Capacitor log Mundorf Silver in Oil


I wished I could find a log with information on caps. I have found many saying tremendous improvement etc. but not a detailed account of what the changes have been. I have had the same speakers for many years so am very familiar with them. (25+ years) The speakers are a set of Klipsch Lascala's. They have Alnico magnets in the mids and ceramic woofers and tweeters. The front end is Linn LP12 and Linn pre amp and amp. The speaker wire is 12 gauge and new wire.

I LOVE these speakers around 1 year ago they started to sound like garbage. As many have said they are VERY sensitive to the components before them. They are also showing what I think is the effect of worn out caps.

There are many out here on these boards I know of that are using the Klipsch (heritage) with cheaper Japanese electronics because the speakers are cheap! (for what they can do) One thing I would recommend is give these speakers the best quality musical sources you can afford. There is a LOT to get out of these speakers. My other speakers are Linn speakers at around 4k new with Linn tri-wire (I think about 1k for that) and the Klipsch DESTROY them in my mind. If you like "live feel" there is nothing like them. In fact it shocks me how little speakers have improved in 30 years (or 60 years in the Khorns instance)

In fact I question Linn's theory (that they have proved many times) that the source is the most important in the Hi-Fi chain. Linn's theory is top notch source with lessor rest of gear including speakers trumps expensive speakers with lessor source. I think is right if all things are equal but Klipsch heritage are NOT equal! They make a sound and feel that most either LOVE or hate. (I am in the LOVE camp and other speakers are boring to me)

So here goes and I hope this helps guys looking at caps in the future. Keep in mind Klipsch (heritage Khorns Belle's and Lascala's especially) are likely to show the effects of crossover changes more then most.

1 The caps are 30 years old and
2 the speakers being horn driven make changes 10x times more apparent.

Someone once told me find speakers and components you like THEN start to tweak if needed. Don't tweak something you not in love with. Makes sense to me.

So sound
Record is Let it Be (Beatles)
The voices are hard almost sounds like a worn out stylus.
Treble is very hard. I Me Mine has hard sounding guitars. Symbals sound awful. Everything has a digital vs. analog comparison x50! Paul's voice not as bad as John's and George's. Voices will crack.

different lp
Trumpets sound awful. Tambourine terrible. Bass is not great seems shy (compared to normal) but the bad caps draw soooooo much attention to the broken up mid range and hard highs that are not bright if anything it seems the highs are not working up to snuff. I have went many times to speaker to make sure tweeters are even working.

All in all they sound like crap except these Klipsch have such fantastic dynamics that even when not right they are exciting!

Makes me wonder about the people who do not like them if they are hearing worn out caps and cheap electronics? Then I can see why they do not like them! If I did not know better from 25+ years of ownership that would make sense.

For the new crossover I have chosen Mundorf Silver in Oil from what I have read and can afford. I want a warm not overly detailed sound as Klipsch already has lots of detail and does not need to be "livened up" they need lush smooth sounding caps. Hope I have made the right choice?

When the crossover is in I will do a initial impression on same lp's. Right now it goes from really bad (on what may be worn vinyl) to not as bad but NOT great on great vinyl. (I know the quality of the vinyl because tested on other speakers Linn)

The new caps are Mundorf Silver in Oil and new copper foil inductors are coming. I will at the same time be rewiring the speakers to 12 guage from the lamp cord that PWK put in. PWK was a master at getting very good sound often with crap by today's standards components.

The choice of speakers would be a toss up now depending on what I am listening to. Klipsch vastly more dynamic but if the breaking up of the sound becomes to much to effect enjoyment the Linn would be a better choice on that Lp. If I could I would switch a button back and forth between speakers depending on song and how bad the break-up sound was bothering me.

volleyguy
Dear All,

I got a mail, saying that Lampi's findings were being discussed here.

Long story short - We make a lot of different type of caps. For the sake of competition we divulge some details but not all.

The ones Lampi took apart were CAST630v, which uses a special mixed dielectricum, we are quite proud of.

In essence, the copper foils are separated by two layers of paper, which is vacuum impregnated with our WPIO liquid/oil. Just like a regular paper in oil.

The material inbetween is not Mylar, as speculated, but something Steen discovered would work great in this application. Which is why we use it.

The cap is not in an oil bath - as we found the fully casted foil sounded better, the paper however is permeated with oil.

