I just scored a sweet pair of CS 2.4SE loudspeakers. Anyone else currently or previously owned this model? Owners of the CS 2.4 or CS 2.7 are free to chime in as well. Thiel are excellent w/ both tubed or solid-state gear!
Also, about the tweeter, from my experience having had dented tweeters before and talking to manufacturers about it, a dented tweeter doesn't necessarily result in audible problems in sound quality. I've had what looked like a seriously dented tweeter, but the speaker sounded the same to me, just as good, before I fixed the dent. (And the manufacturer indicated that would likely be the case too).
I hope you are all doing well. I was just wanting to report on a really fun listening session I had yesterday. JA and I have been planning to get together for a listening session for some time now and I was so excited to have him over for a listen yesterday.
I had the system up and running well before he showed up and when he got there we started out listening to the DAC. I have a PS Audio BHK 250 Amp, BHK Signature pre, and Direct Stream Jr. and we were listening to Qobuz hi res files and of course Thiel 3.7s. We listened to several tracks off of Jamie Cullum's "Twentysomething" while increasing the volume by increments of 5 every song. Then we switched to Rolling Stones "Midnight Rambler" and then James Taylor's "Gaia" before switching to the turntable. I thought the DSD Jr handled everything we listened to very well. "Twentysomething" is a Jamie Cullum album that JA turned me onto. JA uses this album as a reference album and for good reason. It is a very well produced album with an excellent jazz trio and a very tight performance. I could hear all of the instruments distinctly and clearly. There is a lot of texture on this album as well that the system put on full display. JA suggested we try out "Midnight Rambler" to see how the system handled a live rock n roll song played on electric instruments. We finished up with Gaia and both commented on the panning bass effect at the end of the song.
From there we switched to the turntable and immediately started with Gaia, again, for contrast. I have a MoFi Ultradeck with master tracker cartridge and PS Audio Stellar Phono. I had previously been having issue with my turntable and it wasn't sounding as good as the DAC to me. Now that I have everything dialed in more, that is no longer the case. As expected, Gaia on vinyl sounded much better, warmer and more natural.
Other artists we listened to on vinyl included Claypool Lennon Delirium "Little Fishes", Warren Zevon several tracks from "Excitable Boy", Nils Lofgrin "Keith Don't Go"(Quality Record Pressings UHQR version), Elton John "Someone Saved My Life Tonight", Chris Thile and Brad Mehldau "Scarlett Town", David Byrne several tracks from "Grown Backwards", Charles Bradley "Changes", Waylon Jennings "Omaha", Tom Waits "Take Care of All of My Children", Pink Floyd "Dark Side of The Moon"(First side), Paul Simon "I Know What I Know" and maybe some JJ Cale.
We listened from 10am until almost 3pm and I could've kept pulling records. It was an awesome day and I really had a blast. As always, I learned a LOT from JA. I really appreciate you taking time on one of your days off to come hang out. Thanks JA.
One thing I did forget to ask JA about after we finished listening was my dented tweeter. I am guessing I know what he is going to say but I don't want to put words in his mouth. JA- Thoughts on my dented tweeter? Should I worry about getting it repaired anytime soon? I honestly forgot to have him even look at it.
Thanks for anyone who made it this far. I just wanted to share the experience with all of you. Enjoy your weekends and your systems.
@prof 140w of tube power is good enough to drive them well but regarding solid state you are better of with at least 200w or more.Ghyphon Diablo 300 is the perfect match for them IMO.
Hi guys, i finally decided to sell my CS 3.7s after 5 years of ownership because i want to purchase a much higher end set of speakers the Borresen 03s.Because of this decision i will have to lower my budget for amp-preamp and DAC therefore i'm going the integrated amp route with something like the CH Precision I1, Dartzeel CHT-8550 mkll or Vitus SIA-030.I will also not need huge amount of power like is needed for the 3.7s.
Can you tell me the firmware/software revision on your AYRE AX-5 Twenty? Also, what year did you purchase the Integrated, year of manufacture? Hope that you are well an enjoying this Fall, soon to be, holiday season.
fitter468 Saturday Audio Exchange is a known Thiel Audio magnet. I am looking forward in reading about your impressions and thoughts on the CS7 loudspeaker. Hope the speakers arrive safe and sound.
tomthiel Outstanding! I really enjoy reading about Thiel Audio history. Keep the lessons, movers and shakers, a' coming. Lest we must not forget Mr. Rob Gillum holding it down there in Lexington, KY. The future for us owners is certainly looking bright in 2020 and beyond.
