I have been told by all who show at the Audio shows that it takes at least 3-5 days minimum to re-break in a component after moving or shipping. Some take even longer.
The Aeris had stabilized. Guido was quite emphatic about giving it enough burn in time. The more I think about it, the more I am sure it had over 1200-1400 hours on it. I brought it in because of Guido and really wanted it to be my top choice..... Fit and finish are just stunning. I went back and read my notes and the posts on this thread and, in my room, it had stabilized.
I'm really glad the next owner is enjoying it. |
steve N, that is an interesting post about re-break-in of a componet. |
Hi Mel,
I'm certain that Grannyring's modifications to his Romulus improved his sound quality(I put the same Jupiter Cu foil caps in my amplifier, they're terrific). But as you correctly point out, improved sound or not, resale value usually takes a hit. I'd have to think that the Vitus CD player is a ideal fit for your system.
Charles, |
10-04-14: Charles1dad
Mel,a good friend of mine has the Aesthetix Romulus Signature and I've listened to it often(it replaced his good sounding Modwright Oppo 105 and then his Lampizator DAC, very good).The Romulus is truly a natural sounding and passionate music reproducer.
Charles, Charles, I agree with your description of the sound of the Aesthetix. I actually considered upgrading to the Signature version, however the 9v pre-out is not a good match with my Vitus SIA-025 which likes a lower gain. After reading about Grannyring's system I also considered his fairly full on mods, but experience has taught me you don't get your money back when you move it on. I think i'm making the right call upgrading to a Vitus SCD-025 with the new DSD upgrade. |
Matt - Just shipping the DAC will create lots of static charge build-up, not to mention all of the temperature changes. Another break-in is required each time.
This is why even fully broken-in components don't sound their best until the last day of a show like RMAF.
Steve N.
Empirical Audio |
09-28-14: Aplhifi-usa
I would strongly consider the sx and either not bother with dsd or have a dsd dac.
I anxiously awaited the release of a certain Jazz album to be available in DSD. It was recorded in 1958. There are many iterations of it, including a 24 Karat Gold plated CD that you can buy for $300, if you are lucky. Well, I have that CD, as well as the 45RPM vinyl. But you must hear the DSD release.
Alex, which album is that? Have you heard the DSD version of Indian Architexture? I have the 24/88 version and its magic. Also, you posted a show video earlier in the thread. What was the music being played? Sounded like Garcia-Fons.... |
09-28-14: Ketcham
Hi,
I would like to state that the overdrive se playing red book was significantly better than the emm dac2x playing dsd of the same recording. Better holography, transients and decay. To me more visceral, engaging and organic.
I would strongly consider the sx and either not bother with dsd or have a dsd dac. I think that's more a matter of what DSD dac you have. How is the Allnic with DSD? |
10-04-14: Nickolaspappas
Crazy that this thread is still going! Just wanted to pop in to say that the Rowland Aeris dac that Matt sold to me (thanks again Matt) was not fully broken in when Matt was evaluating it. After putting several hundred more hours on it, it has opened up significantly. It sounded good when I received it, but the output today is something else. A night and day difference. Anyone considering it should keep that in mind when reading Matt's comments on it. What I suspected. Time to revisit when the amp quest is completed? Your experience with the Burmester gear is very telling..... |
I think all these comments on break in suggest that in the main reviewers are not experiencing components as buyers of them know them. Matt should be congratulated on his thoroughness in gather all these units, but were they component really optimized? |
I don't remember exactly now, but I think I had about 1k hours on it +/-
Glad you are loving it, it was an exceptional dac that, I guess, got even better. Cool.
You can't go wrong with any I have heard really. More ear and system dependent then anything else.... |
Wow, I very impressed that you have this DAC audition thing still going on. Sounds like in impossible situation... Too many choices, the brain can't differentiate all the choices.
You should buy a turntable. |
Thank you Nickolas, your findings corroborate my own experience with the Rowland Aeris.... At about 800 hours Aeris sounds "quite good", but its magic is not unleashed until the device stabilizes completely.... And that does not happen until at least the 1200 hour mark... But might be even further in time.
