I have perfected my network for the nth time


This is the complete summation of my efforts to optimize my network for streaming music. I started out with a combination of wired ethernet and fiber optic and ended with a completely wired network with passive filtration. This article represents only one of the myriad ways that exist to set up a network around myriad component choices. Your network will be a variation on mine as all systems are ultimately unique. It also represents a “no stone unturned” effort around the realization that “everything matters.” As such, I hope it will be a reference to those newly starting out, or to those currently in the process of searching for the best sound.

Let me humbly share my journey of tweaking my streaming network that I built around a Small Green Computer bundle. Back when I initially set up this configuration I modeled it exactly after Michael Lavorgna’s recommendations, now of Twittering Machines. It was stated that wired ethernet contains a multitude of music destroying noises that must be dealt with. Who was I to argue. At the time I didn’t even know what an ethernet switch was (a free- lance musician and private music teacher leading a sheltered existence) .

The bold type face in the following diagrams indicate elements that will be changed and explained as you progress through the text:

FO through wall > ONT,smps > 8tac tenrehte > router,smps > cat 8 > $15 switch,smps > cat 8 > i5 Transporter,smps.

Same switch > cat 8 > FMC,smps > Fiber optic > FMC,smps > cat 8 > ultraRendu with LPS > Pangea Audio Premier SE MKII USB Cable > Benchmark DAC3B.

I had completely solved all power problems in my system to achieve a superior black background. The above still had grunge :

1. I added a LPS with a Y adapter to power both FMC = better

2. I added a LPS to the Transporter = better

3. I replaced the LPS power chords with Pangea Audio AC-14SE MkII = better

4. I wrapped my fiber optical cable in bubble wrap. It seems they are sensitive to vibrations. = better

5. I replaced the 3 post switch cat8 ethernet cables with Pangea Premier SE = way way way better, but STILL some remaining niggly grunge!

6. I had not bought into the $700-$10,000+ ethernet switch mania. I had bought my $15 plastic covered switch from Home Depot. I did try a more expensive switch and sent it back because I could hear no improvement. I rewired post switch and removed the FMCs. LISTENED. Then I added the FMCs back in. They were definitely improving the sound, by a lot!

I ordered a iFi iPower X Ultra Low Noise AC/DC Power Supply for the switch. I took out the FMCs again and installed the new PS. WHAM!! The sound came into complete focus. I reinstalled the FMCs and now a huge amount of grunge had disappeared.

7. The new Pangea Audio Premier XL MKII USB Cable came on the market, which separates out the 5v current wire from the signal wires. Because my Benchmark DAC was using the 5v current, I replaced my previous Pangea Audio Premier SE MKII USB Cable (same wire and connectors) and wiped another smear of noise from the window. This is the single biggest improvement of all these suggestions.

8. Shutting the WIFI off in my primary router and using a wireless access point to regain WIFI for the house. It has resulted principally in opening up the sound-stage : width, depth, with clearer separation. This was the elephant masking the remaining network problems. I subsequently had to go back into my router when I realized I also had to disable the broadcasting of the router name and also disable the WAN feature to get the complete quiet I was looking for. The result was truly  startling.

9. I lived with this WIFI tweak for two weeks and I gradually became aware of a persistent coloration that I eventually came to realize was masking the harmonic structure of the music. Once I defined the problem there was no ignoring it. The problem had to be solved.

I started digesting the suggestions in this thread for optimizing an optical filter as I watched the $$$ mount while listing things to buy. I remembered that Mr. Lavorgna moved on by replacing his optical filter with a GigaFOIL. I found a thread on this very subject from that time period. Some level-headed fellow suggested removing the filter for a listen before proceeding. He had become unconvinced of the need for filtering. It was simple to connect an ethernet cable directly from my switch to the Sonore ultraRendu. I pushed play on Qobuz not knowing what to expect. Not only was the coloration banished, but the musicians exploded into the room, the result of expanded dynamic freedom . I was sitting there like a one-year-old that had seen his first Jack-in-the-Box! I stayed up late last evening listening to favorites with profound new revelations at every turn of phrase.

I decided to redo the test I had done previously comparing Dudamel conducting Ives Symphony 2 : Qobuz 24/96 vs CD 16/44.1. The first time I reported that they sounded identical. Now they did not. The Qobuz sounded like a SACD and the CD sounded like a CD, which is how it should sound when comparing different resolutions. The CD sounded like the colored generic-optical stream and the all-wired stream of Qobuz sounded much more open and revealing of a multitude of detail.