JA - Happy listening indeed . . . and for the right client in the right environment it isn't very subtle is it? What got us involved in making speakers was stories like yours, except in our beginning times the speaker part of your experience was pretty dim. We loved hearing of young folks, usually shopping for their first 'serious' music system, not knowing much of anything and being dumbstruck that music in the home could be so good. I remember customers who started with a pair of 02s ($200?) and went way up the line over a lifetime of enjoyment. We kept an 'ego file' and some late nights when things were really hard, we would sit in the front office and pull out some love letters describing how they had found Thiel, and what joy we had brought to their lives - and that's really what kept the midnight oil burning.
tomthiel Thank You for the kind words and recognition. I suspect like every Soul here, the enjoyment of hearing music on a better than mid-fi system is where my interest and passion resides. I lived with said mid-fi set up from 1988 to 2002. This was not a negative disposition for it left the door open to consideration of higher fidelity. I was very fortunate to lived in close proximity to New Orleans pre- Katrina. One Spring Saturday, I set my compass to visit a gentleman named Jay Valentino whom operated an Audio shop outside of New Orleans. The experience was life changing to report the least, as we spent the afternoon, auditioning many brands read about in the Audio press (I started my subscriptions to both Stereophile and The Absolute Sound magazines in Fall 1993). Jay was a gracious host and quite knowledgable in the Audio retail realm having cut his teeth working under Circuit City and Campo before venturing out on his own accord.The retail space was acoustically sound, a rare find, in so many brick-and-mortar operations. His talent for creating system synergy was on target.Refreshing. I walked away that day with a clear Path- buying into entry level high end electronics. I learned to apply readings/teachings into real-time demo sessions from 2002-2005 when Hurricane Kartrina shut his doors.Jay never really recovered his operation in the aftermath of it all.Later on in the Spring of 2011, I would be struck again by Audio lightning discovering a Thiel CS 2.4 loudspeaker - the Experience was anything except subtle. Happy Listening!
Unsound - The wavy drivers are very exciting, and depending on how the future unfolds, I hope to work with them. Regarding the CS5s, I doubt whether I can help the low impedance, which is baked in with those drivers. A dual input option would sequester the severe bass load to the woofer amp, to free the upper amp. But as you know, that solution requires additional amp investment. What I can address is the two bucket brigade delays for the two midrange drivers which insert 36 components in series with them. That delay can be directly achieved with physical driver offset by re-working the baffle. A veil will be lifted. Given more time in 1989, that 3-D baffle was my preferred solution. As a historical note, I would have expected a CS5.2 after my departure in the mid 1990s, but that model was not further developed after the driver replacements for the CS5i.
@tomthiel, it appears that you’d settled on a path. That is most encouraging. The models you’d decided to start with are perhaps closest to my heart. Though I must admit that Jim’s last co-axial drivers certainly have their appeal. Do you think your updated CS 5’s with simpler crossovers will ease the amplifier burden?
Oblgny - thank you for your thoughts and perspective. The input from you and this group serves as primary guidance along my foggy path. I know that I want to stabilize the brand into the future, and that will take the form of offering owners and upgrade clients a stable service platform, which Rob is now providing, but will need more legs on its stool for ongoing viability. I know that I want to make selected models better than when new to illustrate the viability of ongoing re-development. I know that I can't accomplish everyting myself, so I hope to inspire some as yet unknown person or team to take up the torch. I began my exploration with the CS2.2s, since I had them since 1990. Then came (5!) more models to compare and contrast. Most recently the 3.5 compared to the 3.6. Obl, I think you're on to something; I feel welcome with the 3.5s. And I am on to some inspiring refinements. This early work will all apply to subsequent models.
It turns out, to my surprise, that as Thiel advanced in time, its sales per model declined. The peak volumes were in my time with the CS2 and CS3.5, followed by the CS2.2 and declining thereafter. It also seems that appreciation and enthusiasm for the brand also may have peaked in the 1990s - I'm still gathering and sifting clues; I'll be visiting Rob in Lexington at the end of November for more insight and direction.
The truly iconic Thiels surely include the CS2 and CS3-3.5. Their age puts them in most danger of failure and they have ready upgrade potential via multiple avenues, many of which I have been exploring in the HotRodLab. The Renaissance products will not be restorations of the original executions, but rather reimaginings of what the designs hoped to become when they grew up.
Pieces of the puzzle are taking their places, thanks in great part to my interaction with this forum, both here and behind the curtain. The more recent designs will probably be addressed in historic order, or as I gather confidence and abilities. I am particularly enamored with the CS5 due to my personal history developing that product, and that it is the last of Jim's sealed bass designs, and that a reconfiguration of the baffle can eliminate over half of the series elements in the crossover and so forth.
