If the table has a hinged dustcover, it should be down. Look, it's your table...do what you want! I am sure that the reason that manufacturers included a hinged dustcover was so that it could be closed while in use.
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Richopp, I did not endorse Kenny G. I included him in a list of things about which people disagree vehemently. If you must know, I regard his music as a particularly brutal form of torture. Mijo, you have an inordinate dust phobia. I am glad your dust cover ameliorates your anxiety. I however will never ever even consider using a dust cover whilst playing an LP. I clean my LPs with the Audioquest carbon fiber grounded brush just before each play and I clean my stylus with Magic Eraser before each side. LPs that don’t have groove damage from previous owners play silently in both of my systems on any of my 5 turntables. I do also clean any used LPs I buy on an VPI HW17. If your sota sounds better with cover down, that’s a good reason to use it. It’s fine with me, even if you like Kenny G. |
Mijo It would be nice if for once you could just accept the fact that your opinions are going to differ from other members. Nobody is arguing that what you state in your system is what you hear and great for you. However maybe you could just accept that it is in fact just your opinion and not try to foist that off to everybody else here as being gospel. It works for you and that's wonderful, apparently it does not work for a lot of other members myself included and that should also be wonderful, not an area of contention. |
I would not have a TT without a dust cover when not in use. It's a great place to place a tray of house plants on, while keeping everything clean, especially the refined moving parts of the tonearm. Open or off when playing. If you believe in microphonics, open, let em go. Hinged dust covers up while playing? Keep a bubble level on the deck. Does it change when the dust cover is on-up? surprisingly a few I had did not effect level. If effects level, you can remove the hinges and just put it on whenever. Seriously, we bought a very nice unit for audio equipment and I told Donna she could have the top glass shelf , table height, for plants. Well, eventually, to get some stuff on that shelf, and keep my word, I painted 2 cafeteria trays, big felt strips on the bottom, and they actually look better higher up. I trust her watering skills. Just move the tray off the TT to the top of the Reel to Reel Dust cover, play on. |
stani? When you put on hearing protectors does your head rumble and your tongue vibrate? Lewm, tell me your system is in a clean room. That would be a $250,000 upgrade. Records that have dust ground into them do not sound so hot. A dust cover has to be hinged to be useful. Again the best way to do this for unsuspended tables is to have what I call a platform dust cover. You have a lexan plate on which your turntable sits. The dust cover is then hinged to the platform. If there is limited space behind the turntable hinge the dust cover at the top with the back fixed to the plate. This version requires a prop to keep it open. If you have plenty of room behind the table the you can hinge it at the bottom and the dust cover will counter balance itself so friction hinges will do the job. You can use any thickness of lexan you want. I would bet that 1/4" lexan would drop sound 30 dB under the dust cover. That would be like putting your turntable in another room. These guys will do anything you want, https://www.displaycasej.com/custom-audio-covers. I was playing with my dust cover up and down last night when it dawned on me. There can be a significant delay in the sound getting to the turntable depending on where it is in the room. If the delay is long enough this causes an echo which can give you the sense you are in a larger room which might appeal to some people. A euphoric distortion. I would rather listen to the acoustics on the record. Well for once VPI and I are on the same page. Go figure. |
By no means do I have a "fancy" turntable, its a Pioneer PL-550. But.... I've tried listening with the cover down, cover raised, and cover completely off. The best sound achieved for me was with the cover completely off. My turntable is about 10 Feet to the left of my other components / listening area, and with the cover down or in the raised position, I get some stray vibrations / rumbling. (it is worse with the cover raised). |
This discussion illustrates beautifully the problem with technical attributes. The subject at hand is dust covers. But it could just as easily be amplifier watts (is it better to have more or less?), speaker cables (is it better to have silver or copper?), or any of a hundred other technical items. Everybody wants a simple answer when the truth is there are no simple answers. Its better off, probably, unless its a table designed to be better with it on and down, in which case it should probably be on and down. Probably. The only thing we know for sure is which way it sounds better determines which way it goes- and not the other way around. So once again might as well just cut out the middle man. Go and listen. You will see. |
So, suspension per se does not determine the benefit of a dust cover, based on noromance’s testimony. I’m not keeping track any more, but I think there are 3 who use a cover while playing LPs. The rest of us are on the other side of the fence. If I had to put it in a nutshell, I would say that the use of a dust cover sounded closed in to me, just as no romance says. By now I guess we could collectively advise the OP to simply try it for himself and make his own judgment. By the way this has everything to do with sound quality and nothing to do with dust protection. |
Back in the day, I discovered that my LP12 sounded a lot better with no dust cover. I was in the listening chair when a friend lifted the lid while music was playing. With it on, the music and soundstage sounded literally closed in. So it was a ritual to take it off and slot it back in when finished. Now I never even consider using a cover when playing. |
It does appear that only the users of suspended tables like the SOTA are fully in the camp of dust cover on and down. I guess I have to say yes and no... Lol. The lift off cover on my Garrard 401 is only on while not being used to play records so definitely off on that one. My Technics SL-10 being a linear tracker has to have the cover down and closed to even play so ..... |
Mc, silly you clean the brush off between plays. Once in a blue moon I'll clean the brush with alcohol. It won't smear anything and it will keep any incidental dust away from the stylus. The sweep arm is only 20 bucks. Spend some money and experiment a bit. Who knows. You might actually like it. 1++ edcyn! |
I'm a SOTA owner and I'm with mijostyn. The machinery sounds better with the dust cover down. And I'm a happy camper that the preferred dust cover position keeps the LP cleaner. It's only when I'm spinning 7 inch 45's that I have the cover up. My 45's are often in terrible shape, and the lead-out grooves are usually so noisy I can't bear the din a second more than necessary. |