My network is now simplified being all wired ethernet with no optical:

FO through wall > ONT,smps > 8tac tenrehte > router,smps > cat 8 > $15 switch with iFi PS > Pangea ethernet > i5 Transporter with LPS

Same switch > Pangea ethernet > ultraRendu with LPS > Pangea Audio Premier XL MKII USB Cable > Benchmark DAC3B.

 

10. Let’s do some testing. I stumbled on this looking for other advice. It was reported that the ethernet cable direction makes a difference. My findings: definitely!!!!!

Test piece : Qobuz stream 16/44.1 : Elliott Carter "Horn Concerto" which is a highly detailed and dramatic work sure to reveal any differences.

First, I reversed cat8 between ONT and router and a veil was removed!!

Second, I reversed Pangea ethernet between switch and Sonore ultraRendu, and I had it right the first time.

Third, I reversed Pangea between switch and Transporter i5 resulting in severe sonic degradation. Back to the way it was originally.

I don’t have the courage to reverse the 50’ cat8 running under my floor and suspended with cable ties, but extrapolating from what I heard, I think I got it right(grin).

Three out of four isn't bad, but that one reversal has taken things to a new level of dynamic freedom and sonic clarity.

I was grateful for this new discovery because it gave me a foundation to further explore ethernet cabling in my system. Initially I researched out an inexpensive Chinese brand of cat8 that had excellent published specs and just went with it. When I substituted Pangea cables post switch (Every component in my system has to be best value for the dollar, systematically synergistic, and musical sounding. No budget busting or retirement account draining devices allowed!) I got a nice jump in clarity and left it at that. Now, when I had just removed the optical filter from my network, I had an extra Pangea and decided to try it between my ONT and router.

This involved some work as the cable was short necessitating me moving my router much closer to the ONT. I removed the Ethernet cable whose direction had been determined, with a cable whose direction was not determined. I had to try it both ways and then go back and forth between cables a couple of times, and the Pangea won. The Chinese cable sounds wonderful but just a little smooth and a little less open on the top. This is subtle but clear to me, and the more open cable leads to less fatigue in longer listening sessions.

This suggests that the remaining 50' Chinese cable MAY need to be replaced and I ordered a 20m Supra cat8 and Linkup cat8.

11. Ladies and Gentlemen : the results of The Great Ethernet Cable Shootout. The contenders:

a. Pangea Premier SE cat8 26awg Cardas Grade One silver-coated copper, audiophile claims .6m (Audio Advisor)

b. Gigaware cat6 24awg 15m (Radio Shack)

c. Chinese No-name cat8 26awg 15m published specs (Amazon)

d. Linkup cat8 22awg 15m published specs (Amazon)

e. Supra cat8+ 26awg 20m audiophile claims, published specs (ebay)

All cables were individually listening tested for directionality. It was conclusively unanimous, all of the ethernet cables sounded better one way than the other. When installed backwards the principal result was a shrinking of the sound-stage. It seemed the longer the cable the more dramatic the effect. Since none of the cables had marked arrows, the chances of correct installation when testing a new cable was 50%, and that is what I achieved. With a little experience I could hear the narrow sound-stage in less than a minute. These results are corroborated in Audio Quests ethernet cable literature :

Directionality
All audio cables are directional. The correct direction is determined by listening to every batch of metal conductors used in every AudioQuest audio cable. Arrows are clearly marked on the connectors to ensure superior sound quality. For best results, have the arrow pointing in the direction of the flow of music. For example, NAS to Router, Router to Network Player.

After I had corrected the reversed cable in my network, and replaced the short Chinese cat8 with Pangea, the sonic improvements led me to suspect the 15m Chinese cat8 as a potential bottleneck in my network.

ONT > Pangea > router > WINNER of the Shootout > switch > Pangea > Sonore ultraRendu

A. I installed the Gigaware cat6 that I used when I first started to experiment with streaming years ago. The sound was horrible. It reduced the sound of $$$$ equipment to the sound of $$ equipment.

B. The Chinese cat8 was good sounding and I could get Qobuz 24/96 tracks to sound like SACD. When after weeks of reading this thread and working on my network I listened to silver discs again, I found a subtle difference which I felt I needed to pursue, leading to this test.