JA, I would not be taking this path without your forum. Here is where I found a focus and so many generous souls who have provided insights, guidance and products for my development work. Thank you all so much.
Good to see you here as always. Hope that your are well and bunkered down for the cold draft this weekend (it even makes way to the deep South). I can attest to the notable Bass reproduction from CS 2.4 loudspeakers, rich and textured in presentation.
Glad to read below that your recent re-visit to my favorite Thiel model - the CS3.5 - has been included in your upgrade paths. For me this model is the no compromise model within those I have enjoyed thus far.
I always employed the bass EQ @ the 20hz setting. I am not a very technically oriented fellow to dare replacing internal organs and whatnot. The first pair of 3.5’s I had suffered a punctured midrange when I attempted to see why one was intermittent. Thanks to Rob for repairing it.
The “compromise” I encountered with the CS3.6 was that I had to play the music louder than I normally do. When driven a little more than my preferred level they were excellent, pure “Thiel.” At lower volume level they weren’t as resolving.
With the CS2.4 I find the soundstage to be very narrow. Again, when I play them a little above my normal level this opens up. The bass reproduction is particularly notable. The “other room” test confirms that.
All of this falls under the IMHO submission. For me, the 3.5’s perform superbly at all listening levels. Yes, there are times when I am inspired by a piece of music and up the volume, but most of my listening is done at very conservative levels. It was the 3.5 model that literally stopped me in my tracks because of their articulate reproduction at a low volume level.
The compromises I mention are small. I could live, and have lived with various perceived shortcomings before - on every piece of equipment I’ve owned. To find one’s optimum setup requires time, money, and opportunity. I am happy with my CS2.4’s currently, but I’d sell them in a heartbeat to get a pair of 3.5’s again.
Just purchased a pair of cs 7s today from Andy at Saturday audio exchange bringing them home tomorrow!! Traded in my beloved 3.6s that I had for 27 yrs can't wait to get some listening time
I’ll be honest: I think that the R8 DAC is the star of the show, sounding very nearly as good as the Aqua Formula xHD DAC which given its low price is an amazing achievement. But don’t assume that the Master 1 preamp and Master 3 power amp are mere bystanders. This pre-power pair also offers extremely good value for money, delivering a combination of transparency, neutrality, and even-handedness that is normally impossible in this price class. I think you can easily spend double the amount and not get better sound. But the most amazing aspect of all is perhaps the further increase in performance when all the components are wired using the proprietary ACSS connections, giving the system such a leap in performance that it becomes impossible to fault, even in the company of esoteric hardware. Oh, and should you still be worried about the build quality of these products then the 10-year (!) warranty should instill confidence.
jafant, It's interesting to think about what an ideal location for a retailer might be. 40 years ago I bet a pretty high percentage of people walking into Audio Consultants were people who lived in the neighborhood. I bet now almost none of them are. Certainly not the ones buying the expensive stuff. I bet they're mostly taking special trips to the store and it makes almost no difference where the store is as long as it's in the greater Chicagoland area. I was just poking around and F1 audio is moving to just south of where the Libertyville Audio Consultants was located on the same street. They'll be in a shopping center kitty corner to a former United Audio/Tweeter. There must be some demand around here. The only thing in the area that interests me is the SS3 in Libertyville on audiogon. I don't need it, can't justify it, won't buy it, but I want it.
The equalizer "went South"on mine. I've often wondered if a redesign of the XO would have made a difference. (And a midrange driver that wouldn't quit.)
George - I am aware of the veil imparted by the EQ, and also the magnificence of the 40Hz and especially the 20Hz bass boost. I am investigating alternatives to the EQ, since it has always been considered a mixed blessing, and is inherently limited in its audiophile values, is un-repairable in its present parts list. I've spoken with Joe who used to make the Golden Flutes for the early Thiel 3s. Hmmm.
