As several have said, LSO /Sir Charles Mackerras on Telarc.To me , Masur /NYP is fine also .
And Beecham never made a bad recording .
And Beecham never made a bad recording .
Best Recording of Scheherazade
Charles Dutoit and the Montreal Symphony (Decca 410 253-2)is a DDD digital recording from 1984 and sounds fantastic. When I listen to this performance, I not only look for interpretation, I also listen for microphone technique and how it affects sonic image, sound staging and instrument location. Decca, at one time, used to close mic everything.....and it used to be horrible. But this time, Decca got it very right...even in the early days of digital. They must have used a good binaural mic. Even through a good pair of Sennheiser HD800s and a great amp and DAC, you get a holographic 3D mental/sonic image of instrument location. It’s hard enough to do this with loudspeakers!! I also have the Gergiev version which is a jumbled mess of close miked instruments with a reasonable interpretation. The Reiner version, von Karajan version, etc...are pre or early Dolby days and the tape hiss robs the recording of realism. And isn’t realism what we’re after? |
I love this magnificent work and have heard just about every recording of it; while so many are worthy, I would single out the following as being exceptional: Beecham, RPO Silvestri, Bournemouth Kondrashin, Concertgebouw Reiner, Chicago Golovanov, Bolshoi Ormandy, Philadelphia Stokowski, Philadelphia, Philharmonia, London Morton Gould, Orchestra I like Ernest Ansermet in this music, but both of the orchestras in his two recordings are not up to the level of the aforementioned favorites; the Paris performance has an edge over the Suisse Romande. |
It's my understanding (just "the rumor," I guess) that he didn't fit the mold of what they were looking for off the podium as it were. I heard the last straw was when he stood up for the players who refused to take their best instruments out for a performance in inclement weather. All I know is that he had quite an ear and musical mind. I thought his performance of "Pictures at an Exhibition" with a student group (North Texas State U.) beat the pants off of the DSO with Eduardo Mata which I had heard some weeks prior. I think it's a shame he never caught on with one of the big US orchestras. It's their loss IMO. Back on track, he plays a nice Scheherazade as concert master on the Ormandy recording. |
I have an RCA Red Seal Shaded DOg vinyl copy that is my favorite. I think the conductor was Fritz Reiner. I also like This a lot. |
Just recently saw this glowing review for 1964 Stokowski/Cala version, worth reading: http://www.musicweb.uk.net/classrev/2004/Feb04/Rimsky_Sheherezade.htm |
If I were to narrow my own list of 5 down to one must have account it would be difficult since they each have thier own strong points, but my choice is: *** Beecham / EMI (Great Recorings of the Century) *** Beecham is a master of painting tonal colors best at capturing the magic and mystery of this enchanting tale, there is a hint of jasmine in the air as you are carried away by tale of "1001 Nights" The storm/shipwreck sequence has impressive power and savage fury which is hard to match. The only slight negative is this is 1958 recording and the orchestral climaxes are a bit strained/ragged, better now with new ART remaster but noticeable compared to modern recording. There is also excellent version of Borodin's "polovtsian dances" included but again same issues with sound quality. This is minor point and doesn't keep me from playing this set again and again. By comparison the Mackerras/Telarc has fabulous lush modern Telarc sound that is quite impressive demonstration class, but does not capture the magic mood as effectively as Beecham. |
By far my favorite is the circa 1979 DG recording by Boston Symphony Orchestra conducted by Seiji Ozawa. They get the timing right and dynamically make the music swing in just the right places when it needs to. Plus there is no better, longer, more impactive horn climax (the shipwreck)of any recording. Also, Silverstein's violin is patient. The Orchestra never rushes the tempo nor is it too drawn out and languid. Just right. I also saw the performance from the second row center in Symphony Hall that season and got completely caught up in the music, even though it was Friday afternoon and all the ladies groups were there to see and be seen. |
Try the Rostropovich conducting Paris Orchestra. EMI picture:http://patachonf.free.fr/musique/rimski-korsakov/scheherazade.php?p=r A Japanese music magazine rated it the highest in CD format. I can see why. The recording engineer was Paul Vavasseur, caught every changing color and expressions from the orthestra. By the way, the also phenomenal Beecham - Symphonie Fantastique was recorded by him. |
Many great ones available which are better than versions at your library, for CD I recommend: Gergiev / Phillips Newest serious contender, very energetic version with great sound Mackerras / Telarc This probably best sound of any tremendous dynamic range and lush soundscape, also includes great version "capriccio espagnol" Beecham / EMI GROTC Remaster of classic account reveals new insights, magical account Kondrashin / Phillips 50 Great Recordings Another remaster of classic account making it even better Reiner / RCA Living Stereo Another very good version close to the best. |