C. The Linkup cat8 is an industrial strength cable, unusually thick and stiff. My initial impression was it is going to need significant break in time. After 24 hours it sounded better but in no way settled. My impression was that it is a system dependent cable. I am pretty sure it will never be the right fit for me.

D. The SLAM-DUNK WINNER is SUPRA 8. When I dropped this into my system the instincts leading to this test were completely justified. Indeed, the Chinese cable was holding the sound hostage. The sound-stage opened to new unheard of width and depth. The dynamics were so free and the musicians were so present, I wondered why I could not smell their sweat. I did not think to look at my speakers because it was obvious there was no music was emanating from them!

Upon reflection there is a synergy between the Pangea and Supra, a perfect marriage. Each allow the other complete freedom to do its thing. Since I will never hear a complete loom of either Pangea or Supra, I cannot conjecture what they would sound like. I don’t care, because when you have found the love of your life, you will only confuse yourself or do harm by continuing to play the field.

There are so many other brands/models to choose from. Many of you have your favorites. For me the above setup is a cost-effective value-for-performance solution that I always search for.

While I was testing, it was easy to run each ethernet cable to my new wireless access point and stream music to my laptop > iFi usb filter > AudioQuest Dragonfly Red > headphones. In each case, the sonic signature of the cables described above was broadcast over WIFI. This suggests there is no free lunch and a quality cable is needed.

 

12. I gathered the pieces to replace the smps for my ISP ONT and router:

a. iFi elite 12v 4a PS

b. DC cable Y adapter 18awg

c. Pangea 14awg PC

d. Brickwall surge protector

The installation of them opened the soundstage to cavernous dimensions, brought unbelievable separation to complex music, and a wonderfully beautiful tonality.

Ladies and Gentlemen, I declare my network optimized!

 

  1. I am back. After getting through #12 above, I was a tired and worn out audiophile and needed to return to being a melomaniac, my chief feature. After three months of joyfully listening to music on LPs, silver discs, and Qobuz, the audiophile lights started to flash into my attention. I was listening to a CD of Brahm’s Symhony 2, Dohnanyi, Cleveland Orchestra on London. The performance was immersive and the sound was definably solid in audiophile terms. I wondered how it would compare to the streamed 16/44.1 version. Here we go down the rabbit hole. There was no favorable comparison. The streamed sound was bleached and the dynamics impeded. Could this be be the “ethernet noise” that I had so far been unable to quantify? Could I do a quick test on my hypothesis that did not use fiber optics?

 My network with possible filtration points: 1,2 etc.

ONT > cat 8 > (5) router (4) > cat 8 > $15 switch > cat 8 > (3) i5 Transporter

Same switch > cat 8 > (2) ultraRendu (1) > USB cable > DAC

I remembered that I had an iFi iSilencer USB noise filter that I had purchased to use with my Audio Quest Dragonfly Red DAC some years ago. I had considered trying it in the big rig several times but considered it unworthy due to prejudice (no one is immune). When I tried it in position 1 above there was a definite improvement. iFi has a new version called iFi iSilencer+, which I ordered and was rewarded with another big step in enhanced performance.

Was I done? I noticed iFi had an iFi LAN iSilencer in their catalogue. I reached out to Ifi support and asked what I could expect if I piggy-backed these in the same network. I got an immediate, thoroughly helpful, and cheerful reply stating I would probably experience “diminishing returns”, but you never really know until you try for yourself. Off went the order. I tried it in position 2 and it was not optimal to have two filters on the in and out of the same device. There was a slight but discernable squashing of the sound-stage. When I moved the LAN filter to position 3 I got a huge improvement that was additive. I moved it from position 3 to 4 and heard a new kind of good while sacrificing the previous good. I ordered a second LAN filter.

Trying LAN filters in positions 3 and 4 and the USB filter in position 1, I was rewarded with an other additive upgrade in performance! I moved one filter from position 4 to 5 and it just sounded wrong.  Back to 4 and I was done filtering for $250 plus tax and no new boxes, PS, PC, etc.

  1. While I was waiting for the various filters to arrive I realized I had not yet experimented with mechanical isolation with my router, PS, surge protector (12 above). I bought another bag of hockey pucks and used stacks of 2 under devices until they were stable and achieved another huge improvement! I also tested elevating the PCs and 20m Supra CAT 8+ ethernet cable from the floors around the router and in the listening room. I was rewarded again. DO IT!