G. |
10-04-14: Audiolabyrinth
Hi winson, I agree with what you have said, however, keeping up with this thread for as long as I have, I do find that I have alot of the same tast for sound as matt does, cheers. So you and Mattnshilp must had listening sessions TOGETHER? |
Mel,a good friend of mine has the Aesthetix Romulus Signature and I've listened to it often(it replaced his good sounding Modwright Oppo 105 and then his Lampizator DAC, very good).The Romulus is truly a natural sounding and passionate music reproducer.
Charles, |
Hi winson, I agree with what you have said, however, keeping up with this thread for as long as I have, I do find that I have alot of the same tast for sound as matt does, cheers. |
Charles, cheers. I tend to gravitate towards less analytical, more musical cd player/dacs. On reflection, all of my previous cd players have fallen into the latter category including my JVC XL-Z1050, Ayon CD-5, modded/re-tubed Ayon CD-5s & current Aesthetix Romulus. My litmus test as to whether I like the sound of a dac or cd player is whether I feel connected to the music, the sound is smooth and unfatiguing & it brings a smile to my face. |
Crazy that this thread is still going! Just wanted to pop in to say that the Rowland Aeris dac that Matt sold to me (thanks again Matt) was not fully broken in when Matt was evaluating it. After putting several hundred more hours on it, it has opened up significantly. It sounded good when I received it, but the output today is something else. A night and day difference. Anyone considering it should keep that in mind when reading Matt's comments on it. |
Mel,
I have to agree with your assessment of certain DACs, "zero groove" describes it well. Some have the appeal of a precise laboratory instrument,analytical,clinical and cold. Just lacking in music's joy and emotional connection/involvement.
Based on your impression it's good Vitus avoided this "soulless" presentation.
Charles, |
Matt, yeah VA have many more Dealers in Europe, but only 3 Dealers currently in the US. Here is a link to US Dealers fyi -http://www.vitusaudio.com/en/80211-North-America |
10-03-14: Bill_k
Melbguy1 - I'd be curious to know whether you've had the chance to audition the recently introduced Berkeley Reference DAC, and how it compares to the Vitus. It's priced at $16K but is supposed to be a new standard which excels at PCM decoding. Thanks in advance for your input! Bill, I haven't heard the new Berkely Reference dac, though I had a read up on it. It sounds like it is firmly in the digital/resolution camp (ie: in the same catagory as msb, dcs, emm ect..very detailed but zero groove). Resolution and accuracy are important, but that means nothing if the music is missing soul and emotions. Tube dacs tend to excel at soul and emotions, whilst ss dacs like DCS excel at resolution/accuracy. Vitus is somewhere in the middle, kind of best of both worlds. Though in terms of engineering and build quality, you would not compare tubes to a Vitus product, unless you're talking about Kondo or something like that. The comparative dacs price-wise in the Vitus line up are the RD-100 (which is a good option if you need a preamp), or new RCD-101 sacd player. Compared to the previous model (RCD-100) the RCD-101 has had an extensive rework including DSD/SACD compatability, a brand new sony drive, better power supply and a much improved dac section. This is now pretty much on par with the RD-100 sonically and amazingly, as good as the old Signature series SCD-010. |
Melbguy
I can't find anyone in USA to get me a Vitus unit for audition. I was intrigued before and went through the motions. I don't think they are really well established in the USA. At least not on the east coast.
Alex keeps tempting me with his wonderful creations. I will certainly replace by prized ODSE if/when it is sufficiently humbled...
I also look forward to hearing Steve's new ODSX. |
Ha! My opinion is THE opinion! No other opinion should exists!
You should all agree with everything I say without hesitation or thought!
Bwa hahahaha!
Ehem.
Did I say that out loud?