Incidentally, the CAST100v is completely different, The CAST Mylar we did for the Tannoy project is different again, and it does contain mylar.

On order we also make a myriad of different setups, be it PIO, WP, Teflon, Tin, Polystyrene, metalized. etc. etc.

Best regards,

Frederik

Duelund Coherent Audio
As Roxy54 noted, it seems that both paper-in-oil and mylar are available:

http://jeffsplace.me/wordpress/?p=3794
When did this new construction process begin? Mine were purchased a couple of years ago. I'm curious to know if the" new" version sounds different( could certainly still be fantastic). Frederick shed some light if you don't mind.
Charles,
Yes, the current CAST is not paper in oil. Agreed this is misleading for sure.
Roxy54,
Yes,I agree with you.It just doesn't make any sense for Duelund to be misleading about their fabulous capacitors and that's why I was hesitant to cast doubt on them.Duelund should clarify to avoid confusion concerning the various capacitors.
Charles,
Reynolds853,
Thanks for that link. I think there may have been an answer to everyone's questions buried within the article. After an explanation of the long process of consructing the Cast capacitor with paper and copper foil and oil (very interesting process), there is a picture of what appears to be Cast capacitors that look the same as the oil and paper Cast capacitors, and the writer explains that they are a new product, Cast mylar capacitors.
This might explain Grannyring's experience with opening up one that appeared to be all plastic.
The manufacturing process is described this site and appears to relate conversations with Frederik.

The Duelund Coherent Audio CAST Capacitor: The World's Finest ...
jeffsplace.me/wordpress/?p=370
Charles agreed. I am interested in why the claims don't seem to match materials however?
Bill,
I agree mylar isn't an organic material but a synthetic. I was referring to the organic sound quality of the Duelund CAST. It'd be nice if Frederick of Duelund would comment. What ever their method of construction they sound devine.
Charles,
I went to,the Duelund website and here is what they says about the CAST caps:
The Duelund CAST Capacitor is our no holds barred flagship capacitor.

The construction builds on the foundation of our Virtual Stack Foil design but does so with the addition of a proprietary WPIO dielectricum which necessitates several days of impregnation under high pressure.

Interesting as I see no mention of the plastic substance that was everywhere and most prominent? I saw no paper except the outer wrap?

This was a .22 uf CAST cap. Do they make different grades and types of CAST based on value and retailer? I doubt it.....This is quite confusing for sure.
Charles, I have seen the cap cut in half and well as the builder of Lampizator and Lukasz recent comments mirror what I have posted here.
Jwm, based on what is in the Duelund cap I would say they are more like the Audio Note Mylar, copper foil caps in materials only. Duelund uses a special process to build that others don't however.
The internal structure is most likely Mylar and certainly not organic as an FYI.
The more I think about this I'm inclined to believe the Duelund CAST is what its makers say it is . Personally I don't know of a Teflon capacitor that sounds like the Duelund. So if it is "plastic", how did they get it to be superbly organic and natural in character? The internal construction could be oat bran and toilet paper. Bottom line is they sound superb and serve as a supreme benchmark for other audio capacitors.
Charles,
A quick search shows that most, including Parts Connextion, lists them as PIO caps. However, Jimmy's Junkyard capacitor thread lists them as Mylar.
I am not sure Duelund claims or ever claimed paper and no plastic, but many of us assumed that as did reviewers.

They may have some oil, but certainly not impregnated in the plastic stuff.

None of this takes away from the sound, but I do find it interesting. I am Into the story of products and how they are built and designed.
I don`t know why Duelund would be misleading about the construction of their capacitors(if they indeed are] I haven`t cut one open. I can only account for what I hear and I love what they`ve done in my individual case.Volleyguy had one CAST capacitor that leaked. What was it leaking?
Charles,
The Duelund CAST may contain some oil but it would not impregnate the Mylar type substance inside the cap. Some suggest the little that is there may be to preserve the copper?
Some interesting information is coming out on the very good Duelund CAST caps. I have seen pictures of one cut in half and it is pretty interesting what is inside. They contain lots of a plastic type substance and no paper or oil. Ya, you are reading this correctly.

This certainly takes nothing away from their good sound, but I had always thought they were paper in oil types? I think all the independent reviews list this cap as PIO and it is not apparently.