When you are working on your network and pondering your progress, be sure to compare “apples to apples” or CD verses 16/44.1 as your principle test. When they match you have truly achieved something. There are many files on the streaming services that are not the same as the CD so you have to use your experience to make sure you are on the right track. I am now getting as close to equality comparing CD to streaming 16/44.1 as I am likely to get and have probably achieved parity. The improvements I have brought to CD level streaming have scaled nicely to higher resolution streams, opening up sonic vistas that were subtly masked before and now stunning to witness. After all, what is a direct comparison to these resolutions? My streaming has become a truly satisfying experience.

Ladies and Gentlemen, for the second time, I declare my network optimized (until the audiophile lights start flashing)!

 

Now I am going to jump into the weeds and try to draw some conclusions :

a. There are two (three) ways to skin this network cat : All wired or conversion to all optical, both can sound equally good, although I personally have not heard optimized optical. (In addition there probably are those who have optimized WIFI setups.)

b. I think another reason for my success with all wired ethernet is the installation of a whole-house surge protector. This not only has lowered the line voltage from 126v to around 122v, but also seriously lowered the electrical noise floor. This has benefits for a network being installed in multiple rooms and on different electrical legs.

c. I am sensing that before the WIFI tweak (ref 6 above), the optical filter could remove some, but not all of the upstream noise, suggesting a confirmation of the original poster’s assertion of signal damage. This could and should be investigated by someone with the right equipment and expertise. What happens to the square wave when subjected to intense RFI in these router combos?

d. Wired network optimization now consists of the tried and true audiophile tweaks of quality cabling, ALL THINGS POWER, mechanical isolation, and passive filtering. In addition optical network optimization needs the highest quality converters with additional LPS and PCs, transceivers, and optical cable. This can be effective, but is it necessary? It surely is expensive. (Again, BOTH need to use a separate Wireless-Access-Point.)

e. IMHO, for those newly setting up their network, I highly recommend all Pangea digital cables, the highest model only, available with a 30 day return. Give them a listen against the mega-buck cables or the cheapies you may be using and see what you think.

This post reveals that I make no changes in my system unless I have clearly defined a problem that needs a solution. I listen to music with my trained and experienced musician’s ears. Problems always surface when I get frustrated trying to parse more meaning out of the performance/sound. My system has been meticulously tweaked. When one first starts tweaking, the sonic changes are minute because there are still so many problems masking clarity. However, as you get to the end, each new tweak is a revelation/game-changer. They are harder to find but Oh!-so-rewarding. If I can find anything new I’ll report back.

This was a four year journey. I have learned a ton along the way. I hope it is helpful to someone else.

singingg

@singingg 

Thanks for your very thoughtful post, but I do have questions.  The biggest one is with ethernet cables being bidirectional, how can switching them directionally change the sound?  My system is using three Cat seven cables in the sound path at the moment.  Most people need at least two.  Did you change the one from your modem and your router as well as the one from your router to your streamer? If so, did they both make a difference?  Did one make a bigger difference than the other?

Thanks in advance.

@fredrik222 You don't resort to personal attacks? That's rich. That's all you've been doing lately since your kaleidoscopic blunder.

All the best,
Nonoise

@lalitk yeah, that's always the response for absolutely ridiculous and impossible scenarios... Ethernet is not directional, that is a simple fact, here is no difference at all, doesn't matter what people like @tonywinga says, it is 100% in their head, confirmation bias. And since some people are so easily fooled by their own biases, you just can't trust anything they put out. 

Quote from the article I posted:

Taking potshots at "audiophools" dumb enough to believe that a $10,000 cable will somehow improve the playback of NAS-hosted music is a little bit like making fun of Kim Jong Il’s golf scores—both are so obviously delusional that it’s impossible to not point and laugh. In the case of the AudioQuest Ethernet cables, subjecting the things to a double-blind listening test isn’t even necessary to prove that the manufacturer’s claims are bunk—a basic understanding of what Ethernet is and how it works demolishes the foundational claims that the cables can possibly do anything special in the first place, and everything else crumbles once those are gone.

I don’t doubt that they’re nice cables and that the plugs are sturdy, but if you buy these, you deserve to be parted from your $10,000.

 

@nonoise Nope, I didn’t, I just called out your ignorance. That is all. You successfully prove in every post that you don’t even want to know anything about the topics you post about, and then you attack people who thinks you are just noise.

