The new Coda S5.5 amplifier: It's a "Petite Beast"!


I have in-house the New Coda Technologies S5.5 amplifier for review for Stereo Times website. It will be awhile before I write the review. However, I'm so impressed by the performance of this petite amplifier, it only weights 45 pounds, that I wanted to give a heads up to you GON members if you are in the market for a balanced pure class A amplifier, delivers 50 watts @ 8 Ohms, and can drop 100 Amperes of current on a peak!

The world class build quality of Coda amplifiers is on display with the S5.5, along with the most beautiful purity of tonality, precise sound-staging, complete liquidity offered by pure class A design, and what might be the best top end regarding details, decays, and a natural shimmering without brightness or any edge at all.

The S5.5 uses extremely wide bandwidth output transistors instead of the usual TO3 devices used in most transistor designs. I own the Coda #16, which is great, but the midrange/high end is taken to another level of musical enjoyment with the S5.5. The S5.5 has a sense of speed/aliveness that is exciting to listen to that you experience in live music. The amp is dynamic as hell, has driven with ease any speaker I have tried it with, hence my nickname of the "Petite Beast". Remember, 50 watts pure class A, can drop 100 amperes of current and only weights 45 pounds.

Teajay (Terry London)

johnah5

Thanks firefly.  I don’t think you can go wrong with the S5.5. In my review I meant to say about the Magico’s that they are sealed enclosures not ported. My error in writing. 
 

Jeff

@firefly627s I have ready Terry's review of the 07x and it does sound amazing.  I guess I am having a hard time with the preamp costing more than the amp :-).  I only run digital and need 1 input from my DAC (running computer, streamer and TV).  My DAC does not have volume control.  Several years ago when I only had my Lumin T2 streamer I connected it directly to my amp (Modwright KWE 150 SE) and it sounded good, but was lacking compared to going through a preamp.

Will wait to see how much I like the S5.5, but from the reviews I am hearing I think I will really like it.  May be time then to think about selling the Accuphase and putting that money towards the 07x. 

@hanki

Jeff, Outstanding review and your system is absolutely awesome. Your report in conjunction with Terry’s heads up on GON clinched my decision for an amp. S5.5. Thank you!

Question now is why should any audiophile look anywhere else? 

CODA Technologies and Doug are totally worthy of this success story and the benefits it will reap! Coda-Great products and customer focus and support!

Thanks again Jeff for the stellar review of the S5.5.

Joe

So here are my first impressions of my new S5.5 amp. It now has about 23 hours on it and still burning in. As a reference I have Magico S5 speakers, a Luxman M900U amplifier, Luxman C 900U preamp, Esoteric K-01x CD player, VPI Prime Signature turntable with an Ortofon A95 cartridge, Modwright PH 150 phono stage. My cabling is Kubala Sosna speaker cables and interconnects, power cables are all  Kimber Kable Palladium 10 except the amp has an Audioquest high current Hurricane. I have two dedicated lines, one 20 amp and the other 30amp for my power amp both with Furutech NFC outlets. 
 

Terry at the start of this thread nailed it perfectly as to the amps attributes. Crystal clear, clean highs with no grain or fatigue.  It lets me hear deeper into the music catching unknown nuances that I didn’t realize that were there. 
 

The mids match the high frequency in the openness and silky smoothness and more detail than I’ve ever experienced. 
 

The bass is tight, tuneful and full ( as much as a ported speaker design can give you). The amp never seemed to stress at higher levels  as I have been playing my system louder than normal without feeling the need to turn it down.  The amp never seemed to stress even when I turned it up way beyond with what I’m comfortable with. 
 

I am sure you have guessed I really like this amp. I’m 67 and retired so this will likely be my last power amp. I just can’t believe that this retails for just $6,400.  It is the least expensive component that I have and maybe the best performing. Coda really nailed it with this one. 
 

Jeff

@minatophase3

I have no experience with any of the Coda preamps; however, suggest taking an online look at Terry London’s review in Stereo Times on the 07X. Based on his findings, the 07x sounds absolutely phenomenal! It would be surprising if the lower cost CB or CP preamps yield as satisfying a performance as Terry reports for the 07x.

          To quote Terry's review conclusions on the 07X "It is the best synthesis of what solid-state has to offer (transparency, clarity, low frequency extension, control, micro details and slam/speed) and of what tubes have to offer (tonality, color, holographic imaging, three dimensionality, and soundstaging with a sense of air around the individual instruments) that I have heard in over thirty years listening to scores of preamplifiers." Placed on Stereo Times "Most Wanted Components of Te Decade" list!

