Sturgill Simpson - Metamodern Sounds In Country Music
Sturgill Simpson - High Top Mountain
Greenleaf - Trails & Passes
Survival Knife - Loose Power
Sturgill Simpson - High Top Mountain
Greenleaf - Trails & Passes
Survival Knife - Loose Power
steve miller--recall the beginning...before his run as purveyor of mindless (tho catchy) am hits, sm was actually quite an ambitious fellow whose late 60s/early 70s records were very well conceived, flawlessly played and still sound good today. this one is something of a lost masterpiece--one side of short, melodic pop and the other a sorta spacey psychedelic suite culminating in the title track, which is awful purty. very good guitar playing throughout. real estate--atlas...really tuneful jangly guitar pop somewhat reminiscent of early rem without the mumbling or velevet underground without the angst. real songs that stick in your head. |
Preteen Zenith – Rubble Guts & BB Eye Jack White – Lazaretto Sleepy Sun - Spine Hits Curtis Harvey - The Wheel |
Black Keys - Turn Blue Led Zeppelin II - new 180g pressing where Jimmy Page turned the bass WAY up. I still like my 1969 Japanese pressing better, but this is good. AC/DC - Back in Black Heart - Greatest Hits Bryan Adams - Cuts Like a Knife (wife wanted to hear it, but I must admit, I was signing along) |
southside johnny, "men without women"--live remake of little steven's late 70s lost classic. pretty great--johnny's a much better singer than ls and the horns, in particular, are spot-on. the songs are classic. really. boris and michio kurihara, "rainbow"--intoxicating stuff; a japanese metal/post punk band (sorta sonic youthy) teamed up with a wacked-out guitar shredder who plays these searing, atonal solos over the surrprisingly melodic tunes. i can't stop listening to it... |
Freeman - Freeman La Hell Gang - Thru Me Now Man Or Astro-Man? – Defcon 5...4...3...2...1 EverGreen - Evergreen Spoon - Gimme Fiction The Breeder's - Last Splash The Who - Who's Next June Of 44 - Tropics And Meridians Sleepy Sun - Spine Hits |
Zig Zags - Zig Zags Desert Sessions – Desert Sessions 7 & 8 Swell – Too Many Days Without Thinking |
Hilliard Ensemble, Cipriano de Rore: "Le Vergine" - Harmonia Mundi HM 1107 (another beautifully engineered recording from Jean-Francois Pontefract) Italian Madrigals of the 14th Century, Jacopo da Bologna, performed by the Ensemble Project Ars Nova, Deutsche Harmonia Mundi HM 738 A Charlie Brown Christmas, Vince Guaraldi Trio, Fantasy 8431 (45rpm Analogue Productions reissue) Dexter Gordon, Our Man in Paris, Blue Note ST-84146 (45rpm Music Matters reissue) Dexter Gordon, Dexter Calling , Blue Note ST-84083 (45rpm Analogue Productions resissue) Cat Stevens, Tea for the Tillerman, Island ILPM 9135 Linda Ronstadt, Heart Like a Wheel, Capitol ST 11358 (Cisco reissue) . |
Prokofiev Piano Concerto No. 2 - Browning/Leinsdorf/BSO - RCA LSC 2897 Alwyn Fantasy-Waltzes (1956) - John Ogdon - Chandos ABRD 1125 Debussy Jardines sous la Pluie - Ivan Moravec - Connoisseur Society CS 2010 Athena reissue Holst Planets - Mehta/LAPO - Decca SXL 6529 ORG 45rpm reissue Maria Callas - Callas Mad Scenes from Anna Bolena, Hamlet, Il Pirata - EMI SAX 2320 Testament reissue In memory of HP: Dusty Springfield, The Look of Love - Colgems 45rpm Classic Records reissue . |
Vaughan Williams, A Pastoral Symphony/In the Fen Country--Boult, New Philharmonia Orchestra-EMI ASD 2393 Exotic Dances from the Opera--Oue, Minnesota Orchestra--Reference Mastercuts RM-1505 Rodrigo, Concerto de Arajuez--Romero, Marriner, Academy of St. Martin-in-the-Fields--Philips 9500 563 Arnold, English Scottish Cornish Dances--Arnold, London Philharmonic--Lyrita SCRS 109--HP was right, probably in the top three orchestral recordings I have on vinyl. |
Russ, I absolutely agree about the Malcolm Arnold English Dances, Lyrita SCRS 109. Wilkie nailed this one. It is one of 2 or 3 most natural and accurate representations of a full orchestra in my collection. When people want to understand soundstaging, I pull out this LP. The other LP I bring out is Power of the Orchestra (RCA VICS 2659), also recorded by Wilkinson under contract between RCA and Decca. For those who may not know: "Wilkie" was Kenneth Wilkinson, recording engineer famous for his work with Decca in the '60s and '70s. His work for Lyrita was freelance and no credits appear on the Lyrita album covers, but he did much of his best work (as in natural sounding, more minimally miked) for that label. . |
Correction to the above... Wilkinson's work for Lyrita was apparently not freelance. Lyrita contracted with Decca for their recordings (as did RCA and Readers Digest) and Lyrita's owner, Richard Itter, always requested Wilkinson to engineer the recordings. See this Wikipedia article for more detail: http://en.wikipedia.org/wiki/Kenneth_Wilkinson . |
Copland, Appalachian Spring - Steinberg/PittsburgSO - Command (a really nice performance, well engineered by C.R. Fine in his days post-Mercury) Beethoven, Serenade in D for flute, violin and viola - Zoeller/Brandis/Ueberschaer - DGG Bloch, Concerto Grosso No. 1 - Hanson/EastmanRochesterSO - Mercury SRI 75017 Kabalevsky, Major-minor Etudes for Cello & Piano op67 - Ojebo -vc, Zaharieva -pf - Opus 3 7708 . |