@fastfreight

Thanks again for your feedback on S1. I am not surprised by your findings given Marcin’s background in computer audio and the time he took to design S1 from ground up. Some of us are living vicariously through your wonderful experiences with high quality streamers. Keep us posted on what you end up keeping. I honestly don’t care for Roon based on my comparisons made with other competing apps like Conductor and JPLAY.

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@nonoise what is wrong with you? You were destroyed in that thread on topics from Streaming as a media, 4K OTA, cable TV, and so on. Each a topic you didn’t know anything about but yet you had an expert opinion. I should post all the DMs I received laughing at you, but I am seriously concerned about your mental well-being as is.

 

This is a very interesting thread. I thought I was doing good converting all of our phone drops to a hardwired network. Luckily, we had cat5e running throughout the house. I installed a basic unmanaged switch and ran an additional drop of plenum rated cat5e from the streamer to the switch. Since cat5e is running from the switch to the router, I didn’t find any benefit in upgrading only one cable. I used the highest quality of jacks available. At a minimum, a home run cable from the streamer to the switch is needed to eliminate buffering etc. After reading this thread, I need to do a little more research on unmanaged switches. Maybe a LHY-8 is a better approach. I need at least 8 live slots for a mesh router and other devices. 

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@nonoise here you go making things up again. I said that your premise that video streaming is inherently bad is wrong, and gave you the example of Kaleidascape…

you said 4K OTA isn’t a thing, which is wrong. And so on, over and over again. Nothing you posted was rooted in reality. 

yeah, I know you don’t hold facts in high regard, but seriously, seek help, now: https://988lifeline.org/?utm_source=google&utm_medium=web&utm_campaign=onebox

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@singingg interesting write up but it leaves me wondering…with all the time and money spent on using cheap cables and accessories, as well as components that require tweaks to this extent, it sure seems the whole is less than the sum of its parts.
In other words, instead of spending so much effort, time and money on cluttering up the space in a quest for ultimate ethernet signal, investing in a better quality component(s) and adding a passive filter like the Network Acoustics Eno or Muon seems like a better approach to me. Less is more when it comes to ethernet at least in my experience.

@nonoise I am seriously concerned about your mental health and your ability understand your surroundings. I will disengage now before you cause harm to yourself. 

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+1, @audphile1 …. investing in better quality components and Less is more when it comes to tweaking ethernet signal. 

I’d be interested to know if anyone has any actual data that illustrates improved sound quality. If you are using a high quality streamer and DAC, it’s hard to believe there would be any difference in SQ if you are already using a switch like Cisco or Netgear. I plan on talking to a few CEE’s next week. I’m streaming Qobuz HR without issue - no buffering etc. 

@rubicon15 no one has any data, because none exists.

And just FYI, Qobuz and others always buffer, streaming isn’t a continuous stream, but a series of downloads, I.e. pulling as much data down as fast as possible.

I understand how Qobuz and other providers transmit their data. Even though they buffer data during use/download, I have personally experienced a significant difference with a dedicated drop (home run) to a network switch. I suspect, those that do not have a dedicated drop may experience additional buffering while playing music. Specifically, I experienced additional buffering when my previous streamer was connected to a mesh router. Note, the mesh router was hard wired to my network. Installing an additional drop eliminated additional buffering. 

rubicon15

... I experienced additional buffering when my previous streamer was connected to a mesh router ...

When you say "additional buffering" what do you mean exactly? I think the size of the buffer is set by the provider, @rubicon15. Or, are you saying you had actual drop-outs with the mesh system? If so, that sounds like a setup problem.

I think a lot of people refer to 'buffering' when the sound (or tv) spins its wheels and reloads a bit.   Buffering is the streamer or tv downloading ahead of playback to have a reserve so to speak of info and hopefully never be behind.

Stuttering in playback is the buffering not working as designed, usually from poor wifi or ethernet.  I will wait to be corrected if I am wrong!

 

Try pulling the ethernet cable on your streamer or tv and watch how long it continues to play.  This is buffering working correctly.

This has nothing to do with Buffering. And nothing to do with internet signals passing through ethernet lines. In other words, people don't go through such lengths in optimizing their streaming setups simply to assure bits are transferred. Everyone knows that, it's not a rocket science.