The new Jupiter caps are indeed PIO with copper foil. They continue to sound better past 100 hours and for electronics they are very special indeed. Love to hear some in my speakers once those values are out!
Salectric

I hear you. Thanks!

I am pretty sure - via anecdotal evidence - that this unit does have output coupling caps. I know of similar players that have had them changed.

I'm booked in with a technician (audio modification is his specialty) next Thursday.

Thanks again. Invaluable.

Tas
Don't overlook the possibility that the DAC may have a direct-coupled output in which case you don't need any output caps. You really need a tech to look over the unit to make sure what part is doing what before you start replacing things. On an expensive unit like that, you want to be especially careful that you don't damage the circuit board.
Hmmm - some thought provoking information coming out. I knew you wouldn't let me down!

Salectric - power supply filter? I really think you may be right. I believe the Nichicon 470µF caps are NOT the coupling caps.

This player - Meridian 800 VAX V4 - is designed like a PC ie many modular parts all connecting into a motherboard. I have two analogue output cards - one just for my main speakers(left/right) and the other for the surround speakers & subwoofer.

There should be one coupling cap per channel - there are two nichicons 470µF caps on each of the analogue cards. Earlier today I could have sworn there were two on the stereo and three on the surround. I was wrong and I mislead my technician by giving him the information that I had three on the surround card.

Ok - now I have to apologise. I incorrectly observed the facts. Sorry folks.

I think it's time I had this unit on a bench in front of this technician and he made a firm assessment. At this early stage I can say that there are two 100µF caps on the stereo card and three 100µF caps in the same position of the surround card (perhaps indicating they are the output coupling caps?!) but I won't swear to anything being anything until I get some expert advice my end. Sorry again folks!

Grannyring - if I have any doubts about my attempt on this I'll just get this audio technician to do the cap installation. My unit is hand built and not too hard to work on. I am confident with my soldering but the trick with this install will be packing the caps neatly amongst all the hardware. I don't think it's too hard for me but you are 100% correct. I'll take no chances.

I should be able to get this player in front of my technician next Tuesday to determine where things are. I'll keep you guys posted.

Charles - my player (which cost someone, somewhere, around $40,000 retail in Australia new), in its day (around 8 years ago), was reputedly the best DVD and DVD-Audio player in the world. Which is definitely not to say Meridian didn't take short cuts. I only just replaced the switch mode power supply in it with a linear one a few months ago with great results! It does amaze me where a manufacturer will try and save money.

In the case of my output coupling caps, I am thinking that my unit will be old enough that the caps we have all been talking about simply didn't exist when this unit was designed/built and that that's the main reason they will make an improvement now. However, Salectric, I've heard and respect everything you say. Thank you.

You guys are an incredible. Thank you for being out there. One of these days, we should try and organise a "convention" or meet up. I'd love to listen to music and eat and drink for an unreasonable amount of time! lol

Take care, Tas
This is starting to make sense, inexpensive mass market CD players using very large value but poor quality capacitors. Certainty this partially explains the typically crappy sound heard from these types of players. I'd be genuinely shocked if a Duelund or Jupiter capacitor doesn't provide a significant improvement in the sound quality.
Charles,
One other thing to consider. Replacing caps on a circuit board is more work. It can be a lot more work if space is tight, the board is cheap, the board has to be removed, there are small resistors in close proximity.........

It can be tricky and ask yourself if you are up to the task. If you over heat the board you will lift a pad or trace easily. You ould damage the unit so much that you need a new board or more likely.........trash the unit depending on age.

Are you up to the task? Practice on a $30 player/board many times desoldering parts and replacing. You also need a good soldering station.
Salectric is right. If you are certain you have the right position and they are not power supply caps, then replace them. If they are output caps, then no need for that value and a 1 uf will be fine.

I replaced the 100uf output caps in my Sony NS 900 CD player with .47uf Duelund CAST two years ago and the improvement was astouding!

Salectric explained it well. Just be sure those are the right caps to replace. Wether 47uf, 100uf or 470uf, if they are output caps, then 1 uf will work great. Most inexpensive, mass market, CD players use these very large value electrolytic caps as output caps as an FYI.
I find it difficult to understand the use of such a high capacitance electrolytic as a DAC's output "coupling" capacitor. On the surface it doesn't make sense ( most are .47uf-1.0uf). 470uf???

