beatles love double lp has awesome sonics...best fidelity these songs have had and great mix for open minded music lovers
Great sounding new vinyl
This was suggested by Sonojfim on a previous thread. I wanted to send a petition to the vinyl companies because so many bad sounding new LP's on the market. A more positive way would be for all of us to share a few titles of really good sounding new and reissue LP's with label info if possible...
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You can't know for sure sure what you have until you clean it and play it but the information on the audio asylum thread can serve as a guide. None of it is a secret but the thread is a nice concise collection of useful information. For example, anything mastered at Sterling or Masterdisc by Robert Ludwig is worth checking out. But there are many others like KP(Ken Perry), LH(Lee Hulko), GK(Gilbert Kong). Discs mastered at Kendun(Mushroom's Dreamboat Annie for example)usually a good bet. I used to think The Eagles Long Run and The Guess Who's Greatest Vol 1 were good sounding discs until I found pristine copies that were flat sounding. Turns out the good ones I have bear the TML(M or S)stamp(The Mastering Lab)Same for James Taylor's JT. No guarantees, just other indicators along with early pressings, no barcodes and good condition. Look up the thread. It details more than I can. |
Hevac1, I'm a little embarrassed to say that I have never learned how to create these links. I just looked up the post on audio asylum though and it's still there. You may have more luck if you click on vinyl to get to the vinyl asylum first, then in the "text to find" box enter "Hot Stampers Secrets Revealed". Rwwear, look up this information and then re-examine these good copies you've found accidently. I'm guessing most of them bear one or more of these initials/marks. If so, you should be able to use some of this information to help you start having these happy "accidents" more often. |
I don't believe Hot Stampers are snake oil and I don't blame those who prefer to buy records that way. I do believe finding your own hot copies is easier and more fun than advertised. No record is guaranteed to sound good even if it has all the right markings but there are some tell-tale marks that will put you in the right ballpark most of the time. I won't detail all of this here nor do I claim to have all the answers. For those interested, a few of the things to look for in the dead wax have already been posted on audio asylum under the heading "Hot Stampers Secrets Revealed" No guarantees but time and time again when I pull out my favorite sounding copies I find one of these indicators. What I once thought was a random search has now taken on more of a pattern. It at least gives you some indication of which ones to bother with. Best of all, your local record store doesn't know the difference(or care) so won't charge any more for the good ones. Tom Port knows more about this than probably almost anyone and he'll find them for you if you want. It's not snake oil, more like a service. |
The new Music Matters and Analog Productions 45 Blue Notes sound great. The new 200 gram Japanese imports also sound very good. Originals may or may not sound best but paying $200.00 plus for hot pressings especially for used records that are in an abundant is nuts in my opinion. Most systems sound different from one another. One system could have great midrange and treble but no bass. One could have great bass and midrange but bad treble. Buying an item because someone said they are hot stampers on their system is asking for trouble. I have the most fun going into record store and purchasing used records between $1.00 & $8.00. Then finding my own hot stampers. It may take me weeks to play what I purchase but for the same $200.00 I can have 50 albums instead of one. |
I purchased two new Blue Note LPs last week (the cheap $10, not the 45 RPM heavy vinyl) and had to return both. One (Hank Mobley Roll Call) was so warp I didn't even try and play it (I think the shrink was way too tight...as it is on all domestic pressings). The other (Cliff Jordan Cliff Craft) had two visible/audible scratches (brand new!!!) and so much surface noise that it was a distraction. Conversely I bought two 180 gram LPs, Mingus Pithecantropus and Willie Nelson's Reggae album, both of which sounded fine. Moral of the story, I will probably only buy new vinyl that is an audiophile pressing or from Sub Pop. One record I did pick up an LP recently called Illinoise by Sufjan Stevens. It is an amazing pressing of an already amazing unique album (blows my CD copy away sonically). I highly recommend this LP. I wish all new non-audiophile pressings sounded this good. |
Madfloyd, Click on the first section, "All Vinyl". Scroll down and you'll find links to Recommended classical, rock, pop, and blues on heavy vinyl and even Audiophile recordings of special merit. You're right, he tends to hate most new vinyl but I find when he has anything at all good to say about a new release it proves to be one that's worth the trouble. |
Here's some great new and available vinyl that I've been listening to over the past two weeks: "Percussion Direct" from Groove Note (AGRN 1041) is very good. "Little Johnny C" - Johnny Coles - Music Matters Blue Note reissue The ongoing Beethoven symphony cycle by Kajski and the Polish Chamber Philharmonic Ordestra on the Tacet label continues to be very good. They now have out symphonies 1 & 2, 7, and 5. The new ZZ Top reissue of "Tres Hombres" from Rhino via the mastering team of Hoffman and Gray. . |