This has to do with preventing noise from travelling through Ethernet lines (copper) and affecting your streaming chain. There are plenty of materials explaining this. I will just quote John Swenson here, but there are really many:

 

There are two types of sound-degrading influences the EtherREGEN is designed to radically decrease: Leakage—both high-impedance and low-impedance—and clock phase-noise. The clock phase-noise travels on the Ethernet signal itself and on power- and ground-planes. [Every signal edge coming out of any digital device carries the jitter/phase-noise of the clock used to "clock out" that edge; this shows up on the ground-plane and affects the threshold of chips’ clock inputs.

Fastfreight, yes, you are correct buffering should preload the file in advance of the music playing. In my case, yes, the music play back was interrupted or as I described as buffering. This occurred while the streamer was connected to a second port on one of the mesh extenders. When I installed a dedicated drop, home run to the switch, it eliminated all of the additional buffering as described. I have not experienced any buffering/shuttering since the dedicated drop was added. I rarely, if ever, have any wifi or network issues. What I described was isolated to the streamer prior to the dedicated drop. Hope this makes a bit more sense.

@rubicon15 it’s a connection drop out. Stop calling it buffering. Buffering is what prevents a user from noticing a brief connection drop out. You had issues with your setup. I use mesh for years and zero problems streaming audio and video.

audphile, I was using the “buffering” term to describe a condition I experienced. A layman’s term that most non technical people understand and may have experienced. This is commonly observed on televisions. For the record, I don’t believe I was experiencing a connection dropout. I didn’t observe a drop when monitoring the speed on an app. Granted, an app is fairly low tech. In my case, the only change I made was the addition of a dedicated drop - same switch, router and provider. Again, not a single problem after adding the dedicated drop. 

Time to catch up. Let’s address a few points as best as we can.

 

  1. The subject that has everyone’s knickers in a bunch is ethernet cable direction. Since I stumbled onto the topic and confirmed it for myself I have continued to think about it. Of course the bottom line is I don’t need to understand what I perceive with my hearing, but we all are ultimately unsatisfied with an unanswered WHY .

 

Yes, tipping my hat to all IT professionals, ethernet cables are bi-directional by design. Here is where I will get into my theory and it is only a theory because I DO NOT KNOW. When streaming music, do we listen to both transmissions to and fro? I think not. I reported I found the most significant sonic change reversing the ethernet cable going into my i5 Transporter server which is sending requests out to the web for files and directing them to my renderer. I further postulate that excellent cable manufacturers are fully aware of the surface anomalies that occur in drawing metal through dies to make wire, which creates directionality. I speculate in designing a bi-directional cable they will run the wires two different directions for incoming and outgoing signals. This may be incorrect as the wires may be assigned duty randomly by the equipment designers. I defer to someone that knows that answer. Never-the-less, we only LISTEN to the INCOMING FILES and when we get that wire positioned correctly there will be sonic benefits. That is my theory and I open it to civil discussion for all to learn.

 

  1. Several suggested that I buy some really expensive equipment and save time and trouble because throwing money at a problem is the solution to the problem. I have generally, with a couple of exceptions (front ends and speakers which I bought for the long haul), spent only what I needed to get me where I wanted to exist. I assure you that Small Green Computer, Pangea cables, Supra cables, and my beloved $15 switch with the $110 PS (don’t you just love it?) are doing the job to the highest standards and have taken me THERE (see 3 below). Small Green Computer has had the philosophy of separating the server from the render as the easiest solution to myriad problems. I bought into that, and since I am heavily divested in my tweaked network, I shall keep it in my end-game system. As to clutter, this separating of duties only requires me to buy one extra power supply, another PC, and another ethernet cable. Everything is now as tidy as can be on my 10 equipment shelves with my amplification and other front ends. The biggest challenge was routing the cables for best performance.

 

  1. Where is THERE?

 

No one seems to have gotten the reason I posted this thread at this time. I apologize for its necessary complexity and leaving the conclusion to the end (where else do you put it?). It takes a couple of readings to digest and comprehend what the article is ultimately about. It is not about being an obsessive OCD gear-head. It is about a journey into the unknown towards a specific goal: PARITY. I think I achieved that, and publishing and breaking out the champagne is my way of celebrating.

 

Let me put this in some perspective.

 

With the advent of silver discs the debates began and still rage. Which format sounds better, LPs or CDs? Phonographs had the head start and the technology was very mature, so LPs definitely held the advantage. CD players had a lot of research and tweaking to do to reach parity. When we bring these competing technologies into our rooms and systems we have further tweaking to do to achieve absolute parity, bordering on the obsessive. Someone who has done it knows the rewards. The formats will never sound the same, but they can be equally satisfying.