Salectric as usual you offer good perspective and advice. It's true, you won't no the result of a modification until you actually hear it.
I'd find it hard to believe that a premium PIO capacitor wouldn't be an improvement over a large value electrolytic as a coupling cap.
Charles,
Tas, sorry for the confusion on the cap value. Too early in the morning! My comments on replacing the electrolytic with a small value film cap still apply, but the 470 µF value increases my suspicion that this is really a power supply filter rather than an output coupler.

One final comment. Just because a particular part like a Duelund capacitor has nearly unanimous praise does not mean that it will be an overall improvement in a particular application. For example, many years ago I made the mistake of buying a Threshold FET 10E phono stage based on reviewer recommendations. It turned out it had a large nonpolar electrolytic capacitor on the output so I figured I could improve the sound by replacing the electrolytic with a film capacitor. I tried a number of popular capacitors for that day, all of which made significant changes in the sound but overall I kept returning to the cheap electrolytic as the best sound for that particular preamp. It is quite possible you will find that the 470 µF electrolytic used by the manufacturer has some qualities that you sacrifice with a replacement film capacitor. I'm not saying that to discourage you but you need to go into this with your eyes open.
Salectric

You have my absolute attention! Just before I go on, the Nichicon caps are 470uf NOT 47uf. Does that affect your thoughts here?

They are small (in size) physically......not that that's relevant, I guess.

In lieu of the 470 uf rating, would you say your advice would still apply?

Very excited here

Tas
TAS, If the Nichicon 47uf caps are really the output caps, you will probably be able to replace them with a much smaller value. I can't say that for certain without looking at a schematic but I suspect you could replace them with a cap in the .47 to 1.0uf range. The mfr most likely used the big Nichicon because it gave a whole lot of capacitance for a small investment in size as well as cost. Unless your preamp input impedance is very low (less than 50k) or the DAC has a low value loading resistor on the output, a small film cap should probably work fine.
Gentleman, I am not tring to get off subject here, However, I believe it is best to ask my questions here instead of the digital threads, we are talking caps, parts etc... on this thread, I just bought a brand NEW cd-player, I use to own the same player in 2012, this time the unit only came with RCa out-puts, I talked to Ralph of Atmas-phere, and he can and is willing to put balanced connections on the player for me, I live in Mobile,Alabama, St.Paul, MINN is very far away and the turn around time likly would be to long for an hour job at most!, where and who that is reputible that I can call on the phone that is closer to me and can do a quality job of putting Balanced connections on my payer for me, Ralph quoted $150.00 which is a good price, I just do not want to get my player tied up for over 3 weeks max to do a simple job that I am asking, Thankyou Guys in advance.
@ Grannyring, You mind me asking, what was the cost for the Jupiter foil caps for your Romulas player?, who are the Jupter copper foil caps made by, and where do I get them?, you said that jupiter only makes a cap value of 1uf?
Hi all

I spent some time talking to a technician about my output coupling capacitors in my digital source ( Meridian 800 DVD/CD player ) and I now know they are Nichicon 470uf/16Volt types - electrolytic. Those values mean that - as far as I know - Duelund and Jupiter (PIO) caps are completely out of the question. Needless to say I am really disappointed.

After being bowled over by the difference in before/after with my speakers I was very eager to do the same in my dac. Folks - this process of improvement is unbelievably addictive!! lol

A question to the thread members - can anyone please suggest any options for capacitors to substitute into the positions I have here?

I look forward to hearing from you and thanks very much in advance!

Tas
Tas,
The Jupiter copper foil capacitor appears to be an excellent choice for your DAC.If they do for you what the Duelund CAST did in my DAC, you're in for a major treat{for less money than I happily spent}.Not a bad way to go.
Charles,
I have to update all on these Jupiter copper foil caps after over 100 hours of break-in. They keep getting better and better.

They are so darn real sounding. The micro details of human voice and instrument is astounding. Couple this with the sense of heft, weight and body they have and no cap is it's equal.....no cap.

They have an uncanny sense of depth and while I have said this before, the unforced naturalness is such a welcomed musical reality. Smoothness is state of the art without a doubt. Ya, I am worked up over these music making parts. Placed in critical positions, they will make you smile and pay attention to the music.....