J, It's easy for people to become jaded toward new vinyl issues after being bitten a few times. It doesn't help that magazine reviewers gush about almost everything they hear. That's why I would steer you toward the Better Records site for recs on new vinyl. The "Hot Stampers" are high priced and probably overhyped but Tom is not afraid to stand up and call a spade a spade. If it doesn't sound good, he'll trash it. Conversely, if he recommends it, you can bet there's something behind it. I buy most of my new releases from him just because I appreciate his honesty. |
The recently released Pretenders "Break up the Concrete" is among the year's best rock albums(two 10" 33RPM LPs with CD.) Wide ranging original material feels at turns like Dylan's Highway 61, Lucinda, Janis, Grateful Dead, and british blues like some of Clapton's better material. Some songs are multitracked; others have a great live-in-the-studio sound. Chrissie Hynde has grown considerably as a song writer but her voice is untouched by time. Sonically excellent, though one side had excessive surface noise. The included CD allows close comparison of RBCD to vinyl. With good front ends, it's remarkable how close the two mediums sound-- with the edge going to the vinyl, of course. |
famousblueraincoat / Jennifer Warnes Cisco 3 x 45 RPM arrived . I can tell you that this is a great sounding album, no surface noise, very well mastered absolutely no defect on any of the 3 LP's. Awesome packaging. Price justified. Another one: John Heard & Co / The Jazz Composer's Songbook / Classic records |
I am interested to hear if anyone likes the soon to be available Famous Blue Raincoat on Cisco 45 RPM vinyl. This is a great recording but the Cisco would have to be something special compared to my Cypress pressings to justify the $80 price. Apparently the 45 RPM of Classic's If Only I Could Remember My Name is amazing if you can find it(out of print) but I've heard it already sells on EBAY for hundreds. |
The Escovedo Blue Note pressing is flat and quiet. This album is well-produced by Tony Visconti. Fairly good sense of sonic realism and excellent separation of instruments within a dense rock mix, probably from a digital source. IMO the sleeper is Malkmus on Matador. This is by far his best & most mature solo album(also supassing Pavement.) Well-crafted tight angular arrangements surrounded by swirling, psychedelic guitar suites evocative of Doors. Sounds like an analog source. |
Dgarretson, I have the Alejandro Escovedo album as well. The music is great, but I did not include it on my list because the pressing is iffy. Could you let me know if you found a good pressing? If so I will definitely look for another copy. I was lucky enough to catch him live last month...not to be missed! It's also worth finding the Youtube video of him and Springsteen dueting on "Always a Friend". Thanks, |
You are right, that was a great thread, hope this one will be as long... Some more recent great sounding releases to please Palasr: 12/ -Eleanor Mc Evoy : Out There / diverse Records- HiFi + favourite, sound++ 13/ -Robert Wyatt : Comicopera / Domino - Hypnotising voice celestial arrangements. The 4th side has a poem engraved in the vinyl. Amazing! 14/ -Bob Dylan : Modern Times / Columbia : proof that they can make a good sounding records when they want to. Nice job Bob ! 15/ -Michael Cashmore : the Snow Abides / Southern Records - Immaculate white album transcends lyrical new poets of England. Beautiful. 16 / -Donald Fagen : Morph the Cat / Reprise Records - Perpetuates his tradition of great sounding albums, this one is more cerebral... 17 / -Jill Scott : Who Is Jill Scott ? / Hidden Beach Records.- Intelligent, Groovin' we LOVE this great american singer here in Europe ! Sounding +++ That's all for today, great session , good night ! |
Some recent vinyl that hits high by any measure is: Shearwater: Rook Wilco: Sky Blue Sky Ray Davies: Workingman's Cafe Elvis Costello: Momofuku Gutter Twins: Saturnalia Stephen Malkmus: Real Emotional Trash Alejandro Escovedo: Real Animal Zooey Deschanel/M. Ward: She & Him Levon Helm: Dirt Farmer Plant & Kraus: Raising Sand Radiohead: In Rainbows Mathew Sweet: Sunshine Lies |
For good vinyl recommendations, don't forget the long lived thread begun by Slipknot1: Whats on your turntable tonight? I'm regularly finding excellent recommendations being posted there. . |
Strange how everyone's list (except Jazdoc's) spans the dawn of recorded sound until, oh, around 1987. Recommendations thin out in a hurry thereafter...hey, isn't that around the time digital became the ascendant recording AND playback medium?? Funny how that works... I'll make a modern-era recommendation: M. Ward - his Merge Records releases have been exemplary (sonically and (for me) musically), with special merit to "Transistor Radio". "Post War", and the recent rereleases of "Duet for Guitars #2" and "Transfiguration of Vincent" are also excellent. Although not easy to peg, I like to classify his music as 'contemporary old-timey' - lots of processed guitar sounds, harmonica, theremin, crickets... Clear as a mudpuddle, right?? Good listening, -Richard |
Good newer ones I have personal experience with: Classic Records:CSN(1st), Norah Jones:Come Away With Me, David Crosby:If Only I Could Remember My Name, Led Zeppelin:1 and 4, Miles Davis:Kind of Blue Speakers Corner:Supertramp:Crime of the Century, Miles Davis:Round About Midnight, Bob Marley:Natty Dread, Joe Cocker:A Little Help From My Friends Simply Vinyl:Roxy Music:Avalon, Eagles:Hell Freezes Over Sundazed:Bob Dylan monos:Freewheelin Bob Dylan, Times They Are A Changin MoFi:Not many but I like the Alison Krauss LPs:Others diagree Eric Clapton Unplugged:German Import Can't remember labels of these but:Beck:Sea Change(noisy but with great sonics), Son Volt:Straightaways, Paul McCartney:Unplugged, Green Day:American Idiot, Nirvana:Nevermind Import with Biem on label There are many more that I've heard are good but don't have personal experience with. Hopefully this will help some of you find enjoyable pressings of some great music without wasting money on bad ones. |