 

With streaming we have a third format competing for sonic dominance. It has the ultimate advantage of HI-RES files to take the lead. However, I will never abandon my physical mediums of 6000 LPs and 4000 silver discs. I own them and if all else fails I will have something to listen to. They serve as a reference as to where I stand in getting the new technology to compete with the established formats, and they still just sound wonderful. How do you know when you are THERE? We are very fortunate this time around to have an “apples to apples” direct comparison of CD playback verses 16/44.1 files into the same DAC. As streaming is a fledgling technology, it again takes seemingly obsessive tweaking to achieve that end, but probably just as equally obsessive as the beloved and finicky vinyl playback.

 

As I poke my head back out the rabbit hole, glass of champagne in hand, I salute all with a hearty “CHEERS.” I accomplished my goal for now, but I will keep my ears out for an unturned stone that may need to be pursued.

singingg

Several suggested that I buy some really expensive equipment and save time and trouble because throwing money at a problem is the solution to the problem.

I’ve read this whole thread - including the nasty posts that the moderators deleted - and no one here offered that advice to you.

... streaming is a fledgling technology, it again takes seemingly obsessive tweaking to achieve that end ...

Streaming is hardly "fledgling technology," unless perhaps you consider the Internet and digital communications "fledgling."

Audphile, I should also add that I do believe the wired wifi extender was causing a connection issue. Technically, buffering can be caused by a connection drop as described by you or a slow internet connection. In other words, buffering can be the byproduct of a connection problem - including drops. The cause of buffering may vary based on a number of possible factors. In my case, separating the streamer from the extender and adding a dedicated drop to an unmanaged switch resolved the problem.

@cleeds

@singingg better components = components that have better design and better quality parts where it matters the most, including power supplies, more robust network and digital design and implementation. All of this results in better sound. Is it more expensive? In most cases yes. But it is less expensive than stringing up endless converters, adding upgraded linear power supplies and introducing more noise with each of these tweaks than you think you just got rid of. Your cure is worse than the disease.
Speaking of throwing money at a problem - that’s exactly what you’re doing. You have a souped up base Civic with a kitchen sink of performance tweaks thrown at it. It ain’t a Porsche and it’ll never be, it’s still a Civic, although at the end of the day what you had invested in it either rivals or equals what you would buy a Porsche for.
I don’t mean to rain on your parade, so don’t take it the wrong way, but no matter what you do you will always be limited by the components.

@audphile1  No foul. However if my 16/44.1 streaming matches the sound quality of my silver disc player, I'll see you at the dragstrip. Best of 3?

cleeds, I can only make a recommendation based on my experience. Run a dedicated drop to the streamer - from a switch or router and purchase a decent internet plan from your provider. Personally, I don’t believe you need to purchase a $600+ switch. Purchase a quality switch that will meet your network needs. I’m currently using a Netgear switch. If you haven’t upgraded your router in a while, I would suggest an upgrade if you’re streaming a lot. Without getting technical, it’s that simple. You can purchase the tools and terminate your cables as needed.

When I got a Pangea SE Premier Ethernet cable to try, I put it between my router and the LHY-8 Network switch.  This cable features silver plated Cardas copper wire.  I let it run in for a day and then sat down to listen.  The soundstage and imaging was improved but the highs were harsh and edgy.  I was shocked.  This cable made the highs sound worse than the cheap $10 ethernet cable that I had been using.  I was about to remove Pangea ethernet cable when I thought to reverse it.  Bam!  The highs were now smooth and clear.  Quite the difference.  I added a mark on one end to indicate direction.  I reversed the cable again and the harsh, edgy highs came back.  Don’t know why.  Don’t need to know why.  I’m a hobbyist, an applications specialist.  If I were in business then knowing could possibly be a competitive advantage and I would not be sharing even this information.

Someone mentioned in a post somewhere that presenters do not run dedicated power or change outlets in the hotel rooms they use at Axpona.  Maybe they don’t run dedicated power lines but when I went to Axpona I found a handful of rooms that stood out from the rest.  The music made it hard to leave the room vs some rooms where I didn’t stay for more than a minute or two.  Apparently, some of these presenters know how to set up a system in a hotel room and I doubt they are willing to share that information for free.

