Best debut album


So my 2 favorite debut album are as follows

1.Steely Dan Can’t by a Thrill
2. 3rd Eye Blind 1997 release 
schmitty1
Cream ,Fresh Cream ...Led Zeppelin  1....Jimi Hendrix Experience  ,Are you Experienced ...Doors 1st....
Hi,
Black Sabbath, not their best but close and opening track is still owesome.

Without a doubt the best album of the eighties is:
Marillion - Script For A Jesters Tear ('83); what an album, that cover made you buy it and then at home the music, awesome.

If we go back in time, the 70-is:
The Alan Parsons Project - Tales of Mistery and Imagination ('75); reading Edgar Alan Poe stories at my sister's apartment, she put on this album and left, to do some groceries... I, just 12 years young... creepy.

The 90-ies;
Mostly Autumn - For all, we shared ('98): I had read a review at DPRP about them and they were highly rated. Listened to the intro for maybe a minute in my favorite record shop and bought the first two albums at once and rushed home, unbelievable. It grabbed me and it still does.

The New Century:
As God has Failed from RPWL ('00)... a real WYWH album or must i choose for
Blackfield - Blackfield ('04) from Aviv Geffen and Steve Wilson (Porcupine Tree)


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I would say Manic Street Preachers is worthy for their debut "Generation Terrorists". Just listen to Motorcycle Emptiness. 

If you don't know the Manics you're in for a treat.

Song Cycle by Van Dyke Parks. Van started work on this album immediately after his collaboration with Brian Wilson on the ill-fated Smile album was prematurely ended before that album was completed.

Song Cycle is not Rock, not Pop, and is in fact impossible to define in terms of genre. Semi-Classical, or Art Rock, maybe. Not a talented singer, but that is not what the album is about. Clever, cryptic lyrics (lots of word play, Van’s specialty ;-), and sophisticated, heavily-orchestrated compositions. It may be that most listeners will find it too intellectual for their liking, not a trace of sentiment or emotion to be found. For the musically adventurous only, therefore.

But be forewarned: Van is somewhat of a genius, and has a perverse sense of humour. The music on Song Cycle is VERY odd, and causes discomfort, anxiety, or even fear in some listeners. Beware, all who here enter. Like the music of J.S. Bach, listening to Song Cycle can get you high. Seriously.

Chicago Transit Authority, Night Ranger - Dawn Patrol, Fogelberg - Home Free, Springsteen - Greetings, Jim Croce - You dont mess around with Jim, Clarence Clemons - Rescue You, Little Steven - Men without Women, Skynyrd - Pronounced, Santana, Chris Rea - Whatever Happened to Benny Santini
And thank YOU @pehare, for reminding me of that vocal by Richard! His sense of phrasing is on the Sinatra level. I listen to him sing "Orange Juice Blues (Blues For Breakfast)" every day. That song is a bonus track on the expanded CD version of Music From Big Pink, issued in 2000. His passing has been the only death of a musician/singer that brought me to tears.
bdp24 you just reminded me to play one of my fav late Richard M performances...."Country Boy" from Jericho.....as good as it gets!

Richard Manuel (The Band’s pianist/singer) whiny? Wow, you DO need a set of better loudspeakers. ;-) Have you heard his duet with Van Morrison on "4% Pantomime"? How about "The Shape I’m In"? He’s like a white version of Ray Charles. Eric Clapton has said Richard is his favorite white singer, his vocal on "Whispering Pines" bringing him to tears. How about Levon’s vocal on "The Night They Drove Old Dixie Down"? If that is whiny to you, let me recommend Howlin’ Wolf, Muddy Waters, and Big Joe Turner.