            I am guessing the lower cost CB and CP preamps are excellent but not in the 07x league. Then again, depending on the total synergy of all system components with any of these preamps, anything may be possible. More likely though, the 07X will win the race by a decent margin, providing the overall system synergies for all preamps (CB,CP, 07x) being compared are on an even keel. Just a guess from the 07x review.

Just curious, has anyone tried the Coda CB/CP preamp as well as the 07x.  There is a big price difference, is there a significant performance difference?  Looking at the specs it seems the 07x has less noise and more gain on the XLR connections.

 

I received my S5.5 on Wednesday and have about 15 hours on it. I’ll be posting my initial impressions tomorrow. Even at this point it is more than impressive. Can’t stop listening. 
 

Jeff

I'm gonna try and get my thoughts together and get an opinion posted here in the next couple of days. Had to do extra work, because I was also breaking in a pair of Clayton Shaw Caladan speakers.....and needed to make sure what I was hearing was the CODA and not just the Caladans breaking in.

Happy to hear positive reviews!  I believe my amp will ship tomorrow so I should have it mid-next week!  I will definitely post my thoughts on how it sounds compared to my Accuphase E-380 integrated.  Will also have a friend bring over a Holo Audio Serene preamp so we will be able to hear the amp through two different preamps, will be using the preamp section of my E-380.  Getting very excited!

Hey Everybody,

This last night received another Email from a Gon member who had purchased the S5.5 after reading about it on this thread. He is totally enthralled with its performance. He had been using a P/P EL34 based amplifier and took a risk trying this solid state amplifier. As he said, "I got everything that I had with the tubes plus much better extension on the top and bottom, a lot more details and clarity, and, this surprised him the most, beautiful colors and a overall smooth/silky tonality. 

I hope other members, including this one, will post their experiences with the S5.5 in their systems.

Teajay

Post removed 
Post removed 
Post removed 

@firefly627s I owned the CSiB from 2019 so it is not the best version of it, but it was pretty good. The #8 was better and the #16 is so much better. The Sanders Magtech sounds better to me than the #8 but not the #16. I had the Sanders on the LRS+ for about 6-months and I loved it. My slight dissatisfaction with the #16 on my Yamaha NS5000 made me move the #16 to the LRS+. It is over the top amazing. A perfect match for the brighter LRS+. The Sanders Magtech is really good on the LRS+ but the #16 is so good that I have been constantly stopping my office work and listening.

I use the KEF KC62 sub in my office LRS+ system. It is not essential since the #16 really pumps out some bass in the small room, but the sub does add a nice touch,

If I get the new CODA System 150, which I can when I start a second job in September, I will replace the Sanders. Have 2 CODA amps and be done.

I asked James at Destination HiFi what was up with the listing for the SYTEM 150 already on the web site. Here is the response:

The amp Doug is sending here is the very latest and newest version of the Coda System 150. It’s so new, that Doug is still building it!

There are internal improvements being made.

There are no new specifications to be updated, so there is nothing to update on either the Coda website or Destination HiFi, for the time being.

BTW - The Magna Risers are great for the LRS+. They also come with a wire to plug into the speaker connections. It made a big difference for me.

Vogue is sounding great. Switching over to the new Judas Priest.

Post removed 

Jfrmusic,

Call Doug Dale at CODA, he is easy to talk to, free with his opinions, and an all around great guy. I've spoken to him a few times before and after buying the S5.5, and he was easy to reach.....actually he picked up the phone each time.

He'll be straight with you and give you an honest "yay" or "nay". He probably can give you a better understanding of the correlation of WPC compared to current delivery than most of us can

Thanks guys for the information about WPC and Current. Not sure I completely understand it but from what you’ve describing the 5.5 would easily drive and control the Harbeth C7. Also since it’s 6 ohm the WPC would be somewhere between 50 and 100. Probably 75. 

So given the high current of the 5.5 you’re saying it will have the reserve power to handle dynamic events when listening at the 70-80 DB level? Again I listen to large scale classical such as Mahler, Opera,Film Scores etc. 

Is there a way to compare the current delivery to WPC? For example 100 Amps current is equivalent to X WPC max. 

Post removed 

I believe those specs were listed in the old Coda website which dealers at the time copied into their web pages.