Miller is wavering but if he sticks with his original position I think the poll is now running 7-2 against using a dust cover when playing LPs. (I have no beef with covering a turntable when it’s not in use.) I must be lucky; I have no special problem with dust in either of my two audio systems. My Kenwood L07D has a clever dust cover for the platter that is used only when the turntable is out of service. It is the size and shape of an LP, made out of Lucite, fits over the spindle, and covers the entire platter surface. When I want to play a record, I remove it. It’s a factory original part that came with the turntable when new. |
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I’ve got carbon fiber just sitting in my shop. So I’m thinking instead of a contraption that runs across every record inevitably picking up crud it then smears all over my pristine White Hot Stampers what I do is stick a little tuft of conductive carbon fiber on a stubby little arm that holds it to the edge of the record. Then it doesn’t have to go anywhere, doesn’t have to be moved every record, just sits there and each record contacts it on the edge. Might not be quite as good as grounding charges closer to the stylus but then again I don’t have to worry about cleaning it after playing any of my less than pristine records- which is most of them! A proper cover for my non-suspended table would be a project but probably worth the effort. I mean the way things are now my system is so freaking awesome instead of being content its actually making me want to make it even more and more perfect! This is sick! Its a sickness, I am telling you! I’ve got food and electricity and tunes and practically looking forward to being quarantined just so I can have the time to build my super static destroyer dust cover! |
Lewm, I also own an SME and it benefits also as does the Linn LP 12 All suspended turntables. I suspect the Air Force 1, 2 and 3 will also benefit. My opinion is based on suspended turntables. They are the only type of table I have ever own except for my very first one (TD 124). I would never own anything else even though my equipment cabinet rests on concrete. The SOTA is a brilliant turntable for the money. It easily runs with the SME, a table that costs 4 times as much! The only down side is that it does not take a 12 inch arm and some arms like the Tri Planar will not fit. I also must warn that Putting a 4 Point 9 on the newest version of the Cosmos is apparently difficult. An A goner ordered one with a 4 Point based on my opinion and SOTA is having a hard time getting it to fit. I think they will shoe horn it in but just barely. SME's and Origin Live arms fit perfectly. Unfortunately, SME arms are going to get hard to find because the company will only sell them with their tables, a stupid decision IMHO. SOTA is thinking about making it's own arm. Lets cheer them on! |
Mc,
https://www.sleevecityusa.com/Antistatic-Record-Cleaning-Arm-p/tac-01.htm. If you get one let me know there are a few tricks to setting it up right. Guys, as I said before the SOTA sounds better with its dust cover on and down as does the SME. It is like taking the blur out of a photograph. I have done the fore mentioned experiment and I can routine tell when the dust cover is down blind folded. If your turntable sounds worse with the dust cover down then have a platform dust cover made or get a new turntable. Not using a dust cover is not an option. Record safety is paramount. Using a conductive sweep arm will help but still incidental dust will fall on the record not to mention get into your tonearm and bearing. |
i guess dust covers are like politics, religion, olives, and Kenny G. All taboo subjects in polite company. It’s interesting that the pro dust cover guys, so far, are both owners of SOTA turntables. I owned a Star Sapphire Series III with vacuum for most of the 1990s, and never used the dust cover. Al is correct that the felt platter mat does/did accumulate dust. |
Have you tried without? No, I haven’t. Even if taking the dustcover off would somehow result in minor sonic improvements, which I can’t imagine with that particular table, I’d give a higher priority to keeping dust off of the platter (which is made of a material that is not necessarily the easiest to keep clean). And I’d rather not have to take the dustcover off and put it back on before and after listening sessions. Best regards, -- Al |
mijostyn makes a good argument for using a well-designed dust cover. The key words being well-designed. I've thought about it before and never bothered because of the difficulty of the well-designed part. Its not that I don't know how to do it. Its that I know it will be hard to do! But I'm getting to the point where .... and ditto static. What's that gizmo you use again, Mike? |
I still use the SOTA Sapphire turntable I purchased in 1983, which btw still works as well as when it was new. I can pound its plinth with my fist with light to moderate force while a record is playing, with no audible consequences. Given that, it’s hard for me to imagine how vibrations induced in its dustcover and conveyed to that plinth could have any audible consequences. So in the case of that particular table, and presumably its later incarnations as well, I agree with Mijostyn. Regards, -- Al |
Not using a dust cover is a sure way to destroy your records but it is great for the record cleaning industry. I never clean my records. Don't have to. As for sound that depends on the turntable and the dust cover. This may be the reason there are so may opinions. Most turntables do not come with a dust cover. Those always sound better without if you catch my drift. A suspended turntable like the SOTA always sounds better with the dust cover down. The sub chassis with the arm and the platter are floating inside so the dust cover is not connected to it. The dust cover attenuates the noise in the room 20 dB or so, like having hearing protectors on. Unsuspended tables with a fixed plinth might have a problem with the dust cover attached directly to it. Close your eyes and have a friend or spouse raise and close the dust cover to see if you can identify when the dust cover is down. If not, you are in business. Same if it happens to sound better. Playing a record generates thousands of volts of static. The record becomes negatively charged but dust is positively charged. So the charged record pulls dust into the groove like a magnet. If you use a dust cover and a conductive sweep arm this does not happen at all. Records do not get noisier and you never have to clean them. Preserving your record collection is paramount more so than even sound. Making a dust cover for odd turntables like a VPI Avenger or an SME is not hard at all. You just hinge the dust cover to a plate on which the turntable sits. If you can not do it yourself these guys would be glad to. https://www.displaycasej.com/custom-audio-covers A turntable covered in dust and grime is a travesty. Precision instruments should not be treated this way. To me a turntable like the Clearaudio Statement is worthless because you can't put a dust cover on it. But I can put a dust cover on an Air Force 1:) |