@singingg a quick story…last year I decided to try CDs again. I picked up a dedicated CD transport, a Pro-Ject DS2T and a DH Labs AES/EBU cable from Upscale Audio. I gave both the transport and the cable time to break in and compared it to streaming. My Bricasti M3 DAC with network renderer used as a Roon end-point. I ran thru a ton of CDs. The Pro-Ject went back to Upscale. I wanted to love it but it just didn’t match streaming. 

@audphile1  

 I have no doubt that was the case. My silver disc player is an Esoteric, which I highly recommend.

@audphile1

A DAC like Bricasti M3 is perfectly capable of rendering finer performance and nuances embedded in a recording. @singingg owns a Benchmark DAC3B….need I say more 😉

Technically, buffering can be caused by a connection drop as described by you or a slow internet connection.

You don't seem to understand what buffering is. It's part of the TCP/IP protocol and it is not caused by a "connection drop." In fact, proper buffering is exactly what prevents an interruption when you are streaming audio.

I can only make a recommendation based on my experience. Run a dedicated drop to the streamer - from a switch or router and purchase a decent internet plan from your provider.

I did that years ago.

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I had the 3 HGC before the Bricasti. Not garbage but not great.
@singingg Esoteric is a nice player though…they make good stuff. Depending on the model and vintage of the esoteric player, I get your drive to bring the streaming up to that level. Research, trial and error, spending time and money is all part of it which makes it fun. Eventually you get to the point where you say enough’s enough, sell all the low end stuff, deposit you converters and linear power supplies into garbage bags, tie the bags with the cheap ethernet cables. and move on to better components. It’s gonna happen. It’s not a matter of if but when.

“I will keep my ears out for an unturned stone that may need to be pursued.”
@singingg 

Thought you’re open to learning and improving….maybe not! 

cleed, with all do respect, we are both correct. Buffering is as you described. A device buffers data, keeps it in the cue so to speak. However, the term buffering is also used in the tech industry to describe the condition I referred to - weak wifi with intermittent drops or connection drops can cause what is known as buffering. I consulted two different CEE’s to verify this information. By the way, I installed a dedicated drop to stream music years ago. 

audphile1, the Bricasti is a very nice streamer. I was split between it and the Lumin U2 mini. I ended up purchasing the mini. So far, minimal hours on it, I am very pleased. I agree, you can’t go wrong with a Bricasti. Like you, I was only interested in a streamer without a DAC etc.

Actually my Bricasti M3 is a DAC with an optional network renderer. I use it as a Roon end point without a dedicated streamer.
I did own a Lumin U1 Mini that I tested extensively against the Bricasti and the M3 won every time. So I sold the Lumin.
Right now my set up is Roon running on Mac Mini 2018 wired in another room next to router, EERO mesh access point behind the Bricasti M3 feeding ethernet into the DAC via a Network Acoustics Eno streaming system (passive filter and cable).

I assumed, you were referring to the Bricasti streamer. None the less, a really nice unit. In my case, I had a 3K budget and was not interested in a combined unit. I’m using the EERO pro mesh router as well. Every extender is hard wired. I’ve had it since it was released. I’m hoping to get another year or two out of it before upgrading to newer technology. So far, it’s provided consistent and reliable service.

@fastfreight 

Stuttering in playback is the buffering not working as designed, usually from poor wifi or ethernet.  I will wait to be corrected if I am wrong!

You are not wrong. 

@singingg

Yes, tipping my hat to all IT professionals, ethernet cables are bi-directional by design. Here is where I will get into my theory and it is only a theory because I DO NOT KNOW. When streaming music, do we listen to both transmissions to and fro? I think not.

There is where the complete lack of understand of how Ethernet and the TCP/IP (OSI) stack works comes in. YES, you always, always, have two way communication between the sender and the receiver. Here is a diagram how it works.

@fredrik222

Your diagram did not load. I am most curious to look at it. Maybe you can answer my question: in an ethernet cable are the same wires always assigned to output and input, or are the duties randomly applied by equipment designers?

Thanks

@singingg it’s figure 2.5 from here:

http://books.gigatux.nl/mirror/unixnetworkprogramming/0131411551_ch02lev1sec6.html

 

There are three types of standard Ethernet cables: straight (standard, 99.99% of cables), crossed, and rolled. they have a standardized pin layout that you can find here:

https://www.computercablestore.com/straight-through-crossover-and-rollover-wiring

Which pins are being used for what is determined on the standard in use, which basically means speed, here’s a picture of an example of that: