What are the absolute legendary Snell model no.s?


If I wanted the Audio Note sound or just a bl@@dy good used Snell speaker for a mid sized room what are the absolute legendary Snell model no.s?  Thanks for your time

spoutmouzert

Art Dudley wrote a Stereophile piece about Audio Note and the original version Snell Type J ...

Type A is IMO the best model. I have an original owner pair, along with E's and K's. I don't think the very expensive Audio Note version of the E is worth that much! The stock E sounds very fine indeed!

My friend has the original type A and had Snell upgrade them 3 times before he passed away. I met Peter Snell one of those times at the factory in Newberryport, Mass. What an awesome guy.

Type A III was my favorite.  Had a pair once.  These are one of my "mistakes" in selling gear.  Should have kept them forever.  Awesome speakers and yes, Peter was really cool.  I was a Snell dealer and knew him well.  GREAT guy!!!   R.I.P. dude...you were the best!

Snell was my entry into better audio. I started with the Type E. Awesome speakers. Though a basically a floor standing speaker, a short stand helped them even more. I also had the Type B. The Type K were remarkable for the money and the As were wonderful. I moved on to Quad ESL 63s which were a completely different experience, but Snell speakers always are a fond memory.

The Model Q was a 6.5” 2 way stand mount with a rear tweeter…their compact monitor. Driven by a C-J MV55 and used with a Janus Sub, they were one of my favorite systems of that era (mid 80s), perfectly suited to the apartment I was renting.

I have a pair of the Model E5 Mk 2. Bought them new over 20 years ago and used them in my 2 channel stereo and still use them currently in my home theatre system. They were wonderful speakers but I wished they had a better bass response. Being the tinkerer that I am, I pulled the tweeters and midwoofer out to see what they were. Both drivers were fairly entry level Vifa units. I was surprised that a pair of speakers that cost $2000 (in Canada) had such inexpensive driver units

Since I had no faults with the cabinet and crossovers, I replaced the tweeters and mid/woofers with higher quality drivers, still Vifa brand and with the exact same efficiency and impedance. It was  quickly and easily done and improved them quite a bit and I wondered why, for what would have been at the wholesale level perhaps only an extra $100, had Snell not used the better drivers. So I learned a lesson about how speakers components are sourced and speakers are built to a price point and place in a manufacturer’s product line..

Anyways, I ramble, these are highly recommended at the prices they seem to be in the used market if you are looking for a Snell, in tower form with a small footprint. They are easy to drive with 40 watts or more and are tube friendly in my experience.

I had a pair of Snell type A’s and while they sounded good for their time,  ultimately I sold them because they were too big for my room.

Snell and Halfler really sounded great together.

Snell A/III. The biggest problems IMHO are now the mass loaded woofer which I suspect are all past their usable life spans and I have no idea how you’d replace today.

The driver quality, and crossover parts quality of the time just doesn’t hold up to modern standards.  I think the mids and tweeters are  certainly bettered by modern mid-range equivalents. 

The magic IMO happened in the hemi-spherical baffle and floor facing woofer. I remember seeing hot glued arrays of electrolytic caps. Can’t imagine any of those are still in spec.

The closest for realistic imaging and bringing the recording acoustics into your room I’ve ever heard in a modern speaker is the Sonus Faber Stradivari.

Which epoch are we talking about - Snell, Voecks, Smith, D’Appolito. I go WAY back with my experience with Snell speakers, all the way to a demo of the Type A by Peter Snell. And I’ve lived near, even visited, where they’ve been made (Haverhill and Peabody, MA).

I have never heard the Smith nor D’Appolito designs. Though I visited the Peabody factory as Snell operations we closing to pick up some parts for my C/V. Sad. I was show those very ambitious and expensive D’Appolito designed flagship models.

I have had lots of experience with some of the Snell and Voecks designs. I lived with for a very long time both the Snell-designed Type Ci and Type E II, and the Voecks-designed Type C/V. I arrived at these through listening to other Snell models. I like the Snell-designed speakers best. In fact, I still have access to my brother’s Cis and E IIs that have both been restored to original specifications with help from Steve Flynn of Atomic Hifi and TV.

I didn’t spend much time with the smaller Snell speakers, like the Ks, Js, etc., despite their generally very positive reviews, mostly because I was looking for and liked the full-range speaker options better. There may be some other gems in the later Snell speakers, but into the late 1990s and beyond Snell was evaporating rather quickly. Harder to find speakers and reviews.

The Type A has to be THE Snell speaker, and the later/newer model the better. But they are a commitment. Big, rather complex, possibly a bit fiddly.

Yes, some of the Snell designs live on through Audionote - the Es, Js, Ks. The E I suggest is another classic, and it may be the most popular Snell speaker. I like the E II better than the E III.

The Ci could get you as close to the A without the hassle.

I know at least a few people who really like the Type D, better than the C/V.

Danny Richie at GR Research did a review and upgrade of the C/V. He liked them, and he doesn’t find much to like about most speakers he evaluates, especially with vintage speakers (because most vintage speakers weren't good). A well-engineered speaker, as I suspect most Snell speakers are. If his upgrade does what says it will, it could turn the C/V into a stellar loudspeaker.

I had a love/hate thing with the C/V. I had two different pairs, fairly separated in serial number. The later ones sounded better than the earlier ones. Exciting, dynamic, crazy bass extension, but the bass quality wasn’t quite as good as its quantity. They could also be shouty, which was my biggest issue with them. I like the Ci better, overall.

The thing about the larger Snell speakers is that often you can’t get rid of them. You have trouble even giving them away. As much as they were widely very well regarded, their reputation doesn’t warrant the cost and effort of shipping 200-300 speakers pretty much anywhere. I picked up my second pairs of C/Vs, which were like new in their original boxes, for almost nothing; they were local. So, that means that you might be able to get a lot of speaker for money, and/or get a speaker so cheaply that a Danny Richie upgrade might be more financially viable.

A VERY important note about speakers like the Snells. Every speaker was hand fettled against the reference to match the reference very closely. If anything goes wrong with any part of the speaker, unfortunately you aren’t likely to just replace a part and get back to as-new performance. I’ve been through this now a few times. Any of the 30+ year old speakers are going to need work. Just resurrounding/re-foaming a woofer is unlikely to work. Just replacing a driver isn’t like to work. The Ci and Type A used mass loaded tuned woofers, and the original woofer is long unavailable. Fortunately, there is still support available to get the speakers back to new. The holding company that owns Snell is still providing support through Steve Flynn (who has ties with Snell from very long ago) at Atomic Hifi and TV in Ashland, MA. I took the speakers apart, Steve got me what I needed all match up, I put the speakers back together, all to excellent result. I did try other repair attempt approaches. They didn’t work. The speakers didn’t work. So, I went to Steve and all’s very well new.

Audio today is just simply better across the board. There are few "vintage" audio pieces, especially loudspeakers, that can match what even modestly priced gear can do today. I do think that at least some of the Snell speakers could still show well today if they're working up to spec. It is mostly a thing to do if you really want that vintage thing, and there certainly can be a thing there. It can be fun. And sometimes it can even sound quite good.