Hi Guys - a report from the trenches. This week I have received my CS1.5s and 3.5s with EQ plus an Adcom 5300 amp. Thank you forum for providing these units for the hotrod garage! My setup is getting fairly flush, allowing comparison between various products with various sources and amplification changes via throwing a few switches. Also, I'm accumulating measurement data with FuzzMeasure to correlate what I'm hearing with detailed data. And add the decades of reviewer and user experience and your long-term observations and opinions, plus my recollections of how and why various developments occurred . . . the picture is getting much clearer. Today's fun was hooking up the 3.5s I picked up yesterday from Harry Lavo. What a trip; I haven't heard those in decades. I get it. You 3.5 guys saved me from dismissing them as obsolete due to replacement driver hassles. Rob and l are actively finding optimum drivers to take the 3.5 into the future. That 20 cycle sealed bass is stunning with realism and immediacy. The 3.5 was the last product designed before CNC machining and all-MDF construction. I'll do the measurements, but my stethoscope says the walls are much quieter than the newer products. Their 1-1/8" particleboard is nearly double the stiffness of 1" MDF and the spans are smaller than later bass reflex cabinets plus the internal bracing is end-grain spruce, which is quite effective. CNC manufacturing dictated gravitation toward one material (1"mdf) including shelf braces. This week the EQ and its schematic are going to my tech for upgrade analysis. Anyhow, I'm loving the 3.5s and plan to tackle them after the 1.5s which are simpler as a sandbox.
I have been reading stories about the rent/tenant situation around the greater Chicago area lately. That city is following the trends found in California and NYC currently. It appears that small businesses simply cannot or will not pay those highly inflated prices. Sad for Consumers and Patrons within the (3) markets.
I can't believe Audio Consultants is going away completely. They had 4 stores in the area only 2 or 3 years ago. I live about 10 minutes from where the Libertyville store was and that's where I've bought much of my stuff over the years. I'm in my early forties and it's amazing how much audio has changed just since I've been following it since the nineties. I'm glad I got good quality stuff before the audio world got this bad.
The state of high end audio as far as local stores is really sad. Not only have the number of dealers declined, but to me it seems that the ones that are not all that great and are still in business stick out more. Many have also gone to cheaper rents in industrial parks with a policy of appointments vs. regular business hours. Some of those are in quarters which don't have the capacity for as many listening rooms (and many also do more custom audio and home theater installations vs. deal in strictly equipment) as what many are accustomed to. There seems to be more vendors that sell consumer direct and regional audio shows have increased to allow consumers to hear things they would otherwise not have an opportunity to do. Some of those venues make it a bit more difficult to get a good audition (unless one stays at the venue and arranges an after hours session). It's just the way it is.
IMO, the driving factor is the cost involved to reach the top of a two-channel system.
My five grandchildren have excellent two-channel systems, and all have chosen to avoid streaming of classical music. Their main objections to upgrading from "excellent' to "superlative" are (to them) the exorbitant costs. All five spin Redbook CDs on Bryston players and electronics and have speakers ranging from B&Ws to Bryston Mini Ts. (I'm trying to persuade them to go for some 2.3s or 2.4s; however , they're contented with what they have. All had "splurged" on their systems, and disposable income is now being socked away for their children's college funds.
jazzman - thank you for the news; sad but grounded in the facts of our times. Simon, and by extension the whole Audio Consultants organization, was a dream come true. I believe that if the marketplace were filled with retailers of his caliber, our marketplace would be far healthier and maybe even vibrant.
It may interest this group that when New Thiel assembled its first team including National Sales Manager Steve DeFuria, among his first moves was to re-enlist some core, respected retailers to re-focus Thiel in the marketplace. Audio Consultants was his first approach and acceptance, and they would have been a king-pin if New Thiel had stayed on its stated course of being true to Jim's vision. I don't have any figures, but I suspect that Audio Consultants may have been Thiel's top-selling dealer of all time.
Simon Zreczny, the owner of Audio Consultants, had a 52 year run, having opened in 1967. Of note to this group is that they started with Thiel in 1981 and were for all intents and purposes the hub of the Thiel community in the Chicago area. They were a class act and will be missed.
I am not sure why but high-end audio is a pretty tough business. I think partly because the younger generation does not care much of "sound quality". Actually it’s hard for me to strike a conversation regarding high-end audio with anyone since I find most people are not really into it either.
For most people as long as there are some music playing from a pair of speakers, they’d be fine. I guess I belong to a dying breed. I tend to be rather particular about my system.
Sad news. Just received email from Audio Consultants (long time Chicago area dealer located in Evanston) that they will be closing their doors on December 21st.
It's in the air that Tomthiel is about to design some amazing upgrade even for the CS 3.6, I really can't wait to realize how much better they can sound. I consider the CS 3.6 a sort of very well sounding loudspeakers and very hard or impossible to beat at its original retail price so I wonder what is going to happen with this upcoming Tomthiel touch up?Keep studying Tom, the Thiel renaissance is in your hands. All we together will make Thiel never die.
You must have a verified phone number and physical address in order to post in the Audiogon Forums. Please return to Audiogon.com and complete this step. If you have any questions please contact Support.