;) |
Melbguy1 - I'd be curious to know whether you've had the chance to audition the recently introduced Berkeley Reference DAC, and how it compares to the Vitus. It's priced at $16K but is supposed to be a new standard which excels at PCM decoding. Thanks in advance for your input! |
Audiolab, how do you know if you would like what Matt likes?This is not a shootout, its a demo report by Matt. You may likely find you font share quite the same opinion if you demoed together. |
Getting the thread back on track, the thread title is " Absolute top tier DAC for standard res Redbook CD". I vote for the Vitus MP-D201. I have never heard normal garden variety cd's sound at once so incredibly resolving, smooth, analogue-sounding and tube-like in character. In a word; musical. Moreover, this dac allows you to listen to even rock cd's from the 80's for hours without fatigue. I would say the MP-D201 is atleast 15% better than the Signature Series dac in the SCD-025 (which is already an awesome dac). |
Details on the reference-level APL DSD-M DAC can be found at:
http://aplhifi.com/products/dsd-m |
mmm, now you talking what I would likly appreciate Alex-APLhifi, please elaborate more on this DSD-M Dac, your discription sounds quite pleaseing, I'm sure all of us would want to know more, since your mid-line DSD-S dac done so very well in this shoot-out, cheers. |
Thanks for your feedback Matt, I appreciate it!
The DSD-S was changed from 8x oversampling with adaptive digital filtering to Zero filtering and oversampling when it comes to PCM processing, prior to DSD conversion.
Also, the output stage was re-biased for twice as much higher current than it was before.
From now on, my intention is to offer three options for the DSD-S digital filtering when it comes to PCM processing that will satisfy many tastes.
Just to make it clear, the DSD-S is a midline product. As good as it may be, it is nowhere near the reference DSD-M that has my own DSD to Analog converter, as well as a differential Class-A tube output stage built with a pair of NOS Philips E182CC tubes and custom Lundahl transformers wound with OFC wire.
Best,
Alex Peychev
APL Hi-Fi Ltd. |
What do you guys think of the TEAC UD-501 DSD DAC? Thanks. |
Matt, will you be trying out the DAC card for the Burmester 077?
G. |
I have had no luck getting any other suggested DAC in for evaluation . I know many of you wanted me to include the Romulus or Pandora. No success thus far. It seams that the only way, in general, to get a DAC in to audition is to buy it. |
Guido, I have to return it this Friday. He has been very generous with the DSD-S and it must go to the next interested customer.
I can honestly say that it is a true contender and worth a serious listen. Whatever he did to modify it was significant. And I have to say that his responsiveness to questions is top notch. If this is any indication of his customer service, there are no worries…
If you have the opportunity to audition the DSD-S Guido, I would now try to find time to give it a listen. I would be very curious to hear your impression in comparison to your reference Aeris DAC. |
Hi Matt, how long will you have access to the APL DSD-S? As some internals in the unit have been replaced, the slight treble burr is likely caused by new chips/solder and is likely to go away in a couple of extra weeks of break-in. |
UPDATE:
Hi all, I know I haven't posted one of these in a while since my search has sort of ended with my ODSE safe and snug in my rack. But Alex, of APL Audio has been persistent and accommodating with his DSD-S DAC for my evaluation. My initial impressions were utilized to modify the DAC (I will let Alex describe the changes) to something that he thought I would like more, and he was right.
I have had the luxury of listening to my system with a loaner amp and pre-amp for the last 3 weeks that's puts the Uber in Uber gear. I have been enraptured by my wonderful ODSE being fed into the world class Burmester 911mk3 stereo amplifier ($35k retail) and the Burmester 077 pre-amp ($50k retail). The 077 has its optional $5k DAC card, which I will be listening to next week to see how it compares to my ODSE and all the other outboard DAC's I have heard. The 911 and 077 are each truly world class and offer insane performance when used with other gear, but when put together, the 911/077 combination is literally transcendental!
The 911 sounded absolutely wonderful and incredibly engaging with my top tier Rowland Criterion. But when the Criterion was replaced with the 077, just WOW. The walls fell away from my room and I was sitting in whatever venue or recording studio the event/recording happened at. Just wow. On a different level of performance then anything I have heard before.
I am now dying to get the Rowland 825 amp into my system for a trial to see if its the magic of like company amp/pre-amp... Will my Criterion/825 combo sound that good? Or close to that good? I really hope so because $85k retail is a rather imposing number to lust after gear for.
But I digress.
So the DSD-s was compared to my tried and true ODSE on my current uber system with all else the same. And I have become familiar with the Burmester/ODSE sound.
