Prefers the MM Micro Ones to the Magico Q7? How can this be?
Well,TAS may want to review these Micro one speakers.
Well,TAS may want to review these Micro one speakers.
David Wilson must be a little annoyed...
the Absolute Sound has pronounced the relative new-comer Magico as having designed the least-flawed loudspeaker in the world (the Q7). the Wison XLF is described as the best "cost-no-object" speaker, and while "flawed" in some respects, is the company's best effort yet. given the lengthy history of attempts at making a perfect transducer, Wilson and its many devotees might take all this as a funny way of saying "better luck next time" instead of "this by far exceeds all that has come before which was already pretty darn good".
i have little doubt that, for $180,000 (or name another huge number) the Q7 is very VERY good. the cabinet is "inert", the drivers weigh next to nothing, and the crossovers are made from premium parts arranged as carefully as technology allows. But once upon a time, the B&W 801 Matrix ($5500) was
called the "audio end of the road" by Stereophile. so ACCURATE was this loudspeaker that you could tell what kind of bassoon the guy in the orchestra was playing, and on what row, completely distinct from every other instrument being played. you needed a chain of superior components upstream of course. but i will never forget personally auditioning this speaker and thinking "WOW"
as the music was clearer and cleaner with the best bass extension than anything i had ever heard before.
of course better speakers HAVE since been designed and the bass i was so impressed with turned out to lag behind the other drivers and needed a better design, better parts, etc. to catch up. but the Kevlar midrange unit is still with us in various forms, and the isolation of the "head unit" from the low-bass is also still a common technique. but how many multiples of $5500 (even allowing for inflation) does it take to clean up the sound of a loudspeaker, and also keep it from "shaking and baking" if you really crank up the volume?
I think everyone knows that probably $20K, maybe $30K, should give the speaker manufacturer a lot to work with. And for $50K you could wrap it in the most attractive materials on the planet Earth.
After 60 some odd years of reading about "OMG" components in the audio press, I would love to congradulate Magico on the one hand, and express my annoyance from another (and another ad.infinitum) article about the new greatest hi-fi thing for [you can't afford it]. personally i just happen to like the shape and appearance of the Q7 a lot, very clean, very uncomplicated. i do favor using grill coverings however, and feel that should always be an option
lest someone comes along "poking" the drivers to see how they move. there might even be some "contour" controls on the back turning up or down the tweeter or attenuating the bass to allow for a less than perfect room (although how could one place a "perfect" speaker in an imperfect environment?)
if this entire argument is exciting, or conversely tiresome, i just would like other persons' reactions to these pronouncements in the audio press.
and WHAT IF the Wilson XLF was placed side by side with the Q7 and you asked pro reviewers as well as music lovers to decide which speaker was better and/or which would be easier to live with long run?
while you're at it bring in a Rockport, MBL, Kharma, Nola, etc. set of speakers and try to decide all over again. Make it even more fun, and limit
the selling price to $50K or below, and see just how close you can come.
Just some random thoughts as we enter into the Audio Cliff....
i have little doubt that, for $180,000 (or name another huge number) the Q7 is very VERY good. the cabinet is "inert", the drivers weigh next to nothing, and the crossovers are made from premium parts arranged as carefully as technology allows. But once upon a time, the B&W 801 Matrix ($5500) was
called the "audio end of the road" by Stereophile. so ACCURATE was this loudspeaker that you could tell what kind of bassoon the guy in the orchestra was playing, and on what row, completely distinct from every other instrument being played. you needed a chain of superior components upstream of course. but i will never forget personally auditioning this speaker and thinking "WOW"
as the music was clearer and cleaner with the best bass extension than anything i had ever heard before.
of course better speakers HAVE since been designed and the bass i was so impressed with turned out to lag behind the other drivers and needed a better design, better parts, etc. to catch up. but the Kevlar midrange unit is still with us in various forms, and the isolation of the "head unit" from the low-bass is also still a common technique. but how many multiples of $5500 (even allowing for inflation) does it take to clean up the sound of a loudspeaker, and also keep it from "shaking and baking" if you really crank up the volume?
I think everyone knows that probably $20K, maybe $30K, should give the speaker manufacturer a lot to work with. And for $50K you could wrap it in the most attractive materials on the planet Earth.
After 60 some odd years of reading about "OMG" components in the audio press, I would love to congradulate Magico on the one hand, and express my annoyance from another (and another ad.infinitum) article about the new greatest hi-fi thing for [you can't afford it]. personally i just happen to like the shape and appearance of the Q7 a lot, very clean, very uncomplicated. i do favor using grill coverings however, and feel that should always be an option
lest someone comes along "poking" the drivers to see how they move. there might even be some "contour" controls on the back turning up or down the tweeter or attenuating the bass to allow for a less than perfect room (although how could one place a "perfect" speaker in an imperfect environment?)
if this entire argument is exciting, or conversely tiresome, i just would like other persons' reactions to these pronouncements in the audio press.
and WHAT IF the Wilson XLF was placed side by side with the Q7 and you asked pro reviewers as well as music lovers to decide which speaker was better and/or which would be easier to live with long run?
while you're at it bring in a Rockport, MBL, Kharma, Nola, etc. set of speakers and try to decide all over again. Make it even more fun, and limit
the selling price to $50K or below, and see just how close you can come.
Just some random thoughts as we enter into the Audio Cliff....
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