Do not judge these until you get at least 100 hours. If they continue to get better, my wife will need to sedate me!

Note....these are the smaller value caps for electronics. They are used in my Thor TPA30 tube amps....4 in each amp as part of the signal path. Four in my Aesthetix Romulus CD player.
The Jupiter caps are not forward sounding or forced in the least. I have used them as output caps and coupling caps in my gear and they are very special.

More pleased with these in terms of musicality than any other cap I have tried, and I have tried lots :-)
@ Ptmconsulting, The fact you said that the jupiter caps did not sound forward got my attention more than eany thing else!, I hate forward sounding equipment and cables, does not sound real, alot of people do not realize they are hearing this, they believe it must be better because of the in your face perspective, magnified, so to speak of, I enjoyed your post and others posting here, I know I am reading seasoned audiophile's post, they know a forward presatation is not realistic, and at the end of the day, two dimensional.
I also picked up a few Jupiters and burned them in for about 50 hours before installing. I used a .1uF in my speaker crossover as a bypass to the in series caps, a 1.0uF in my phono stage as the coupling cap, and a .01uF as a bypass to a V-Cap OIMP in my preamp output coupling cap.

After the 50 hour burn in and installation things sounded very well balanced, but flat. Another 10 hours made them open up, where I got the top end extension back. Another 10 hours and later Sunday night I heard the dimensionality return. They now sound very nice indeed. Well balanced, extended, airy and without any hint of hardness or sibilence.

I bet there is a bit more burn in to go, but they are sounding very sweet indeed right now. Plenty of air, nice texture, good dynamics, balanced top to bottom, extended without glare or forwardness, great image/soundstaging, a "real" palpability to instruments. Just hugely musical.

Took about 70 hours of break in, which is definitely on the light side for premium caps. We will see if there is more to come as time goes by.
Tas,
Your description of the speakers is precisely what I hear, "purer, bigger, more lifelike". Crossover capacitor quality does matter, significantly.
Charles,
Bill, Charles,

thank you very much. I've contacted a technician (does mods locally) who I will get to identify the values of my output coupling caps and my next step will be to order the Jupiter Copper caps from Parts Connexion. This last step will be a sublime pleasure. I'm so close to total and absolute satisfaction I can taste it.

The speakers are wonderful, really wonderful. I'm still running them in and they're now better each time I listen to them. Purer, bigger, more lifelike - love them.
Tas,
The capacitors are 1 per channel (so just 1 pair is needed). If you click my system page and then click my Yamamoto DAC you'll see a picture of the installed CAST. If Grannyring believes the Jupiter is equal to the CAST that's very good news and saves you money. I'm not familiar with your DAC but surely superior output capacitors can't hurt.

Here's my perspective, The 1 pair of Duelund CAST cost me 459.00. You could easily spend 2-3x that (or more) for a pair of quality interconnect cables and not get the same improvement rendered from the CAST capacitors. For me the CAST represented a substantially high value/reward result.
Charles,
Bill

Jupiter copper instead of Duelund CAST? Love hearing this kind of advice - thanks!!! Specific and to the point.

Thanks Bill
Tas, put the Jupiter copper in your dac based on your comments thus far. The total balance of your system will please you greatly with these in your dac.
Charles,

thanks for the reply! Output coupling position? Ok. Did you require one cap per channel or is that a single capacitor? That sounds like a marvellous next step for me. My analogue output is built on a card in slot arrangement (like a pc) and there is plenty of room. A CAST cap (or two) won't be a problem especially if it's something low level like 1uf. I have a reasonable feeling that this will go a long way to taming my "aggressive" treble which I believe is coming from my DAC.

Many thanks! Tas
Tas,
The Jupiter capacitors seem to be an ideal candidate for your DAC based on Grannyring's ringing endorsement. The CAST in my DAC has been a spectacular sucess (1uf output coupling position). If either of these two caps fit into your DAC I'd go for it. You'll have premium capacitors to begin the signal path and again exiting at the speaker.
Charles,
Hi Tas,
Perhaps it's the different systems we have but I didn't experience the occasionally aggressive treble you mentioned. Immediately apparent was an increased resolution and detail/information retrieval. However the innate natural character improved! More resolution yet the organic quotient elevated simultaneously. That's special in my book. Tas you are well on your way.
Charles,