Post removed 
Post removed 

laginz,

Sorry I seemed to have missed your post. Currently with the Denafrips Hades preamp > CODA S5.5 > Clayton Shaw Caladans, the soundstage is more similar to what I would consider a live performance. Soundstage is outside of the speaker width maybe a foot and sometimes more. The vocals are front and center with instruments in their location, and the whole presentation comes from a "platform of sound" and not from the speakers themselves. I have not noticed vocals coming forward of that stage, but I may have just missed it if it does.

One of my favorite bands Poi Dog Pondering is a collection of 8 to upwards of 16 musicians and vocalists depending on the track, and I have never heard them properly placed in a recording before.....at least compared to live performances where I have seen them more than a dozen times. Also the instruments all have their own audio space as well, being able to pick out synth, from electric violin, to recorder, to horns, to xylophone, to accordian, to harmonica. The CODA and Caladans do this for me.

I don't tend to listen to a lot of small presentations with minimalist vocals or instruments.

Off topic for you streamers, I'd recommend listening to a couple of albums from Poi Dog "Wishing Like A Mountain, and Thinking Like a Sea", "Pomegranate", and "Natural Thing".....may or may not be your cup of tea, but a real workout for a system.

Post removed 

Hey Jeff,

I'm very interested in what happens going from the Luxman to the Coda S5.5 in your system. Both, excellent, but different. I predict that the S5.5 will bring a sense of aliveness/overall dynamics to your rig. Also, the clarity of micro-details across the board with a much more airy high-end. The Coda overall is silky smooth compared to the Luxman's overall velvety perspective.

Hey vthokie83,

I totally agree with you statement about Mike and Aric. Both are great people, take care of their customers, and are totally knowledgeable about what they either build or sell.

Teajay

+1 for speaking with Mike Kay at Audio Archon. He's a great guy to talk audio with, and he carries some high end brands including CODA and Harbeth.

What was really helpful to me personally, was that Mike is friendly with Aric Kimball of Aric Audio and he was helpful in talking through the pairing I ended up with: Aric Audio Motherlode XL and CODA S5.5. His prices are also more than fair, even for new equipment

I should be receiving my Coda S5.5 tomorrow. I’ll keep you all posted as to my impressions after a few days as it continues to break in. It will be driving a pair of Magico S5 speakers which need a lot of current. I’ll be comparing it to my Luxman M900U amplifier which is 150 watts at 8 ohms and 300 watts at 4 ohms with the first 12 watts in class A but, must less current. 
 

Jeff

Post removed 

As a former long time owner of Harbeth C-7s who tried a number of different tube and solid state amps I can assure you that they do like power. However, focusing solely on WPC misses the mark and a high quality amp like the Coda will deliver plenty of juice—I suspect the 5.5 will work very well with the C-7s.

Hey jfrmusic,

My dear friend Mike Kay (Audio Archon) is a Harbeth dealer and finds the S5.5 drives them wonderfully. You are forgetting that it's no only the watts but the current loading that makes a great difference in driving speakers effortlessly.

The Pass Labs and Bryston amps pale in comparison to any of the Coda amps, including the S5.5, which can drop a 100 amps. This is almost double the current loading of either the Pass Labs or Bryston.

Teajay

Please audition Bryston in your stereo before you consider buying. Often in reviews, Coda is compared with Pass as both designers worked together years ago at Threshold. In most cases, the equivalent spec but much more expensive Pass (someone has to pay for all those full page color ads and other marketing) is close but not preferred over the Coda.

Harbeth recommends a Minimum of 45 watts for my C7es-XD and states that 100 watts really needed to bring out the characteristics of the speaker and a also that even more power would yield improvement especially if in a damped room with carpeting, drapes and  furnishings. That describes my room. So I’m looking for at least 200 watts per channel. Bridging the 5.5s is attractive but as I expected CODA doesn’t recommend it. So my search will continue. Maybe the CODA 8 but then that’s a lot heavier. The Bryston line and the Pass Lab line are carried by my local dealer and he will deliver and set up for a small fee. Wish there was a local CODA dealer. 

Hey yowser,

This was addressed earlier in the thread. Coda did not change the name/generation of the S5.5. However, some recent important changes were made in the front-end and in using different power transistors. If you have questions regarding this just give a call to Doug who will answer any of your questions.