You know who disagrees with your assessment of The Band? The aforementioned Clapton (after George Harrison played him Music From Big Pink, Eric told Jack and Ginger he just couldn’t do Cream anymore, and went up to West Saugerties for a few weeks, waiting for The Band to ask him to join), Neil Young (in The Last Waltz, Neil said it was the biggest honor of his life to be asked to join them onstage), Bob Dylan (he called guitarist Robbie Robertson a mathematical genius), Nick Lowe (he said Brinsley Schwartz---the band he was in at the time---was his poor attempt at being England’s The Band), Elvis Costello, Richard Thompson, the guys in Los Lobos, the guys in Little Feat, Ry Cooder, Jack DeJohnette (Miles Davis’ drummer), Emmylou Harris, Bonnie Raitt, the list goes on and on.

I didn’t "get" The Band at first. Some people never get them, and that’s all right. Not everybody has to like the same things. But if you like any of the above artists/bands, don’t you wonder why he/she/them likes them as much as they do, and you don’t? When I didn’t get Music From Big Pink when it came out, but all the smartest guys I knew did, I was troubled. It took me a year, but get them I finally did. It changed everything for me, as it had for Clapton.

Yeah, I know I'll be instantly cast into the purgatory of tin-eared dimwits, but I'll say it here & now that I never liked the Band.  Unable to unbutton themselves. Dripping with ersatz sincerity.  Whiny.  Forced.
bobdg2000,

I feel that Chrissie Hynde is a vastly underrated vocalist.

Difficult to think of any other current female singer that sounds more human than her.

I’d love to hear her cover some of the standards.

Did you know she once did a duet with Sinatra?

https://youtu.be/ckgoALPBPRw
It was mentioned earlier, but I have to say The Pretenders. It wasn't my favorite at the time, but as I "matured", I realized how awesome it is! 
I'd still have Never Mind the Bollocks as the best debut but I wish I'd mentioned both Unknown Pleasures and The Velvet Underground.

One influenced Bowie and the other was influenced by him.

Neither can be very far behind. 
@canerod 

@bkeske FWIW "The Band" was their second album.

Of course you are correct, but being Music from The Big Pink does not change my vote ;-)


Ditto to Steve Forbert "Alive on Arrival"!!

@bkeske FWIW "The Band" was their second album.
  Court of the Crimson King.

  Roxy Music.


  Two of the most influential albums ever made.
Yes, Roxy's eponymous first album was and is a great achievement. There was nobody quite like them, and it was pretty shocking when it came out. 
@2channel8:  I was starting to think I was the only one that liked Joan Osbourne.  Her debut album was by far her best — I like every single song.  That hasn’t happened for me very often with any album.  That gives me an idea for a new thread!
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Supertramp - Crime of the century

(because no one knew they existed before...)

1973 again :-)
Robin Trower - Twice removed from yesterday

(maybe Bridge of Sighs was even better)

1973 - The magic year.
I saw The Dolls open for Mott The Hoople in 1973 on the All The Young Dudes tour. It was probably the wildest show that I ever saw. Best described as "Halloween on acid."
voiceofvinyl -- I saw the New York Dolls live at, I believe, the Santa Monica Civic.  One of the worst live acts I've ever seen.  All posing.  No chops.  A modicum of talent.  I had good seats, too.  I did like the debut album, though...  It must have had a heck of a good producer.
You hep cats got most of them, but they might be a couple of other candidates for our rather long shortlist. LOL
Television Marquee Moon or Patti Smith Horses. Your choice for what best represents that version of the New York scene.
Wu Tang Clan.   You may not like it, but you can ignore it.
Sid anyone list the Ramones? I am inclined to agree with some of the other posters and say that never mind the bollocks was probably better.
The Stones Roses "The Stone Roses"
King Crimson "In The Court of the Crimson King"
The Band "Music From Big Pink"
Man, you had it right with your own number one: Can't Buy a Thrill. And you didn't ask but, Best album of all time? Aja.
Van Hallen, Violent Femmes, Fear

Each one of these albums is still a great front to back listen almost 40 years after the fact.

The debut Danzig album also still holds up well.
Too many to pick 1 favorite so here a few of mine
Allman Brothers band 
The Band
Steely Dan Can’t buy a thrill
Dan Fogelberg Homefree
Peter Gabriel 
Rush Fly by Night (1st LP with Neil Peart)