The modified DSD-S was, IMHO, a dramatic step up from its previous iteration. It did still show a slight bright edge on piano at times, but I sincerely believe that will settle with additional burn in. Musical, engaging, articulate and with a wide soundstage that very nicely placed everything and everyone where they belonged.
If I was now deciding between all the DAC's I had, I would put the Aeris and DSD-S on similar ground performance and sound wise. I will admit, that the ODSE still has something about it that grabs me at moments that the other two just don't quite as well. But at the level I am at, i think that could be reversed with different equipment or cabling. All three are excellent and can make people very happy.
The DSD-S and ODSE are two sides of the same coin. Both high quality boutique DAC's that clearly deliver the goods. You can't go wrong with either.... Listening becomes mandatory to make that final choice. |
OK my tubophile friends... Would you really mind continuing this exciting -- yet DAC-unrelated -- convo on some more aptly titled discussion thread? Sorry, but my eyes --- oopsie, meant ears -- are glazing over. G. |
jwm, do want to try the CBS 7318?, paul has them!, pricy, the same price as the mullard 10m tubes, cheers. |
Jwm, I sent you a message. I also replied to your previous message. You not see them? |
Paul79 still cannot find the CBS7318. |
which album is that and where to download?
Audiolab, send me that tube email! |
I have tried to keep my amp search on the down low to keep things from getting complicated. But I have heard the Mola Mola amps and they are in the same class as my Veritas amps. I actually preferred my Veritas amps. But the Audionet Max monoblocks, Tenor 175s, Burmester 911mk3 and Rowland 825 are in a different league entirely.....
And we are at 132k views. Cool. |
Wisnon, my amp I have now is class A Dc-coupled, strange, I did not realize what audioengr was saying, LOL!, keep me posted on all that you are doing, I enjoyed talking to you on the phone, you are very,very, knowledgeable of high-end audio!, you have my respect, cheers. |
Thankyou Steve, That is really good that you are doing as much as you are, really incredible to be one man, you seem to be setting in the high-end very well with your products, congrats are in full order here for your achievements! |
AudioL - I am one guy, so I usually come out with one new product each year. Sometimes its just a USB module upgrade or a new clock module that can be applied to existing products. The Off-Ramp has gone through 6 generations now over about 8 years. The Overdrive changed from Signature to SE and now will have SX version as well.
The Overdrive SE has been around since early 2012 and it will continue to be sold for a while. There have been 2 or 3 upgrades offered to it over that period.
Steve N.
Empirical Audio |
Guido - DSD support will be in this future DAC and supported by the D/A chip. It will not be called Overdrive however.
Steve N.
Empirical Audio |
I would strongly consider the sx and either not bother with dsd or have a dsd dac. I anxiously awaited the release of a certain Jazz album to be available in DSD. It was recorded in 1958. There are many iterations of it, including a 24 Karat Gold plated CD that you can buy for $300, if you are lucky. Well, I have that CD, as well as the 45RPM vinyl. But you must hear the DSD release. Best wishes, Alex Peychev APL Hi-Fi Ltd |
I was at the show yesterday and the Lampi guys really nailed it. One of the best sounds. So did the Naim/Focal guys (the smaller Focals blew away the larger focals with VAC gear on the 2nd floor. |
Audiolaby, The Job 225 power amp and the upcoming monoblocs are DC coupled. I am hoping to audition the monoblocs at the factory in a few weeks if their invitatation still holds. |
Thankyou Audioengr for your reply, I believe in direct coupled componets, I have one now that I am happy with, I look forward to your new componet offerings that you are working on, currious, what is the usual shelf life of a componet you offer?, you know, how long do you sale a model before you come out with newer better?, cheers. |
Hi,
I would like to state that the overdrive se playing red book was significantly better than the emm dac2x playing dsd of the same recording. Better holography, transients and decay. To me more visceral, engaging and organic.
I would strongly consider the sx and either not bother with dsd or have a dsd dac. |
Matt, sticking with class D? A friend with trusted ears has told me that the Mola Mola Kaluga mono's are like nothing he has heard before. I have not yet heard them, but I sure want to.
Cheers! |