I'm waiting for you guys getting your S5.5 in the near future to share what you hear. So far, all the feedback in conversations and posts here confirm what I'm hearing in my system. The S5.5 is a great amplifier.

Teajay

Am I missing something?  The title of the thread says "new" Coda s5.5, but it appears to have been released 7 years ago.

Let us know your thoughts when you receive it....would love to hear your impressions

I placed my order for my Coda S5.5 in Black today, thank you @vinylvalet for working with me, what a great stand up guy. Recommended. It will be paired with my Legacy Audio Focus XD's and Wavelet II.  Also thanks to @johnah5 for the heads up Agon post. I think Doug will sell a bunch of these.

@minatophase3 In my experience, there's minimal to no change from turning the amp on using the bias feature on my #16. As I understand it, it essentially keeps everything charged but turns off the amp output.

For anyone worried about the S5.5 driving a tough load, it drives my B&W 804 D4s easily, and the D4s are a VERY complicated load for an amp. Lol JA's measurements in the Stereophile review had the ASR zombies frothing at the mouth.

Thanks @minatophase3 can't wait till you get to try the Serene, Spring 3 and S5.5 all together. Hopefully it's awesome. I thought I was a tube guy but turns out I prefer SS more, but with a touch of warmth. Also, appreciate @vthokie83 @yyzsantabarbara for the great feedback and discussion - it's really helpful too.

@yyzsantabarbara my fiend also had the Benchmark preamp prior to the Serene.  Wonderful preamp and adds very little coloration to the music. Unlike you, I prefer a warmer sound.  I am going to give the Accuphase a fair trial and if that doesn't produce the sound I like I will probably end up with the 07x for the exact reasons you didn't like it 😀.

Nice thing about this hobby is there are so many excellent choices for every taste.

I had the CODA 07x with the #8. It was not my personal favorite. I am not a huge tube fan. Though my headphone amp is an incredible tube amp (RAAL VM-1a).  I changed to the Holo Serene and the CODA #16. This combo is perfect for my ears with the Magnepan LRS+.

I have also used the Benchmark LA4 with the #16 and loved it too. It is slightly less warm than the Serene. I like both preamps with the #16, but if I could trade my Serene for a Benchmark HPA4 I would since I would like BALANCE control in my office preamp. I cannot move the Serene to where the LA4 is used (space issues).

Unfortunately, I do not have the shipping box for the Serene.

Both of these preamps do not add much to the sound and are utterly quiet.

 

 

@minatophase3 The Holo Serene Coda S5.5 pairing would be very interesting. Please do share your impressions when you try them together.

@jceahodges I also have the Spring 3 KTE Dac and a friend of mine has the Serene pre-amp.  Once I get the S5.5 I will have him bring over the Serene to see how it does with the S5.5.  Will report my findings. 

I have no personal experience with the Serene or the MicroZOTL (though I considered it), but the Rhumba Extreme 1.4 is the real deal. In the end I chose the Aric Audio Motherlode XL, but it was not an easy decision....it's really good.

Soundstage-wise, are all images at the speaker level and behind …or do images also project forward of the speakers. I’m principally thinking of solo vocals or instruments in this regard. Thx:)

Hello there - this thread is a textbook example of how a discussion should be conducted - to learn and provide tangible experiences that may help fellow users. Bravo. I'm following this discusssion very closely as I'm interest in the S5.5 as well and would like to build my current system around it. I now use a CODA CSiB integrated which has been my first foray to the brand. I must say, I love their sound, build quality, and even the looks. Like one poster early on said, maybe @yyzsantabarbara, "the CSiB is what got him into separates..." I feel the same way and want to head down that path too. Right now I have the CSiB feeding Klipsch Cornwall IV's, Holo Audio Spring 3 KTE DAC, and my weak link, Bluesound NODE 130 streamer with upgraded LPS. I'll be upgrading to an Innuos Pulse very soon, but wondering like others which pre-amp to go with; especially considering the Cornwall's are here to stay. Although I'll likely consider some Volti's down the road. Like its been said, I could certainly use the CSiB as the pre-amp and I'd been fine with that, but also open to other options. Short list looks like Holo Audion Serene, Backert Labs Rhumba Extreme, and possible LTS MicroZOTL tube pre-amp. Any thoughts or suggestions are very welcome. Thanks to @johnah5 for starting this discussion and folks like @vthokies83, @yyzsantabarbara, and many others for providing such great hands-on experience with the CODA products. Thanks and looking very FW to that S5.5 review!