.7 (RIAA) 400N-12.3 (AES) 350N-10.5 (CCIR) 500B-16 (NAB) 400N-12.7 (Capitol LP) 500C-16 (Columbia LP) 500C-10.5 (London LP) User Select according to the record that you are playing. For pre-RIAA long-playing records, check whether the jacket indicates “AES”, “CCIR”, “NAB”, etc. You can also check one of several web sites which provide code lists according to record label and year. They can be found by searching the web for 500R-13.7 or playback equalization for 78 rpm shellacs and early 33-1/3 LPs – don’t forget to use a properly sized 78 rpm stylus if playing 78 rpm records. To create or fine-tune any curve, select User and enter Bass Turnover, Bass Shelf, and 10k De-Emphasis according to the code list, or adjust by ear – it’s like using bass/treble controls except that these are specially made ones for phono. BASS TURNOVER options are None, 150, 180, 200, 250, 280, 300, 350, 375, 400, 450, 500, 600, 629, 700, 750, 800, and 1000 Hz. The 10K DE-EMPHASIS adjustment range is from -25.5 dB to None in 0.1 dB increments. Although the purpose of these controls is to provide the correct response with old records, you might find similar uses, for example to brighten a muffled-sounding stereo LP, or to add weight to a thin-sounding one. This is fine as long as extreme settings that would result in overload or a distorted sound are avoided. Each virtual input stores its own curve settings. This way, you can create multiple profiles for your turntable input, each using a different curve according to the records in your collection. |
Thanks steveashe. Yeah the 505U did not sound very good compared to my tubes with the Harbeth and then one of the channels went out. I had it repaired and sold it. Maybe a fluke. I will look at the 507uxii. I really want a simple setup that sounds good. Luxman is definitely on my radar as is the Octave V110se or V80se. |
Just went down the same path as you but we’ve had different experiences with Luxman reliability. The new ones at least are built like a tank and just ooze quality. I’m using a Luxman L-507uxii with a Dynavector Dv20x2L / MHDT Orchid DAC and Harbeth 30.1’s. I had the L-550axII a few years ago - nice sound but to me seemed to be lacking in the dynamic range department with the Harbeth’s. Not the L- 507uxii. I’ve been in this hobby for a long time and for vocals, jazz, acoustic piano and guitar this is a great match. I’m with you on simplifying! |
I'm currently using the Octave HP700 pre with the MC module. I know you require an integrated but I thought I'd mention that the phono module is excellent & better than my previous $4k Whest phono stage. If you want to go to divorce level Vitus have just released their SIA-030 integrated with optional phono board... |
Dylanfan, I have the V80se and I love it. I use the battery powered Nagra pho pre and it sounds wonderful. It drives my Magico Q3s in a fairy large room to more than acceptable levels without any strain. I think my MC cartridge has about a .5v output... I think the Octave is very well built and is dead quiet. I know they have a MC phono card but I have not heard it. I suspect it is quite good.. |
Call Paul Manos at the Audio Shoppe in Boston and see if he still has the demo Audia Flight FL Three S with the phono stage installed. Fully adjustable loading from dip switches on the rear panel. https://www.audiogon.com/listings/lis9g738-audia-flight-fl-three-s-integrated-amplifier-brand-new-solid-state |
I am assuming the Mark Levinson 585.5 is out of your budget range. if someone has one that is used, they are typically in the $10K range. Great amp and great phono stage. If you can make this fit your budge it would be my first choice. For the money, the Musical Fidelity M6si has a built in MM/MC phonostage. It is not going to be as good as a separate but MF has a strong reputation for producing excellent phono stages and their on-board units are better than most in the price range at $3K. I would also look at the Rogue Audio Pharoah. It is $3500 and a Class D Hybrid. I have used one of their Class D power amps for a few years called the Hydra and it is a GREAT sounding amp. Again, you will do better with an outboard phono stage but they again have a reputation for making great phono stages so the on-board units tend to outperform compared to others. I will say that the stock tubes will be mediocre and there is a lot to gain by either upgrading to Sophias or NOS tubes. $3500 plus cost of tubes to roll in if you don't like the stock tubes. Full disclosure, I am a Musical Fidelity dealer so I am a hair biased in favor of them. Generally, they are deemed great units and are a strong value. I don't think too many people would disagree with my statements above. I have no relationship with Levinson or Rogue. |
